Review | The Camera Affect

August Burns Red featuring Fit For A King, ERRA, and Like Moths To Flames | Leveler 10 Year Anniversary Tour | 12/8/21 | Photos + Review

February 1, 2022 Leave a comment

August Burns Red Brings The Belasco To A New Level On Their Leveler Anniversary Tour

Venue: The Belasco Theater in Los Angeles, CA

Date: 12/8/21

August Burns Red has been a leading band in the metalcore genre for quite some time. The band solidified themselves with their sophomore album “Messengers.” They garnered a large following from then on, constantly innovating in their song structure and musicality. For the tenth anniversary of their fourth album, “Leveler,” the band re-recorded the album in its entirety, bringing on special guests and changing the tunings of the songs from then on. In celebration of this, they embarked on a 10th-anniversary tour supporting the album, which they played in its entirety. Unfortunately, a few of the crew and band members caught COVID-19 on the run of dates in October due to the pandemic, forcing the band to postpone about a week’s worth of dates to December. Regardless, I am beyond stoked I got to cover this date for August Burns Red, along with the incredible lineup of Fit For A King, ERRA, and Like Moths To Flames.

Up first was Like Moths To Flames from Columbus, Ohio. This is a band that I first got into in 2012 when I saw them on the “Scream It Like You Mean It Tour” alongside bands like Attack Attack!, We Came As Romans, and more. The band is the perfect middle ground between metalcore and post-hardcore. Since the last time I photographed and saw them back in 2018, the band found their new label at UNFD, where they dropped their fifth album “No Eternity In Gold” in 2020, along with their new EP “Pure Like Porcelain” in 2021. The band really strengthened their sound on these new releases. Chris Roetter’s vocals were showcased to the highest power on these releases, truly showing off his vocal prowess. Their single “Habitual Decline” in particular pops off like no other, both live and on record, showing off Chris’ cleans and screaming. Guitarists Zach Pishney and Jeremy Smith flourish on these releases as well, really bringing the instrumentals to new levels. I started feeling the band incorporating some elements of progressive metal on some songs, which, as many will tell you, is my favorite subgenre of metal personally. Unfortunately, bassist Aaron Evans was unable to make the rescheduled dates for whatever reason, which was my first time seeing the band without him. He has an entertaining stage presence that was sorely missed for me, but Chris Roetter was on top of that crowd, really getting people hyped like no other. Roman Garcia closed out the band’s live lineup on drums, who absolutely smashed through those drum parts with precision. The band played six songs that night, playing songs from their first album to the newest EP. Like Moths To Flames is always an incredible band to see live, and I cannot wait to hopefully see and photograph them on their upcoming co-headliner with Polaris in March – April!

SETLIST

The Worst In Me
Habitual Decline
I Solemnly Swear
Preservation Of Hate
The Anatomy Of Evil
Bury Your Pain

ERRA from Birmingham, Alabama, was up next. The last time I saw these progressive metalcore boys was in 2019, when they did a co-headlining tour with Northlane. The band has since released its critically acclaimed self-titled album via UNFD in 2021, which helped the band garner even more fans and streams galore. The band opened their set with the song “Gungrave,” which has some heavy riffage from guitarists Jesse Cash and Sean Price, the vocal stylings from JT Cavey, the deep bass grooves from Conor Hesse, and the intricate drum patterns from Alex Ballew. The song has that iconic yin and yang in vocals between Jesse’s cleans and JT’s screams. The band then went on to play their heaviest song from the self-titled album “Scorpion Hymn.” JT’s vocal prowess is on full display here, truly showing off his range. From lots of mids, screeching highs, and deep gutturals, JT is truly a powerhouse, and this song showcases all of his abilities in one. The instrumental structure of this song is much darker than many of their other songs, making this song a standout on the record as a whole. In contrast, the following song the band played is “Divisionary,” which is much brighter in sound compared to “Scorpion Hymn.” Jesse’s vocals are the song’s focal point, but those contrasting parts with JT’s screaming help give the song layers and momentum. The intricate guitar patterns really stand out to me in this song, along with a thick prominent bass tone in the latter half of the song, which gives Conor his’ moment to shine. The band played a total of 8 songs throughout the set, showcasing the band’s newest album and songs from previous releases. I was thoroughly excited to hear how these new songs translated live, and they definitely did not disappoint. I cannot wait to see and photograph these guys again on their spring tour as they support Beartooth, Silverstein, and The Devil Wears Prada!

