Photography, Interviews, Promotion & more
October 21, 2021 Leave a comment
Point North
Asking Alexandria
A Day To Remember
A Day To Remember | Asking Alexandria | Point North
Photos courtesy of Jess Kelly | Instagram | Twitter
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October 20, 2021 Leave a comment
As soon as I saw that this tour was announced, I knew that I had to go. The lineup was stacked, and with some of my all-time favorite pop-punk bands were all on this – State Champs, Four Year Strong, Real Friends, Just Friends, and Bearings.
First up was Bearings. The crowd was slowly starting to pour in before they took the stage. I remember the first time I saw them, and I didn’t know who they were. I instantly fell in love with their music because of the lyrics in the songs they played and was upbeat and happy. The type of music that makes you want to jump around and start singing along. I wasn’t expecting to see many crowd surfers during their set, but to my surprise, there was and their frontman, Doug Cousins even jumped off stage to help people coming over the barricade. They played songs off their newest album, “Hello, It’s You,” and some of their older songs from the past. Bearings set the show off with energy to carry on throughout the night.
Following Bearings, Just Friends was up next. It’s been a few years since I had last seen them live on Sad Summer Fest, and I wasn’t sure what to expect from them. It was the strangest yet most hypnotizing band I’ve seen in my years of going to concerts. They danced and swayed to the music and got the crowd hyped during the opening song, “Supersonic.” I’ve never seen a band like them with their energy and stage presence. At one point, most of the band turned around and started shaking their butts to the crowd. Everyone was cheering while Eric Butler slapped the bassists’ butt and taking a phone out, and taking selfies and random pictures of the other band members on stage during “Never Gonna Bring You Down” and “Flex.”
Next, we had one of my favorite bands playing – Four Year Strong. I’ve been listening to them since 2009 and have seen them countless times over the years, and they never disappoint. Starting off with “Heroes Get Remembered, Legends Never Die” the crowd exploded while the lights flashed, and everyone was singing along. The set was a mix of songs from multiple albums, including their newest, “Brain Pain.” released last year. People were slowly coming back over the barricade crowd surfing, but even more, came during the third song they played, “It Must Really Suck to Be Four Year Strong Right Now.” The tempo was upbeat and fast-paced and the whole time. I always lose my voice when I see them live as the music is so much fun to listen to and scream to the top of your lungs.
Real Friends came out next. I was excited to see them live as this was my first time. I have almost every single album from them, and once I heard in 2020 that they parted ways with Dan Lambton, I was sad but excited to see what the future held for them. Cody Murano, formerly of Parting Ways and Youth Fountain, they came back with their newest album, “Torn in Two.” It’s been on repeat since it came out for me, and they played a mix of songs from that album, as well as older classics such as “I Don’t Love You Anymore,” “Late Nights in My Car,” and “Me First.” I was impressed with the sound, the lighting, and the energy they had on stage.
Then, it was time for the headliner – State Champs. Yet another band I’ve seen countless times over the years since I first discovered them. They started off with “Secrets” while cryo and streamers emerged from the stage. The venue was packed with people; everyone was singing along, more people came over the barricade, crowd surfing while the photographers did their best not to get hit or kicked in the process for the three songs. I was singing the whole time as they’re one of my favorite bands, and the energy they show on stage is unmatched. They played older songs such as “Elevated,” “Criminal,” and “Mine Is Gold,” as well as some of the newer songs they’ve released recently like “Just Sound” and their cover of Fall Out Boy’s “Chicago Is So Two Years.” After the last song, the house lights stayed off, meaning that they have encore songs. They came out from behind the stage and ended the night with more pryo and playing “All You Are Is History” and “Dead and Gone.” The whole show was full of energy throughout the entire night, making it one of the favorites I’ve been to in the last 19 months since the pandemic started.
State Champs | Real Friends | Four Year Strong | Just Friends | Bearings
Photos + Review courtesy of Jess Kelly | Instagram | Twitter
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October 20, 2021 Leave a comment
Butcher Babies Slay Their Final Battle Against Goliath at 1720 in Los Angeles, CA
Venue: 1720 in Los Angeles, CA
Date: 10/7/21
When a band hits their 10-year milestone of being together, that is a huge accomplishment that deserves celebration. Unfortunately, that milestone for Butcher Babies came during the global COVID-19 pandemic, where they couldn’t party like the rockstars they are. One year later, the band came back with a vengeance to dominate the country with their first headlining tour in well over two years, where the band would play their debut album “Goliath” in its entirety, along with other songs. In the battle against Goliath were: Infected Rain, Stitched Up Heart, and local support from The Unsung. With this quartet of bands, Butcher Babies led the clan to victory at the final date of the Butcher Babies VS. Goliath Tour!
Up first was The Unsung from San Diego, CA. This quartet is the perfect example of progressive metalcore. One thing I always note whenever I see The Unsung live is just how tight these guys are. Like bands like Periphery, Veil of Maya, and many more in the genre, the vocals are a great mixture of cleans and screaming, courtesy of Tyler Sinclair. However, what sets them apart is that their music tends to have more cleans than screaming, which helps them reach a wider audience. Guitarist Devin Castro is an absolute beast, creating melodic hooks, leads, and solos that shred the hell out of the crowd. Drummer Garret Brown is a beast, playing many different styles and rhythmic patterns throughout the band’s music, sometimes changing time signature and tempos mid-song, which is common within the progressive metal genre. Closing out the band’s lineup is Thomas Sumstine on bass, who absolutely SLAYS adding in those deep grooves and tones that are pretty much essential to the music The Unsung releases. The band played a total of 7 songs, bringing out songs from their first EP, “Rise,” for the first time in a while, along with songs from their sophomore EP “Sin Cera” and new singles “Manic” and “Awake.” The band also brought their iconic light show with them, which adds that extra edge and atmosphere that helps set the tone. It was an epic start to the show, and I am so happy to have seen them again! The last time was around Christmas time in 2019, so it had been almost 2 years without hangs and without seeing this epic band live.
