#ThrowbackThursday State Champs celebrates 10 years of ‘Around The World And Back’ with sold-out show at Brooklyn Paramount | Photos & Review

It’s no secret that State Champs has become one of modern pop-punk’s most influential acts over the last two decades. With over 830K monthly Spotify listeners, countless sold-out tours worldwide, and five full-length albums under their belt, the Albany four-piece first solidified their rise in the scene with their seminal 2015 record Around The World And Back. The band kicked off the new year celebrating the album’s immense impact with a short run of shows across the United States, including a sold-out show at NYC’s Brooklyn Paramount on Jan. 16th. 

Openers for each show varied, with Brooklyn being lucky enough to get Broadside, Real Friends, and Cartel all in one night. Frontman Oliver Baxxter took complete control of the stage beneath him as soon as Broadside’s set began with “I Think They Know.” With their fifth album now weeks away from release, the Virginia pop-rockers gave Brooklyn a taste of their most recent singles while still showing some love to older fan-favorite tracks. It’s almost impossible to describe the emotions radiating off the crowd during “Coffee Talk,” with every word of the band’s most well-known hit echoing throughout the venue. This was my first time being able to catch Broadside live despite listening to them since 2018 and it was everything I could’ve hoped for and more.

Real Friends was the next band on this stacked lineup, delivering a set full of catharsis, healing and pure pop-punk. You can check out my full review of Real Friends’ opening slot here

Cartel was the final opener of the night, intensifying the energy with a set full of 2000s nostalgia. The pop-punk icons began making music over 20 years ago and just recently made a massive resurgence in the scene last year. You’d never be able to tell, however, because the way they carry themselves on stage makes it seem as though they’d never left. It was fun to watch Cartel power through their massively influential hits while the crowd sang their hearts out alongside frontman Will Pugh. 

Even though it felt like the crowd had already exhausted all their energy for the three openers, Brooklyn Paramount came alive when it was time for State Champs. The 2,700 capacity venue was transported back to 2015 as the band performed a full playthrough of Around The World And Back. One of my favorite moments from the beginning of the night was the confetti that consumed the room as soon as “Secrets” began. It created a beautiful scene around me as fans frantically tried catching the falling pieces while singing their hearts out. 

State Champs shows aren’t complete without frontman Derek DiScanio and bassist Ryan Scott Graham running around like madmen. The energy that radiates off these two is seriously impressive as their stamina never falters for the entire hour and a half that they’re on stage. You can tell how much the band genuinely loves to connect with the audiences in front of them just by watching them. With every high kick, headbang and mid-air jump, State Champs is always prepared to give the crowd one hell of a show no matter where they are in the world.

There were two parts of the night that I was anticipating the most (and predictably lost my mind during). “Perfect Score” and “All or Nothing” have been in my top 10 State Champs songs since I started listening to the band in middle school. Getting to hear these tracks live, along with the rest of this quintessential record, was a seriously surreal feeling. Another surreal moment that found me losing my mind was when DiScanio welcomed Daisy Grenade on stage to perform “Around The World And Back” with them. I watched this happen when the alt-pop duo opened for State Champs in 2024, but this time was double the surprise and even more beautiful than the first.

Not only did State Champs rip through all 13 tracks on Around The World And Back, they came back out for an encore full of fan-favorites from the rest of their eras. “Elevated” and “Everybody But You” served as an epic finale to a night full of nostalgia, community and chaos, with massive mosh pits and endless crowdsurfers raging on until the very last chord. 

Whether you were there for the album’s release 10 years ago or recently discovered them 10 days ago, this show was the perfect embodiment of all that Around The World And Back has come to stand for since its release. This night was more than just a trip down memory lane–it was a celebration of the raw passion and authenticity that State Champs has brought to the genre for the last two decades. I’ve been able to see the band five times now, but this time around certainly showed them at their biggest and best yet. If I had to give the band rating, State Champs would definitely earn a “Perfect Score” from me. 

