The Camera Affect x Jessame | Zoom Interview 2020

 

 

Co-editor Jamie Kaufman sits down to chat with singer songwriter Jessame.

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Editing by Quinn Hall

The Camera Affect team + guests transition to live streamed interviews.

With the upsetting yet realistic news from top touring executive Marc Geiger saying not to expect to see concerts again until 2022 we must adapt. The entertainment industry is taking such a huge hit and will continue to as venues close due to lack of finances, all while bands and fans alike become lost and upset due to missing and craving that togetherness we get being in a room full of strangers all there for a shared love of music.  With that in mind, we made the transition to continue to support musicians and artists the best way we know how to right now, which is virtually.  Going forward The Camera Affect + team will interview artists via video call and live stream it on our Facebook page.  We will be releasing the live interviews on our YouTube channel in parts as well for those who may have missed the live stream or who are not are Facebook.

Thank you to each and every one of our supporters, especially in this time of uncertainty – we’re here if you need us- just reach out!

Courtesy of Cristine Trimarco

Below are a few photos of interviews you can look forward to seeing on our Facebook  page right now or on our YouTube channel very soon!

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Wake Up Sunshine by All Time Low Review

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All Time Low have been around for quite some time, having released two EPs, two live DVDs, a handful of standalone singles and seven studio albums within the first fourteen years of their career, and their sound has evolved a lot over the years. Fast forward to 2020, and the Baltimore-based quartet are back with their eighth LP, titled “Wake Up, Sunshine.”

While “Last Young Renegade” noticeably leaned in a bit of a different direction, as the band experimented with a lot of pop and alternative elements, there are plenty of moments on “Wake Up, Sunshine” that show them returning to their pop rock and pop punk roots, some of which are found in a few of the singles that the band put out leading up to the album’s release. “Getaway Green” is easily the best example of this, with plenty of energy and extremely catchy guitar riffs reminiscent of those on past releases like “So Wrong, It’s Right” or “Nothing Personal.”

A handful of the songs on here combine that nostalgic pop punk sound with some of their more pop rock influences, and the remaining singles are really good examples of this. The fantastic lead single and opening track “Some Kind Of Disaster: brings a softer intro before upbeat verses and a massive chorus come in, “Sleeping In” brings a very energetic chorus, and “Melancholy Kaleidoscope” brings a ton of energy throughout, adding in some acoustic guitar to help drive its chorus. “Trouble Is” leans way more to the pop rock side, and sounds a little similar to newer work from Blink-182 and Simple Creatures, the project that All Time Low front man Alex Gaskarth has with Blink’s very own front-man, Mark Hoppus. Rian Dawson’s drumming really shines on this track, and the chorus offers up some pretty good melodies. There are also two tracks on here that were seemingly meant to be a bigger track together called “Seasons.” “January Gloom” is the first of these two tracks, bringing some slightly darker composition through some memorable guitar riffs and melodies throughout. “Summer Daze” is the second of those two, and the title is very fitting, given the happier and brighter tone that the song has musically, and it’s yet another perfect example of how well All Time Low have blended their pop rock and pop punk influences on this album.

The band also did quite a bit of experimentation on this record, with songs that show them trying something a little bit different. “Wake Up, Sunshine” (which I personally believe would have been a great choice for the opening track) delivers some slightly darker melodies and instrumentals during the verses and pre-choruses, leading up to a happy, carefree chorus. “Clumsy” is one of quite a few on here that allows Alex’s vocals to shine with some more slightly darker melodies in the beginning, leading up to one of the biggest and best choruses on the whole album. “Monsters” is also on the darker side, which I think fits the song very well. Blackbear is featured on the track, and while that collaboration was a bit unexpected, his vocal style and the guest feature overall compliments the song perfectly. The other feature found on this album is on the upbeat “Favorite Place,” which features The Band CAMINO. The guitars are a bit more reminiscent of CAMINO’s signature indie/alternative sound and gives the song that sort of vibe (for the most part), but the song does a great job at mixing that sound with the blend of pop rock and pop punk that All Time Low have created throughout this record.