SETLIST

Gungrave
Scorpion Hymn
Divisionary
Eye of God
Irreversible
Breach
Vanish Canvas
Snowblood

Up next was Fit For A King from Dallas, TX. This was my fifth time seeing these metalcore greats, and they once again did not disappoint. Since I saw them in November 2019, the band dropped their sixth album in 2020 titled “The Path” on Solid State Records. It was met with critical acclaim and became the band’s most successful release to date streaming-wise. The band opened the set with the song “Stockholm,” which is a heavy banger to open the set with. This is one of the heavier songs from “The Path,” with Ryan Kirby’s iconic gutturals and lower toned vocals, the deep bass grooves from Ryan “Tuck” O’Leary, those chuggy guitars from Daniel Gailey and Bobby Lynge, and the fast and tight drums from Jared Easterling. This was Fit For A King’s first tour as a five-piece since 2013, with Bobby returning to the live stage for the tour. This was also the last run of shows with drummer and founding member Jared Easterling, who announced his departure prior to the tour. The band then went on to play the song “Locked (In My Head),” which was one of the leading singles from the new album. Locked definitely has a more post-hardcore vibe, reminiscent of the bands from the early-mid 2000s while still having a modern edge. Tuck and Ryan do an incredible job going back and forth on those clean vocals, really providing an emotion-driven melodic song to the mix that helped push the band’s boundaries in terms of what can be expected going forward. Continuing this momentum, the band then played “Breaking The Mirror,” which is all about overcoming past failures and pushing forward. The band really brought it to the next level with this new record, and the crowd was eating it up, with lots of crowd surfing and moshing galore. The band played a total of 11-songs, most of which came from “The Path” and “Dark Skies” and one song from “Deathgrip.” The band has really strengthened their core sound while still broadening out on what is possible. I cannot wait to see and photograph them on their “Dark Path Tour” in the spring as they headline the US with Silent Planet, Hollow Front, and AVOID supporting them. It will be an incredible time, and I cannot wait to see these metalcore boys again!

SETLIST

Stockholm
Locked (In My Head)
Breaking The Mirror
When Everything Means Nothing
Annihilation
The Price Of Agony
Deathgrip
Backbreaker
The Path
Tower Of Pain
God Of Fire

August Burns Red from Lancaster, Pennsylvania, came up next to the stage. The band came out swinging with the brand new opening track from the Leveler re-recording “X,” a wholly instrumental track. Bassist Dustin Davidson came out front and center, plucking those deep bass notes. Guitarists Brent Rambler and JT Brubaker played these gorgeous melodic guitar riffs that created a sing-along melody that would go into the next track. Due to personal issues, vocalist Jake Luhrs could not play the rescheduled dates. Due to this, Michael Felker from the metalcore band Convictions came in to do vocals for the band. Michael came out swinging on the song “Empire,” a fast-paced and riff-heavy metalcore track. One thing that is in the forefront of all of August Burns Red’s songs is the drum playing from the impressive Matt Greiner, who is truly on point with every beat he makes. The song “Empire” is jampacked with all of the elements that have helped August Burns Red solidify their sound: progressive and intricate guitar and drum patterns, sing-along sections, breakdowns, guitar solos, and uplifting vocals. The band then went on to play “Internal Cannon,” which was the song that got me into August Burns Red back in the day. The song features Matt K. Heafy from Trivium on the studio re-recording, which really added another layer to the song. The incredible dynamics in this song make it apparent why it is a fan favorite. August Burns Red’s metalcore style creates the melody using the instrumentals, as about 99% of the vocals are screaming in their music. Internal Cannon also has this slow-down section that incorporates some influences from jazz and blues that really help give some serious contrast to the song. The band then went on to play “Leveler” in its entirety, then came back to play a few newer songs and even an instrumental cover of “Carol of the Bells,” since the show was near the holiday time, totaling in at a whopping 18-songs in their setlist. August Burns Red never disappoints, and I cannot wait to see and photograph them again on their tour going on now with Killswitch Engage and Light The Torch! August Burns Red is genuinely an incredible band!

SETLIST

X
Empire
Internal Cannon
Divisions
Cutting The Ties
Pangaea
Carpe Diem
40 Nights
Salt & Light
Poor Millionaire
1/16/2011
Boys Of Fall
Leveler
Drum Solo

ENCORE

15. Bloodletter

16. Defender

17. Carol of the Bells (Mykola Leontovych cover)

18. White Washed

The Leveler 10th anniversary tour was a celebration of a truly incredible album from one of the leading metalcore bands in the genre, August Burns Red. Fit For A King, ERRA, and Like Moths To Flames were the perfect bands to support August Burns Red on this tour! Make sure to see all of these fantastic bands on their upcoming tours if they come to a city near you!

