The Word Alive hosted a 10 yr anniversary of “Deceiver” virtual show | Review

Just over ten years ago, The Word Alive released their debut album, titled “Deceiver.” Last summer, they did a tour where they played this album in full, and recently (just over a year after that tour), the band did a virtual show to commemorate this anniversary one final time.

The band’s setlist consisted of “Deceiver” in its entirety, from the popular singles “Epiphany,” “The Hounds Of Anubis,” “The Wretched,” and “2012,” to some of the more underrated tracks like “Dream Catcher,” “You’re All I See,” “Consider It Mutual,” and “Epiphany,” songs that didn’t appear much in their setlist until the tour they embarked on last summer (which I attended the Denver date of), where they played this album in full. One major difference between the setlist for that tour and the setlist for this virtual show is the fact that this time around, the band also played a couple of the tracks that were on the deluxe edition of this album – “Lights & Stones” and “Apologician,” as well as a cover of Kanye West’s “Heartless.”

There were quite a few things that stood out about the performance in this virtual show. For instance, this record has many impressive guitar solos, and those solos really grabbed my attention during this performance. In addition, this band puts a lot of emotion and passion into not only their music and lyrics but also their live performances, and this performance was no different; I feel like that emotion and passion really shined through during this show.

“Deceiver” is an important album in The Word Alive’s history as a band and this virtual show was a great way to celebrate a decade since its release.

Review courtesy of Megan Langley | Instagram

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Knuckle Puck’s ” 20/20″ Review

Over the course of the 2010s (and particularly within the second half of this past decade), Knuckle Puck has gotten a lot of recognition and has quickly become one of the biggest bands in the modern pop-punk scene. With the new year and the new decade came new music from the Chicago, Illinois-based quintet, leading up to the release of their highly anticipated third full-length album, titled “20/20.”

The album kicks off with its title track, “20/20,” which brings catchy guitars in its intro before more instruments and the vocals come in during the verses. The hard-hitting drums really stand out in the song’s pre-chorus and memorable chorus, and both the guitar and bass bring some more catchy riffs during the bridge. Second up is the upbeat lead single “Tune You Out,” where the vocals really grabbed my attention during the captivating chorus, and some shouted vocals and a spoken word section are incorporated during the bridge. The third track, “Sidechain,” is one of the catchiest on the record, “Into The Blue” brings hard-hitting and catchy instrumentation and a vocal performance with tons of emotion, and both tracks bring just as much energy as the first two tracks on the album.

Speaking of which, there’s plenty of energy to be found on the remaining tracks of “20/20,” particularly within tracks four, five, and six. The second single “RSVP” shows that right off the bat through the catchy riffs that drive the intro, as well as the drumbeats and bass riffs that stand out in the verses, where the vocals bring some catchy melodies, and catchy composition is also found in the third single “Breathe,” leading up to its huge chorus. The fourth out of the five singles released, “What Took You So Long?” is probably one of the most energetic tracks on here, and the instantly memorable hooks and choruses made it quickly become one of my favorites on the record. The instrumentation in the intro of “True North” brings plenty of energy early on as well, leading up to another upbeat and catchy chorus before the song slows down at the very end and fades out beautifully.

“Earthquake” was a track that quickly stood out to me, partially because it’s a lot slower in comparison to most of these tracks, and in addition to that, it’s filled with very catchy riffs and melodies, and the chorus is one of the most memorable ones on this album. “Green Eyes (Polarized)” is another standout, with some softer vocals and instrumentation leading up to the bigger chorus, as well as a catchy guitar solo before the chorus returns for the last time. The closing track “Miles Away” has a huge chorus as well, followed by a harder-hitting bridge with passionate vocal and instrumental performances, before the softer ending concludes the album strongly.

Across its eleven tracks, “20/20” is filled with many memorable moments, from the catchy instrumentals and melodies to the attention-grabbing performances, and it’s a remarkable new record from Knuckle Puck.

Review courtesy of Megan Langley | Instagram

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Movements’ sophomore album No Good Left To Give Review

Photos by Anthony Purcella

Over the past few years, Movements have quickly become a household name in the pop-punk, emo, and alternative scene, especially after the release of their 2017 debut LP, “Feel Something.” Three years later, the Southern California-based quartet has returned with their highly-anticipated sophomore album, titled “No Good Left To Give.”