SETLIST
Up next was Stitched Up Heart from Los Angeles, CA. I last saw and photographed Stitched Up Heart back in 2019, so I was excited to see and photograph them again and do so at an actual venue, this time and not at a bar. I’d best describe Stitched Up Heart’s sound as a combination between gothic metal, hard rock, and alternative metal. Touring alongside bands across the hard rock and metal genres, they have a sound that is quite versatile and diverse. The band started their set with the song “This Skin” from their 2020 album “Darkness,” released via Century Media Records. This song has a light electronic backing in parts and the downtuned guitar and bass tones, making the song a bit more light sounding than a lot of their other music. You could hear vocalist Mixi’s singing on full display out of the gate, showing a newfound strength and force behind her vocals that I didn’t hear at the last show. The second song, “Warrior,” also came from their newest album and is more of a stadium rock-style track. Those bass tones courtesy of Randy Mathias are on full display in this song, along with the crushing beats from drummer James Decker. The band then went on to their third song, “Catch Me When I Fall,” from their 2016 album “Finally Free.” Overall, this album has a darker vibe, and the guitar tones are much more gritty and dark, and guitarist Merritt Goodwin delivers on this tenfold. The band played a total of seven songs throughout their thirty-minute set, completely blowing my expectations out of the water. As it was the last day of the tour, there happened to be the last day of tour pranks. The other bands ran on stage during the band’s final song, “Monster,” and started randomly taking apart Decker’s drum kit mid-song. It was pretty funny, to say the least, and it made me wonder what pranks would come going forward. Stitched Up Heart as a whole seems to have stepped things up since the lockdown, really fine-tuning things and coming back tighter than ever.
SETLIST
Up next as direct support was Infected Rain from Chisinau, Moldova. I got into Infected Rain’s music shortly after 2019’s “Endorphin” was unleashed to the world via Napalm Records. This was the band’s first US tour, as their 2020 tour with Swallow The Sun was cancelled due to the pandemic. The band’s sound is the perfect combination of metalcore, melodic death metal, and progressive metal. The band started their set with the song “Pendulum” from that 2019 album I just mentioned. This song is the perfect showcasing of vocalist Lena Scissorhands’ vocal prowess, showing a good amount of her harsh fry screaming, along with lots of her cleans, making for probably their most dynamic song on “Endorphin.” A core part of the band’s sound is downtuned guitars with djenty riffs, courtesy of Vadim “Vidick” Ojog and Serghei Babici. The band then went on to their second song, “Mold,” from their 2017 record “86”, which the band released independently. A big part of progressive metal is the deep, intricate bass tones provided by Vladimir Babich. The band is tight as all hell, and the foundation of any tight band is the drummer, whose part is essential in terms of tempo and keeping on the beat. Drummer Eugene Voluta is an absolute beast on stage, demolishing those double bass parts and obliterating the stage. The band moved onto their third song, “Black Gold,” one of the singles from that 2019 record “Endorphin.” In my honest opinion, Infected Rain blew me away with their control of the stage and just how tight they were. I was very much looking forward to their set, and they did not disappoint. Just like with Stitched Up Heart, Infected Rain found themselves in the midst of the end of tour pranks. During the final song, “Sweet, Sweet Lies,” of the band’s ten-song set, members from Butcher Babies and Stitched Up Heart came on stage and unleashed a pillow fight onto the members of Infected Rain. It was an all-out pillow fight to the death, and I couldn’t help but hysterically laugh. Infected Rain was absolutely incredible and set a very high bar for the whole night.
SETLIST
Sweet, Sweet Lies
Finally, Butcher Babies come home to Los Angeles, CA, and hit the stage! For the band’s tenth anniversary tour, they decided to play eight of the twelve songs from their debut 2013 album “Goliath,” released via Century Media Records. I would best describe the band’s sound as a perfect blend between metalcore, death metal, thrash metal, and progressive metal. The band came prepared for this tour, with a light show and headbangs galore. Opening the show with “I Smell A Massacre,” the stage lit up bright red, showcasing the brutality and grittiness these songs from “Goliath” have. This first song is a fast one and showcases the vocal stylings of Heidi Shephard and Carla Harvey. Carla has a deeper guttural sound, while Heidi has the high screams on point. They both have a mixture of clean singing and screaming in their registers during this opening song, really showcasing a large amount of variety within this heavy song. Their second song, “The Mirror Never Lies,” opens up with this groovy guitar hook that can be heard throughout the song, courtesy of guitarist Henry Flury. This song is just groove central, even showcasing the bass in the forefront in sections. It’s moments like this where each member really shines, and you really feel all of the puzzle pieces individually come together. I love me a groovy djent song, and those bass tones from Ricky Bonazza are really showcased deep in the roots of this groove-heavy song. The band then moved on to their third song, the popular single from 2015’s “Take It Like A Man” titled “Monsters Ball.” This song is super thrashy, groovy, and heavy. You can really hear the intricate drum parts from drummer Chase Brickenden as he slams those drums to his’ heart’s content. “Monsters Ball” was the song that got me into the band in the first place, so to photograph them during this song was AMAZING. The band played many other songs from Goliath, my personal favorite being “In Denial.” This song has a classic metalcore vibe and is more on the tame side while also being heavy. It has the perfect yin and yang. The band also played quite a few of their new singles, such as “Bottom of a Bottle,” “It’s Killin’ Time, Baby!”, “Sleeping With the Enemy,” and “Yorktown.” They even played a game of Red Light, Green Light with the crowd, paying homage to the viral Netflix sensation “Squid Games.” Their set was absolutely incredible, and they seem to have somehow leveled up since the last time I saw them back in 2018. They absolutely killed it and proved why they are still so beloved 11 years after their debut in the scene. They definitely defeated Goliath in Los Angeles.