August Burns Red | Fit For A King | ERRA | Like Moths To Flames

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

Keep up with us on social media! Facebook | Instagram | Twitter | YouTube

Filed under Photography, Reviews, Tours Tagged with August Burns Red, Band photography, concert photography, Concert review, concert reviews, djent, Erra, Fit For A King, Jamie Kaufman, jamie kaufman photo, jamie kaufman photography, Like Moths to Flames, live music photography, live music review, metal music review, Metalcore, music photography, music review, photographer, Photography, Photos, Progressive Metal, Progressive Metalcore, Review, Reviews, show review, The Camera Affect, TheCameraAffect

Volumes with special guests Varials, UnityTX, and Kingsmen | Fall US Tour | 11/20/21 | Photos + Review

January 19, 2022 Leave a comment

Volumes Sell Out Their Hometown Show To Close Out Their Fall Tour

Chain Reaction in Anaheim, CA on 11/20/21

Volumes have been a band I have enjoyed for quite some time. Their progressive metalcore sound that verges on deathcore brings in a lot of fans that go absolutely nuts to their music. For their return to the stage, they embarked on a month-long headlining US Tour in support of their new album “Happier?” in 2021 via Fearless Records. They brought along a solid lineup of bands that are quite different in sound but who each bring the energy to the stage, those being Varials, UnityTX, and Kingsmen. This night was a lot of fun and brought a lot of high energy and vibes.

First up to the stage were Kingsmen from Providence, Rhode Island. Unfortunately, some issues getting in as a photographer prevented me from seeing or photographing a majority of their set. However, I was able to get in and photograph the last song and a half of the set, which I utilized each second of. The band is good ole metalcore, with music in the same vein as bands like Killswitch Engage, Miss May I, and many more. I was very much looking forward to seeing Kingsmen and seeing their 5-song set, most of which came from their 2020 record “Revenge. Forgiveness. Recovery.”, which was released via SharpTone Records. The one song I did get to see and photograph was a cover of Metallica’s “Sad But True,” which they did exceptionally well. The vocalist Tanner was on point with his’ vocals, guitarists Nick and Tim did incredibly on those guitar parts, Adam held it down strong on those bass lines, and drummer Mike slammed those drum parts. I’m sad I could only see and photograph one song, but the band killed it on that cover. I cannot wait to see and photograph them for a longer period of time next time they come out to the west coast.

SETLIST

Tipping The Scales
Nightmares
Until I Departed
Oppressor
Sad But True (Metallica Cover)

Up next were the Dallas, Texas boys in UnityTX. This band is the perfect blend of metalcore, hardcore, and rap. The band played songs from their two EPs, “Madboy” and “Hellway,” released on Pure Noise Records. Their crowds went wild and even got so violent to the point where multiple crowd members were dragged out of the venue for fighting. Their music goes HARD. What’s unique is the diverse stylings the band has. With vocalist Shaolin at the forefront, the band incorporates many hip hop and rap elements. The band weaved some full-on rap songs into their set, showcasing Shaolin’s stage prowess and rap ability. The instrumentals in the band’s set should definitely be praised as well. Those basslines from Alberto are beefy and heavy. They add a deep groove to the songs that are very much needed. Then you have the guitar tones from Ricky that add a deep emphasis on those breakdowns and get the crowd going wild with those guitar chugs. Closing out the band’s lineup is Jonathan on drums, who slammed the hell out of those drums with precision. The band absolutely blew me away and proved why they are getting as far as they are. I cannot wait to see and photograph them again next time they come to Southern California.

SETLIST

Agony
Ruckus
Cross Me
60 Seconds (Wait)
Bang Shit
Hail Mary
Walk With Me

Up next was Varials from Philadelphia, Pennsylvania. I’d best describe their sound as the perfect trifecta of metalcore, hardcore, and deathcore, with some minor nu-metal influences as well. This was my second time seeing and photographing the band, with the first time being back in May of 2019 when they toured in support of Sylar and Cane Hill at this same venue. Since then, the band has gone through some lineup changes, the most notable being the shift of vocalist to Mitchell. Mitchell was previously on guitar and absolutely killed it on his new position in the band. He screams and sings those parts with power and emotion. Mike is still slaying it on bass, adding some serious grit to the rhythm section. James added some grooves to the rhythm section on the guitar, which adds a lot to the band’s sound. The band brought out two touring members to finalize their live set for this tour. Kendrick is in the band BeGotten and played lead guitar on this tour, absolutely slaying those leads while also having incredibly high energy on stage that included two-stepping, windmills, and lots of headbangs. Kevin finalized the band’s lineup on drums, absolutely murdering that kit on stage. They played a 10-song set, playing songs from both of their albums, “In Darkness” and “Pain Again,” along with a couple of songs from their E.P. “Failure//Control.” I always enjoy seeing and photographing these guys and hope to do so again when they come out with All That Remains, Miss May I, and Tallah in Spring of 2022!