Review & Photography by Amber Bintliff

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Grandson brings the revolution to Brooklyn on the INERTIA headlining tour at Warsaw, NYC | 11/07/25 | Photos & Review

New Jersey punk rap duo HO99O9 opened the night, bringing intense, hardcore vibes to the stage. The self-identified “Death Kult Mutant Freax” are currently supporting their third album, Tomorrow We Escape. I found myself stuck in the “stank face” for their entire set, impressed with their sick vocals and blend of metal, electronic, and rock. This performance was my first impression of the band, and they quickly made a fan out of me. 

Just a few minutes before grandson’s performance, actor and comedian Walter Masterson made a surprise appearance for a quick comedy routine about recent local politics, highlighting the controversy over the NYC mayoral election earlier in the week. While HO99OR set the mood for the music, Masterson set the tone for the political motivation. 

Canadian rockstar, activist, and overall badass grandson brought his headlining tour to Brooklyn in November, marking his return to New York City as an independent artist for the first time. Supporting his third studio album, INERTIA, the “Blood // Water” singer delivered an electric performance showcasing his dynamic discography and bringing his signature activism-meets-music energy to a crowd prepared to shout by his side. 

Even in my pre-show setlist snooping (Yes, I’m one of those people), I didn’t realize that grandson would bless fans with a performance of INERTIA in its entirety! This went undetected as he intertwined his previous work between his newer songs, creating a perfect blend for longtime “grandkids” and newcomers alike. 

The first time I listened to the new album, I had my pick for the opening song of his tour… I was over the moon to find out that I had manifested the absolute banger that is “AUTONOMOUS DELIVERY ROBOT” as the first song of the night (if this didn’t set the tone for the rest of the night, I don’t know what would). This track had fans screaming at the top of their lungs for song after song; it was only fitting that he kicked things off with a bang!

I particularly enjoyed the back-to-back songs I call the “!!!” portion of the set, performing “Oh no!!!” and “We Did It!!!” one after another, tying his final modern tragedy ep in with his debut album, Death of an Optimist (2020). He also pulled from his most powerful earlier tunes, incorporating a sick back-to-back-to-back performance of “Darkside,” “Overdose,” and “6:00” just after “Stigmata,” a lineup so legendary that it would send long-time fans into a head-banging frenzy. 

Performing the entirety of INERTIA, grandson naturally played all my album favorites (and everyone else’s, of course), nailing the heightened energy for tracks like “YOU MADE ME THIS WAY” and “PULL THE TRIGGER” that I envisioned while bopping my head to the songs on my way to the show. While I love the album front to back, the live show gave me a whole new appreciation for one track in particular… 

Since the initial announcement of the headlining shows, the INERTIA tour underwent a lineup change. English punk rap duo Bob Vylan were originally set to open the night, but had their visas revoked by the U.S. after political statements made at the 2025 Glastonbury Festival about the IDF. The irony was not lost on fans, who not only share similar political ideologies but also value civil participation in government and continue to stand up for what they believe in.

Grandson played a chilling recording of Bob Vylan’s frontman, which played during “WHO’S THE ENEMY?,” a song they feature on, explaining the reason behind their absence in America. Ironically, they can’t cross the pond to perform on a song about taking a knee in the face of injustice. Grandson took a step back from the spotlight and let Bobby Vylan’s moving words take center stage:

“Our access to the country has been restricted, and our visas have been revoked […] all because we dare to speak up for the people of Palestine. And we urge each and every single person that is in the audience tonight to do the same thing. Let your government know that you do not stand by their actions…”

The room felt heavy, the room felt upset… and if nothing else would encourage a crowd of people to take action, I don’t know what would. 

Following the latest trend in tour setlists, the 17th song of the night switches from date to date, something similar to the “8-ball” song concept. grandson shared that his chosen song for Brooklyn would be for the longtime fans, surprising the audience with his single “Fallin (Temptation)” from his 2019 a modern tragedy vol. 2. In my mind, it feels like just yesterday that grandson announced that EP, so I may or may not have lost my marbles at this one (just kidding, they’re gone). 