SETLIST
ENCORE
13. They’re Coming To Take Me Away, Ha-Haaa! (Napoleon XIV cover)
14. Magnolia Blvd.
Butcher Babies put on an excellent tour for their comeback. This tour commemorating their 10 years of being a band was stacked to the brim with a fantastic lineup consisting of Infected Rain, Stitched Up Heart, and local support from The Unsung. This was a fantastic show and will easily be one of my favorites of the year!
Butcher Babies | Infected Rain | Stitched Up Heart | The Unsung
Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter
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October 15, 2021 Leave a comment
State Champs and co. Slay The Belasco on the Pure Noise Records Tour
Date: 10-6-21
Venue – The Belasco in Los Angeles, CA
I’ve taken in music like a sponge for as long as I could remember going to shows. Being so open-minded musically, I listen to everything from classical to death metal. However, as a photographer, I’ve photographed a ton more metal than I have other genres. Since shows have come back post lockdown, I really wanted to broaden my horizons and photograph and see bands that have always been on my bucket list. State Champs was one of those bands for me. They have always been on my radar with catchy, high energy, and derived from classic pop-punk. But when running a publication, I have to pick and choose my shows and have typically gone for the heavier metal tours over pop-punk as I know others on the team will cover it instead. With the announcement of the Pure Noise Records Tour, I knew this was finally my chance to see and photograph State Champs, but to once again see Four Year Strong, along with other bands I’ve wanted to see and photograph for years and years, like Real Friends, Just Friends, and Bearings. This showcase of bands from the Pure Noise Records lineup was excellent!
First up was Bearings from Ottawa, Canada. The quintet can be best described as the perfect blend between pop-punk and alternative. They opened up the set with “Better Off Yesterday,” which acts as somewhat of a title track off their newest album, “Hello, It’s You,” released in 2020 via Pure Noise Records. Off the bat, vocalist Dougie Cousins took command of that stage, belting out those words in tune with the major key. A staple element to any pop-punk band is that most songs are in major keys, which is a massive change-up compared to the metal I typically see and photograph. I’m all here for a change and branching out here. Guitarist Ryan Culligan acts as a backing vocalist, sometimes singing lead parts and adding harmonies that add the extra touch to the band’s songs. The second song in the set was “Aforementioned” from their 2018 release “Blue In The Dark.” This song definitely incorporates some of their indie and alternative influences, and drummer Mike McKerracher was pounding away at his drum kit with a big smile on his face throughout the whole song. Bassist Collin Hanes and guitarist Ryan Fits were grooving along during the third song, in particular, that being “Over Now,” which once again came from their 2020 release. The band just seems to really enjoy what they’re doing, and with the music they create, and you can’t help but vibe and headbang along with them. Bearings was incredibly endearing and had positively infectious energy throughout their six-song set. I cannot wait to see and photograph them again!
SETLIST
Up next was Just Friends from Dublin, California. The band is best described as “funk rock,” but to me, they are honestly a melting pot of genres. They have a blend of funk-rock, alternative rock, pop-rap, ska, and a slight emo vibe that I LIVE for. They had some technical difficulties at the start of their set. Still, co-lead vocalist Brianda “Brand” Goyos Leon did a good job entertaining the crowd during the downtime. In fact, she was asking us if we had bought anything cool recently, and I held up my hand sanitizer holder, which is a unicorn cat whose horn lights up when a button is pushed. Well, Brand held it up to the crowd and yells “LOOK HOW COOL THIS IS!!” I started dying laughing, and it’s now kind of an inside joke between us, which I now have looped you all in on too! After the band fixed their technical difficulties, they started the set with their song “I Wanna Love You” from their 2018 album “Nothing But Love,” released in 2018 via Pure Noise Records. I love the vocal dynamics between Sam Kless and Brand throughout their set, with Sam providing the rapping and some singing and Brand providing her bluesy tones that really amp everything up. The next song was the band’s most popular single, “Supersonic.” This song gets the crowd dancing. You can see guitarists Brandon Downum and Matt Yankovich, along with bassist Kevin Prochnow, dancing to choreographed moves to the song while playing their instruments. It’s an absolute bop and a half of a song, so much so that I couldn’t help but stop shooting for a second and dance along with them. The band played a total of five songs, each truly showcasing their talent and range as a group. They were an absolute blast to see and photograph, and I would absolutely love the opportunity to do so again!
SETLIST
Real Friends from Tinley Park, Illinois, was up next. Coming fresh off their new EP “Torn In Two,” released in 2021 via Pure Noise Records, the band set out on this tour as their first tour post-lockdown. This new release for the band was a new chapter in a couple of ways. It was their first release under Pure Noise Records, as they were previously signed to Fearless Records before this. The EP was also their first release with vocalist Cody Muraro. The band opened their set with the song “Nervous Wreck” from this new EP, showcasing their new music right off the bat. Cody is incredibly high energy, constantly jumping, hyping up the crowd, and owning every inch of that stage. The band came prepared for this tour, with a simple yet effective lighting set up behind them, adding a lot of contrast between the darkness and light behind them. Guitarist Dave Knox provided his excellent backing vocals and high energy when not being the mic. The band then moved on to “Me First,” from their last release on Fearless Records released in 2018 titled “Composure.” You could just see how happy the members were to be playing again. Drummer Brian Blake was constantly smiling while playing those fast pop-punk beats. Bassist Kyle Fasel held down the rhythm section with Brian, strumming those deep bass tones that bring the band’s sound to the next level. The band then moved on to the song “I Don’t Love You Anymore,” which came from their 2014 album released via Fearless Records titled “Maybe This Place Is The Same, And We’re Just Changing.” This is where I really honed in on rhythm guitarist Eric Haines, who strummed his parts with precision and seemed ecstatic to be performing again. To finally see these guys after many years of listening to them brought me a ton of excitement. Their pop-punk meets emo sound makes their sound both current and new yet feels like an homage to the music that has come in the scene before their emergence. Their nine-song set did a beautiful job of showcasing songs from each release, including two off the new EP. I cannot wait to see and photograph them the next time they come out here. If this new EP shows a glimmer of what’s to come for the band, there’s no stopping this band!