SETLIST

Romance
Empire of Dirt
I Suffocate
In Darkness
South of One
E.D.A.
Stigmata
Savage
Anything To Numb
The New Damnation

Volumes from Los Angeles, CA, came to the stage next. For the tour’s final date, the Southern California native band came back home to party it up. The band played a great mixture of songs to please old fans and new fans alike. Their progressive metalcore sound that borderlines on deathcore has garnered various fans. Vocalists Myke and Michael do a great job going back and forth on vocals, creating a jab punch in songs like “The Mixture” and “F.X.B.,” and creating incredible dynamics between cleans and screaming on songs like “Bend.” Bassist Raad adds those deep grooves that are ever-present throughout the band’s whole discography. Drummer Nick slams those drums with intricate patterns that create the bassline for the instrumentals to flow effortlessly. Finalizing the band’s live lineup is Mikhael on guitar, who plays those complex guitar parts flawlessly. The band really had a lot to offer in this set. They had the crowd going wild with a dynamic lighting setup to a whopping 17-song set that incorporated songs from their entire discography. Out of all the shows I covered in 2022, this was by far the rowdiest crowd I had the honor of being a part of. Volumes know how to bring the party, and they did not disappoint this time around.

SETLIST

Intro
F.B.X.
The Mixture
Holywater
91367
Pixelate
Get Enough
Weighted
Bend
Serenity
The Columbian Faction
Edge Of The Earth
Erased
Pieces
Intake
Wormholes

Encore

17. Feels Good

Volumes truly brought it on this final night of their month-long trek on the road. With bands like Varials, UnityTX, and Kingsmen, they truly brought along with them a diverse group of bands that created a dynamic night of music. I’m still sad I couldn’t see and photograph more of Kingsmen’s set, but that will definitely happen next time.

Volumes | Varials | UnityTX | Kingsmen

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

Keep up with us on social media! Facebook | Instagram | Twitter | YouTube

Filed under Photography, Reviews, Tours Tagged with Band photography, concert photography, Concert review, concert reviews, deathcore, djent, hardcore, Hardcore Punk, Jamie Kaufman, jamie kaufman photo, jamie kaufman photography, Kingsmen, live music, live music photography, live music review, live show, Metalcore, music photography, music review, photographer, Photography, Post Hardcore, Review, Reviews, show review, The Camera Affect, The Camera Affect Promotions, UnityTX, Varials, Volumes

“Manic” by Wage War | Review

January 19, 2022 Leave a comment

album released October 1, 2021.

A little over two years ago, Wage War dropped their third album, “Pressure,” which was one of my favorite albums that dropped that year. Earlier in 2021, the band has been preparing to follow it up with their newly-released fourth full-length – “Manic.”

“Relapse” kicks things off with riffs reminiscent of Wage War’s metalcore roots, and it brings a standout lyric early on in the record (“I take one step forward, then two steps back, till I run out of time in the hourglass”). The mix of melodic vocals in the verses and choruses with the heavier pre-choruses and the breakdown towards the end showcases a little bit of what listeners can expect from the tracks that follow. Second up is the single “Teeth,” which also displays the juxtaposition between the more melodic aspects of their sound (such as the irresistibly catchy chorus) and the heavier ones (shown through the sections surrounding those choruses). The song is an ode to a friend who stabbed you in the back, explaining that this person is “accepting apologies” but would “never give it” and asking them with brutal honesty, “You only took from me but did you ever care?”

The title track, “Manic,” is where the album gets a little bit experimental. The band incorporates elements of hip-hop and nu-metal, which immediately reminded me of music from bands like My Enemies & I and Afterlife, and these genres are blended with the aggression that the band is known for. Speaking of which, “High Horse” is up next, and it really hones in on the metalcore influences and the most aggressive parts of their sound, with monstrous riffs and furious vocals all throughout. “Circle The Drain” contains an anthemic and powerful chorus, and the lyrics deliver a crucial message. The song is all about taking accountability and wanting to do the best you can to make this world a better place. The lyric “the hurt begins with me” sums up this theme very well, showing the moment when someone “decides to be a part of the solution,” as the band said on Twitter when explaining the song’s meaning. “Godspeed” brings plenty of solid hooks from start to finish, and similar to some of the other tracks on here, it experiments a bit and mixes some glitchy effects with the harsher instrumentals. The song’s lyrics continue the conversation about cutting out toxic people in your life, as one line declares “and now you’re dead to me.”

If you’re a fan of the aforementioned heavier aspects of Wage War’s sound, then you’re in for a treat when you hear “Death Roll.” It’s easily the heaviest on the record (aside from “High Horse”), and it seemingly incorporates elements of hardcore as well. In contrast, “Slow Burn” is way more melodic, and it feels reminiscent of “Circle The Drain” and even some of the tracks from “Pressure.” The chorus on here offers some of the strongest books on the entire record, and it’s another really memorable track.

