Heart Attack Man and Phoneboy kick off first night of co-headlining tour in New Jersey | Photos & Review

April 24, 2026 Leave a comment

If you’re wondering what to expect from a Heart Attack Man show: buckle up. Frontman Eric Egan, drummer Adam Paduch, and guitarist Ty Sickels emerged from the depths of Cleveland, OH in 2013 and have been raising hell in the modern rock scene ever since. Over the years, the trio has released four full-length albums and made their chaotic live energy an absolute must-see. The first night of their spring co-headliner with Phoneboy, on April 2nd in New Jersey served as a wild start to their 28-date run across the United States. 

Fans poured into White Eagle Hall before the night began with opening sets from Pony and Slow Joy. Canadian grunge-pop band Pony gave such a delightful performance that won me over by the end of it. Everything from the melodies to their bubbly energy had me completely enthralled for the entire 30 minute set. Slow Joy, the solo project of Dallas-based singer-songwriter Esteban Flores, spent his allotted time delivering an ode to emo and shoegaze influences through catharsis, healing and jumping right into the crowd during one of his songs. 

Pony

Slow Joy

While it took a second for the crowd to pick up momentum, Heart Attack Man were their usual energetic selves the second that the lights went down. Each time I see Heart Attack Man, I am instantly comforted by the amount of sheer chaos unfolding around me. The adrenaline rush of watching as those mosh pits get rowdier and crowdsurfers glide towards the stage ease is truly unmatched. 

They opened their set with “Lay Down and Die,” which is my current all-time favorite in their discography. They delivered a good mix of their last album Joyride The Pale Horse and older crowd-pleasers like “Leap Year” and “Fake Blood.” Heart Attack Man also performed both of their most recent singles, “Limb from Limb” and “Mechanically Separated,” which were extra fun to see come to life for the first time. 

While many come for their intensely chaotic energy, the jokes and bits that occur in between songs are just as great. The funniest part of the night was when Egan asked the NJ crowd about their stance in the ‘Pork Roll’ vs ‘Taylor Ham’ debate before declaring he’d choose the one that matches the band’s acronym (and being met with a handful of boos).

Phoneboy honestly surprised me a lot. While not super familiar with the indie-rock four-piece, I was introduced to their music not too long ago by a close friend. As soon as they kicked things off with “Wayside,” the energy in the room remained electric throughout their entire set. I walked out of White Eagle Hall that night with two things: a shirt from Heart Attack Man’s merch table and a newfound love for Phoneboy. 

The fun thing about this tour is how fundamentally different each band on the lineup is. Pony delivers a sickly sweet grunge-pop vibe minutes before Slow Joy comes on stage with a melancholic blend of emo and shoegaze. Heart Attack Man then feels like whiplash compared to the first two acts as the crowd feeds off their in-you-face energy through rowdy mosh pits and endless crowdsurfers. Phoneboy closes out the night with a dynamic performance that twists the definition of pop-punk and rock into something entirely their own. It’s hard to explain why it works, but the varying atmospheres from band to band made the experience exponentially better. 

The tour continues across the United States until its final show in Heart Attack Man’s home state of Ohio on May 9th. Tickets and information for the remaining shows of Heart Attack Man and Phoneboy’s spring co-headliner can be found here. 

Review & Photography by Amber Bintliff

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#ThrowbackThursday State Champs celebrates 10 years of ‘Around The World And Back’ with sold-out show at Brooklyn Paramount | Photos & Review

April 23, 2026 Leave a comment

It’s no secret that State Champs has become one of modern pop-punk’s most influential acts over the last two decades. With over 830K monthly Spotify listeners, countless sold-out tours worldwide, and five full-length albums under their belt, the Albany four-piece first solidified their rise in the scene with their seminal 2015 record Around The World And Back. The band kicked off the new year celebrating the album’s immense impact with a short run of shows across the United States, including a sold-out show at NYC’s Brooklyn Paramount on Jan. 16th. 

Openers for each show varied, with Brooklyn being lucky enough to get Broadside, Real Friends, and Cartel all in one night. Frontman Oliver Baxxter took complete control of the stage beneath him as soon as Broadside’s set began with “I Think They Know.” With their fifth album now weeks away from release, the Virginia pop-rockers gave Brooklyn a taste of their most recent singles while still showing some love to older fan-favorite tracks. It’s almost impossible to describe the emotions radiating off the crowd during “Coffee Talk,” with every word of the band’s most well-known hit echoing throughout the venue. This was my first time being able to catch Broadside live despite listening to them since 2018 and it was everything I could’ve hoped for and more.

Real Friends was the next band on this stacked lineup, delivering a set full of catharsis, healing and pure pop-punk. You can check out my full review of Real Friends’ opening slot here. 

Cartel was the final opener of the night, intensifying the energy with a set full of 2000s nostalgia. The pop-punk icons began making music over 20 years ago and just recently made a massive resurgence in the scene last year. You’d never be able to tell, however, because the way they carry themselves on stage makes it seem as though they’d never left. It was fun to watch Cartel power through their massively influential hits while the crowd sang their hearts out alongside frontman Will Pugh. 