SETLIST
Four Year Strong from Worcester, Massachusetts, was up next to the stage as direct support. As one of the pioneers of the easycore genre, Four Year Strong blends Pop Punk with elements of Post Hardcore. Think of it like pop-punk with breakdowns. These guys were by far the heaviest band on this lineup. I previously saw them at the Rockstar Disrupt Fest back in 2019, and they didn’t have much energy on stage that day I saw them. When I tell you these guys blew my expectations out of the water this time around would be an understatement. The band opened their set with the song “Heroes Get Remembered, Legends Never Die” from their 2007 album “Rise or Die Trying,” released via I Surrender Records. The band showcased their insane light show from the gate, something they did not have when performing at the outdoor music festival I last saw them at. The light show the band had with them was fast-paced, just like the band themselves are. Four Year Strong has a unique dynamic, with two co-lead vocalists who both play guitar for the band, Alan Day and Dan O’Connor. This dynamic of their vocals going back and forth add a lot of energy and superb dynamics to their music. The band then moved on to their second song being “Get Out Of My Head,” from their 2020 album “Brain Pain,” released via Pure Noise Records. Brain Pain is by far my favorite album by Four Year Strong, as it truly showcases the perfect blend of the band’s sound. Get Out Of My Head is a more pop-punk heavy song with lots of punchy energy. There’s a deep bass groove heard throughout the song, which is provided by bassist Joe Weiss. Joe is an energetic bassist, constantly moving about and engaging with the audience. They then moved on to their third song, “It Must Really Suck To Be Four Year Strong Right Now,” from their 2010 album “Enemy of the World,” released via Universal Motown Records. I honed in on drummer Jake Massucco during this song, and that dude RIPS it on drums. As I said, Four Year Strong’s vocals are incredibly fast-paced, and Jake really keeps up with those fast songs, laying out the foundation needed in this kind of music. I am beyond stoked to have seen Four Year Strong again and am stoked that they blew my expectations out of the water! They absolutely killed it throughout their entire nine-song set, and I cannot wait to see them again next time they come through Southern California!
SETLIST
Finally, State Champs from Albany, New York, hit the state to absolutely slay the house down! State Champs have been on a steady rise in popularity within the pop-punk and alternative music scenes, starting with their EP “Overslept,” released in 2012 via Pure Noise Records. The band prepared a lengthy sixteen-song set for their headlining set on tour, showcasing songs from each release, starting with “Secrets” from their 2015 album “Around The World And Back.” The band came out the gate with insanely high energy. Vocalist Derek DiScanio had the crowd practically eating out of the palm of his hand the second he came on stage, with crowd surfers galore coming over the barricade throughout my time photographing the set. Like Four Year Strong and Real Friends, the band brought an extensive amount of lighting equipment that made the set feel larger than life and bright as all hell. Guitarist Tyler Szalkowski jumped onto the platform at the start of the set, amping the crowd up. Between the first song, “Secrets,” and the second song, “Crystal Ball,” a fan threw their underwear onto the stage, which landed right in front of bassist Ryan Scott Graham. With a visibly shocked face, Ryan picked up the underwear and put them on his’ mic stand as they proceeded to play “Crystal Ball” from the band’s 2018 album “Living Proof.” This song had bright blue and pink backlighting, which shined bright and vibrant. This is where I saw touring guitarist and backing vocalist Cameron Hurley, who absolutely kills it on stage with the band and meshes right in with their easy-going energy and vibe. The band then went into the song “Frozen,” coming from “Living Proof.” Drummer Evan Ambrosio seemed to be right on par with the rest of the drummers we’ve seen tonight, joyful with lots of smiles and absolutely DOMINATING that stage with his’ beats. The band’s incredibly high energy was evident, and they absolutely did not disappoint. The crowd was heavily engaged, and the band had the most crowdsurfers for any band thus far in the night. During “Frozen,” so many crowd surfers were coming over the barricade that we photographers got kicked out of the photo pit half a song early. I was a bit disappointed, but I got all the shots I needed and got to be up close and personal with a band I’ve wanted to see and photograph for many years at this point. The rest of the set consisted of songs from the band’s releases, a couple of covers, and lots of CO2 cannons shooting out confetti. It was a wild set that I am grateful I was able to witness and capture!
SETLIST
ENCORE
15. All You Are Is History
16. Dead And Gone
The Pure Noise Records Tour 2021 was an absolute blast. Filled with years of nostalgia and bucket list bands I’ve wanted to see and photograph for quite some time, this made for an exciting evening. Make sure to catch the tour on the east coast during the last few dates if you are nearby!
State Champs | Four Year Strong | Real Friends | Just Friends | Bearings
Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter
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October 11, 2021 Leave a comment
The Black Dahlia Murder Returns To California With A Bang Selling Out The Belasco
Date: September 18th, 2021
Venue: The Belasco in Los Angeles, CA
The Black Dahlia Murder is a band I constantly see live whenever they come through Southern California. As one of the staples of the melodic death metal genre, they are continually one-upping themselves with each record, staying true to who they are musically but constantly grinding like the madmen they are. Due to the ongoing COVID-19 situation, a lot of their touring surrounding their newest album, “Verminous,” was put on hold, and in such, this is their first tour back after all of the chaos. Unsurprisingly, the tour sold out like crazy, with over two-thirds of the dates being completely sold out, with the others close to selling out as well. Not only did The Black Dahlia Murder play quite a stacked setlist, but they brought along a beastly lineup of bands. The supporting lineup consisted of After The Burial, Carnifex, Rivers of Nihil, and Undeath. With a lineup this stacked, it was no wonder why the Los Angeles date was the first on the tour to sell out.