“Never Said Goodbye” is up next, initially driven by acoustic guitar, simpler percussion, and clean vocals before the much bigger choruses crank up the volume of the instrumentals. The lyrics are very clearly all about grief, and lines like “Won’t ever heal cause I’m trying to make sense of a world where you’re not in existence” and “I know you’re home now in a better place, but I’m still searching for the words to say” will easily resonate with those who are dealing with the loss of a loved one.

Second to last is “True Colors,” beginning with a combination of both screams and gritty shouted vocals that lead up to another catchy chorus with some more great hooks, and the riff-driven breakdown will have fans joining the mosh pit if the band plays the song live. “If Tomorrow Never Comes” concludes the record, and it does so very nicely by combining both the more aggressive and more melodic elements heard throughout the album, from the brutally heavy performances in the verses to the soaring vocals in the massive chorus.

“Manic” shows Wage War staying true to their roots at times, but also shows some additional experimentation, and much like “Pressure,” this record as a whole shows how the band is continuously evolving as songwriters and musicians.

Review courtesy of Megan Langley | Instagram

Keep up with us on social media Facebook | Instagram | Twitter | YouTube

Filed under Reviews Tagged with Megan Langley, music, Review, The Camera Affect, TheCameraAffect, Wage War

Silverstein with special guests The Plot In You and Can’t Swim | Silverstein 20th Anniversary Tour | 11/19/21 | Photos + Review

December 29, 2021 Leave a comment

Silverstein Sells Out Their 20 Year Celebration In Los Angeles

11/19/21 at The Belasco Theater in Los Angeles, CA

In March of 2020, Silverstein was set to go out on their 20th Anniversary Tour. Due to the ongoing pandemic, the tour was postponed twice. Finally setting out on tour in November and December of 2021, the band now hit their 21st anniversary as a band. To prepare for just a significant anniversary, the band prepared one of the longest sets I’ve ever seen a band play, and they brought along with them The Plot In You and Can’t Swim for the ride. This lineup made for a night of diverse music that kept fans entertained from start to finish.

First up was Can’t Swim from Keansburg, New Jersey. I’d best describe the band’s sound in the subgenre known as “easycore.” Easycore is basically the merging of pop-punk and metalcore. Similar bands in sound would be A Day To Remember, Chunk! No, Captain Chunk, and more. The band started with the song “Set The Room Ablaze,” which comes from their newest album, “Change Of Plans,” released in 2021 via Pure Noise Records. This song has a heavy edge, with metalcore-inspired riffs courtesy of Danny Rico and Mike Sanchez. This song also features some raspy screams from guitarist Chris LoPorto. The song’s studio recording features Caleb Shomo from Beartooth, which honestly pushes the song over the edge. This is easily my favorite song from the band and having them open up with it was incredible to witness. The band then went on to play their song “Sometimes You Meet The Right People At The Wrong Time” from their 2018 record “This Too Won’t Pass,” released via Pure Noise Records. This song has an overall pop-punk feel, with the stand-out elements being the drum patterns and overall atmosphere. I focused during this song on drummer Blake Gamel, who was absolutely smashing those drums like crazy. Bassist Greg McDevitt also did a superb job on backup vocals, adding amazing harmonies that pushed the songs to another level. The third song in the set that I captured was their song “Sense of Humor,” which has a very lighthearted feel in the melodies and atmosphere. The song changes up about two-thirds of the way through with a breakdown, adding an extra layer of contrast and depth to the song that kept me jamming while in the photo pit. The band was tight as hell during their set and had incredible energy. They absolutely blew away my expectations. They played a nine-song setlist, playing songs from four of their releases. They’re a fantastic band, and I highly recommend attending their headlining tour in the spring if it comes near you!

SETLIST

Set The Room Ablaze
“Sometimes You Meet The Right Person At The Wrong Time”
Sense Of Humor
Prick
Deliver Us From Evil
Power
My Queen
Your Clothes
Stranger