Even though it felt like the crowd had already exhausted all their energy for the three openers, Brooklyn Paramount came alive when it was time for State Champs. The 2,700 capacity venue was transported back to 2015 as the band performed a full playthrough of Around The World And Back. One of my favorite moments from the beginning of the night was the confetti that consumed the room as soon as “Secrets” began. It created a beautiful scene around me as fans frantically tried catching the falling pieces while singing their hearts out. 

State Champs shows aren’t complete without frontman Derek DiScanio and bassist Ryan Scott Graham running around like madmen. The energy that radiates off these two is seriously impressive as their stamina never falters for the entire hour and a half that they’re on stage. You can tell how much the band genuinely loves to connect with the audiences in front of them just by watching them. With every high kick, headbang and mid-air jump, State Champs is always prepared to give the crowd one hell of a show no matter where they are in the world.

There were two parts of the night that I was anticipating the most (and predictably lost my mind during). “Perfect Score” and “All or Nothing” have been in my top 10 State Champs songs since I started listening to the band in middle school. Getting to hear these tracks live, along with the rest of this quintessential record, was a seriously surreal feeling. Another surreal moment that found me losing my mind was when DiScanio welcomed Daisy Grenade on stage to perform “Around The World And Back” with them. I watched this happen when the alt-pop duo opened for State Champs in 2024, but this time was double the surprise and even more beautiful than the first.

Not only did State Champs rip through all 13 tracks on Around The World And Back, they came back out for an encore full of fan-favorites from the rest of their eras. “Elevated” and “Everybody But You” served as an epic finale to a night full of nostalgia, community and chaos, with massive mosh pits and endless crowdsurfers raging on until the very last chord. 

Whether you were there for the album’s release 10 years ago or recently discovered them 10 days ago, this show was the perfect embodiment of all that Around The World And Back has come to stand for since its release. This night was more than just a trip down memory lane–it was a celebration of the raw passion and authenticity that State Champs has brought to the genre for the last two decades. I’ve been able to see the band five times now, but this time around certainly showed them at their biggest and best yet. If I had to give the band rating, State Champs would definitely earn a “Perfect Score” from me. 

Review & Photography by Amber Bintliff

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Rainbow Kitten Surprise’s ethereal performance at The Wellmont Theater in Montclair, NJ on the Bones Tour 2026 | Photos & Review

April 23, 2026 Leave a comment

Amid the first leg of The Bones Tour in support of their fourth studio album, bones, (2025), American alternative-rock band Rainbow Kitten Surprise filled the sold-out New Jersey venue with a wide array of concertgoers, from those in colorful outfits to concert black, ranging in all ages, from young children to their grandparents, all united by one thing: the music.


Starting the night, alternative-rock band Common People took the stage, touring in support of their then-upcoming debut EP Games. The Los Angeles group performed the entire new project, beginning with their indie-rock track “Thank You,” January single “Rain,” and ending with their latest single, “Don’t Fall.” Common People also performed standout covers, including The Pixies iconic single “​​Where Is My Mind.”

Rainbow Kitten Surprise dominated the stage with a dynamic 24-song set, hitting the ground running by exploring their whole discography, starting with the powerful bones (2025) track “Hell Nah,” 2020 single “Our Song,” followed by How To: Friend, Love Freefall (2018) track “Hide.” 

As an active Alt Nation listener, I was particularly excited to hear RKS Alt-18 hit “Dang” after months of rooting for the track to climb the weekly countdown. It’s incredible how frontwoman Ela Melo sounds the same as she does on the studio recordings… it was incredible to hear the songs I’ve been listening to on the radio for years come to life right before my eyes (and ears). 

The North Carolina band performed a substantial set spanning over a decade of music, ranging anywhere from their earliest tunes “Shameful Company” and “Hey Pretty Momma” from their debut record, Seven + Mary (2013), “Cocaine Jesus,” “Goodnight Chicago,” and “All’s Well That Ends” from RKS (2015), and “Holy War,” “Painkillers” (my personal favorites) from How to: Friend, Love, Freefall (2018), to tracks from their latest projects, like “Superstar” from Love Hate Music Box (2024), and “Friendly Fire,” “Texas Hold’em,” “Tropics,” and the title track from bones (2025). 

Alongside Melo played Darrick “Bozzy” Keller on rhythm guitar, Ethan Goodpaster on lead guitar, Jess Haney on drums, each a powerful musician who made the magic happen for nearly two hours straight. One of the highlights of the night was when the core-four performed their acoustic song “First Class” amid Melo’s stripped-back versions of “Texas Hold’em” and “Hey Pretty Momma,” making for a calm, intimate break in the set before the powerful ending. 

Completing their set with album closer “Tropics” and quintessential track “It’s Called: Freefall,” the band had me wondering when I would have the chance to see them again before they even left the stage!

The humans of RKS are truly talented musicians with a one-of-a-kind, demanding stage presence… Needless to say, Rainbow Kitten Surprise is the real deal. Their discography has played on loop in my days following the performance, leaving me hopeful that the rock band will return to the Montclair area again on their next tour! 