Undeath from Rochester, New York, was the first up to the stage. Coining themselves as “skull-crushing death metal,” it is no wonder why this is the perfect term to describe these guys. Their music is HEAVY. I had to bold that word because it needed emphasis. With a gritty barebones sound similar to staple bands of the death metal genre like Dying Fetus, Nile, Cannibal Corpse, and more, this brutal death metal style set them apart from the rest of the bands on this lineup. Their vocalist Alexander Jones did a great job of crowd management. He owned that whole stage with his’ distinct vocals that you can tell have a slight black metal influence. Bassist Tommy Wall spanked that bass to give it those deep thick tones pumping through and prominent throughout Undeath’s sound. Guitarists Jared Welch and Kyle Beam add the riffage, really adding that gritty sound that pays homage to the death metal greats that came before them. The final member that closes out the band’s lineup is their drummer Matt Browning, who plays those stank beats with precision. When listening to the band’s album and witnessing their live set, I also feel a slight thrash vibe in their music, prominent throughout the brutal death metal genre. That gritty edge was showcased on their debut album “Lesions of a Different Kind,” released in 2020 via Prosthetic Records. They played 3 songs from this release, 1 song from their 2019 independent EP “Sentient Autolysis,” and one unreleased song that I, unfortunately, do not know the name of. Overall, these guys were a great way to start out the show and really set the stage for those to come with their high energy and brutal riffs.
SETLIST
The next band up was the ever so talented Rivers of Nihil from Reading, Pennsylvania. I first saw Rivers of Nihil back in 2018 when they opened for Thy Art Is Murder and Dying Fetus, and I already thought they were great then. But boy have they risen in my ranks since then. Initially, the band’s style was very much in line with the rest of those in the technical death metal genre: fast-paced, heavy, and riffy. However, as the band found their groove and started experimenting, they started moving more into the realm of progressive metal, mixing in clean vocals, and creating a cinematic style within their music. With their new record, The Work, just weeks away from debuting to the world, we as the audience were lucky to hear two of the new songs live, those being “Clean” and “Focus.” Within the new songs, you can really hear the power of vocalist Jake Dieffenbach and bassist/clean vocalist Adam Biggs’ voices. The new songs, along with the songs from their 2018 release “Where The Owls Know My Name,” have a lot of dynamics. But it seems that Jake and Adam have a good number of trade-offs in terms of vocals with The Work. They were the only band at the show to have clean vocals, and the change really felt needed as their set was well-rounded, and I couldn’t hold back a smile underneath my mask. Drummer Jared Klein is an absolute beast behind the kit, and my eyes always go to him because some of the technical parts he plays blow me away. Guitarists Brody Uttley and Jon Topore help create the atmosphere with their melodic instrumentals, paired with Uttley’s lead guitar solos and hooks. Honestly, Rivers of Nihil continue to get better and better every time I see them, and they constantly blow away any expectations I had prior. I cannot wait to see where this band goes with the release of “The Work,” which came out in 2021 via Metal Blade Records. You MUST all check out this band and see live if you have not yet done so.
SETLIST
The third band up to the stage was Carnifex from San Diego, CA. Carnifex has been one of the leading deathcore bands for quite some time, being one of the genre’s founders. Coming hot off the release of their newest album, “Graveside Confessions,” out now via Nuclear Blast Records, I was stoked to hear how the new songs would sound live. The lead singles from the record “Pray For Peace” and the title track “Graveyard Confessions” sounded epic and translated very well live. The band started their set with the title track from their 2019 record, “World War X,” and also played some of the band’s most famous songs, “Slit Wrist Savior” and “Lie To My Face,” which the band re-recorded for the new album “Graveside Confessions.” The band closed out the set with the title track from their 2010 album “Hell Chose Me,” which got the crowd wild. From the start of the set to the end, I was stoked.
As usual, the band had their large lit-up pentagrams, but they also had a bright lighting setup on stage with many strobing lights that were very well lit and timed. Vocalist Scott Ian Lewis is an absolute beast on stage, genuinely taking every inch in and captivating the crowd. Carnifex was one of the first death metal bands I got into, which came with their 2016 album “Slow Death.” What drew me straight in was the symphonic backing, along with Scott’s vocals. Something evident in Carnifex’s music is just how intricate and technical their drumming parts are, and that is all courtesy of the ever so talented Shawn Cameron on drums. This dude is an absolute beast and truly has me in awe when I hear how fast some of his parts are. A significant change from the last time I saw Carnifex to now is the band going from having two guitarists down to one. Still, guitarist Cory Arford did not disappoint in the slightest. He absolutely killed it on those leads and shredded it on that stage. Closing out the band’s lineup is Fred Calderon, who provides the headbangs and the deep tones from his bass. Bass, in my opinion, is the most underrated instrument when it comes to bands. To me, the bass is one of the most essential, as it adds some of the deeper undertones that can really bring the music to the next level, and Fred does that very well. All in all, Carnifex is an absolutely insane band to see live and is very consistent when it comes to theatrics and musicianship.