The album begins with “In My Blood,” which instantly brings darker composition in its intro, driven by bass and guitars before the harder-hitting drums kick in. The vocals are a lot softer at first, but gradually get louder during the pre-chorus and chorus, leading up to the bridge, where catchy instrumentals accompany a powerful and emotional vocal performance before the song fades out, starting off this record on a very strong note.

The three tracks that follow are the three singles that came out prior to the record’s release date, and they all show how the band has evolved their sound and how they’re experimenting with other elements on this record. “Skin To Skin,” the second of these three singles to be released,” is the most experimental of the trio, and is a perfect example of this, as it starts out with softer vocals before a bigger and harder-hitting chorus where those vocals and the instrumentals shine, while also adding extra instruments into the mix, joining forces with more catchy instrumentals to help drive a rhythm that makes the listener want to dance along to the track. The lead single “Don’t Give Up Your Ghost” also starts out with piano and softer instrumentals before leading up to a more upbeat chorus containing a memorable hook that’s been stuck in my head since the song was first released this past summer. The fourth track on here is the third and final single, “Tunnel Vision,” starting off with a darker intro before the energetic drums stand out during the first verse and pre-chorus as they build the song up to its huge chorus, which showcases so much emotion in both the vocal and instrumental performances. The same amount of emotion is also shown through the harsher vocals found in the second chorus, bridge, and ending later on in the track, and I think that this track overall was a great choice for a single because it shows how the band‘s sound has evolved over the last few years.

“Garden Eyes” quickly brings plenty of energy in its intro, leading up to its chorus, which is one of the catchiest choruses offered on this entire record. Speaking of catchy composition, “Santiago Peak” includes plenty of that, from the simple guitar and bass riffs that open the track to the melodies in the verses and hard-hitting chorus, where both the vocals and instrumentals really stand out. The track prior to it, “Living Apology,” also contains catchy melodies that get even better during the pre-choruses, and similarly to “Tunnel Vision,” the bridge also contains some shouted vocals that are reminiscent of some of Movements’ older material. “Moonlight Lines,” which appears closer to the end of the record, is undoubtedly the most energetic one on here, with the guitars, bass, and drums driving that faster-paced rhythm in preparation for another huge chorus that delivers catchy composition through passionate performances, and the spoken word sections in the second verse and at the end remind me of a lot of the band’s early work.

Amidst these more upbeat and more energetic tracks, the band takes some time to slow things down for a bit. “12 Weeks” adds some acoustic guitar and cleaner electric guitars, and the softer vocals in the verses match those perfectly. The vocals get a lot louder in the chorus, and the bridge has a catchy guitar solo and harmonies that really emphasize the overall vocal performance in that section. Softer instrumentals drive the slower rhythm of “Seneca” before it becomes more hard-hitting, and more instrumentals kick in before the second verse, leading up to the bridge, where another emotional vocal performance resides. Second to last is the album’s title track, “No Good Left To Give,” and the minute-and-a-half-long interlude is driven by a catchy piano part before the drums kick in, and while those drums contrast from the piano, softer vocals, and the subtle and simplistic lead guitar that gets added in later on, they all fit together very well. “Love Took The Last Of It” concludes this album, instantly bringing hard-hitting instrumentals and catchy melodies. The vocals are a bit louder during the verses, especially in comparison to some of the earlier tracks, and the instrumentals do a great job at building up to the song’s chorus, which reminds me a bit of the choruses on a couple of the tracks from “Feel Something” – particularly “Daylily” and “Suffer Through.” This is another one of the catchiest tracks on the record and makes a fantastic closing track.

Just like on previous releases, there’s a bit of a variety regarding the lyrical content and the topics discussed in the lyrics throughout this record. There are a few tracks centered around love & relationships, from infatuation and seduction (“Skin To Skin”) to heartbreak and regret (“In My Blood,” “Seneca,” “Love Took The Last Of It”). Mental health is a topic that this band has previously incorporated into a lot of their lyrics, and they continue that conversation on this album as well, with songs sparking discussions about things such as suicide (“Don’t Give Up Your Ghost”) and depression (“Tunnel Vision”).