Up next was The Plot In You Hancock County, Ohio. This was my second time ever seeing The Plot In You, with the first and only other time being back in 2016 when they were headlining their “Happiness In Self Destruction” tour in support of their album they had released the year prior of the same title. The band has made quite the transformation since then. The band was previously a through and through metalcore band. They experimented with more melodic elements in the album “Happiness In Self Destruction” before diving deep into their new sound in 2018’s “Dispose” via Fearless Records. Going more towards a post-hardcore and progressive rock sound, the band has genuinely diversified their more recent records. The band opened with the song “Face Me” from their 2021 record “Swan Song,” also released on Fearless Records. Face Me opens up with a beat, and vocalist Landon Tewers before the full band comes in during the chorus. The band really brought the theatrics, with a gorgeous light show that really brought their performance to the next level. The instrumentals have a truly modern vibe to them. The bass from Ethan Yoder is vibrant and prominent, the guitar is deep and full from Josh Lewis Childress, and the drums are clean and solid from Michael Cooper. The band then went on to their second song, “Fall Again,” which is my favorite track from the new record. This song plays with the band’s heavier elements, bringing in some nu-metal inspiration in the guitar tones and vocalizations. Landon Tewers is truly on fire vocally on this record, showing his vast repertoire and prowess. The band then went on to play their song “Enemy,” which has an r&b feel to it, while still dialing into their post-hardcore sound. I love the new addition of the electronics into the music, as it adds a whole other layer to their sound. The crowd was eating them up, jumping, and singing along to every word. The band played a total of ten songs, spanning from “Swan Song,” “Dispose,” and “Happiness in Self Destruction,” which are three albums that really meld nicely in the band’s current discography and their more modern sound. The Plot In You has truly grown a lot since I last saw them, and I cannot wait to see them again.

SETLIST

Face Me
Fall Again
Enemy
Not Just Breathing
Time Changes Everything
Paradigm
One Last Time
Too Far Gone
Disposable Fix
Feel Nothing

Silverstein from Burlington, Ontario, Canada, hit the stage next. Hitting two decades for a band in the heavier music genre is a massive milestone for bands in our genre and music in general. It can be easy to burn out and give up, but Silverstein has proven that a band can not only succeed but push themselves further and thrive through perseverance, growth, and rebuilding. For those who somehow have never heard Silverstein, they are that perfect blend of metalcore, post-hardcore, pop-punk, and punk rock. They started out as one of the classic emo bands and have constantly expanded upon their sound to keep previous fans impressed and gain a new, innovative following. For their 20th Anniversary Tour, the band went the whole nine yards, preparing three sets in total. They also brought an extensive amount of colorful and vibrant lighting, timed and themed perfectly to their music. The first set Silverstein played was a greatest hits set, performing songs from their whole discography. They opened with one of their newer singles titled “Bankrupt.” This track is an explosive and heavy track with a deep guitar groove courtesy of Josh Bradford and Paul Marc Rousseau. The crowd went bonkers, with crowd surfing and moshing galore. This track showcases vocalist Shane Told’s intense screams and solid clean vocals. He is a powerhouse vocalist and truly showcased that with this song. The band then went into the song “Massachusetts” from their 2013 album “This Is How The Wind Shifts,” which has a lighter sound compared to “Bankrupt.” Those intricate drum patterns from Paul Koehler are a standout in this song for me. The next song the band went into was “Smashed Into Pieces” from their debut album “When The Broken Is Easily Fixed,” which really has that classic emo and post-hardcore vibe the band founded themselves on. Bassist Billy Hamilton was on point with those harmonies and backup screams on this song, and that deep bass grove really helped push it over. The band then went into songs like “Bad Habits,” “It’s Over,” “Infinite,” and “The Afterglow.” The band even did a massive melody of songs, which included “The Artist,” “Sacrifice,” “I Am The Arsonist,” “The Continual Condition,” “My Disaster,” “Vices,” “Je Me Souviens,” and “Broken Stars.” After a short interlude, Shane Told came out to do an acoustic set while a few members joined during a song or two. The acoustic set consisted of “Rescue You,” “Untitled” by Social Distortion, “Red Light Pledge,” and “Where Are You,” all of which once again showcased how diverse and strong Shane Told’s vocals are all these years later. The band came on for their third set just a minute later to play their second album, “Discovering The Waterfront,” in its entirety. Songs like “My Heroine” and “Call It Karma” were standouts on the album for me, so to hear them live, along with the rest of the songs, was absolutely incredible. The band gave us a special treat for their encore to top it all off. As a final song, the band played “Bleeds No More” from their debut album. However, they changed things up, putting Shane Told on bass and having Billy Hamilton absolutely demolish those vocals. He was on fire, and Shane was plunking away at those chunky bass notes. This song finished off their set on such a high note. Silverstein again proves why they are a staple in their cohort, and I cannot wait to see them again in the new year.

SETLIST

Bankrupt
Massachusetts
Smashed Into Pieces
Bad Habits
The Artist/ Sacrifice / I Am The Arsonist / The Continual Condition / My Disaster / Vices / Je Me Souviens / Broken Stars
It’s Over
Infinite
The Afterglow
Replace You
Untitled (Social Distortion Cover)
Red Light Pledge
Where Are You
Your Sword Versus My Dagger
Smile In Your Sleep
The Ides Of March
Fist Wrapped In Blood
Discovering The Waterfront
Defend You
My Heroine
Always And Never
Already Dead
The Hours Back
Call It Karma

ENCORE

24. Bleeds No More

Silverstein really went above and beyond for their 20th-anniversary tour. I am beyond grateful I could see and photograph them again, along with The Plot In You and Can’t Swim. All three bands played amazing sets and made the crowd go NUTS. Give some love to all of these bands and go see them live when they hit cities near you!