In contrast, a couple of the songs on here show a softer side of the band’s sound, similar to the overall sound of their previous album, “Last Young Renegade.” Interlude “Pretty Venom” is probably the most simplistic track on the album, but it works really well as an interlude and its placement on the track-list seems fitting, and closing track “Basement Noise” (one of my favorites) brings a solid vocal performance in the chorus and lyrics that reflect on the band’s humble beginnings. “Safe” is driven by subtle instrumentation in the softer verses before a huge anthemic chorus comes in, and the same can be said about “Glitter & Crimson,” which is primarily led by softer percussion and acoustic guitar as it leads up to a much harder hitting bridge with one of the strongest vocal performances this record has to offer.

“Wake Up, Sunshine” shows bits and pieces of All Time Low’s history as a band, combining the various elements of pop, rock, alternative and everything in between that they’ve incorporated into their sound over the years. Overall, this is a refreshing pop rock record, yet another fantastic one from All Time Low, and easily one of my favorite albums from this year so far.

Listen to the song here

Review courtesy of Megan Langley | Instagram

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Zoom Interview with Singer-songwriter Erin Kirby

During this time ourselves and everyone around us has had to adapt to a new normal. Usually, I’ve done in person interviews or written – this time it’s a video chat interview! In a time where work and school are all done remotely I figured why not interview an artist remotely as well. Below is our first ever zoom interview Cristine did with singer/songwriter Erin Kirby.

Erin’s social media : Instagram | Twitter | Facebook |Spotify

Interview courtesy of Cristine Trimarco

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Trivium – What the Dead Men Say review

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Trivium – What the Dead Men Say review

When Trivium released The Sin and the Sentence back in 2017, it caught many in the metal community by surprise. Through the six years before that album’s release, Trivium had seen their fair share of inconsistencies and challenges, from drummer swaps to damaged vocal cords and stylistic changes in-betweenThis led to albums with some undeniable concert staples (ie. “In Waves”, “Strife”, “Until the World Goes Cold”), but none of these records could hold a candle to either Shogun or Ascendancy from the decade prior in terms of cohesion or overall quality. Sin and the Sentence changed all of that. It came across as a more confident and inspired record, due in no small part to the band’s inclusion of new powerhouse drummer Alex Bent, as well as singer/guitarist Matt Heafy’s revitalized harsh vocals (which had unfortunately been completely absent on 2015’s Silence in the Snow). The record was a shot of adrenaline for a band that had been quite frankly wandering in circles trying to find a foothold again in the modern metal world, and it won them back long-time fans who had written them off for dead.

Sin and the Sentence reset the clock for Trivium, and for listeners going into 2020’s What the Dead Men Say, it could almost be justified to have suspicions and fears of this potentially being a sophomore slump. The band arguably had more to prove going into this record than ever in their whole career. Success was crucial and not guaranteed, as that rebirth from three years before could have easily been a fluke, nothing more than an exciting yet short-lived footnote in their history. Yet while Sin and the Sentence was a culmination of all the things that made Trivium so appealing through the years before, What the Dead Men Say ends up being the leaner, more captivating record.

Over the course of nine songs, it is not only apparent how much tighter the band has become in the last three years, but also how much more attention to detail there was in making sure that no filler was present. The intro “IX” leads into the anthemic powerhouse title track, itself invoking feelings of classic Metallica opener “Battery” through a melodic death metal lens. This track’s sense of building tension appears frequently through the album on highlights such as “Sickness Unto You” and “Catastrophist”, the latter which delivers one of the best vocal performances of singer Matt Heafy’s entire career. His overall presence on this record shows a continued rebuilding of his voice that started as far back as 2015’s Silence and the Snow. His extra controlled grit and distortion is a fantastic touch to lyrics that are without a doubt improved over past records, never becoming as overly verbose as those on Shogun, nor as boringly blunt as those found on In Waves.

