Step into the world of group therapy, where music becomes the vessel to help you connect with your pain and emerge stronger together. Citizen Soldier orchestrates this transformative experience through their concerts, providing a safe haven to unleash emotions, find solace, and revel in the moment. During their Thank You For Hating Me Tour, they united with one of my beloved bands, Icon For Hire, and Halocene, to curate an unforgettable night brimming with raw emotions and breakthrough moments that will leave you feeling truly alive.
Halocene, an extraordinary band hailing from Phoenix, AZ, set the stage on fire as the opening act. They launched their performance with the electrifying “Just Won’t Die”, a mesmerizing fusion of progressive metalcore, pop punk, and synth-infused radio rock. Despite guitarist and co-vocalist Bradley Amick being under the weather and unable to perform, vocalist Addie Amick delivered a breathtaking performance, effortlessly taking charge of both vocal parts. The live lineup, featuring guitarist Ben McSherry and drummer Quinton Kufahl, exuded undeniable energy. With a repertoire of 7 songs, including captivating covers of “Unholy” by Sam Smith and “The Kill” by Thirty Seconds To Mars, the band left the audience spellbound. Their invigorating performance was an unforgettable start to the show, and I am eagerly anticipating the chance to capture their magnetic presence once again on their future tour.
SETLIST
Just Won’t Die
When Demons Come To Life
Repent
Unholy (Sam Smith cover)
This Is Our War
The Kill (Thirty Seconds To Mars cover)
Maleficent
Up next, we were treated to the exceptional talents of Decatur, Illinois’ own Icon For Hire. This marked my seventh time catching the band live in the last decade, with the initial experience dating back to the 2014 Warped Tour. I cannot emphasize enough the profound impact their music has had on me.. The experience kicked off with the electrifying “Gatekeepers” from their latest album, The Reckoning. Vocalist Ariel Bloomer’s commanding presence immediately took center stage. They seamlessly transitioned into “Get Well” from their debut album “Scripted”, with guitarist Shawn Jump anchoring the band with a powerful, infectious groove. Icon For Hire’s music is an eclectic fusion, seamlessly blending alternative metal with elements of electronica, hip-hop, post-hardcore, and EDM. Their music spans across all the genres that hold a special place in my heart, and witnessing their ongoing sonic and visual evolution has been nothing short of breathtaking. They have never been afraid to be outspoken about mental health through their music, which is something I wholeheartedly commend and love. The band delivered an enthralling performance of 11 songs, showcasing the depth and breadth of their discography. I was particularly elated to see them play songs like “Venom” and “Ready For Combat” from their more recent releases. Without a doubt, Icon For Hire has solidified their status as THAT BAND.
SETLIST
Gatekeepers
Get Well
Pulse
Off With Her Head
Last One Standing
Iodine
The Grey
Bleed It Out (Linkin Park Cover)
Venom
Ready For Combat
Make A Move
Citizen Soldier from Salt Lake City, UT delivered a powerful performance, taking the stage with their emotionally charged set opener “Save Your Story.” The band’s roots go back to 2016 when vocalist Jake Segura wrote the poignant lyrics to “Let It Burn” during a stay in a mental hospital. Now, as a practicing clinical therapist, Segura uses his emotionally intense lyrics to create a safe space for exploring feelings in a group therapy setting. Their sound is rich and multifaceted, combining a hard rock edge with heartfelt ballads. The band’s lineup includes vocalist Jake Segura, guitarists Matt Duffney and Kooper Hanosky, bassist and keyboardist Wonitta, and drummer Kyle Persell. Citizen Soldier pulled out all the stops for this tour, featuring an elaborate light show and a powerful sound that fully immersed the audience in emotion. Their 16-song set even included guest appearances from Addie of Halocine on “Wish I Could Cry” and Ariel of Icon For Hire on “Victim or Survivor.” Despite not being familiar with Citizen Soldier before the show, I was completely captivated by their performance. The tour, which also featured Icon For Hire and Halocene, felt like a deeply cathartic group therapy session.
