The Camera Affect team + guests transition to live streamed interviews.

With the upsetting yet realistic news from top touring executive Marc Geiger saying not to expect to see concerts again until 2022 we must adapt. The entertainment industry is taking such a huge hit and will continue to as venues close due to lack of finances, all while bands and fans alike become lost and upset due to missing and craving that togetherness we get being in a room full of strangers all there for a shared love of music.  With that in mind, we made the transition to continue to support musicians and artists the best way we know how to right now, which is virtually.  Going forward The Camera Affect + team will interview artists via video call and live stream it on our Facebook page.  We will be releasing the live interviews on our YouTube channel in parts as well for those who may have missed the live stream or who are not are Facebook.

Thank you to each and every one of our supporters, especially in this time of uncertainty – we’re here if you need us- just reach out!

Courtesy of Cristine Trimarco

Below are a few photos of interviews you can look forward to seeing on our Facebook  page right now or on our YouTube channel very soon!

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Wake Up Sunshine by All Time Low Review

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All Time Low have been around for quite some time, having released two EPs, two live DVDs, a handful of standalone singles and seven studio albums within the first fourteen years of their career, and their sound has evolved a lot over the years. Fast forward to 2020, and the Baltimore-based quartet are back with their eighth LP, titled “Wake Up, Sunshine.”

While “Last Young Renegade” noticeably leaned in a bit of a different direction, as the band experimented with a lot of pop and alternative elements, there are plenty of moments on “Wake Up, Sunshine” that show them returning to their pop rock and pop punk roots, some of which are found in a few of the singles that the band put out leading up to the album’s release. “Getaway Green” is easily the best example of this, with plenty of energy and extremely catchy guitar riffs reminiscent of those on past releases like “So Wrong, It’s Right” or “Nothing Personal.”

A handful of the songs on here combine that nostalgic pop punk sound with some of their more pop rock influences, and the remaining singles are really good examples of this. The fantastic lead single and opening track “Some Kind Of Disaster: brings a softer intro before upbeat verses and a massive chorus come in, “Sleeping In” brings a very energetic chorus, and “Melancholy Kaleidoscope” brings a ton of energy throughout, adding in some acoustic guitar to help drive its chorus. “Trouble Is” leans way more to the pop rock side, and sounds a little similar to newer work from Blink-182 and Simple Creatures, the project that All Time Low front man Alex Gaskarth has with Blink’s very own front-man, Mark Hoppus. Rian Dawson’s drumming really shines on this track, and the chorus offers up some pretty good melodies. There are also two tracks on here that were seemingly meant to be a bigger track together called “Seasons.” “January Gloom” is the first of these two tracks, bringing some slightly darker composition through some memorable guitar riffs and melodies throughout. “Summer Daze” is the second of those two, and the title is very fitting, given the happier and brighter tone that the song has musically, and it’s yet another perfect example of how well All Time Low have blended their pop rock and pop punk influences on this album.

The band also did quite a bit of experimentation on this record, with songs that show them trying something a little bit different. “Wake Up, Sunshine” (which I personally believe would have been a great choice for the opening track) delivers some slightly darker melodies and instrumentals during the verses and pre-choruses, leading up to a happy, carefree chorus. “Clumsy” is one of quite a few on here that allows Alex’s vocals to shine with some more slightly darker melodies in the beginning, leading up to one of the biggest and best choruses on the whole album. “Monsters” is also on the darker side, which I think fits the song very well. Blackbear is featured on the track, and while that collaboration was a bit unexpected, his vocal style and the guest feature overall compliments the song perfectly. The other feature found on this album is on the upbeat “Favorite Place,” which features The Band CAMINO. The guitars are a bit more reminiscent of CAMINO’s signature indie/alternative sound and gives the song that sort of vibe (for the most part), but the song does a great job at mixing that sound with the blend of pop rock and pop punk that All Time Low have created throughout this record.