There are also plenty nods to the best parts of the band’s mid-2000s heyday in “Amongst the Shadows and the Stones” and “The Defiant”, and the years of experience behind them make these songs sound far more thought-out and mature in their rage and energy. All of the instrumentals are locked in with lightning precision, and while the guitar work of Matt Heafy and Corey Beaulieu in Trivium has always been a strong point even when the band was not in top form, the true source of What the Dead Men Say’s power is from the rhythm section of bassist Paolo Gregoletto and drummer Alex Bent. These songs wouldn’t have the same weight and impact if it wasn’t for Gregoletto and Bent’s massive synergy together, ranging from the drop-tuned groove of “Bleed Into Me” to the furious power thrash closer of “The Ones We Leave Behind”. As stated before, Trivium has always been a technically gifted band, but here it is beyond just pure guitar hero shredding and bombast, it’s now further developed into an experience where all 4 members lock into every moment with intent and integrity.

What the Dead Men Say is exactly the album Trivium needed to make in 2020. Off the heels of Sin and the Sentence, they recognized all the past wrongs they made right on that record and took that approach even further, without any uncertain sidesteps or shakeups that have plagued them on and off over the years. It is an uncompromising take on modern mainstream metal, and easily their strongest release to date, reflecting a band that finally feels comfortable with each other and their collective vision. “Gods walk amongst all without fear,” indeed.

Rating: 9.5/10

Review courtesy of Brent McCann

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Made Up Lost Time by Kevin Garrett | EP Review

Kevin Garrett

The past few years have been a wild ride for musician Kevin Garrett, from releasing his debut EP “Mellow Drama” in 2015 to GRAMMY nominations, festival performances and shows with acts such as Mumford & Sons and Alessia Cara, and dropping his debut LP “Hoax” last year. Kevin has returned with his newly released sophomore EP, “Made Up Lost Time.”

The opening track “Tell You How I’m Feeling” really shows Kevin’s talent as a vocalist through a soulful performance that provides good melodies in the verses, and the harmonies in the chorus add more to the performance. The vocals really shine on the following track “Keep You Waiting” as well, as they bring a memorable pre-chorus that helps build up the song really well to its chorus. 

“Can’t Come Back” is on the much softer side, and the piano fits perfectly on the track. The melodies on here are really good as well and the song makes a great ballad overall. Lead single “Gone Again” is on the more upbeat side, bringing a rhythm as catchy as the melodies, and closing track “Factor In” is also a bit slower and is one of the most memorable and well-written songs the EP has to offer.

“Made Up Lost Time” is a soulful and memorable sophomore EP from Kevin Garrett.

Review courtesy of Megan Langley | Instagram

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5 Seconds Of Summer’s “CALM” album review

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5 Seconds Of Summer are a band that I’ve been an avid fan of for several years. I’ve been listening to them for a large majority of their career as a band, and since I first got into their music way back in 2013, I’ve seen the evolution of their sound, from their more pop punk-tinged self-titled debut LP (as well as its follow up “Sounds Good Feels Good), to the much more pop leaning and chart-topping third album “Youngblood.” The band have experimented with new influences and started to refine their sound even more with each release, and “CALM” sees them continuing to do so.

“CALM” seems to draw a bit of influence from those poppier elements on “Youngblood,” especially with its more upbeat tracks. A lot of the singles, as well as another track towards the end of the album, expanded upon those influences and combined them with the newer influences and overall sound on “CALM.” Lead single “No Shame” brings intriguing melodies that are as catchy as the riffs that lead the intro and verses, before a bigger chorus where Calum and Ashton’s instrumental performances really shine, as well as Luke’s impressive vocal range. “Old Me” is very memorable musically, and lyrically, it’s a more reflective track that discusses growing up and the lessons you learn along the way as you get older and move forward in life. The irresistible choruses of “Easier” and “Wildflower” really embrace the poppier influences in the band’s sound, and the well-written “Not In The Same Way” instantly became a fan favorite with its extremely catchy composition from start to finish.

The band showed early on that they were experimenting with some darker composition through the captivating single “Teeth” that dropped last year, which really allows Calum to show off his talent as a bassist and is easily the most rock influenced song found on the record overall. The experimentation continues in a couple of other songs on the record, such as the opener “Red Desert,” which begins with a chorus of beautiful vocal harmonies from everyone in the band (and those harmonies return in the chorus), and “Thin White Lies,” with some softer percussion and really catchy riffs and melodies throughout.