SETLIST
Up next as direct support was the ever so talented band After The Burial from Minneapolis, Minnesota. Unfortunately, vocalist Anthony Notarmaso became sick on tour and lost his voice. The band continued on and played instrumentally, which the crowd went WILD for. After the Burial is a very technical band instrumentally. Thanks to their odd time signatures, guitar tones, and fast pacing, the band is well known in the progressive metal genre, constantly teetering between metalcore and deathcore territory. Having the instrumentals showcased in the forefront was an absolutely incredible sight and audible experience. Guitarist Trent Hafdahl was on full display. His leads and backing vocal parts were at the forefront of the band’s performance. They had beautifully timed and strobed lighting that added to the overall experience and performance. The crowd went wild when the band started the set with the fan-favorite song “Lost In The Static.” During the next song, “In Flux,” I couldn’t help but really tune in to bass player Adrian Oropeza. Adrian is really vibing on stage, with his headbanging and downtuned bass tones really adding the grit and djenty sound that the band is known for. Dan Carle closes out the band’s rhythm section, and he is by far one of the most on-point and technical drummers in the progressive metal scene, not missing a beat. I especially noticed it during the third song in the set, “Collapse.” After I left the photo pit, I got to see just how nuts the crowd was going. With a moshpit about twice the size as it was prior, they were absolutely mesmerized by the technicality and prowess the band showcased. During the lead single “Behold The Crown,” from the band’s 2019 album “Evergreen,” released via Sumerian Records, I especially saw this energy from the crowd with one of the fastest and most violent circle pits of the night. The band played two more songs before closing out their incredible set, those songs being “Exist, Exist,” and “A Wolf Among Ravens.” I am incredibly proud of these guys for trooping on through their vocalist being sick. Them playing instrumentally was incredible and wowed the whole audience in attendance.
SETLIST
The Black Dahlia Murder hailing from Waterford, Michigan, finally hit the stage next. To say they obliterated the stage with their talent would be an understatement. Being a band with 20 years and nine albums under their belt, they had a lot of songs to choose from for their set. I think they created a setlist that was both dynamic and crowd-pleasing. The band opened up the show with “I Will Return” from the 2009 album “Deflorate,” released via Metal Blade Records, which is the record label the band has been with thus far throughout their career. This is typically the band’s closing track when they headline, so it was cool to hear it at the beginning of the set. One thing that cannot be ignored when seeing The Black Dahlia Murder live is vocalist Trevor Strnad’s vocal prowess and control over the crowd. His vocal tone and stage presence combined have made him a figurehead within the death metal community. With crowd surfers galore and tons of moshing in the pit, the band quickly moved on to the title track “Verminous” from their newest album from 2020 that reached number 99 on the billboard 200. Strnad stated himself that the addition of guitarist Brandon Ellis was really showcased on this record. While Ellis was also a part of their 2017 record “Nightbringers,” his style and musicianship really took the helm for the new record. Bassist Max Lavelle provided lots of headbanging, windmills, and deep grooving bass tones that really mesh beautifully with the band’s sound. The band then went into their third song, “Nightbringers,” and I really noticed just how on-point drummer Alan Cassidy was during this song and throughout the whole set. The Black Dahlia Murder songs are incredibly technical, fast, and complex, and Cassidy did not miss a single beat. Guitarist and founding member Brian Eschbach absolutely shreds those rhythm guitar parts with ease. As I’ve stated, the band’s songs are challenging. But someone like Eschbach has been performing them with ease for over two decades at this point, and you can tell he is genuinely enjoying himself on stage with him smiling and exuding lots of positive energy. The band went on to play a career-spanning set, with songs from seven of their nine records. I always get excited when they play “What A Horrible Night To Have A Curse” from their 2007 album “Nocturnal,” as it reminds me of when I first discovered the band myself when I found that song on Rock Band. Fun fact, that song is still the most challenging song on Rock Band for drums. The Black Dahlia Murder once again blew me away, with their colorful green and red lighting to their technical musicianship that got the rest of the crowd and me going wild. They are always on point and are a band that must be witnessed to fully appreciate how great of a band they truly are.
SETLIST
This tour was beyond incredible. After a year and a half away from shows, to have this monster of a tour with these fantastic bands be one of my first shows back; was beyond incredible. Thank you to all of the amazing bands, crew, and venue staff for making sure this show and tour ran so smoothly. This will probably go down as one of the best tours of 2021.
The Black Dahlia Murder | After The Burial | Carnifex | Rivers of Nihil | Undeath
Photos + Review Courtesy of Jamie Kaufman | Instagram | Facebook | Twitter
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October 7, 2021 Leave a comment
I feel I’ve earned the title of the “ Ice Nine Kills girl ” in my local concert scene. With their logo tattooed on my arm, my Google Drive full of photos from the last 5 years, and my car full of CDs spanning their entire career, my love for this band has become no secret. So at 10 pm, September 10th, seeing in my inbox, I was approved to shoot another Ice Nine show, I just about cried. 2 years without a concert is just about the worst possible thing for a concert photographer, especially two years without my favorite band playing shows. So I loaded my car, and drove the 3 odd hours to Lancaster, PA for the Launch Music Conference.
A venue of this size is intimidating after not shooting a show for a long time, so making my way to the photo pit was the scariest thing I had done in months. The night kicked off New Jersey natives, Enox.
It was hard not to bang your head to the punchy guitars, crashing drums, and the vocals full of emotion and frustration. They started the night off with an insane amount of energy, getting the crowd warmed up for what else was to come.
Gladiators took the stage next, offering a vibey, heavy performance. The melodic vocals mixed with the deep and bassy guitars, I was in awe of the somehow soft, but powerful performance. The PA band offered a different vibe to the night, setting them apart from the heavy, angry acts we’d see with them. Speaking to them after their sets, they were overwhelmingly kind, and super supportive of all the artists attending the show. It was heartwarming to see a band connecting with fans after two years of isolation, and I could tell how much it meant to the guys in Gladiators.
Lancaster hometown act Hawk was a band I had never seen, despite following singer/guitarist Ricky Armellino’s music since This Or The Apocalypse. It was exciting to see a band I knew, and being able to scream the words back at them had me smiling their entire set. They offer a simple, yet insanely unique approach to metalcore. Ricky’s vocals pack a punch, complimenting the heavy, beautiful guitar work. I could see the emotion in their performance, the entire band clearly overwhelmed to be performing in front of their hometown. There were familiar faces I had seen at shows, all of them looking at the stage with happiness, excitement, and a proudness you rarely see at shows anymore.
