The sound Hot Mulligan makes at a sold-out Stone Pony Summer Stage.

If you’re able to stay up-to-date with modern emo’s biggest names then Hot Mulligan shouldn’t sound too unfamiliar. The #1 Hot New Band has taken the scene by storm with twinkly midwest emo influences, ridiculously hilarious song titles and devastating lyricism at the core of their identity. Consisting of Tades Sanville (lead vocals), Chris Freeman (rhythm guitar, backing vocals), Ryan Malicsi (lead guitar), Jonah Kramer (bass), and Brandon Blakeley (drums), the group has had arguably the biggest year of their career since the release of their fourth album, The Sound A Body Makes When It’s Still, last August. 

In the midst of performing at massive festivals like Vans Warped Tour D.C., Gov Ball, Summerfest and Bonnaroo, Hot Mulligan made their way to the Stone Pony Summer Stage on June 16 for their largest headlining show to date. With support from Koyo, saturdays at your place and Joyce Manor, Asbury Park was treated to a night of pure chaos from each band on this stacked lineup. 

Koyo is one of those bands that needs to be experienced live. Sure, you can listen to them in your car or with headphones on during a workout, but nothing will compare to the influx of crowdsurfers and brutal mosh pits that occur right in front of your eyes and ears. Their setlist mainly consisted of tracks from their recent heavy-hitting sophomore album Barely Here along with two beloved fan-favorites “You’re On The List (minus one)” and “Moriches.” The Long Island post-hardcore band brought an indescribable energy to the stage at 6pm on a Tuesday that I’m honestly wishing I could relive right now. 

saturdays at your place took the stage next, bringing the Midwestern ache of Kalamazoo, Michigan to the Jersey Shore. I’ve been a huge fan of the trio since discovering them in summer 2024 and it warmed my heart to see how many people showed up in their merch and sang along to every word. The setlist was arguably perfect, standing in the space between every fan’s dream and the most well-rounded introduction to their music for those unfamiliar. Hearing tracks like “what am i supposed to do?” and “tarot cards” live in 70 degree weather while standing at the edge of a mosh pit felt extraordinarily therapeutic.

Joyce Manor has been on my list of must-see bands for what feels like decades. The best and honestly funniest part of this show was that they practically performed an entire headlining set because of how short most of their discography is. The setlist was 16 tracks long, powering through material from their older releases alongside their latest album, I Used To Go To This Bar. Watching them perform classics like “Constant Headache” and “Heart Tattoo” as the sun began to set has left me unable to stop thinking about how cathartic those moments felt for me. “Catalina Fight Song” brought their set to a close and it was fun to get the chance to scream along to the chorus, well, actually right by the ocean.

I forgot how at home I always feel right in the eye of the storm at a Hot Mulligan show. As soon as “Drink Milk And Run” began, the energy that consumed the Stone Pony Summer Stage was unreal. While you may expect the momentum to start to waver as a band rips through 23 songs with minimal breaks, it was the exact opposite. Hot Mulligan and the 4,500 people in front of them kept feeding off each other’s energy, only becoming crazier and more animated as time passed. I may have even almost broken my camera at one point to help lift a crowdsurfer (don’t worry, though, both my camera and the surfer lived to tell the tale)

There are few bands that have the same on-stage humor as Hot Mulligan. I wish I kept track of how many times Sanville amusingly told the crowd to loudly boo the band (only once for no reason, though!). There was another hilarious moment where he forced the crowd to admit that they never actually listen to any of the interlude tracks and then subsequently made that fact change as “This Makes Me Yucky” blared through the speakers. 

My favorite bit of the night was when Sanville declared that the setlist was heading into the section that was just about “guys,” including “Bon Jonah,” “Featuring Mark Hoppus” and “John ‘The Rock’ Cena, Can You Smell What the Undertaker.” It’s hard to explain to a normal person that the most emotional part of the night for me was during a song called “Monica Lewinskibidi,” but it’s somehow one of the most beautiful ways that I’ve ever seen grief described in a piece of music. This track has been my unrivaled favorite from their last record since its release and experiencing it live felt otherworldly. 

Freeman also joked with the crowd by briefly convincing them that the real Mark Hoppus was about to join them for their performance of “Featuring Mark Hoppus.’’ Although it was a little cruel, it was admittedly pretty funny watching everyone completely lose their minds before realizing that they’d been lied to. 

They continued playing a mix of new and old favorites before reaching the show’s final stretch that displayed their most popular hits. “BCKYRD” and “*Equip Sunglasses*” saw the massive crowd at their loudest and rowdiest, with every word being echoed back at a deafening volume. As the lights turned on and security started ushering everyone to go home, I left Asbury Park with an insane adrenaline rush, a setlist and one of Freeman’s guitar picks. 

The first time I ever saw Hot Mulligan was at the Stone Pony Summer Stage when they were a part of Sad Summer Festival in 2023. I lack the vocabulary needed to properly describe how it felt to watch them come back for their own headlining show three years later. This era has given the post-emo inventors a new vitality, with their sound and personalities being louder, bigger and more confident than ever before. Milestone shows of this stature remain concrete evidence of the true impact bands like Hot Mulligan have as they continue to evolve. They were playing to crowds of 1,500 just two years ago; now those numbers have tripled. Though self-proclaimed, Hot Mulligan really is shaping up to be the scene’s #1 Hot New Band with each passing minute. 

Missed out on Hot Mulligan’s string of summer shows? You’re in luck! The band announced that they’ll be back on the road again across North America this fall, hitting cities including Ottawa, Baltimore, Tampa, Charlotte and more. More information for these upcoming shows can be found here.