From the candid and creative lyrics to the compelling performances, “No Good Left To Give” is a stellar sophomore effort from Movements.

Review courtesy of Megan Langley | Instagram

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Friendly reminder that our team has been interviewing many talented guests via zoom and live streaming them onto our Facebook page. Be sure to head over to our Facebook page if you haven’t yet to check those interviews out! Thank you all for your continued support. -Cristine

Covid has effected many of us, and Meïa needs our help.

Singer/songwriter, Meïa, is raising money for her upcoming album and music video due to the effects of COVID. A portion of the money will be going to Safe Horizon, which empowers victims and survivors to find safety, support, connections and hope. Any bit helps, and with your support, artists like Meïa can continue creating music.

A word from Meïa, ” I’m Meïa, a Spanish singer-songwriter, actress and performer from Barcelona, Spain. I moved to NYC almost two years ago where I’ve been working on many exciting projects. Today, I am asking for your support to help me record my next album, new music video and promotion. As you know, these are difficult and challenging times. Covid-19 and many other issues have taken over our lives. So, I want to lift us up from these dark times with a message of hope. My mom got Covid and was at hospital under severe treatments while I was here . Not being able to see her has been the most painful thing that I’ve ever experienced. Making music has helped me to get through these difficult times and has kept my faith in life. I dedicate this whole project to my mom. With my music I want people to reconnect with this primordial passion, with the joy for life.” 

you can donate to Meïa’s gofundme here

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Panic by From Ashes To New | Review

Following the release of 2018’s “The Future,” From Ashes To New are back with their third LP, titled “Panic.” 

The album opens up with “Scars That I’m Hiding,” which starts off on a more melodic note as it leads up to the huge chorus, which showcases some raw, emotional vocals and harder-hitting instrumentals. The lead single “What I Get” is pretty similar, as it’s another more melodic rock-leaning track and also contains a huge, catchy chorus. This one also adds in some rapping, something that’s shown throughout a lot of the rest of this album. Two great examples of this are “Bulletproof,” a very powerful track which alternates between rap-filled verses and its hard-hitting choruses and bridge, and the closing track, “Change My Past,” where the drums really stand out as well, especially as they accompany the rapping the verses before the guitars and vocals really kick in during the chorus. 

A few songs on here not only combine these influences, but also mix in some of the elements that the band experimented with on “The Future.” “Wait For Me” is a great example of this, as it starts out on a much softer note with one of the catchiest hooks on the entire record, and the verses are a bit softer as well before more instrumentals get added in during the huge chorus, followed by a catchy guitar solo later on. “Blind” mixes in some synths and poppier elements, while still incorporating elements of rap in the pre-choruses and rock and metal in the huge choruses with raw, emotional vocal performances and hard-hitting instrumentation. “Brick,” another one of the catchiest songs on the album, brings a perfect combination of the band’s rap and rock influences and mixes in some synths during the intro and outro.

A couple of tracks lean towards the heavier side, such as “SideFX,” with darker melodies delivered through a very intriguing and sort of haunting vocal performance and some heavier vocals and instrumentals that get mixed in, and “Nothing,” which immediately opens with shouted vocals and heavier instrumentals before rapping is mixed in during the verses and the pounding drums help build the song up to its huge chorus, which references that heavier intro. The remaining two tracks – the single and title track “Panic” and the second-to-last track “Death Of Me” both combine the various influences found on this album as a whole.

“Panic” shows From Ashes To New continuing to evolve and define their sound, and it’s another great album from them.

Review courtesy of Megan Langley | Instagram

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Friendly reminder that our team has been interviewing many talented guests via zoom and live streaming them onto our Facebook page. Be sure to head over to our Facebook page if you haven’t yet to check those interviews out! Thank you all for your continued support. -Cristine

The Camera Affect x Jessame | Zoom Interview 2020

 

 

Co-editor Jamie Kaufman sits down to chat with singer songwriter Jessame.

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Editing by Quinn Hall

The Camera Affect team + guests transition to live streamed interviews.