Since their performance in Montclair, RKS has released their first single of 2026, “Sixteen,” now available on streaming platforms. 

Rainbow Kitten Surprise will continue The Bones Tour across Europe and North America beginning in May and continuing through September 2026. Tickets to the remaining dates are available here! 

Rainbow Kitten Surprise’s The Wellmont Theater, Montclair, NJ, 3/13/26 Setlist:

  1. Hell Nah
  2. Our Song
  3. Hide
  4. Dang
  5. When It Lands
  6. Holy War
  7. Devil Like Me
  8. All’s Well That Ends
  9. Painkillers
  10. Friendly Fire
  11. Matchbox
  12. Shameful Company
  13. Goodnight Chicago
  14. Cocaine Jesus
  15. Heart
  16. Texas Hold’em
  17. Hey Pretty Momma
  18. First Class
  19. Superstar
  20. Run
  21. bones
  22. Wasted
  23. Tropics
  24. It’s Called: Freefall

Photos & Review by Emily McCormack 

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Nothing More kicks off the second leg of the Carnal Nature Tour at the Wellmont Theater, NJ 2/19/26 | Photos & Review

February 22, 2026 Leave a comment

San Antonio rock band Nothing More returned to The Wellmont Theater in an epic kick-off to the new year. 

Embarking on the second leg of their Carnal Nature Tour in support of their latest album, CARNAL (2024), Nothing More filled the New Jersey venue with a sea of black clothing and an audience excited to hear some intense songs, sweat it out to screaming, and vibe with like-minded people. 

The four-band bill was badass from start to finish, introducing the crowd to strong musical talent and dominating metal vocals throughout the night. 

Starting the show, Columbus native Doobie opened the night with a standout rock-hip-hop vibe. In support of his latest project, Give ‘Em Hell Until You Get To Heaven (2025), Doobie matched his cleverly named album title with equally memorable song titles: I particularly enjoyed “Early Bird Gets the Whiskey,” “Beauty in the Boogeyman,” and aptly named “Hate Song.” 

Metalcore band Archers followed, performing their top hits, including “Made For Love” and “Perfect Strangers,” as well as their brand new single “The Dirt,” which seemed like a perfect introduction to a new audience. 

The final opening act was Austin rock band Catch Your Breath, who continued to ramp up the mood. Supporting their latest singles “Lost” and “Dark,” the alternative group performed both their latest songs and tracks from their 2023 debut album Shame On Me, including what I found to be the most memorable song of their set, “21 Gun Salute.” 

After a couple of hours of incredible acts opening the night, it was time for Nothing More to take the stage. 

I was particularly excited to hear new tracks from their latest album, CARNAL, and to have the band debut their newest work to the Wellmont audience since their last performance in 2022. They started with a bang by beginning with the high-energy opening song “HOUSE OF SAND,” the song I saw posted on half the audience’s social media immediately following the show. 

Continuing the love for the tour album, Nothing More showed off more of their latest tracks in performing standout songs “ANGEL SONG,” “FREEFALL,” “STUCK,” and my personal favorite, “IF IT DOESN’T HURT.” 

The four-piece played songs throughout their discography, giving seasoned fans performances of hits “Jenny,” “Ocean Floor,” “This Is The Time (Ballast)” from their 2014 self-titled record, “Let ‘em Burn,” “Don’t Stop,” “Go To War,” “Fade In / Fade Out,” from The Stories We Tell Ourselves (2017), and the more recent title track, “SPIRITS,” from 2022. 

The band even participated in the audience-song-pick trend, keeping the setlist keepers on their toes with a crowd-voted pick. This night, Nothing More gave the room a choice between their songs “Mr. MTV,” “SPIRITS,” and a Nine Inch Nails cover… While I must admit, I was curious about which NIN song they would perform, I was not disappointed when the room ultimately cheered loudest for the 2022 title track “SPIRITS.” 

One highlight of the night was when vocalist Jonny Hawkins invited Archers frontman Nathanael Pulley to the stage for a stunning performance of “FREEFALL,” followed by one of many sick instrumental breaks.

Speaking of highlights: Nothing More first caught my attention with their performance at the 2017 Alternative Press Music Awards, featuring what I discovered is known as The Scorpion Tail, a larger-than-life, sick-AF mega-instrument (my personal description of what my 15-year-old self witnessed) that was nothing short of thought-provoking. 

Ever since, I have looked forward to seeing what innovative new idea the band has to offer: While their latest performance at the Wellmont Theater did not include the 14-foot-tall machine in 2026, Hawkins, guitarist Mark Vollelunga, and bassist Daniel Oliver joined forces (and instruments) to assemble an interesting guitar-meets-bass-meets-drum super instrument that each member managed to play simultaneously (this was seemingly put together a Scorpion-Tail-looking-base, so the vibe was still there). 

While this may have sparked a few question marks among the crowd, this was no doubt an eye-catching moment of the set and had me wondering how they came up with that!

Nothing More finished their incredible set with their anthemic song “This Is The Time (Ballast),” an iconic track for the band, and, of course, a fun full-circle moment for me since it was one of the first songs of theirs I heard nearly a decade ago! 