I recently stumbled upon the mesmerizing sounds of Leprous and was captivated by their extensive discography, especially their latest album “Melodies of Atonement.” When I found out about their North American tour, I knew I couldn’t miss the chance to witness their brilliance live. Due to a medical emergency, Monuments was unable to perform on the tour as initially planned. However, Earthside and the electrifying Fight The Fight performed as opening acts, promising an unforgettable evening.
Hailing from Oslo, Norway, Fight The Fight set the stage on fire with their performance of “Serpent of the Sand.” Bathed in striking red and blue lights, they delivered an intense 30-minute set, showcasing nine songs, including tracks from their new album “Shah Of Time.” Their fusion of groove-heavy influences and a perfect blend of melody and heaviness left a lasting impression. With a stellar lineup of vocalist Fredrik Teig Bergstrom, drummer Sander Lambrechts, guitarists Tord Larsen and Tobias Rekke, and bassist Hans-Magnus E. Hermansen, Fight The Fight’s performance was an exhilarating mix of diverse sounds that left me craving for more!
SETLIST
Serpent of the Sand
Ascent
Monarch
Shining
Heart of Stone
A.I.
Alien
12800
In Memory
Earthside from New Haven, Connecticut was the next band to hit the stage. The band can be best described as cinematic progressive metal. This four-piece is quite unique as it is an instrumental quartet consisting of guitarist Jamie van Dyck, keyboardist Frank Sacramone, bassist Ryan Griffin, and drummer Ben Shanbrom. The band opened with their song “We Who Lament,” for which they recently released a video. Throughout the set, vocals from the featured vocalists on the album echoed through the backing tracks, adding a full-rounded sound to songs such as “We Who Lament” and “Let The Truth Speak.” The lighting during their set was dynamic, with lots of moody backlighting to enhance the atmosphere. The band played a total of five songs, most of which came from their newest album “Let The Truth Speak,” released in 2023 via Mascot Label Group and Music Theories Recordings. It was really cool to finally see Earthside live, especially since I’ve been online friends with Jamie for quite some time. They were truly incredible and really moved me.
SETLIST
We Who Lament
Pattern of Rebirth
Watching the Earth Sink
Let The Truth Speak
The Closest I’ve Become
The all-mighty Leprous from Notodden, Norway hit the stage next. The band put on an amazing hour and 40-minute show with a fantastic light display. They started with the opening track “Silently Walking Alone” from their new album “Melodies of Atonement”, showcasing Einar Solberg’s incredible vocal range. Throughout the set, they performed a total of 15 songs. The band’s lineup includes guitarists Tor Oddmund Suhrke and Robin Ognedal, bassist Simen Børven, drummer Baard Kolstad, and keyboardist Harrison White. During the song “Faceless”, they invited local fans onto the stage to sing with them as their choir, which was a really cool moment. They closed with my personal favorite song “Atonement” and then came back for an encore, letting the fans choose between three songs. The crowd chose “Illuminate”, which was an amazing way to end the show. It was an incredible performance that left me speechless. They prepared an amazing tour, and with Earthside and Fight The Fight alongside them, they brought a progressive metal show that was to die for.
September 6, 2024 | The Pavilion at Toyota Music Factory
What a way to start a show with the Hardrock Legends, Coheed and Cambria. They begin the night with their album title song, “ In Keeping Secrets of Silent Earth: 3,” to get the crowd in the mood for what is to come and I can say personally, it was the best way to kick it off, Claudio never disappoints with his energy.
It was a beautiful, cool Friday night at The Pavilion at Toyota Music Factory, in Irving Texas. Coheed and Cambria played all their hits ranging from. “ Ten Speed (Of God’s Blood and Burial)”, “A Favor House Atlantic,” too, “A Disappearing Act,” “Shoulders,” and “The Liars Club,” from their 2022 album, Vaxis II: A Window of the Waking Mind.