Amid all the headbanging and mosh pits, the most memorable moment of the night was the slower side. I held back tears throughout the entire set, but the one song that I knew would break me finally did: For just one song, grandson sang on an acoustic guitar with just a spotlight, bringing to the stage his beautifully heart-wrenching song, “Heather.” It brought me back to the first time I heard the I Love You, I’m Trying (2023) track, staring at the lyrics in awe. Dedicated to a fan who took her own life, this is grandson’s letter to her and a message to his fan base: no matter how tough times get, you will always have a friend in him and his music, showing his deep appreciation for everyone in the audience, or anyone who’s ever played a track of his in their headphones. 

“This is dedicated / If you put me on your playlist / If you showed up to the stages / If I never get to say this / I’m proud of you”

The set ended with the songs that started it all: “Blood // Water.” This iconic 2018 single is what put grandson on so many fans’ radars ( it was certainly what hooked me on his music when I first heard it that same year). Also from a modern tragedy vol. 1, the night ended with the high-powered song “Stick Up,” as fans pushed their last bit of energy into one final mosh pit. I stood next to a couple who screamed the lyrics at one another with such passion, losing one another briefly to the circle pit… I couldn’t help but look at them and smile. Everyone was so alive!

If one thing’s for sure, this was a packed room filled with like-minded people – In politics, in music, in walks of life. Sometimes it’s relieving to be in a space with others and leave your worries at the door. 

In over a decade of attending concerts, I cannot say that there is a single artist who evokes more emotion in me than grandson does. He is not only a compelling and talented singer and musician, but also a genuine human being who stands up for what he believes in and gives others the strength to persevere, even in the toughest times. 

Like many others, his music has been by my side through the best times and the worst times as I graduated from high school, lived through the pandemic, and navigate adulthood. I am forever grateful for his fanbase, who are always willing to make new friends in line at the venue, or leave a positive comment on social media, and to grandson for keeping the revolution alive and kicking.

Grandson’s Warsaw, Brooklyn, NY, 11/07/25 Setlist:

  1. AUTONOMOUS DELIVER ROBOT
  2. BURY YOU
  3. We Did It!!!
  4. Oh No!!!
  5. BELLS OF WAR
  6. Stigmata
  7. GOD IS AN ANIMAL
  8. PULL THE TRIGGER
  9. Darkside
  10. Overdose
  11. 6:00
  12. LITTLE WHITE LIES
  13. SELF IMMOLATION
  14. Masters of War (Bob Dylan cover)
  15. BRAINROT
  16. WHO’S THE ENEMY
  17. Fallin (Temptation)
  18. Heather
  19. Drones
  20. YOU MADE ME THIS WAY
  21. Blood // Water

Photos & Review by Emily McCormack

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REVIEW| Adequate Fur- The World is Waking Up

When Teagan first emailed me about this music video release, the semester was  reaching mid-point and I was apartment hunting. Now that the dust from that storm has settled, I am able to give this outlet, my featured artists, my team, and myself the right  amount of time that is needed. Self care is important.

Though this review is a bit delayed, I am glad I waited until now to listen to to this song again.

With everything I just went through, at the fault of a loved one, this song resonates with me, and sparks even more motivation within me. A lyric, “unnecessary evil moves quietly” is defined by me as if someone goes out of their way to try to sabotage someone else’s plan that it IS unnecessary and evil. The song continues onward with the message of how much power a person can have, and teaches you to never underestimate anyone.

Well, Adequate Fur, the world sure is waking up all around me, and I love it too.

Review courtesy of Cristine Trimarco.

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Mother Feather | Mini – Photoshoot

 Mother Feather, the “Pop Cock Rock” group from New York City.

After discovering Mother Feather at the Jones Beach date of Vans Warped Tour I just HAD to share them with all of you. Now matter the weather or the size of the crowd Mother Feather performs with pride,and emphasis always giving it their all. Be sure to give them a chance to rock your faces off! -C.Trimarco

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The Between The Roses Tour – Brooklyn NY

 The Between The Roses Tour

Knitting Factory Brooklyn NY – 11-4-14

Photos by Gianna Ciotti

(Concert review w/ meet & greet photos to follow.)