Review & Photography by Amber Bintliff

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Heart Attack Man and Phoneboy kick off first night of co-headlining tour in New Jersey | Photos & Review

If you’re wondering what to expect from a Heart Attack Man show: buckle up. Frontman Eric Egan, drummer Adam Paduch, and guitarist Ty Sickels emerged from the depths of Cleveland, OH in 2013 and have been raising hell in the modern rock scene ever since. Over the years, the trio has released four full-length albums and made their chaotic live energy an absolute must-see. The first night of their spring co-headliner with Phoneboy, on April 2nd in New Jersey served as a wild start to their 28-date run across the United States. 

Fans poured into White Eagle Hall before the night began with opening sets from Pony and Slow Joy. Canadian grunge-pop band Pony gave such a delightful performance that won me over by the end of it. Everything from the melodies to their bubbly energy had me completely enthralled for the entire 30 minute set. Slow Joy, the solo project of Dallas-based singer-songwriter Esteban Flores, spent his allotted time delivering an ode to emo and shoegaze influences through catharsis, healing and jumping right into the crowd during one of his songs. 

Pony

Slow Joy

While it took a second for the crowd to pick up momentum, Heart Attack Man were their usual energetic selves the second that the lights went down. Each time I see Heart Attack Man, I am instantly comforted by the amount of sheer chaos unfolding around me. The adrenaline rush of watching as those mosh pits get rowdier and crowdsurfers glide towards the stage ease is truly unmatched. 

They opened their set with “Lay Down and Die,” which is my current all-time favorite in their discography. They delivered a good mix of their last album Joyride The Pale Horse and older crowd-pleasers like “Leap Year” and “Fake Blood.” Heart Attack Man also performed both of their most recent singles, “Limb from Limb” and “Mechanically Separated,” which were extra fun to see come to life for the first time. 

While many come for their intensely chaotic energy, the jokes and bits that occur in between songs are just as great. The funniest part of the night was when Egan asked the NJ crowd about their stance in the ‘Pork Roll’ vs ‘Taylor Ham’ debate before declaring he’d choose the one that matches the band’s acronym (and being met with a handful of boos).

Phoneboy honestly surprised me a lot. While not super familiar with the indie-rock four-piece, I was introduced to their music not too long ago by a close friend. As soon as they kicked things off with “Wayside,” the energy in the room remained electric throughout their entire set. I walked out of White Eagle Hall that night with two things: a shirt from Heart Attack Man’s merch table and a newfound love for Phoneboy. 

The fun thing about this tour is how fundamentally different each band on the lineup is. Pony delivers a sickly sweet grunge-pop vibe minutes before Slow Joy comes on stage with a melancholic blend of emo and shoegaze. Heart Attack Man then feels like whiplash compared to the first two acts as the crowd feeds off their in-you-face energy through rowdy mosh pits and endless crowdsurfers. Phoneboy closes out the night with a dynamic performance that twists the definition of pop-punk and rock into something entirely their own. It’s hard to explain why it works, but the varying atmospheres from band to band made the experience exponentially better. 

The tour continues across the United States until its final show in Heart Attack Man’s home state of Ohio on May 9th. Tickets and information for the remaining shows of Heart Attack Man and Phoneboy’s spring co-headliner can be found here

Review & Photography by Amber Bintliff

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Dry Jacket openers for Yellowcard on their final world tour. 11/9/2016

November 9, 2016 | Play Station Theater

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  Photos by :Cristine Trimarco

Review : Yellowcard | The Final World Tour

Photos by : Cristine Trimarco

On November 9th, 2016 many people gathered in New York City at PlayStation Theater for a very special show. This would be Yellowcard’s last New York City show ever. Yellowcard became a band in 1997, they are from Jacksonville Florida and have been based in Los Angeles California since 2000. In early summer 2016 they announced their last album titled Yellowcard and The Final World Tour. Being a band for almost 20 years they have made 5 EP’s and 13 albums. Many of which were and still are very successful. They have changed so many lives over the years. For this final tour they have taken two bands on tour with them they are Dry Jacket an Indie Rock band from Marlton, New Jersey and Like Torches an Alternative Rock band from Stockholm, Sweden. The night started with Dry Jacket’s performance which was great. While being mellow they also had that rock sense which made them have a unique sound that was perfect for this tour. The next band to perform was Like Torches, they were slightly heavier throwing in some scream vocals here and there which got the crowd even more pumped than they already were. Finally Yellowcard performed starting with old songs progressing into new ones. Going back and forth between old songs and new ones was very refreshing. The performance was one of their best (in my opinion). Yellowcard played a total of 24 songs including an encore. It was a bittersweet feeling once the show was over. If the tour didn’t stop in your city just yet I highly suggest seeing them one last time.

Review by : Victoria Gilligan

Cedar Green – Loud Fest 2016

Cedar Green, 5 piece alternative rock band from PA.

10/15/16 Loud Fest Day 1 | Game Changer World

Photos by : C.Trimarco

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The All Grown Up Tour starts on 9/23 | Who’s going to a show ?

TTYN TOUR

The All Grown Up Tour w/

Talk To You Never | Flight Plan

We’d like to wish our pals safe travels, fun & successful shows.

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The Karma Killers | Vans Warped Tour | Jones Beach Theater

The Karma Killers | Strange Therapy | Twitter 

July 11th, 2015 | Wantagh Long Island | Jones Beach Theater

Photography by Christine Trimarco | Instagram  | Twitter | Youtube

** Catch them on the rest the Vans Warped Tour on the Ernie Ball Stage **

Justina Valentine | Heavy Breathin Music Video

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“Getting New at Growing Old” by The Stolen

“Getting New at Growing Old” music video by The Stolen, from the EP ‘Adults’ available now! Directed by Gem Aludino

Get this song and the rest of the EP today on itunes:
https://itunes.apple.com/us/album/adults-ep/id775982980

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