It wouldn’t be a Coheed and Cambria show if they didn’t end it with their most popular track, “Welcome Home,” from their 2005 album Good Apollo I’m Burning Star IV, Vol. 1 – From Fear Through the Eyes of Madness. Wow, what a mouthful! It was a great way to end their set cause it get the crowd pumped for the headliners… Incubus.
The stage has been set, lights have been cut and the sounds from the first song “Nice to know you,” kicks on and you can just feel that it was going to be some Morning Views indeed.
The energy the band put on the entire night of the set was just calming, relaxing, putting you in a state of pure bliss. Playing the album in its entirety was phenomenal, the crowd was grooving along with the band playing the songs, “Wish you were here,” “Just a phase,” “11 am,” and then the acoustic version of, “Blood on the Ground.’ Just beautiful.
As the night progressed it just got better and better, Brandon singing his heart and soul out with such passion shows how much he loves this music so much, Nicole Row playing an incredible bass line with such accuracy you just had to see it to believe it. Just wow! Mike with the iconic guitar riffs and a surprise at the end that I will fill you in on in just a bit. Gavin with such technical sounds from his turntable brought so much to the band. Last but not least, we cannot forget about Jose Pasillas and his cool smooth drum technique, one more time WOW!!
Incubus was nearing the end of the album Morning Views, with their songs, “Have you Ever,” “Are you in,” but then they mixed in Phil Colins popular song, “In The Air Tonight,” which brought the crowd alive once again, but it didn’t stop there, just for a little bit of a kick they played a Rhianna cover!!! It was awesome to see them play, “Umbrella”
Aqueous Transmisson, which got you locked in on Mike playing the Chinese instrument the Pipa and it was everything just everything. Such a beautiful song you can listen to it so many times that you will never tire of it, ever. As the album came to a close they stayed on stage and gave the crowd what they wanted, the hits from all the albums, from “Anna Molly,” “Karma,” Pardon Me,” too, “The Warmth,” “Vitamin,” “Dig,” and the classic, “Drive.” What a way to end the night Incubus giving it all and playing their hearts, it was a great evening, with some Morning Views.
Polaris’ The Fatalism Tour plowed through town on Halloween night, at the amazing Echo Lounge & Music Hall. Can you say they delivered with an amazing set? You bet your sweet Halloween candy they did. In true Texas fashion, they came to the stage wearing Buc-ee the Beaver onesies, form the world famous store Buc-ees. From that point forward it was on!!
They opened with their first song from there new album Fatalism entitled, Harbinger. Starting with a smooth intro and onto a face punching riff to get this Dallas crowd going. Making the mosh pits go hard and the crows jump go harder. It didn’t stop there, next they played Nightmare, and from there the energy went sky high and blew the roof right off. Jamie Hails vocal energy that had the fans literally stretching passed the barricade screaming and singing the lyrics with him.
After they played their fourth song of the set they took a little breather. Asking if the crowd wants more, they happily obliged and dug deep too their 2017 debut album The Mortal Coil, with the first song off that album, called Lucid. It was just pure energy from the back to the front, including the second level of the venue. You can feel the passion as Polaris performs.
Two more songs in Polaris dedicated their next song Martyr to the memory of there guitarist Ryan Slew. He passed away June 19, 2023, the crowd clapped and cheered loud with the load roar of chants of Ryan’s name. Emotions took over and they delivered a powerful performance.
Filled with emotion and passion they played song after song, but they weren’t done yet! Beginning the close out, with the first encore song being Pray for Rain, from their album The Death of Me. Crowd surfers flying over a fast paced mosh pit, fans head banging and singing along with the band that it was like they were just getting started all over again. However, they were not leaving Dallas without giving it the last blow from down under with the song The Remedy. WOOO!!!!! It’s all I can say cause holy hell this band was giving it all and left it all on that stage. Freaking amazing way to close out Halloween night in Dallas Texas.