With the upsetting yet realistic news from top touring executive Marc Geiger saying not to expect to see concerts again until 2022 we must adapt. The entertainment industry is taking such a huge hit and will continue to as venues close due to lack of finances, all while bands and fans alike become lost and upset due to missing and craving that togetherness we get being in a room full of strangers all there for a shared love of music.  With that in mind, we made the transition to continue to support musicians and artists the best way we know how to right now, which is virtually.  Going forward The Camera Affect + team will interview artists via video call and live stream it on our Facebook page.  We will be releasing the live interviews on our YouTube channel in parts as well for those who may have missed the live stream or who are not are Facebook.

Thank you to each and every one of our supporters, especially in this time of uncertainty – we’re here if you need us- just reach out!

Courtesy of Cristine Trimarco

Below are a few photos of interviews you can look forward to seeing on our Facebook  page right now or on our YouTube channel very soon!

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Wake Up Sunshine by All Time Low Review

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All Time Low have been around for quite some time, having released two EPs, two live DVDs, a handful of standalone singles and seven studio albums within the first fourteen years of their career, and their sound has evolved a lot over the years. Fast forward to 2020, and the Baltimore-based quartet are back with their eighth LP, titled “Wake Up, Sunshine.”

While “Last Young Renegade” noticeably leaned in a bit of a different direction, as the band experimented with a lot of pop and alternative elements, there are plenty of moments on “Wake Up, Sunshine” that show them returning to their pop rock and pop punk roots, some of which are found in a few of the singles that the band put out leading up to the album’s release. “Getaway Green” is easily the best example of this, with plenty of energy and extremely catchy guitar riffs reminiscent of those on past releases like “So Wrong, It’s Right” or “Nothing Personal.”

A handful of the songs on here combine that nostalgic pop punk sound with some of their more pop rock influences, and the remaining singles are really good examples of this. The fantastic lead single and opening track “Some Kind Of Disaster: brings a softer intro before upbeat verses and a massive chorus come in, “Sleeping In” brings a very energetic chorus, and “Melancholy Kaleidoscope” brings a ton of energy throughout, adding in some acoustic guitar to help drive its chorus. “Trouble Is” leans way more to the pop rock side, and sounds a little similar to newer work from Blink-182 and Simple Creatures, the project that All Time Low front man Alex Gaskarth has with Blink’s very own front-man, Mark Hoppus. Rian Dawson’s drumming really shines on this track, and the chorus offers up some pretty good melodies. There are also two tracks on here that were seemingly meant to be a bigger track together called “Seasons.” “January Gloom” is the first of these two tracks, bringing some slightly darker composition through some memorable guitar riffs and melodies throughout. “Summer Daze” is the second of those two, and the title is very fitting, given the happier and brighter tone that the song has musically, and it’s yet another perfect example of how well All Time Low have blended their pop rock and pop punk influences on this album.

The band also did quite a bit of experimentation on this record, with songs that show them trying something a little bit different. “Wake Up, Sunshine” (which I personally believe would have been a great choice for the opening track) delivers some slightly darker melodies and instrumentals during the verses and pre-choruses, leading up to a happy, carefree chorus. “Clumsy” is one of quite a few on here that allows Alex’s vocals to shine with some more slightly darker melodies in the beginning, leading up to one of the biggest and best choruses on the whole album. “Monsters” is also on the darker side, which I think fits the song very well. Blackbear is featured on the track, and while that collaboration was a bit unexpected, his vocal style and the guest feature overall compliments the song perfectly. The other feature found on this album is on the upbeat “Favorite Place,” which features The Band CAMINO. The guitars are a bit more reminiscent of CAMINO’s signature indie/alternative sound and gives the song that sort of vibe (for the most part), but the song does a great job at mixing that sound with the blend of pop rock and pop punk that All Time Low have created throughout this record.