Silverstein | The Plot In You | Can’t Swim

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter |

Keep up with us on social media! Facebook | Instagram | Twitter | YouTube |

Filed under Photography, Reviews, Tours Tagged with 20th Anniversary Tour, Band photography, Can't Swim, concert photography, Concert review, concert reviews, Jamie Kaufman, jamie kaufman photo, jamie kaufman photography, live music photography, live music review, Metalcore, music photography, music review, photographer, Photography, pop punk, Pop punk photography, Post Hardcore, Review, Reviews, show review, Silverstein, The Camera Affect, The Plot In You, TheCameraAffect

We Came As Romans ft The Devil Wears Prada, Dayseeker, and Hollow Front | To Plant A Seed 10 Year Anniversary Tour | 10/20/21 | Photos + Review

November 4, 2021 Leave a comment

We Came As Romans Plant A Seed At A Sold Out Los Angeles Show

Venue: The Regent

Date: 10/20/21

We Came As Romans announced their 10 Year Anniversary Tour for their debut album “To Plant A Seed” in late 2019. Unfortunately, due to the global pandemic, the tour was postponed not once but twice. At last, the band could embark on the long-awaited anniversary tour, a year and a half after it was initially scheduled for. Along with the band came support from The Devil Wears Prada, Dayseeker, and Hollow Front. This stacked lineup brought the heavy, the emotional, and the nostalgia to a sold-out crowd that had awaited this night for a long while.

Up first was Hollow Front Grand Rapids, Michigan. The band is on the border between metalcore and post-hardcore, with some ambient backing tracks that bring in the progressive metal influences. The band opened their set with the opening track from their 2020 release “Loose Threads” titled “Afflicted,” which the band released independently. This song is melodic and comes out the gate, showcasing Tyler Tate’s harsh, growled vocals. The dude truly owns every inch of that stage. The band then went on to the title track from their newest album, “Loose Threads,” which really showcased guitarist and vocalist Dakota Alvarez’s vocal abilities and had a slower vibe to it. Devin Attard, one of the rising drummers in the metal scene, was headbanging and smashing the hell out of the drums in the back. The band then went on to play Vegabond, also from their newest album. This is one of the heavier tracks on the record and goes deep into the downtune with deep bass tones from bassist Brandon Rummler. In total, the band played seven songs and really started the show out perfectly. The crowd was still warming up and coming in, but they definitely got the pit warmed up for the bands to come. I cannot wait to see and photograph the Hollow Front boys again next year!

SETLIST

Afflicted
Loose Threads
Vagabond
Wearing Thin
Don’t Fall Asleep
Left Behind
Treading Water

Up next was the incredible Dayseeker from Orange County, CA. Dayseeker is another band that borders between metalcore and post-hardcore, with a lot of progressive metal influences in their instrumentalization and the ambiance that is felt throughout their music. For their setlist on this tour, the band played songs all from their newest album, “Sleeptalk,” released in 2019 via Spinefarm Records. The interlude “The Embers Glow” played as the band came on stage, leading into their first song, “The Color Black,” one of the heavier songs on that new album. The song showcases vocalist Rory Rodriguez’s vocals in the forefront, with him mixing between cleans and screaming. This new album is very emotional, speaking about alcoholism, loss, eating disorders, and more. Rory really poured his heart into these vocals, and you can tell with how much emotion he has on stage. One thing that is apparent throughout Dayseeker’s music is the intricate chord progression and fluidity, which are courtesy of the band’s guitarist Gino Sgambelluri and bassist Ramone Valerio, who really add a lot of complex parts to the instrumentals. The band then moved on to their second song, that being “Gates of Ivory.” This is another of the heavier songs on the album. Still, it does such a great job as the rest, with a good yin and yang between the heavy and the melodic with those beautiful instrumentals and Rory’s vocals. The third song in the set was “Crooked Soul,” which has some of the heaviest instrumentals of the record, paired with Rory’s more melodic vocals, creating a beautiful pairing in the song. Drummer Zac Mayfield, the drummer for bands Oh, Sleeper, and Noble, filled in for this tour, truly holding down the fort on the drums. But during the fourth song in the set, “Burial Plot,” the band’s drummer Mike Karle swapped in and finished the set with the band. It was fantastic to see him there slaying as always. The band, in total, had seven songs in their set, six if you don’t include the interlude intro. Dayseeker is always a joy to see and photograph. Keep an eye out on them, as they have many more things in their arsenal to come!