On a very rainy Friday night the Cannibal Corpse 2023 North American Tour came to destroy the sold out Worcester Palladium. Supporting this tour was the one and only Mayhem, Gorguts, & Blood Incantation. I have been to the Worcester Palladium at least a hundred times but I have never seen this iconic venue as electric as it was. I rushed in to just make it down the four packed levels into the photo pit to start my coverage.
Being a little overwhelmed having to hurry in after waiting in traffic, running through the rain to collect my credentials at the box office, getting down to the photo pit, and immediately starting to photograph half way through song one, I finally had a second to turn around to take in what was hands down one of the most religious concert experience I have ever attended.
Not knowing the two opening acts until this bill was announced, Blood Incantation was up first, a death metal band out of Denver, CO started in 2011. With dark blue and green lights, with an occasional white light shining, & endless fog, this band was a little hard to capture, but the job got done. Lead singer & guitarist, Paul Riedl had the softest most humble speaking voice to hype up crowd, then went into this deep death metal scream. You could barely see drummer Isaac Faulk whaling on the kit that made the whole room shake. The guitars were flawlessly melodic as Paul was joined by guitarist Mossis Faulk, and of course, the bassist Jeff Barret matched this vibe. As an opening band, sometimes it’s hard to get the crowd going and ready to rage but not on this night. The mosh pit was massive and going hard and people were flying through the air endlessly.
Gorguts was next. A seasoned Canadian death metal band out of Quebec formed in 1989. Lead singer & guitarist, Luc Lemay is the only original member left, but with how this band was flowing together you wouldn’t have known that. This group isn’t just death metal, they are technical death metal. Having fast blast beats, aggressive build ups, and guttural low screams, it’s honestly quite catchy to keep the head banging. Each band definitely had its collection of fans there but everyone was so electric that it almost was hard to tell.
I stated at the beginning of this “The one and only Mayhem” because that is truly what this band is. Formed in 1984 in Langhus, this Norwegian black metal band was one to put this genre on the map. The fog machines went off every 30 seconds, making the band members silhouettes during some of their performance. Front man Attila Csihar, known as Void, was dressed in a long tattered up robe with his entire face painted up moving across the stage like Voldermont did in Harry Potter. Memorizing the audience. Actually the entire band did that. Morten Bergeton Iversen, known as Teloch, one of the guitarists, was sporting his face being painted up as well, with a gothic style outfit, while everyone was wearing black shirts and jeans. The other members of the band did not sport the look those two did which was interesting to me but it didn’t matter due to what these musicians brought to the Palladium. I felt like I was on a Norwegian journey. The bass, played by Jorn Stubberud, known as Necrobutcher. The drums, ripped on by Jan Axel Blomberg, known as Hellhammer. Seamlessly flowing riffs being played by Charles Edward Hedger, known as Ghul alongside Teloch, and those vocals shook the house in a way I’ve never experienced. Mayhem brought an intensified element to this bill. I highly suggest catching them live at any point in time.
Waiting for the headliner, as the stage hands cleared the stage, the venue was still going hard with its wild energy. The merch booth still had a massive line half way down the venue steps, fans were still moshing & crowd surfing while waiting for the band to go on, I have yet to see that live at any show! Cannibal Corpse, starting out in 1988, originally out of Buffalo, NY, was on. If you’re a death metal fan, I’m going to say most likely you’re a Cannibal Corpse fan. George Fisher, aka Corpsegrinder, wore his very own “Respect The Neck” shirt which I thought was great. If you know anything about him, you know he is known for his unmatched headbanging, windmill whipping massive neck! The screams that came out of that man’s mouth may actually be talking demons, it was a little imidateding being that close but it was absolutely amazing. This seasoned band was nothing short of perfect, which was to no surprise. Playing a variety of fan favorites, the wild energy the Palladium held in its walls all night elevated to 11 for the entire 14 song setlist. It seriously never stopped. Alex Webster, the original bass player & founding member, guitarist Rob Barrett & Erik Rutan (who is fairly new to the band), and drummer Paul Mazurkiewicz, all in sync. The solos and riffs were dirty ripping through the hammering of the drums, in the best way we all want our riffs to be. They weren’t flashy in the way they looked or how the stage looked. The fog machine was barely pressed and the lights weren’t anything fancy whatsoever, but none of that mattered to anyone. I think at this point in time people from quite young ages to older folks in that crowd were heart warmed to be watching and respecting legends. Being able to witness all these things I have heard about Cannibal Corpse was one to cross off the bucket list. I am truly grateful I was able to attend this tour passing through. It was one for the books.
