Cannibal Corpse 2023 North American Tour ft Mayhem, Gorguts, & Blood Incantation | Photos + Review 

 Palladium, Worcester, MA  |  9/29/23                                                                    

On a very rainy Friday night the Cannibal Corpse 2023 North American Tour came to destroy the sold out Worcester Palladium. Supporting this tour was the one and only Mayhem, Gorguts, & Blood Incantation. I have been to the Worcester Palladium at least a hundred times but I have never seen this iconic venue as electric as it was. I rushed in to just make it down the four packed levels into the photo pit to start my coverage. 

Being a little overwhelmed having to hurry in after waiting in traffic, running through the rain to collect my credentials at the box office, getting down to the photo pit, and immediately starting to photograph half way through song one, I finally had a second to turn around to take in what was hands down one of the most religious concert experience I have ever attended. 

Not knowing the two opening acts until this bill was announced, Blood Incantation was up first, a death metal band out of Denver, CO started in 2011. With dark blue and green lights, with an occasional white light shining, & endless fog, this band was a little hard to capture, but the job got done. Lead singer & guitarist, Paul Riedl had the softest most humble speaking voice to hype up crowd, then went into this deep death metal scream. You could barely see drummer Isaac Faulk whaling on the kit that made the whole room shake. The guitars were flawlessly melodic as Paul was joined by guitarist Mossis Faulk, and of course, the bassist Jeff Barret matched this vibe. As an opening band, sometimes it’s hard to get the crowd going and ready to rage but not on this night. The mosh pit was massive and going hard and people were flying through the air endlessly.

Gorguts was next. A seasoned Canadian death metal band out of Quebec formed in 1989. Lead singer & guitarist, Luc Lemay is the only original member left, but with how this band was flowing together you wouldn’t have known that. This group isn’t just death metal, they are technical death metal. Having fast blast beats, aggressive build ups, and guttural low screams, it’s honestly quite catchy to keep the head banging. Each band definitely had its collection of fans there but everyone was so electric that it almost was hard to tell.

I stated at the beginning of this “The one and only Mayhem” because that is truly what this band is. Formed in 1984 in Langhus, this Norwegian black metal band was one to put this genre on the map. The fog machines went off every 30 seconds, making the band members silhouettes during some of their performance. Front man Attila Csihar, known as Void, was dressed in a long tattered up robe with his entire face painted up moving across the stage like Voldermont did in Harry Potter. Memorizing the audience. Actually the entire band did that. Morten Bergeton Iversen, known as Teloch, one of the guitarists, was sporting his face being painted up as well, with a gothic style outfit, while everyone was wearing black shirts and jeans. The other members of the band did not sport the look those two did which was interesting to me but it didn’t matter due to what these musicians brought to the Palladium. I felt like I was on a Norwegian journey. The bass, played by Jorn Stubberud, known as Necrobutcher. The drums, ripped on by Jan Axel Blomberg, known as Hellhammer.  Seamlessly flowing riffs being played by Charles Edward Hedger, known as Ghul alongside Teloch, and those vocals shook the house in a way I’ve never experienced. Mayhem brought an intensified element to this bill. I highly suggest catching them live at any point in time.  

Waiting for the headliner, as the stage hands cleared the stage, the venue was still going hard with its wild energy. The merch booth still had a massive line half way down the venue steps, fans were still moshing & crowd surfing while waiting for the band to go on, I have yet to see that live at any show! Cannibal Corpse, starting out in 1988, originally out of Buffalo, NY, was on. If you’re a death metal fan, I’m going to say most likely you’re a Cannibal Corpse fan. George Fisher, aka Corpsegrinder, wore his very own “Respect The Neck” shirt which I thought was great. If you know anything about him, you know he is known for his unmatched headbanging, windmill whipping massive neck! The screams that came out of that man’s mouth may actually be talking demons, it was a little imidateding being that close but it was absolutely amazing. This seasoned band was nothing short of perfect, which was to no surprise. Playing a variety of fan favorites, the wild energy the Palladium held in its walls all night elevated to 11 for the entire 14 song setlist. It seriously never stopped. Alex Webster, the original bass player & founding member, guitarist Rob Barrett & Erik Rutan (who is fairly new to the band), and drummer Paul Mazurkiewicz, all in sync. The solos and riffs were dirty ripping through the hammering of the drums, in the best way we all want our riffs to be. They weren’t flashy in the way they looked or how the stage looked. The fog machine was barely pressed and the lights weren’t anything fancy whatsoever, but none of that mattered to anyone. I think at this point in time people from quite young ages to older folks in that crowd were heart warmed to be watching and respecting legends. Being able to witness all these things I have heard about Cannibal Corpse was one to cross off the bucket list. I am truly grateful I was able to attend this tour passing through. It was one for the books.