Coming back four years after seeing them for the first time at the same venue in 2022, I am appreciative that Nothing More treats New Jersey so well. With a memorable performance from years ago, there was no way I was going to miss this show…

Truthfully, I was hoping for another chance to see the innovative Scorpion Tail in action and to its fullest extent; the band’s true talent and stellar setlist made up for the scaled-down spectacle. Would I come back for a potential Nothing More 2030 performance in Montclair? Once I wrap my head around such an absurd number, the answer would be yes!

Other venues worldwide don’t have to wait much longer, since Nothing More will continue their world tour through August 2026. Tickets to the remaining dates are available here! 

Nothing More’s The Wellmont Theater, Montclair, NJ, 2/19/26 Setlist:

  1. HOUSE ON SAND
  2. ANGEL SONG
  3. Let ‘em Burn
  4. IF IT DOESN’T HURT
  5. Don’t Stop
  6. Go To War
  7. FREEFALL
  8. SPIRITS (Audience Voted Song)
  9. Jenny
  10. STUCK
  11. Fade In / Fade Out
  12. Ocean Floor
  13. This Is The Time (Ballast)

Photos & Review byEmily McCormack

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Real Friends deliver a night full of sad songs and unforgettable memories to Brooklyn Paramount | Photos + Review

February 6, 2026 Leave a comment

When you think about the pop-punk genre, it’s hard not to have Real Friends come to mind. The Chicago natives have cemented themselves as a staple act within the scene since 2010, delivering emotionally gut-wrenching tunes that have become the soundtrack to the lives of so many. 

Now consisting of Cody Muraro (vocals), Kyle Fasel (bass), Eric Haines (rhythm guitar), David Knox (lead guitar) and Brian Blake (drums), the band recently wrapped up a short run of shows supporting State Champs for their Around The World and Back 10 Year Anniversary Tour. Real Friends brought the intensity that their live shows are known for to their opening slot at Brooklyn Paramount on January 16th. 

The band wasted absolutely no time once they got on stage with “Late Nights In My Car” as Muraro immediately called for two mosh pits on each side of the massive 2,700 capacity room. The thing about Real Friends is that they don’t just encourage the action, they join in on it. Waves of crowdsurfers began to glide through the air before Muraro made his way to the barricade and jumped on top of the crowd, grabbing the hands of those who surfed past him without missing a single note. 

Though the band released their latest album not too long ago in the fall of 2024, their setlist mainly consisted of older fan favorites. It was practically 2016 all over again once “Mess” kicked in next. The crowd was over the moon for this one as multiple circle pits raged on from the center and Brooklyn Paramount echoed with every word. 


When it comes to catharsis and connection, Real Friends are experts. Serving as one of the first singles from their recent record Blue Hour, “Waiting Room” is a gut-wrenching account of the daily battle that accompanies grief. This one is always tough to get through while watching the band’s raw emotions shine and many in the crowd sing along through tears. It’s a beautifully resonating part of the set that slaps you in the face with a reminder of how powerful and healing music can be. 

The crowd’s energy quickly returned as the mosh pits opened back up and even more people began to float towards the barricade for “From The Outside.” The contrast between the depressing and upbeat songs throughout the set is what makes these shows as fun as possible. You never know if you’re going to be sobbing uncontrollably or headbanging when you’re at a Real Friends show and I think that’s what makes the experience so beautiful.  

An extra special part of Real Friends’ live shows is when Muraro joins the crowd for “I’ve Given Up On You.” The singer hopped in the middle of the large sea of people to deliver an exceptionally emotional performance of the band’s most popular track. I’ve been lucky enough to find myself up close for this part twice now and each time has brought a wave of intensity that’s hard to describe. The raw emotion from the fans as they sing along with Muraro is what makes this moment integral to Real Friends’ sets. It’s heartwarming and a privilege to witness attendees connect with strangers over their shared love for this song and the band themselves. 

“Me First” followed right after, once again showcasing some serious musical whiplash. They ended their set with “Tell Me You’re Sorry” and urged the crowd to go as crazy as possible for this last song. Real Friends took over Brooklyn Paramount from the second the lights dimmed at 7:45pm until they stepped off stage 30 minutes later. 

I can confidently say that this band gets better every time I see them, each show outperforming the last. Whether as a support act or the headliner, Real Friends are a phenomenal band that I will always grab a ticket to see whenever they tour near me. While they currently have no upcoming shows for the rest of 2026 just yet, I am eager for the next time I find myself in a room full of people screaming “It’s been a lonely year” at the top of my lungs.

Review & Photography by Amber Bintliff

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The Happy Fits says CELLO to Irving Plaza, NYC | Photos & Review | Throwback Thursday

February 5, 2026 Leave a comment

A night of top-tier indie-rock tunes, locked in fans from the front to the back of the house, a surprise marriage proposal, and to top it all off: The most badass electric cello performance ever known to humankind. No one does it quite like The Happy Fits.

The high-energy band returned to New York City on December 10, 2025, at Irving Plaza in support of their stellar fourth studio album, Lovesick, released in September.