Currents was a band I had seen open for bands before, and I heavily regret not giving them my full attention in years past. The energy was turned up to eleven, crowd surfers hammering the barricade. Currents may seem like a traditional metal band at heart, but their music seems to fill your body, forcing you to start moving. It was a chaotic set to shoot, all of us photographers moving to try and capture the incredible stage presence of the band in front of us. After the shoot, I was beyond excited to hand my camera off to a friend, and jump in the pit myself.
I had seen Ice Nine Kills 10 times before this show. I knew all the songs. I knew all the words. I was expecting a typical, incredible set from them. But this set seemed to move me more than usual. INK isn’t exactly a band with sentimental songs, as horror movies and theatrics have taken a hold on their music. But I felt myself getting choked up watching their set. It had been so long since I saw them, that the tears filled my eyes before I even knew. It’s a bit awkward to have tears pouring down your face while your favorite band sings about slashers and demons, but it wasn’t about the music. It was about all the people I had missed over the pandemic. The friends I made and haven’t seen in years. The ability to use my camera and make more art. Their set was, as usual, outstanding. Spencer works the crowd in a way that no frontman could, the other members of the band adding to the chaos happening in the crowd behind me. The horror behind their music comes to life with chaotic vocals, costumes, and of course their amazing makeup artist, Shevy, dressing up as the final girls from the movies inspiring their songs. They make the movies you love come to life before your eyes. It was so rare to see a band who sounds just as good live as they do on record, their entire performance rivaling any movie you could see. My 15 minutes were up before I knew it, and I made my way into the crowd, and finally let loose. Two years without a moshpit, without friends to headbang with. It was an emotional night. The exhaustion didn’t hit my bones until I finally sat down in my bed.
This tour is a gift for everyone involved. Fans, bands, crew and security. Everyone missed this. I know I did. I eagerly look forward to seeing Ice Nine Kills on the second leg of this tour. And I can’t wait to see what every single band on this bill has coming for the future.
Review & photography courtesy of Emily Sulkowski
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August 24, 2021 Leave a comment
Beartooth Dominates Anaheim With A Sold Out Show on The Below Tour
Venue: House of Blues Anaheim in Anaheim, CA on 8/16/21
As music fans, we all have bands that we want to see. But then something seems to always come up. Whether it be scheduling issues or another show overlapping, that’s always been my issue when it’s come to seeing or photographing Beartooth. I’ve been listening to their music since their debut in 2013, but this show was my first time actually seeing or photographing them. To say it was amazing would be an understatement, and I was so glad to finally see and photograph Wage War and Dragged Under as well. California hasn’t been getting as many big tours since we reopened live venues post-pandemic. So to have a show of this caliber come through was absolutely amazing.
First up on tour was Dragged Under from Seattle, Washington. I’d best describe Dragged Under’s sound as being that perfect blend of metalcore and hardcore punk. Their sound is right up the same vein as bands like Stick To Your Guns, Beartooth, and Stray From The Path, which are all among some of my favorite bands of all time. The band started off their set with the songs “Instability” and “The Real You”, which really showcased vocalist Anthony Cappocchi’s vocal prowess and control over the stage and crowd. Bassist Hans Hessburg was an animal on stage, headbanging and jumping around the stage like crazy. The band then went on to play their newest single, “Brainwash Broadcast”, which has received critical acclaim and has garnered a lot of views, streams, and radio play on SiriusXM Octane. Ryan “Fluff” Bruce shines on this song with his’ leads and hooks, which translate well live as well. Sean Rosario on rhythm guitar adds that dynamic sound that pushes the band over the edge. Kalan Anderson is the final piece to the puzzle, slamming the hell out of those drums and keeps the beat on time. The band played 7 songs, 6 of which came from their debut album “The World Is In Your Way”. I was thoroughly impressed with their set overall, and I’m glad they could play a good number of songs as the opener. I cannot wait to see these guys shine on a stage again soon!
SETLIST
Up next was Wage War from Ocala, Florida. Wage War has been a band that has always been on my bucket list and has always been on my radar, but I never got the chance to see. For my first time seeing them, I was blown away. The first thing you will notice about Wage War is how much of a presence lead vocalist Briton Bond has on stage. He absolutely commands that stage and screams the hell out of those words. The band played a great mix of songs, 3 of which came from their 2019 album “Pressure”, 3 from their 2017 album “Deadweight”, 2 from their 2015 album “Blueprints”, their newest single “High Horse”, and an unreleased track “Teeth”, presumably coming from their upcoming fourth album. One of my favorite things about Wage War’s sound is the clean vocals provided by Cody Quistad, who also plays rhythm guitar in the band. Those melodic choruses on songs like “Who I Am”, “Low”, and “Alive” are what really hooked me on Wage War, and I was so happy to hear these songs live. Lead guitarist Seth Blake really adds some unique hooks to the band’s sound. I consistently find myself humming some of those down-tuned guitar hooks from their songs in my head, and they sounded even better live! Adding to those lower tones, Chris Gaylord hits deep with those groovy bass tones that keep those heads banging. Finalizing their lineup is Stephen Kluesener, who adds some dynamic beats and rhythm that really grounds the band. I’m so stoked I was finally able to see Wage War, and I cannot wait to see and photograph them again soon!