The band also incorporated a lot of softer moments on this record, including the acoustically driven closer “High,” with some additional vocal harmonies that help emphasize the vocal performances even more, “Lover Of Mine,” which adds some piano in addition to the acoustic guitar, and “Best Years” and “Lonely Heart,” both of which are on the softer side for the most part before leading up to huge, explosive and anthemic choruses that make the songs even more memorable than they already are.  

5 Seconds Of Summer have created another fantastic record that not only shows further experimentation within their sound and more of what the band is capable of musically, but also shows them refining and honing in on their signature sound even more throughout twelve really solid tracks.

Review courtesy of Megan Langley | Instagram

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Have Mercy Final Tour 2020 | Photos + Review

Have Mercy have been a very important part of the emo, alternative and pop punk music scene, and after a decade of music and touring, they announced they have decided to break up, and that they would do one final North American tour.

Glacier Veins started the show off strong with a very captivating performance. The band has such a good stage presence and looked like they were having so much fun performing their set. The set-list primarily consisted of songs from their newly released debut LP, “The World You Want To See,” including upbeat songs such as “Talk,” “Feel Better Now,” and “Everything Glows,” as well as some slower ones like “Driveway.”

 

Young Culture was up next, bringing another really impressive set. This band brings something refreshing to the modern pop punk genre, and their live set brought a ton of passion and energy from start to finish. They performed all of the songs off of last year’s “(This Is) Heaven” EP (with the exception of “Never Changed”), as well as two older songs, “Party Girl” and “Pure Gold,” and their newly released single, “Holiday In Vegas.” 

 

Second to last was Fredo Disco. The band has so much charisma, especially lead vocalist Fredo Fosco, and they really engaged and captivated a crowd full of people who were very excited to see them perform. Their set-list included their two latest songs (“never tell u” and “harmony korine (the game)”), as well as several others from the project’s past few releases: “burnt and worn out,” “dad jeans,” and “jimbo” from 2019’s “Very Cool Music For Very Cool People,” “saturn suv” and “shower song” from 2017’s “school spirit,” and “Ghost Of Mariano’s” and “Frankenstein” from their 2018 EP “The Boredom Keeps Me Up At Night.”

 

Finally, Have Mercy took the stage to perform the last Denver, Colorado set of their career. Their set-list spanned from throughout their discography, from playing songs from their final record “The Love Life” (“Clair,” “Heartbeat,” “These Streets,” and “Dressed Down”) to classics in their catalogue (“Let’s Talk About Your Hair,” “My Oldest Friend”) and songs from the other albums and EPs that they’ve released from throughout their career: “Spacecrafts,” “Pete Rose And Babe Ruth,” “Two Years” and “Howl” from “A Place Of Our Own,” “Coexist” from “Make The Best Of It,” and “Hell,” “Levelhead,” “This Old Ark” and “When I Sleep” from “The Earth Pushed Back.” 

 

Every band on this lineup put on very impressive and captivating performances, and as a whole, this might have been one of my favorite shows I’ve attended in 2020 so far.

Photos + Review courtesy of Meg Langley | Instagram

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Fitz & The Tantrums ft Twin XL | All The Feels Tour 2020

February 12, 2020

Twin XL

Fitz & The Tantrums

Photos courtesy of Angel Haines

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Atreyu w/ Whitechapel, He Is Legend, Tempting Fate, and Santa Cruz | 20th Anniversary Tour | Photos + Review

Atreyu Closes Out Their 20th Anniversary Celebration In Ventura

Venue: The Majestic Ventura Theater in Ventura, CA on 11/20/19

When a band hits a milestone in their career, it’s a big deal. From hitting 1 year as a band, to selling out a show, each of these milestones for bands has sentimental value in their growth. Atreyu hit twenty years of being a band, which is huge considering the many bands in their cohort of metal that have come and gone since they started. While it seemed the band would be done after 2010, the band came back in 2014 stronger than ever, continuing with the momentum they had before and then some! With seven albums under their belt, the band let the fans vote on their setlist, which showcased songs from each record. Atreyu brought along with them an interesting mix of bands. With Whitechapel as direct support bringing the deathcore, He Is Legend bringing their southern influenced Mathcore, Tempting Fate bringing the post hardcore, and Santa Cruz throwing it back with some glam rock to the table, this tour was a blend of bands that were different from one another and kept the show truly interesting. Those of us in attendance at this final date of the tour has a wonderful time!