Originally set to play at the Brooklyn Paramount days later, the band announced weeks in advance that their New York date was rescheduled and would take place at a different venue. Although this Wednesday evening was met with some dreary weather, concerns about nasty rain and mid-week haze were left at the door, as it began with not one, but two standout support performances.
NYC-based band Double Standard opened the night, setting the tone for an evening of incredible indie vibes and powerful female vocalists taking the stage. Everything from their confident presence, comfort in front of an audience, and overall style had me hooked from the first note of their opening song, “nvr c u again,” through “Crush.”

The five-piece project toured in support of their self-titled debut EP, Double Standard, released earlier in the summer. Performing seven of the eight songs on their project, Double Standard’s set provided the perfect introduction of the band to a largely new audience, and had me sharing their music with friends before they even left the stage.

The second act of the night was the vibrant indie rock band Pom Pom Squad, hailing from Brooklyn, NYC. Performing songs from their latest third studio album, Mirror Starts Moving Without Me (2024), I loved the sweet-but-don’t-cross-me sort of vibes from the whole band, and the enchanting vocals from frontwoman Mia Berrin.

The only bummer of their set was that Berrin spent a majority of the time in dark lighting… Her outfit was gorgeous, and she had such a graceful presence… I wish the audience could see better from the back. However, this was changed throughout the set, and when they broke out the pom poms, they had a moment to (literally) shine!

After a couple of hours of anticipation and plenty of great tunes to set the mood, it was finally time for The Happy Fits to take the stage.

The four-piece put on a performance nothing short of exceptional, yet again beating expectations with their incredible stage presence and electric personalities.

The main character of the night is certainly the electric cello (well, the person playing the cello is included, of course). Vocalist and cellist Calvin Langman plays like no other, spotlighting an otherwise classical instrument in a new, indie-rock environment. This has always been and remains just one of the ways The Happy Fits are so unique – that, and their unmatched raw talent and energy, of course.

The setlist included just under half of the Lovesick album, opening with powerful singles “Cruel Power” and “Everything You Do.” Also from the latest album, The Happy Fits showcased “The Nerve,” “Shake Me,” “Black Hole,” “Do You See Me?,” and “I Could Stare at You for Hours” after a lovely proposal at the back of the house,  thanks to the band’s assistance (she said yes!).

“Lovesick #1 (Misery)” was the one song I was particularly excited to hear live. I wish I could relive the moment I first listened to this track, over and over again, as it’s perhaps my favorite from Lovesick (don’t make me choose, though). This song places a spotlight on Raina Mullen’s impeccably emotional vocals. There is something so magical about her delivery, with all its genuine angst and grace, and she exceeded my expectations early in the set.

I had the pleasure of seeing both newest members, Mullen and Nico Rose, in 2023 at Happy Fest, before they were officially a part of the band. I remember being so excited to hear two fresh female voices paired with songs I’ve known and enjoyed for years, in awe of how these beloved tracks just got better and better. Seeing them again,  years later, now permanent members and with a brand new album at their side, felt so empowering.

While focusing primarily on the new album, The Happy Fits did anything but neglect their earlier work. It was exciting to see some of my favorites, like “Do Your Worst” from Under the Shade of Green (2022) and “She Wants Me (To Be Loved)” from What Could Be Better? (2020), and some of my all-time faves, “Heart of a Dancer” and “Mary” from Concentrate (2018).

The group went even deeper into their discography when performing “Dirty Imbecile” and “Too Late” from their debut EP Awfully Apeelin’ (2016), making for a memorable show closer for longtime fans.

Beyond their own discography, The Happy Fits also did a fun cover of Fleetwood Mac’s 1977 hit “Go Your Own Way,” perfectly matching the tone of the rest of the set, keeping up with their energy and performing the song as if it were their own!

If you’re in the mood for an uplifting night of positive vibes, a stacked setlist, and incredible indie-rock tunes, The Happy Fits show is the one for you. Bring a group of friends, come in a duo, or find a friend or two in the crowd– You’re bound to run into a smiling face waiting to scream lyrics beside you.

If you’ve missed out on this tour, it’s not too late! The Happy Fits will embark on the second leg of their U.S. Lovesick tour in spring 2026! Tickets and more information are available on their official website, here.

The Happy Fits’ Irving Plaza, New York, NY, 12/10/25 Setlist:

  1. Cruel Power
  2. Everything You Do 
  3. She Wants Me (To Be Loved)
  4. Moving
  5. Lovesick #1 (Misery)
  6. Dirty Imbecile
  7. Do Your Worst
  8. The Nerve
  9. Cold Turkey
  10. I Could Stare at You for hours
  11. Shake Me
  12. Go Your Own Way (Fleetwood Mac cover)
  13. Hold Me Down
  14. So Alright, Cool, Whatever
  15. Black Hole
  16. Mary
  17. Do You See Me?
  18. Heart of a Dancer
  19. Too Late

Photos & Review byEmily McCormack

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As It Is makes their triumphant return to New Jersey’s House of Independents |11/9/25 | Photos & Review

November 20, 2025 Leave a comment

For those of us who felt an As It Is-shaped hole in the scene when they announced their hiatus last year, we have never been more back. The British-American pop-punkers are currently on the road for their first United States headliner in over six years to commemorate their return and the 10th anniversary of their debut album Never Happy Ever After. On November 9th, I had the awesome opportunity to catch the band at House of Independents in Asbury Park, New Jersey for a very special show (that also happened to be on my birthday!).