In contrast, a couple of the songs on here show a softer side of the band’s sound, similar to the overall sound of their previous album, “Last Young Renegade.” Interlude “Pretty Venom” is probably the most simplistic track on the album, but it works really well as an interlude and its placement on the track-list seems fitting, and closing track “Basement Noise” (one of my favorites) brings a solid vocal performance in the chorus and lyrics that reflect on the band’s humble beginnings. “Safe” is driven by subtle instrumentation in the softer verses before a huge anthemic chorus comes in, and the same can be said about “Glitter & Crimson,” which is primarily led by softer percussion and acoustic guitar as it leads up to a much harder hitting bridge with one of the strongest vocal performances this record has to offer.

“Wake Up, Sunshine” shows bits and pieces of All Time Low’s history as a band, combining the various elements of pop, rock, alternative and everything in between that they’ve incorporated into their sound over the years. Overall, this is a refreshing pop rock record, yet another fantastic one from All Time Low, and easily one of my favorite albums from this year so far.

Listen to the song here

Review courtesy of Megan Langley | Instagram

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Ryan Cassata, Skylar Kergil, Mae Krell + April Rose | Instagram Live virtual concert review +Premiere of Ryan Cassata’s new single artwork!

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Last night via Instagram Live on Ryan’s account all who joined the live stream got a taste of what we’ve all been missing most during this quarantine; live music and togetherness.

First, Ryan and Loren performed – with background barks from Geoffrey.  They opened the stream with singing one of my favorites off of Ryan’s newest album  The Witches Made Me Do It called Bamboo Plants. Following that he played a new song called Gender Binary (Fuck You) , which will be released in honor of Pride Month on June 5th + I’m so excited for you all to hear it. Below is the premiere of the cover art for the song, it’s beautiful.

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Between all performances, Ryan set up a cute light up Stay Safe sign!

Next, Mae Krell joined the live stream. They opened with a new song called garden followed by Monster, between songs they spoke a bit about garden and how it was written when they were in a dark place but surrounded by so much beauty.

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Following Mae’s performance, April Rose Gabrielli of The Rose Monarch and Jacob Kulick of Kulick joined the live stream to play two songs for us as well. April is currently writing songs and making music for her solo record – and I am so beyond stoked to hear it in  full. She sang her song called Do You, beautifully. As well as a song that was inspired by busy and crowded New York City streets on days where EVERYONE bumps into you – I believe the lyrics went somethin’ like ” Hit me with your f – – – – – g car, cause nothing really moves me anymore.” and I can’t wait til she releases it.

 

Seeing as tour and concerts are on hold for the foreseeable future April has started doing art commissions and created an Instagram just for that @lifeisjustlines – go check it out!

To close out the hour long show, Skylar Kergil joined the live.  He sang Lost & Found, which is a love song, then Tell Me a Story, which was a fan requested and is an all time favorite for most of his followers. Keep your eyes peeled for a new single coming from Skylar soon.

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For everyone who was planning on going to their show in Brooklyn, NY pre-quarantine they announced it WILL BE  rescheduled when everything is up and running again. Until then support these artists in any way that you can. Listen to & share a song with your friends, buy some merch, give them a follow/like on social media, anything !!!

Ryan Cassata| Mae Krell | April Rose Gabrielli | Skylar Kergil

Review courtesy of Cristine Trimarco

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Made Up Lost Time by Kevin Garrett | EP Review

Kevin Garrett

The past few years have been a wild ride for musician Kevin Garrett, from releasing his debut EP “Mellow Drama” in 2015 to GRAMMY nominations, festival performances and shows with acts such as Mumford & Sons and Alessia Cara, and dropping his debut LP “Hoax” last year. Kevin has returned with his newly released sophomore EP, “Made Up Lost Time.”

The opening track “Tell You How I’m Feeling” really shows Kevin’s talent as a vocalist through a soulful performance that provides good melodies in the verses, and the harmonies in the chorus add more to the performance. The vocals really shine on the following track “Keep You Waiting” as well, as they bring a memorable pre-chorus that helps build up the song really well to its chorus. 