Coverage courtesy of Ashley Grace of aGrace Photography

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The Gaslight Athem ft Catbite & Donovan Woods

I was first introduced to The Gaslight Anthem in 2013 by my boyfriend, my go-to source for my personal music education. I fell in love with lead singer Brian Fallon’s poetic lyricism; I’ve always been a sucker for a song lyric that can stick in your head while stabbing you in the heart.  The Gaslight Anthem is a New Jersey rock band that in many ways seems like a sound from another era, an ensemble that somehow (thankfully) missed a change in mainstream music, staying with a 70s sound similar to Tom Petty, John Mellencamp, or The Steve Miller Band.

Their fall tour promoting History Books, their first single in nine years, stopped by The Factory in Chesterfield, MO on Saturday, September 23, along with Catbite and Donovan Woods. 

The night opened with Catbite, a Philadelphia based ska band, fronted by lead singer Brittany Luna. Their energetic sound reminded me of the rawness I remember from the late 90s/early 2000s garage bands (in the best of ways) and had a definite No Doubt “Tragic Kingdom” vibe, bouncy but raw. When Britt slowed down for “Bad Influence”, she was able to show off the soulfulness in her voice, a fantastic contrast to the upbeat ska punk of the rest of the set. 

Following Catbite was Donovan Woods, a folk singer-songwriter from Canada, whose baseball cap, beard, and build completely juxtaposed his soft voice and heartfelt lyrics. Donovan’s music gave the feel off people-watching outside a coffee shop; just small snippets of other people’s lives. Enough to pique my interest and make me wonder where their story goes when the music ends. Interspersed between his songs Donovan bantered with the audience, laughing with them as he told stories like deciding on a “short walk” to a Whole Foods he saw was “just across the park” (the park being St. Louis’s Forest Park, a 1,326 acre park that’s roughly one and half times the size of New York’s Central Park), or commenting that his ballad “Clean Slate”, a popular pick for weddings, is “better for a second wedding, since you don’t usually have much money for music for your second one.” 

The Gaslight Anthem kicked off their set with “45”, bringing the energy back up, a house party vibe that carried through the night.  Brian Fallon told stories about the band’s career between his songs, giving a peek into their 15 years together. 

Gaslight’s new song, History Books, was fourth in the set, an emotional song about ending relationships. The new track, one of ten on their new album, features fellow New Jersey native Bruce Springsteen. The album, History Books, will be available October 27, 2023.

Coverage courtesy of Elizabeth Rajchart

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Kamelot’s Awaken The World North American Tour 2023 ft Xandria | Photos & Review

To start off the night on Kamelot’s tour, comes Xandria. A German symphonic metal band. With lead vocalist Ambre Vourvahis, rhythm guitar and keyboardist Marco Heubaum, bassist Tim Schwarz, and drummer Dimitrios Gatsios. Let me say this from a personal perspective. Wow! Simply put you have to hear it, see it, and witness it to understand the passion behind this band and how amazing they are from beginning to end truly incredible, with some pretty awesome added bonus that the singer does just all around amazing. 

You ever heard a symphony orchestra? Now add some metal vocals with clean screams with the blasting sounds of the drums and shredding and solo sounds of ear pounding guitars, now add some POWER!! Well put that all together and you have a band called Kamelot. From start to finish this band gave everything they had and more to deliver and amazing show here at the Echo Lounge and Music Hall in Dallas Texas.  