Cherie Amour was the first band of the night and one that I have been dying to see live for a few years now. The energy during their set was absolutely electric. From frontman Trey Miller’s vibrant stage presence to their infectious songs, there wasn’t a soul in that venue who wasn’t moving whether they knew the band or not. 

 

 Bearings took the stage next fresh off the release of their most recent full-length album Comfort Company, which released two days prior. The Ottawa-based group delivered a high-energy set that was a fun mix of older fan favorites and tracks from the new record. I love catching these guys live and it was exciting to hear some of the newer songs, especially “Water Your Flowers” and “Float Away.” 

 

If I was to sit here and say I didn’t tear up a little bit once As It Is got onstage and opened with “Speak Soft,” I’d be the biggest liar. I’ve been listening to the band since 2017, but had never gotten to catch them live until now. They absolutely exploded with energy once their set began and you could tell just how much the crowd and the band had been anticipating this moment. 

The first half of their set was a full play through of Never Happy Ever After. “Dial Tones,” “Sorry” and “Cheap Shots and Setbacks” were some clear standouts of the night. It was awesome to watch everyone come together to celebrate a 10 year old album like it had been released yesterday. 

The second half of their set compiled songs from the rest of their discography, including their emotional new single “Lose Yourself & Find Your Way.” Before they played this one, frontman Patty Walters confirmed that new music was being worked on and the band’s fifth album would be released sometime next year. 

I was most excited to hear tracks from their 2017 album “okay.” and I think somehow the band sensed that. After “Patchwork Love,” Walters announced to the crowd that they were about to play a song that they haven’t yet on the tour and one that they thought “New Jersey would go crazy for.” I, in fact, went crazy because the song in question was “Hey Rachel,” which is my all-time favorite of theirs. It was so fun and special to hear this song live and I can confirm that New Jersey also went crazy for it too. 

The night ended with “The Stigma (Boys Don’t Cry)” and you could feel everyone in the room trying to hold onto the moment for as long as they could. This show was extra special for so many reasons. Not only was it a successful return back to the east coast for As It Is, but it was a full on celebration of their art and the community they’ve built surrounding it. Not to mention spending your 22nd birthday photographing one of your favorite bands since your teenage years is pretty cool, too. 

Review & Photography by Amber Bintliff

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Grayscale kept the Wellmont Theater alive with breathtaking performance | 9/12/25 | Photos & Review

September 26, 2025 Leave a comment

Often dubbed one of my personal favorite things to come out of Philadelphia, Grayscale have been a riveting force in the alt-rock scene since their formation in 2016. Consisting Collin Walsh, Andrew Kyne, Dallas Molster and Nick Veno, the four-piece released their emotionally compelling fourth studio album The Hart in January. The band previously hit the road this year for an Australian headline tour and as support for Mayday Parade’s Cheers For 20 Years Tour in the spring. 

Now, Grayscale joins Our Last Night for The Final Tour across North America alongside Wind Walkers. As someone who has been listening to Grayscale since high school and went to college 10 minutes from the Wellmont Theater, seeing the band so close to home was everything I could’ve ever dreamed of. 

The night kicked off with Wind Walkers, a vibrant post-hardcore and alternative metal band from central Massachusetts. I’ve been casually listening to the band for a little over a year now, but their live energy blew me away. “Drowning Hymns” and “Bodybag” are two of my favorite tracks from Wind Walkers and hearing them live elevated them in a way I can’t even describe. The band was a lot of fun to watch on stage and I’m excited for their upcoming EP I Don’t Belong Here. 

Grayscale followed shortly after and, as always, delivered a killer set. Opening with “Kept Me Alive,” the Philly rockers showed the crowd that they were in for one hell of a 45 minutes. I’ve been lucky enough to catch the group on tour twice now and Walsh’s vocals have immediately sent chills down my spine the second he picks up the mic both times. His voice especially shines through on “Through the Landslide” and “Talking In My Sleep,” showcasing his incredible range. 

The first older song of the night was “Dirty Bombs,” a fun track from their 2021 album UMBRA. This one in particular was a highlight of this night for me. Getting to sing along to every word and look around to see others in the crowd doing the same felt so healing. Grayscale also played “Fever Dream” from their 2017 debut album “Adornment.” This song is always a treat live, especially when you hear how loud the audience gets at the “So sit down, shut off / I don’t know how I let you lead so long” part. 

After listening to Grayscale for almost 8 years, finally getting to hear one of my favorite songs of theirs truly took the cake for the best part of this night. When I saw my first Grayscale show at The Stone Pony Summer Stage back in May, they had skipped over “In Violet” on the setlist for a special surprise performance of “Mum II.” Being able to finally hear this one live after so many years was a beautiful experience and I even found myself in one of the few mosh pits during their set for it. I’m not kidding when I say that this song was on almost every single Spotify playlist I made from the ages of 14 to 18 (and still is scattered amongst a few I listen to daily). 