First up was Santa Cruz from Helsinki, Finland. Opening the show up, the band brought out a flare completely different than any other band on the lineup. Their sound is a mixture of glam metal, heavy metal, hard rock, and has some elements of post hardcore mixed in. As the oddballs on the tour, they really hyped the crowd up with energy, especially frontman and founding member Archie Cruz, who shredded to his’ hearts content center stage and captivated the audience with his vocal abilities reminiscent of hair metal from the 80s. The band’s touring guitarist Joe Perez was on point, shredding both the rhythm and lead parts when he and Archie switched off, with incredible stage presence and lots of hairflipping action. On stage left, you’ll find the band’s bassist Eemi Lamberg, who played his basslines with precision and class, while also giving lots of windmills and high energy. Closing out the band’s lineup is drummer Tuomas Lehtonen, who did backup vocals along with his fast and intense drum playing. Throughout the band’s six-song set, you could feel the energy thriving on the stage. I wasn’t able to meet the band, as they took their merch away shortly after they played, but they slayed their set and executed their performance brilliantly. It was a great way to start out the show!

SETLIST

  1. Changing Of Seasons
  2. Bang Bang (My Worst Enemy)
  3. True Believer
  4. We Are The Ones To Fall
  5. Wasted & Wounded
  6. Aiming High

Up next was Tempting Fate from Los Angeles, CA. This band sits on the borderline of post-hardcore and metalcore, while also blending in some nu metal influences, shown especially in their song “Sik”. As an independent band, they have released two EPs and one full length record, which they incorporated songs from each release into their eight-song set. The band has an interesting dynamic, with brothers Cory Beecher on vocals and Shane Beecher on guitar. Drummer Alex Rivas played the heavy blast beat sections with ease and had a lot of energy behind the kit. Eemi Lamberg from Santa Cruz filled in on bass, providing a lot of energy and bass lines to the band’s set. It was cool for me to see the variety in the band’s sound, with songs like “Filthy” showing their heavier side, and other songs like “A Place Called Home” showing off the band’s hard rock side. I was thoroughly impressed by their set. Tempting Fate is definitely a band to keep your eyes on!

SETLIST

  1. Filthy
  2. Questions
  3. Eminence
  4. 99
  5. Falling To Pieces
  6. I’d Rather Burn
  7. A Place Called Home
  8. Sik

Next to the stage was the all mighty He Is Legend from Wilmington, North Carolina. Starting out as a metalcore band, the band’s sound has progressed throughout the years, becoming more of a fusion between a plethora of sub-genres, most notably being a mixture of hard rock, alternative metal, stoner rock, psychedelic rock, sludge metal, and southern rock. Watching their set and listening to their music takes listeners on a journey, as songs can sometimes mix several of these influences together, creating an album where each song is dynamic and impressive. Vocalist Schuylar Croom is an entertaining person to watch on stage, grooving along with the music as if he is entranced in it. Lead guitarist Adam Tanbouz and rhythm guitarist Andrew Gaultier played their parts with ease and headbanging to their hearts content. Bassist Matty Williams strummed in those deep basslines that hit the spot in the band’s music, while providing tons of hairflips and energy. Jesse Shelley on drums is the final piece to the band’s lineup, holding down the fort and keeping the band on track while playing the drums with precision, even through the many random tempo changes. The band has a total of six albums, four of which they played songs from in their seven-song setlist. Overall, I was blown away by their set and cannot wait to see He Is Legend again in the future.