SETLIST

The Embers Glow (Interlude/Intro)
The Color Black
Gates Of Ivory
Crooked Soul
Burial Plot
Drunk
Sleeptalk

Up next was the all mighty The Devil Wears Prada from Dayton, Ohio. The Devil Wears Prada has become one of the most consistent bands within the metalcore genre throughout their career, releasing seven full-length albums and two EPs. The band played a career-spanning set for their direct support slot, playing songs from almost all of their releases. They opened up the set with “Nightfall,” the opening track from “ZII,” released in 2021 via Solid State Records. This song is one of the heaviest songs the band has released in years, bringing the band to an elevated version of the heaviness they were known for in their earlier days as a band. Vocalist Mike Hranica is on full display for a majority of the song, with his mid and high range screams piercing through the heaviness. The song has a slowdown section for the cleans, which are provided by guitarist and clean vocalist Jeremy DePoyster. The band then went on to play “Outnumbered” from the “Zombie EP.” This EP stands the test of time as one of the band’s most popular releases with its sheer heaviness. The crowd went nuts, with lots of moshing and crowd surfing. During this song, bassist Mason Nagy had incredible energy, flailing and headbanging to his’ heart’s content. Keyboardist Jonathan Gering really brings a lot to this song, adding the needed synths and backing that amp up the song to new levels. The third song in the band’s set was “Born To Lose” from the album “Dead Throne.” Coming hot off the release of Zombie EP in 2010, this 2011 record saw the band continuing off the momentum they built thus far, combining the sound of their previous works with their new, more mature sound. Born To Lose is one of the highlighted tracks from this album. I was honed in on guitarist Kyle Sipress, who absolutely slayed it on those lead guitar parts, as well as drummer Giuseppe Capolupo, who is an absolute machine on those beats. I was, unfortunately, unable to get any photos of Kyle or Giuseppe, as we photographers were kicked out of the photo pit a song early due to the crowdsurfing. However, I was still able to enjoy the band’s incredible set from the crowd, where they played ten songs in total, ranging from most of their discography. This band always plays a flawless set, and I was thoroughly impressed with what they showcased to us. I cannot wait to see and photograph these guys once again in the new year!

SETLIST

Nightfall
Outnumbered
Born To Lose
Chemical
Lines of Your Hands
Forlorn
Sacrifice
Mammoth
Hey John, What’s Your Name Again?
Danger: Wildman

Finally, We Came As Romans from Troy, Michigan, came to the stage. For the 10th anniversary of “To Plant A Seed,” the band played the album in its entirety. However, they didn’t necessarily play it in order. The band played the entirety of the album but mixed in fan-favorite songs from the band’s discography. Before the band came on stage, they had a beautiful video playing on their LED screens about how impactful this album was on their careers and onto them as individuals. The band opened up with the title track “To Plant A Seed.” The stage exploded with CO2 cannons and an extensive lighting setup brought by the band. Vocalist Dave Stephens came right out the gate screaming those vocals and really controlling the crowd. What was remarkable was seeing the dynamic between Dave and bassist and backup vocalist Andy Glass. This was my first time seeing the band after the passing of the band’s founding clean vocalist Kyle Pavone. I was curious to see how the vocal duties would be split up. Andy took over, doing some of the screaming vocals, while Dave did the clean vocal parts. The band changed keys to fit Dave’s voice, and the new arrangements sounded absolutely incredible. The second song the band played was “Broken Statues.” During this song, I focused on guitarist Joshua Moore, who really holds it down on those lead guitar parts and instrumental melody. I have been a fan of his guitar playing for years, and to finally photograph it live was a dream come true. It was also so cool to see drummer David Puckett absolutely slay those drums. Formerly in the band For Today, David is quite established in the metal scene and has a range in his’ drum playing. Just hearing his’ playing on these songs that inspired me so much as a young kid was amazing. For their third song, the band played “We Are The Reasons.” I focused during this song on rhythm guitarist Lou Cotton, who truly grooved along with the rhythm section and held it down. It was amazing to finally hear songs like “Intensions” and “Roads That Don’t End and Views That Never Cease” played live since I saw them back in 2012 for the first time. It was also incredible to hear the band’s newest song, “Black Hole,” performed live, along with fan-favorite songs like “Hope,” “Tracing Back Roots,” and “Wasted Age,” among others. This is a band that has been a favorite of mine for quite some time. They were one of the first bands I got into in the scene. I remember getting this We Came As Romans gray shirt at Hot Topic back in 2011 and just being in awe. Little did I know that it would start quite the collection of metal shirts to come. We Came As Romans demolished that stage and performed a fantastic nineteen-song set, really planting their seed into The Regent in Los Angeles, California, on this Wednesday night!

SETLIST