Between songs, Walsh took the time to make some funny comments and express his gratitude to Our Last Night for taking the band on this tour. My personal favorite moment was when he asked the crowd if Montclair was Jets or Giants territory before exclaiming that it doesn’t matter and “Go Birds!” in honor of their home team the Eagles. He also acknowledged how they’re a bit out of place on the lineup of heavier artists, to which their solution was to perform an epic cover of Van Halen’s “Panama.” 

They ended their portion of the night with the closing track and lead single from The Hart, “Not Afraid To Die.” This song live is so special for so many reasons. From its beautifully motivating message to its cinematic production, Grayscale put their heart and soul into this track and it shows every time they perform it. “Not Afraid To Die” still hits so hard even two years after its release and remains as a dazzling finale to their live shows. 

While I’m not as familiar with or as big of a fan of Our Last Night, their energy on stage blew me away. The post-hardcore band first popped into the scene in 2004 and has since built a massive discography that blends re-imagined covers of popular songs and their own stellar original music. They kicked off their set with a cover of Gracie Abrams’ “That’s So True” and I could feel the entirety of the Wellmont Theater come alive for the band. 

While the band announced they’d be halting touring to spend more time with their families and focus on new music, Our Last Night presented an energetic and bittersweet final show in New Jersey on the 12th. The Final Tour wraps up on Friday, September 26th in Nashville, TN at Ryman Auditorium.

Review & Photography by Amber Bintliff

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The Afterglow Tour Lights Up Anaheim: Sleep Theory Feat. Nevertel, Oxymorrons, & Stray View Deliver Big | 5/31/25 | Photos + Review

August 27, 2025 Leave a comment

Sleep Theory has been on heavy rotation for me ever since their 2023 EP Paper Hearts dropped. Their sound is an electrifying blend of modern metalcore and hard rock, laced with just enough 2000s nu-metal nostalgia to hit that sweet spot. They’ve been storming the scene like a summer downpour in the South, and honestly? It shows. For the first leg of their debut headliner in support of their debut album Afterglow, Sleep Theory ripped through Anaheim alongside Nevertel, Oxymorrons, and Stray View—selling out their only California stop. From the pit to the stage lights, the energy never dipped once.

Stray View (Dallas, TX)

Opening the night was Stray View, who wasted no time setting the bar high. Easily the heaviest support on the bill, they kicked things off with “Who You Really Are” from their Displace/Erase EP—a synth-heavy punch that locked me in immediately. Frontman Dave Escamilla commanded the stage with a presence that felt larger than life, while guitarist Brandon Rodriguez’s downtuned riffs hit like a hammer. Bassist Jake Lewis provided crushing low-end, especially on the freight-train intensity of their newest single “Come Down”. Their experimental streak shined on “Forget It”, which pulled the crowd into an industrial haze, showing just how versatile this band can be. With drummer Lucas Vitullo driving everything forward with relentless energy, Stray View’s seven-song set was a perfect spark to ignite the night.

SETLIST

  1. Who You Really Are
  2. Come Down
  3. Forget It
  4. Escape
  5. Vivid
  6. Wasteland
  7. The Riddle

Oxymorrons (Queens, NY)

Next up were Oxymorrons, who brought rap-rock chaos and swagger in full force. Brothers Dave “D” and Ashmy “KI” Bellevue worked the crowd with co-lead vocals, bouncing between fiery rap verses and raw screams with ease. They opened with Enemy off their newest album Melanin Punk, laying trap-infused beats over sharp nu-metal riffage that had the crowd moving instantly. Green Vision and Head For The Hills followed, with Jafe Paulino’s guitar work slicing through and drummer Matty Mayz pounding out massive grooves. Oxymorrons thrive in high-energy delivery and crowd interaction—their eight-song set felt like a party onstage, a collision of grit and swagger that proved they’re not just part of rap-rock’s revival, they’re pushing it forward.

SETLIST

  1. Enemy
  2. Green Vision
  3. Head For The Hills
  4. Definition
  5. Melanin Punk
  6. Insomnia
  7. Look Alive (Netic)
  8. Justice

Nevertel (Tampa, FL)

By the time Nevertel hit the stage, the room was buzzing. I’ve been spinning them since their 2021 album Everything In My Mind, so finally seeing and photographing them live was a huge moment. They opened with Losing Faith from their upcoming record Start Again, locking the crowd in immediately with their blend of heavy rock and melodic flair. Jeremy Michael’s smooth, almost delicate vocal tone stood in sharp contrast to Raul Lopez Jr.’s rap and R&B layers—together, their dynamic felt fresh and exciting. Tracks like Sacrifice and Back On Me leaned hard into trap-rock fusion, with Kevin Marks’ precision drumming and Alec Davis’ downtuned riffs pushing the breakdowns into filthy territory. Over ten songs spanning their catalog, Nevertel showcased why they’re one of the most compelling crossover acts in the scene right now. Genre lines blurred, energy soared, and by the end, they’d set the stage perfectly for Sleep Theory’s arrival.
SETLIST