I was first introduced to The Gaslight Anthem in 2013 by my boyfriend, my go-to source for my personal music education. I fell in love with lead singer Brian Fallon’s poetic lyricism; I’ve always been a sucker for a song lyric that can stick in your head while stabbing you in the heart. The GaslightAnthem is a New Jersey rock band that in many ways seems like a sound from another era, an ensemble that somehow (thankfully) missed a change in mainstreammusic, staying with a 70s sound similar to Tom Petty, John Mellencamp, or The Steve Miller Band.
Their fall tour promoting History Books, their first single in nine years, stopped by The Factory in Chesterfield, MO on Saturday, September 23, along with Catbite and Donovan Woods.
The night opened with Catbite, a Philadelphia based ska band, fronted by lead singer Brittany Luna. Their energetic sound reminded me of the rawness I remember from the late 90s/early 2000s garage bands (in the best of ways) and had a definite No Doubt “Tragic Kingdom” vibe, bouncy but raw. When Britt slowed down for “Bad Influence”, she was able to show off the soulfulness in her voice, a fantastic contrast to the upbeat ska punk of the rest of the set.
Following Catbite was Donovan Woods, a folk singer-songwriter from Canada, whose baseball cap, beard, and build completely juxtaposed his soft voice and heartfelt lyrics. Donovan’s music gave the feel off people-watching outside a coffee shop; just small snippets of other people’s lives. Enough to pique my interest and make me wonder where their story goes when the music ends. Interspersed between his songs Donovan bantered with the audience, laughing with them as he told stories like deciding on a “short walk” to a Whole Foods he saw was “just across the park” (the park being St. Louis’s Forest Park, a 1,326 acre park that’s roughly one and half times the size of New York’s Central Park), or commenting that his ballad “Clean Slate”, a popular pick for weddings, is “better for a second wedding, since you don’t usually have much money for music for your second one.”
The Gaslight Anthem kicked off their set with “45”, bringing the energy back up, a house party vibe that carried through the night. Brian Fallon told stories about the band’s career between his songs, giving a peek into their 15 years together.
Gaslight’s new song, History Books, was fourth in the set, an emotional song about ending relationships. The new track, one of ten on their new album, features fellow New Jersey native Bruce Springsteen. The album, History Books, will be available October 27, 2023.
To start off the night on Kamelot’s tour, comes Xandria. A German symphonic metal band. With lead vocalist Ambre Vourvahis, rhythm guitar and keyboardist Marco Heubaum, bassist Tim Schwarz, and drummer Dimitrios Gatsios. Let me say this from a personal perspective. Wow! Simply put you have to hear it, see it, and witness it to understand the passion behind this band and how amazing they are from beginning to end truly incredible, with some pretty awesome added bonus that the singer does just all around amazing.
You ever heard a symphony orchestra? Now add some metal vocals with clean screams with the blasting sounds of the drums and shredding and solo sounds of ear pounding guitars, now add some POWER!! Well put that all together and you have a band called Kamelot. From start to finish this band gave everything they had and more to deliver and amazing show here at the Echo Lounge and Music Hall in Dallas Texas.
What a way to start the set coming in their song Veil of Elysium from their 2015 album Haven. Tommy with his smooth and powerful vocals gave the fans exactly what they wanted the passion in the song and the way the band played the crowd was just electric and you could feel it. To make the song just as intense Kamelot had special guest vocalist Melissa Bonny from Ad Infinitum. Personally can i say… Wow what a singer,
Cannot forget how amazing guitarist Thomas Youngblood how he was just shredding all the songs and how well Sean Tibbetts delivered some amazing bass work. But turned up a bit more once they hit the fifth song Opus of the Night, from their new album The Awakening. The drum work and keyboarding from both Alex Landenburg and and Oliver Palotai. Again an amazing display of power metal with the symphonic sounds.