SETLIST
Finally, Beartooth came to the stage from Columbus, Ohio. Beartooth has a sound that has always been unique. They’re riff-heavy metalcore with more of a hardcore punk style edge mixed in. But what sets them apart from many bands are their melodic choruses and hooks that really drive home with audiences. For their fourth record entitled “Below”, the band set out to really go back to their roots, with an aggressive yet diverse showing of music. Beartooth opened the show with the first track off the album, titled “Below”. This aggressive start to the album and set truly set the stage for the show they were about to put on. As vocalist Caleb Shomo ran out stage and screamed out those opening lines of the song, it was chaos from then on. The band brought an extensive lighting setup and LED light panel behind them, which lit up lyrics to songs and showed dynamic visuals for each song. Caleb really honed in on his’ musicianship on this record, taking elements from each of the three previous records while also trying out some new styles as well. Bassist Oshie Bichar was on fire, constantly moving about on stage and helping with the sing-along sections. Guitarists Zach Huston and Will Deely shredded on their parts and added a lot to the band’s sound. Connor Dennis is a superb drummer and was incredibly energetic throughout the entire set. The band played a whopping 17-song set: 8 from 2021’s “Below”, 4 from 2014’s “Aggressive”, 3 from 2018’s “Disease”, and 2 from 2016’s “Aggressive”. With a wide array of songs from both the new album and the rest of the discography, Beartooth made sure to make this headlining set something new fans and old would love. I am so glad I could finally see and photograph them, and I cannot wait to do so again soon.
SETLIST:
ENCORE
16. The Past Is Dead
17. The Last Riff
All in all, The Below tour was an absolute dream come true. Beartooth has been a huge bucket list band for me to see for quite some time, so seeing and photographing them was a dream come true. A massive shoutout to the fantastic crew and the other bands Wage War and Dragged Under, who absolutely DESTROYED that stage! Thank you for bringing this tour to California and for presenting us with live music once again!
Beartooth | Wage War | Dragged Under
Photos + Review By: Jamie Kaufman | Facebook | Instagram | Twitter
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April 9, 2020 Leave a comment
Issues Runs Los Angeles Into Beautiful Oblivion
Venue: The Mayan in Los Angeles, CA on 11/14/20
When it comes to sound progression in a band’s discography, Issues almost instantly comes to my mind. While they started out sounding a lot like vocalist Tyler Carter’s previous band “Woe, Is Me”, the band started to slowly but surely incorporate influences from genres such as R&B, Funk, Jazz, and EDM. Their newest record “Beautiful Oblivion” saw the band taking a giant leap in terms of their sound. With the departure of long-time vocalist Michael Bahn, the band distanced themselves a bit from the metalcore sound, incorporating more of those influences than ever before. To celebrate the album, the band set out on their world tour, with the first stop being North America with support from Polyphia and Sleep Token: a mixed bag of talent that worked well for the tour!
First up was Sleep Token from London, England. Sleep Token is a fully conceptual band, with each member sporting masks and black body paint. They’ve created this story of being united in worshipping their god known as “Sleep”. The lineup still remains completely anonymous, which adds to the appeal. Sleep Token has taken the scene by storm, garnering a cult-like following with their diversified sound that blends together alternative rock, progressive rock, progressive metalcore, ambient, and EDM. It was surreal to see them on stage, as they looked very ominous on stage with their masks and look. But their music is very melodic and can completely change genres mid-song, which continuously keeps the listeners on their toes. I was personally thrilled to hear the band play songs from their debut album “Sundowning”, which was released in 2019 via Spinefarm Records. The band played a total of six songs, five of which came from that new album. The band played a flawless set with a lot of energy, and I cannot wait for the band to return to the U.S. in the future!
SETLIST
Up next was Polyphia from Dallas, Texas as the direct support for the tour. Polyphia is a very dynamic band. And while they are fully instrumental, they got the crowd going wild like no other, blending together progressive metal, progressive rock, math rock, funk rock, and even some elements of electronic music. Both guitarists Scott LePage and Clay Aeschliman played some insane riffs, with odd time signatures that fit perfectly into the songs. Bassist Clay Glover acts as the band’s front man, hyping up the crowd between the songs and grooving along with his’ deep hitting basslines. With three full length records and two EPs under their belt, the band has garnered a very passionate following, selling out shows country wide on their headlining tours. As direct support, the band prepared a ten-song set, which showcased songs from each of their releases, the newest of which being their 2018 album “New Levels New Devils”, which was released via Equal Vision Records. Polyphia was truly amazing and blew my expectations out of the water!
SETLIST
Issues from Atlanta, Georgia finally hit the stage next for their headlining set. To celebrate the new album’s release, the band played the album “Beautiful Oblivion” in its entirety, along with songs from their previous releases, adding up to a whopping 20-song set. “Beautiful Oblivion” was released in 2019 via Rise Records and shows a more adventurous side to Issues’ sound. Each song brings its own flavor, bringing in different levels of influences and styles. Many fans were surprised by the change in style, compared to their metalcore foundations on previous albums. New songs like “Drink About It”, “Tapping Out”, “Downfall”, “Rain”, and “Here’s To You” still retain some of the heavy instrumentals, but rarely include the screaming vocals or as heavy of instrumentals as the band had on their first several releases, 2012’s “Black Diamonds EP”, 2014’s “Issues” and 2016’s “Headspace”. It personally took me a couple of listens through the record to truly fall in love with it, but I eventually became obsessed. Tyler Carter writes some truly catchy lyrics that get stuck in my head on a daily basis. The groovy guitar and bass lines courtesy of AJ Rebollo and Skyler Acord. The intricate drum patterns come from the one and only Josh Manuel, who is very fun to see in concert with his energy in the back. Issues brought out some older songs on this tour, with “Never Lose Your Flames” and “Mad At Myself” being fan favorite songs from their self-titled album. I was thoroughly impressed by their performance and cannot wait to see them in the fall when they tour North America as support for Dance Gavin Dance, Animals As Leaders, Veil of Maya, and Wolf & Bear!
SETLIST
ENCORE
20. Mad at Myself
Issues’ Beautiful Oblivion North American Tour brought together an excellent tour, with a mixture of music that was entertaining from the moment Sleep Token opened the show, to Polyphia slaying their set with crowdsurfers galore, and finally to Issues playing a monstrous twenty song set! Don’t forget to get your tickets to see Issues open for Dance Gavin Dance in August!
Issues | Polyphia | Sleep Token
Photos + Review courtesy of Jamie Kaufman | Instagram
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The Camera Affect 