In contrast, a couple of the songs on here show a softer side of the band’s sound, similar to the overall sound of their previous album, “Last Young Renegade.” Interlude “Pretty Venom” is probably the most simplistic track on the album, but it works really well as an interlude and its placement on the track-list seems fitting, and closing track “Basement Noise” (one of my favorites) brings a solid vocal performance in the chorus and lyrics that reflect on the band’s humble beginnings. “Safe” is driven by subtle instrumentation in the softer verses before a huge anthemic chorus comes in, and the same can be said about “Glitter & Crimson,” which is primarily led by softer percussion and acoustic guitar as it leads up to a much harder hitting bridge with one of the strongest vocal performances this record has to offer.

“Wake Up, Sunshine” shows bits and pieces of All Time Low’s history as a band, combining the various elements of pop, rock, alternative and everything in between that they’ve incorporated into their sound over the years. Overall, this is a refreshing pop rock record, yet another fantastic one from All Time Low, and easily one of my favorite albums from this year so far.

Listen to the song here

Review courtesy of Megan Langley | Instagram

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The Witches Made Me Do It by Ryan Cassata | Album Review

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Recently, Ryan released a new album ” The Witches Made Me Do It “, which consists of eight tracks. Bamboo Plants is captivating and in my opinion the perfect hook to reel in new listeners and excite long-time fans like myself. It’s definitely a new favorite of mine. Track listing is as followed; Bamboo Plants, Extended Vacation, Cather in the Rye, The Witches Made Me Do It, Never Lied, Holy Holy Hold Me, Disguise, & We’re Still Living. Through out the album you hear raw real vocals and can relate to the emotions Ryan experienced as it comes through so strongly in his art. Usually an artist will release an album and each song will have the same or a similar sound, with this album each song brings us a different sound. While listening Ryan brings us with him through different stages in his life. I believe this album has elements everyone can relate to and you should listen to it if you enjoy songs about all parts of life; the good the ugly and everything in between.

You can listen to the album below on Spotify as well as purchase a physical copy and pick up some kick-ass merch while you’re at it. T-shirts, shorts, pins, stickers & more!

Review courtesy of Cristine Trimarco

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Ryan Cassata, Skylar Kergil, Mae Krell + April Rose | Instagram Live virtual concert review +Premiere of Ryan Cassata’s new single artwork!

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Last night via Instagram Live on Ryan’s account all who joined the live stream got a taste of what we’ve all been missing most during this quarantine; live music and togetherness.

First, Ryan and Loren performed – with background barks from Geoffrey.  They opened the stream with singing one of my favorites off of Ryan’s newest album  The Witches Made Me Do It called Bamboo Plants. Following that he played a new song called Gender Binary (Fuck You) , which will be released in honor of Pride Month on June 5th + I’m so excited for you all to hear it. Below is the premiere of the cover art for the song, it’s beautiful.

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Between all performances, Ryan set up a cute light up Stay Safe sign!

Next, Mae Krell joined the live stream. They opened with a new song called garden followed by Monster, between songs they spoke a bit about garden and how it was written when they were in a dark place but surrounded by so much beauty.

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Following Mae’s performance, April Rose Gabrielli of The Rose Monarch and Jacob Kulick of Kulick joined the live stream to play two songs for us as well. April is currently writing songs and making music for her solo record – and I am so beyond stoked to hear it in  full. She sang her song called Do You, beautifully. As well as a song that was inspired by busy and crowded New York City streets on days where EVERYONE bumps into you – I believe the lyrics went somethin’ like ” Hit me with your f – – – – – g car, cause nothing really moves me anymore.” and I can’t wait til she releases it.

 

Seeing as tour and concerts are on hold for the foreseeable future April has started doing art commissions and created an Instagram just for that @lifeisjustlines – go check it out!

To close out the hour long show, Skylar Kergil joined the live.  He sang Lost & Found, which is a love song, then Tell Me a Story, which was a fan requested and is an all time favorite for most of his followers. Keep your eyes peeled for a new single coming from Skylar soon.

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For everyone who was planning on going to their show in Brooklyn, NY pre-quarantine they announced it WILL BE  rescheduled when everything is up and running again. Until then support these artists in any way that you can. Listen to & share a song with your friends, buy some merch, give them a follow/like on social media, anything !!!

Ryan Cassata| Mae Krell | April Rose Gabrielli | Skylar Kergil

Review courtesy of Cristine Trimarco

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