As the night rolled on Kamelot frontman Tommy slowed it down with Song for Jolee. Tommy again showed how good and beautiful his vocals are. Such a beautiful song and well played by Oliver Palotai, but just when you think it can’t get any better here comes Alex, Thomas, and Sean to give the big finish to such a beautiful song. What a band and they are just amazing and just keep on giving.
To end their incredible set in Dallas they finished with the top hit Liar Liar, from their album Haven. What a way to finish an amazing night displaying once again how great this band is incorporating symphonic sounds with the intensity of power metal. The solo Thomas hits us with is nothing short of incredible, just truly incredible. Oh and it doesn’t stop there, oh no it doesn’t bring back Melissa to show how great a vocalist she is but then hits you with guttural vocals you didn’t expect to hear. What a set. What a night. What an incredible night.
Date: 8-3-23 at The Observatory Orange County in Santa Ana, CA
Let’s take a trip down memory lane to 2013 when Blessthefall performed on the mainstage at Vans Warped Tour in Ventura, CA. The band had just released their latest album, “Hollow Bodies,” via Fearless Records. Fast-forward to the present day and Blessthefall have announced their 10th-anniversary tour for this iconic album. The tour includes their first shows in almost four years and features Caskets, Kingdom of Giants, and Dragged Under, all of which I’ve seen and photographed before. The concert was a remarkable experience from start to finish.
Dragged Under from Seattle, Washington, was up first to the stage. I first saw and photographed the band in 2021 when they opened for Beartooth and Wage War, then again on their headliner in 2022 with support from Rivals. These guys are perfectly described as the middle ground between post-hardcore and metalcore. The band played a 6-song set of songs from both albums, “Upright Animals” and “The World Is In Your Way” equally. Anthony Cappocchi is an absolute beast of a frontman and got the crowd going. Guitarists Sean Rosario and Chris Namoc brought the energy with some heavy riffage and lots of jumping. Drummer Dylan Roy held down the fort with his incredible drumming prowess. I’m so glad I could see and photograph these guys again. Get to the show early to see these guys!
SETLIST
Instability
Suffer
Brainwash Broadcast
Upright Animals
Chelsea
Hypochondria
Kingdom of Giants was next to the stage, hailing from Sacramento, California. This was my fourth time seeing the sextet (although they play live as a quintet), and they did not disappoint. Playing a 7-song set, the band mainly played songs from their 2020 album “Passengers,” released via SharpTone Records, and their new single “Wasted Space.” I was stoked to finally hear songs like “Burner” and “Two Suns” in a live setting. Vocalist Dana Willax has never sounded better live, showcasing a mixture of cleans and screaming. The band’s new bassist Justin Roebuck-Joseph absolutely SLAYS with the band. He did not have an easy job jumping in for the previous bassist and clean vocalist, Jonny Reeves, but he did not disappoint. Guitarists Julian Perez and Red Martin destroyed it on stage with many headbangs and riffage galore. Closing out the band’s lineup is drummer Truman Berlin, a powerhouse on that stage, calling out to the crowd between songs and getting people excited. This was my first time not seeing guitarist Max Bremer with the band, but I know he’d be so proud of these guys for how well they performed. Kingdom of Giants is truly a band you do not want to miss!
SETLIST
Burner
Night Shift
Wasted Space
Two Suns
Sync
Bleach
Wayfinder
Caskets from Leeds, England, came up next as direct support. This was my second time seeing the British quintet, the first being in May of 2022. Seeing them get a more extended set on this tour was fantastic, playing a 9-song set showcasing songs from each of their three releases. Vocalist Matt Flood shines on that stage, really getting the crowd going. One thing that always stands out to me whenever I see Caskets live is how happy bassist Chris McIntosh is to be on stage with a big bright smile shining from ear to ear. Guitarists Benji Wilson and Craig Robinson provided the heavy riffage that contrasts the synth-heavy melodies that genuinely give the band their signature sound. Drummer James Lazenby helps create the foundations of the band’s songs with intricate drum patterns. It’s been so cool to see the trajectory of this band, and I cannot wait to see where their upcoming album “Reflections” takes them. They were an excellent choice to be direct support for this tour!