  1. Losing Faith
  2. Sacrifice
  3. Back On Me
  4. Sym
  5. Feed The Machine
  6. Modified
  7. Some Things
  8. No Reverse
  9. Everything In My Mind
  10. Criminal

Sleep Theory (Memphis, TN)

Finally, it was time for Sleep Theory—and they did not disappoint. They stormed in with “Fallout”, the perfect mission statement for their sound: modern hard rock colliding with Linkin Park-style nu-metal and a dose of metalcore grit. Cullen Moore’s vocals were the centerpiece, soaring and crystal-clear, cutting through every layer of sound. Daniel Pruitt’s riffs and grooves paired perfectly with Paolo Vergara’s deep basslines, both pulling double duty with strong backing vocals, while Ben Pruitt’s intricate drum patterns elevated tracks like “III” and “Paralyzed”. This debut headlining setlist was no half-measure. Twenty songs stretched across Paper Hearts and Afterglow, bolstered by bold covers—Paramore’s “My Heart”, NSYNC’s “Bye Bye Bye”, Boyz II Men’s “Can You Stand The Rain”, and even Nevertel’s “Break The Silence”. Pair that with a slick lighting production, and Sleep Theory felt like a band already built for arenas. They’ve solidified themselves as one of the fastest-rising names in the heavy scene, and if this first tour is the blueprint, their trajectory is only up from here.

The best part? All four bands are hitting the road again for the second leg of The Afterglow Tour (Sept 18–Oct 12, US). If it comes to your city, don’t miss it. These are the acts shaping heavy music’s future.

SETLIST

  1. Fallout
  2. Enough
  3. Parasite
  4. Hourglass
  5. Just A Mistake
  6. Gone or Staying
  7. Can You Stand The Rain (Boyz II Men cover)
  8. Bye Bye Bye (NSYNC cover)
  9. Afterglow
  10. Gravity
  11. III
  12. Paralyzed
  13. Break The Silence (Nevertel cover)
  14. My Heart (Paramore cover)
  15. It’s Over
  16. Another Way
  17. Words Are Worthless
  18. Stuck In My Head
  19. Numb
  20. Static

Sleep Theory | Nevertel | Oxymorrons | Stray View

Photos + Review Courtesy of Jamie Kaufman | Instagram | Facebook | X

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Joywave bring ‘Permanent Pleasure’ to New Jersey’s White Eagle Hall 5/21/25 | photos & review

May 31, 2025 Leave a comment

If you’re looking for a new “Obsession,” look no further than a Joywave show. The Rochester, New York indie rock superstars brought their Here To Perform… Spring 2025 Tour to New Jersey’s White Eagle Hall on May 21st with support from little image. 

The penultimate show of this tour began with a phenomenal opening performance from pop-rock trio little image. They were a fun start to the evening and I ended up completely falling in love with their music and pure talent. The band’s drummer, Troy Bruner, is admittedly the most fun to watch on stage. I lost count of how many times he stood on top of his drum kit to get the crowd hyped during and in between songs. 

Shortly after little image left the stage, fans began anxiously awaiting Joywave as soon as they unveiled the giant cat that’s featured on the cover of their latest record, Permanent Pleasure. This little guy is visually one of the best parts of the show and gets a 10/10 for being such a cute addition to their set design (especially when he starts spinning around!).

If there’s one thing Joywave knows how to do, it’s perform. Seriously, there was not a second of this show where my eyes weren’t glued to the men in matching blue silk pajamas that stood before me. Frontman Daniel Armbruster is truly a natural talent who could probably give the performance of a lifetime just about anywhere. The few moments I was released from this trance allowed me to take in the pure joy from those who surrounded me. Everyone in the crowd was singing and dancing like this show was the only thing that mattered in the world at that point–and ever would. 

Their setlist blended a mix of songs from Permanent Pleasure, along with some gems from the earlier parts of their discography. “Hate To Be a Bother,” “Funny Thing About Opinions,” and “Traveling at the Speed of Light” are some Joywave songs I hope are never retired from their time in the setlist spotlight. 

The night ended with the classic double “Destruction,” a track off the band’s 2015 record How Do You Feel Now? that has pretty much taken on a life of its own. Armbruster joked about how they played the song 7 times in a row the last time the band played in New Jersey, confusing an entire crowd of people and probably making them feel like they were going insane. Unfortunately, the state of New Jersey was not blessed with “Destruction” 7 times over this time around, but twice was just as fun. 

I think I’m at the point in my life where I can safely say that I’ll never miss a Joywave show whenever they’re in town. This night at White Eagle Hall was yet another reminder of how much the band enjoys what they do and how dedicated they are to giving their fans a show they’ll remember for a long time. Their shows are a treat, from the immaculate stage presence, good music, and comedian-level jokes scattered throughout the set, Joywave is a band you’ll want to see live at least once in your life.

Photos & Review by Amber Bintliff

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