SETLIST

  1. White Bat
  2. Burn All Your Rock Records
  3. The Seduction
  4. The Widow of Magnolia
  5. Attack of the Dungeon Witch
  6. Everyone I Know Has Fangs
  7. Boogiewoman

Whitechapel from Knoxville, Tennessee was up next as direct support. Whenever I prepare for a Whitechapel set, I know what to expect: lots of energy, lots of strobing lighting, and those groovy heavy tones that match perfectly with vocalist Phil Bozeman’s deep guttural vocals. Since they released their album “The Valley” earlier in the year, which was released via Metal Blade Records, the band played six-songs from the album, along with three other fan favorite songs, adding up to a nine-song set. Whitechapel has interesting dynamics in their band, with three guitarists: Ben Savage, Alex Wade, and Zach Householder. While Ben technically does a majority of the leads, each guitarist shines during the set, truly adding to the band’s groove metal infused deathcore. Vocalist Phil Boseman really stepped out of the box on the new record, showing off more of his’ vocal abilities in terms of clean vocals, shown in songs “When A Demon Defiles A Witch” and “Hickory Creek”, both of which they played on this tour. I’m also very amused whenever I see Gabe Crisp on stage, as the dude has a really intense presence on that stage, truly jamming out and grooving along while playing those piercing bass tones. The band’s live drummer Alex Rüdinger closes out the current Whitechapel lineup, and he does not disappoint, nailing all of the bands intricate drum patterns. One funny part of the set that stuck out to me was when Phil Boseman said, “We just wrote this next song this morning, so I hope you enjoy it”, and then going on to play the band’s most recognizable song “This Is Exile”. I always love seeing Whitechapel live because they truly have an amazing arsenal of music and it’s cool to see what songs they’re going to pull out of the vault for their sets. Whitechapel never disappoints in concert, and I am looking forward to seeing them again when they come out to Southern California next!

SETLIST

  1. Forgiveness Is Weakness
  2. Brimstone
  3. Black Bear
  4. Third Depth
  5. When A Demon Defiles A Witch
  6. This Is Exile
  7. Hickory Creek
  8. Our Endless War
  9. The Saw Is The Law

Atreyu from Yorba Linda, California was up next to celebrate being together as a band for 20 years. The band’s setlist was voted on by the fans, adding up to a setlist with 20-songs spanning their entire discography, except songs from 2015’s “Long Live”. For the anniversary tour, the band brought an elaborate light show that lit up the whole venue, which made the 1200 capacity venue feel like a stadium show. The band’s lead vocalist Alex Varkatzas was filled with energy, truly utilizing every inch of that stage and engaging fans from every part of the crowd. One thing Atreyu never strays from is their guitar solos, and co-lead guitarists Dan Jacobs and Travis Miguel truly showcased their abilities throughout the set. Brandon Staller is the member that truly sets Atreyu apart from many other bands, as he plays the technical drum parts while providing the clean vocals for the band. Bassist Marc McKnight is truly a hype man on stage, playing his bass lines while engaging the audience members and headbanging with his epic beard waving around. Since the fans voted on the setlist, it consisted of mainly songs from the band’s earlier albums “The Curse” and “A Death-Grip On Yesterday”, but I was glad to see that fans at least voted on some songs from the band’s later albums. I am truly lucky and happy that I was able to see Atreyu two times in a span of five months. They’re a very entertaining band to see and photograph. I cannot wait to see them again when they come back out here!

SETLIST

  1. The Time Is Now
  2. Right Side of the Bed
  3. Ain’t Love Grand
  4. Doomsday
  5. My Fork in the Road (Your Knife in My Back)
  6. Ex’s and Oh’s
  7. Our Sick Story (Thus Far)
  8. The Theft
  9. Bleeding Mascara
  10. Demonology and Heartache
  11. The Crimson
  12. Her Portrait in Black
  13. Bleeding Is a Luxury
  14. House of Gold
  15. Becoming the Bull
  16. Falling Down
  17. Blow
  18. Five Vicodin Chased With a Shot of Clarity
  19. Untitled Finale
  20. Lip Gloss and Black

Atreyu has been dominating the rock and metal scenes for two decades and truly went all in on their anniversary tour. Whitechapel, He Is Legend, Tempting Fate, and Santa Cruz all brought it and meshed with Atreyu beautifully to create a wonderful night of music and a beautiful end to this tour! Make sure to check out all of these bands and see them on tour at a city near you!

Atreyu | Whitechapel | He Is Legend | Tempting Fate | Santa Cruz

Photos + Review courtesy of Jamie Kaufman | Instagram

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