“Can’t Come Back” is on the much softer side, and the piano fits perfectly on the track. The melodies on here are really good as well and the song makes a great ballad overall. Lead single “Gone Again” is on the more upbeat side, bringing a rhythm as catchy as the melodies, and closing track “Factor In” is also a bit slower and is one of the most memorable and well-written songs the EP has to offer.

“Made Up Lost Time” is a soulful and memorable sophomore EP from Kevin Garrett.

Review courtesy of Megan Langley | Instagram

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Fitz & The Tantrums ft Twin XL | All The Feels Tour 2020

February 12, 2020

Twin XL

Fitz & The Tantrums

Photos courtesy of Angel Haines

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Diseased & Disguised Tour 2020 | Photos + Review

Metalcore is a genre that never seems to go away, and that’s a good thing. When two giants of the scene, Beartooth and Motionless in White, announced their co-headlining tour, everyone knew we were in for a treat. With Limbs and Stick To Your Guns as support, this tour set the tone for the rest of 2020. 

Limbs was a band I had never heard of, but I was pleasantly surprised. They brought an energy no one in the crowd expected so early in the night. I’m used to watching openers have a few courtesy head bangs and nothing outside of it. The pit soon opened and the night began. With only one album, a few EPs and singles in their discography, you’d never expect a band to pack such a punch. 

Stick To Your Guns made their mark in the scene years ago, but something about them is always refreshing. Hardcore is a genre on a steady resurgence, and it’s easy to understand why. The set contained mostly classics such as “ Amber “ to spark memories in the crowd. The anger was obvious, but the band always has a way of bringing everyone in a room together. 

I can never stop suggesting Beartooth to anyone. Caleb Shomo has a voice that fills you with every emotion you could feel. The production of orange lights and fog created a vibe that made you want to move. Crowdsurfers made my job as a photographer difficult, but even my fellow photographers in the photo pit couldn’t help but bang their heads. Classic metal riffs with the anger and punch of a new hardcore band, Beartooth is a treat every single time. 

Few bands can pack a punch for over a decade. Motionless in White have the honor of being within those select few. The ambiance before they even walked on stage was enough to send shocks through the crowd. The spooky purple and blue lighting, strobes, and the skeletons on the stage, the band was sure to come out with a bang. Motionless mixes old songs with new, but the crowd knew the words to everything. Frontman Chris Motionless works the crowd into an angry and violent pit every single time, yet expresses his love and appreciation the entire time. With heavy hitters like Devils Night and Abigail, the crowd had plenty of energy to burn before the softer side of things came out towards the end with Another Life and Eternally Yours. The entire show was a mix of beauty, chaos, and spooky vibes. 

The Diseased and Disguised tour was an incredible start to the 2020 metal-core tour season. No mixed genres were needed to carry this tour around different fan bases. Solid, to the point heavy music was all it took to sell out shows, and created what I can say is one of the best shows I’ve been too.

Photos + review courtesy of Emily Sulkowski

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The Geocidal Tendencies Tour 2019 | Primitive Man & Vitriol Photos

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Vitriol

12/6/2019

Photos courtesy of Laura Lateralus | Instagram

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Ice Nine Kills’ The Octane Accelerator Tour 2019 | Photos

  Photos courtesy of Emily Sulkowski

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** Review + more photos from other bands on the tour to follow **

Interview w RevelRelations artist K.Fox

How did you get into music, and what made you want to pursue a career in this industry.

My parents were the ones to first pass me a love of music. My dad played guitar which is initially what started my interest in playing music. Around high school my friends started listening to a lot of electronic music and I was fascinated with how these EDM producers were making these loud, absurd noises with computers, so I began teaching myself electronic production. I’ve been writing different styles of music since then. Music has been the one consistent skill that I have had a drive and passion for, so it’s hard to imagine pursuing any other kind of career.

Are you currently making new music ? If so , we can we expect a sneak peak or release ?

I am working on new music! I’m looking to at least have a new single out by January, so expect to see some teasers and promos in December

 An artist you would like to collab, and or tour with ?

 The dream collab would be with Omar Apollo. He’s an incredibly talented, young musician who I expect to be blowing up very soon. He can write such a catchy tune and I’d love to sit in and jam with him.