Guiding Light
Hold Me Now
Drowned In Emotion
More Than Misery
Too Late
The Only Ones
Lost In Echoes
Falling Apart
Glass Heart
The all-mighty Blessthefall from Phoenix, AZ, came up next. To say this set meant a lot to me would be an understatement. The band played “Hollow Bodies” in its entirety for their first show in almost four years, with additional songs as well. Songs like “Exodus,” “You Wear A Crown But You Are No King,” “Hollow Bodies,” and “Youngbloods” truly showcase the dueling vocals of Beau Boken and bassist Jared Warth. A very cool moment was when Beau Boken’s wife, Lights, came out to perform the final song from Hollow Bodies, “Open Water,” which was quickly a highlight of the night. Guitarists Eric Lambert and Elliott Gruenberg shredded. The songs on this album have a rather djenty feel, which, as many know, is one of my favorite metal styles. The band brought along with them touring drummer Jared Fron who destroyed those intricate drum parts with precision. As a bonus, the band played their newest single, “Wake The Dead,” along with songs from their 2008 release, “Witness,” and a song from their 2018 release, “Hard Feelings.” The lighting the band brought with them this time was easily some of the best I’ve seen them with and genuinely added to the experience. Blessthefall has always been one of my favorite bands, so seeing and photographing them again after so long meant the world to me!
SETLIST
Exodus
You Wear A Crown But You Are No King
Hollow Bodies
Déjà Vu
Buried In These Walls
See You On The Outside
Youngbloods
Standing On The Ashes
Carry On
The Sound Of Starting Over
Open Water
ENCORE
Wake The Dead
Cutthroat
2.0
What’s Left Of Me
Hey Baby, Here’s That Song You Wanted
Blessthefall’s 10th Anniversary Tour kick-off show was an absolute fever dream. Every band brought the energy tenfold and made it a stellar time. I cannot believe this album is now ten years old! It’s honestly crazy how fast time flies. This tour is still going on, so make sure to attend if there is a date close to you!
On July 24, post-hardcore supergroup L.S. Dunes and brought the heat(wave) to Milwaukee, with a sold-out show at the Rave. The crowd was packed tight into the Rave bar as it became closer to showtime. The crowd was an eclectic group, consisting of a broad age range, from teens to “elder emos” like myself. Pinkshift took the stage first, energizing the crowd immediately with their 90s grunge, 2000’s pop-punk sound. I had not heard of them before this show but had listened to a few of their songs on the way to the show and was elated to see that they were incredibly active with the crowd and so full of energy for their entire set, even with the heat of the room. They were also incredibly reactive when someone in the crowd passed out, stopping immediately and calling for staff to get the person help. They certainly gained more than a few new fans in Milwaukee, including myself! Pinkshift continues the tour with L.S. Dunes through August 11 and then they make their way across the pond on their Britshift (+Belgium) tour from 8/19- 8/27, returning to the US for some short runs with Thursday and then Hawthorne Heights in September.
You could feel the anticipation grow as the time for L.S. Dunes to take the stage grew closer. The heat in the room was immense and the only saving grace was an enormous fan, blowing into the room from one entrance and the water that was passed out between sets. When they took to the stage, the crowd exploded with energy as everyone surged forward with excitement. I don’t think the crowed slowed down at all throughout their 12-song set. The crowd tried to convince them to do a second encore, but like they said to the crowd, they “only have 12 songs.” The band continues their tour through August 11th . Followed by joining Pierce The Veil on the Jaws of Life Tour next, from November 4th until December 8th.