How would you describe your genre of music ?

Indie pop. I have a long list of inspirations–from hip-hop to folk artists–that I pull from while writing, but being a pop artist allows me to be almost genre-less. I’ve always enjoyed exploring different styles, so I always tell my listeners to never expect the same thing twice.

For anyone  that hasn’t heard of you before what song would you recommend the listen to first ? why?

 “Hello” is one of my favorites. It’s fun and catchy, and I think the lyrics contain material anyone can connect with.

What is  the story behind your artist name?

My artists name came from a work nickname! There were two Kevin’s at my last job, so to make the distinction one of my managers started calling me K Fox. I was kind of like “Huh, that would make a pretty sweet artist name.” It’s a concise, easy-to-remember name that still feels personal without having to use my full name. And unlike my last project KMPLT (pronounced “complete”) it requires very little explanation for pronunciation and spelling!

What’s your biggest accomplishment as a artist so far ?

 Making connections with talented people through my own creations. There will always be more shows, bigger crowds and more playlists to have your music heard on, but I’ve been privileged enough to meet some incredible artists and people in Portland that have inspired me and taught me new ideas that I’ve carried since meeting them. Gabe Fleck and Pat Kanji are two artists that saw a talent in me before I really believed in it, and I’ve worked with them extensively over the last two years. Very recently I started working with Jame Doe, another incredibly hardworking, talented artist from Portland, and I’m excited to see what happens from this collaboration.

What is something you are passionate about aside from music ?

I love running. I ran two half marathons last year and I’m currently in the process of training for another. I know that sounds absolutely awful to most people, but long runs are honestly one of the best feelings ever. It blows off stress and nerves, and it’s a great opportunity to have time alone to reflect and set my mind straight. It quite literally keeps me sane.

what has the feedback been like for your newest release ?

The feedback for 5900: SUMMER has been unbelievable. I’ve had friends showing me my music rather than me showing them my music. It’s a work I’m proud of and have no issue showing or sending to new listeners  It’s my first true dive into songwriting and singing, so to hear such positive feedback has motivated me to keep creating more music like that and improve upon my songwriting.

If someone who is reading this is going through a rough patch right now, what would you say to make them smile ?

Focus on what you have, not what you don’t. Focus on the parts of your life you can control, because it will eventually impact what you cannot. In my experience, and this is not everyone’s experience, I believe you are in control of your own happiness. Events outside of your control act to control your happiness, but it’s up to you (with extra help from a therapist if you need or can!) to find what makes you happy. It can be a long journey, but even doing one thing per day to make you happy can have a huge impact.

What are some big differences between the EDM music and r&b/pop music? What made you switch genres?

EDM music is formulaic and straightforward, so I just got bored of it. The same could be argued for pop music, but after spending years making EDM there never felt like there is anything new to say. With pop music, there’s always a new story to tell. I love that I can put a feeling into words and then into a song that people can relate with. To put it shortly, I started making pop because I wanted to connect with people.

Photos by Zac Oser

Interview by Cristine Trimarco 

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Artist Alert – Raul Del Moral

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Raul Del Moral is a bilingual singer and talented guitarist whose genre influences include reggaeton, acoustic and folk. ‘Quedate Conmigo’ is definitely a club tune and is easy to dance to. The verses are sung in Spanish and the chorus in English, making it easy to remember. The accordion sound in the background is very distinctive. It’s definitely my favourite of his Spotify selection. Campeón is made up of guitars and trumpets and has a strong beat throughout. I loved the trumpet fadeout at the end. It was all in Spanish so I had no idea what the song was about but it sounded really good! The third solo song, Where is My Home? has a very different sound and feel. It tells a story about Del Moral unwillingly leaving his home and questioning where he now belongs in the world. The lyrics emphasize his feeling of displacement. The sprawling electric guitar solo that begins a couple of minutes into the seven minute song and lasts nearly as long as the remainder of the song is moving.

Courtesy of India-Mae Alby

You can follow Raul on all his socials – Spotify  | Instagram| Website