What a way to start the set coming in their song Veil of Elysium from their 2015 album Haven. Tommy with his smooth and powerful vocals gave the fans exactly what they wanted the passion in the song and the way the band played the crowd was just electric and you could feel it. To make the song just as intense Kamelot had special guest vocalist Melissa Bonny from Ad Infinitum. Personally can i say… Wow what a singer,  

Cannot forget how amazing guitarist Thomas Youngblood how he was just shredding all the songs and how well Sean Tibbetts delivered some amazing bass work. But turned up a bit more once they hit the fifth song Opus of the Night, from their new album The Awakening. The drum work and keyboarding from both Alex Landenburg and and Oliver Palotai. Again an amazing display of power metal with the symphonic sounds. 

 As the night rolled on Kamelot frontman Tommy slowed it down with Song for Jolee. Tommy again showed how good and beautiful his vocals are. Such a beautiful song and well played by Oliver Palotai, but just when you think it can’t get any better here comes Alex, Thomas, and Sean to give the big finish to such a beautiful song. What a band and they are just amazing and just keep on giving. 

 To end their incredible set in Dallas they finished with the top hit Liar Liar, from their album Haven. What a way to finish an amazing night displaying once again how great this band is incorporating symphonic sounds with the intensity of power metal. The solo Thomas hits us with is nothing short of incredible, just truly incredible. Oh and it doesn’t stop there, oh no it doesn’t bring back Melissa to show how great a vocalist she is but then hits you with guttural vocals you didn’t expect to hear. What a set. What a night. What an incredible night.

Coverage courtesy of Angel Castillo

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Blessthefall Unleashes Their “Hollow Bodies” 10th Anniversary Tour In Santa Ana Featuring Caskets, Kingdom of Giants, and Dragged Under | 8/3/23 | Photos + Review |

Date: 8-3-23 at The Observatory Orange County in Santa Ana, CA

Let’s take a trip down memory lane to 2013 when Blessthefall performed on the mainstage at Vans Warped Tour in Ventura, CA. The band had just released their latest album, “Hollow Bodies,” via Fearless Records. Fast-forward to the present day and Blessthefall have announced their 10th-anniversary tour for this iconic album. The tour includes their first shows in almost four years and features Caskets, Kingdom of Giants, and Dragged Under, all of which I’ve seen and photographed before. The concert was a remarkable experience from start to finish.

Dragged Under from Seattle, Washington, was up first to the stage. I first saw and photographed the band in 2021 when they opened for Beartooth and Wage War, then again on their headliner in 2022 with support from Rivals. These guys are perfectly described as the middle ground between post-hardcore and metalcore. The band played a 6-song set of songs from both albums, “Upright Animals” and “The World Is In Your Way” equally. Anthony Cappocchi is an absolute beast of a frontman and got the crowd going. Guitarists Sean Rosario and Chris Namoc brought the energy with some heavy riffage and lots of jumping. Drummer Dylan Roy held down the fort with his incredible drumming prowess. I’m so glad I could see and photograph these guys again. Get to the show early to see these guys!

SETLIST

  1. Instability
  2. Suffer
  3. Brainwash Broadcast
  4. Upright Animals
  5. Chelsea
  6. Hypochondria

Kingdom of Giants was next to the stage, hailing from Sacramento, California. This was my fourth time seeing the sextet (although they play live as a quintet), and they did not disappoint. Playing a 7-song set, the band mainly played songs from their 2020 album “Passengers,” released via SharpTone Records, and their new single “Wasted Space.” I was stoked to finally hear songs like “Burner” and “Two Suns” in a live setting. Vocalist Dana Willax has never sounded better live, showcasing a mixture of cleans and screaming. The band’s new bassist Justin Roebuck-Joseph absolutely SLAYS with the band. He did not have an easy job jumping in for the previous bassist and clean vocalist, Jonny Reeves, but he did not disappoint. Guitarists Julian Perez and Red Martin destroyed it on stage with many headbangs and riffage galore. Closing out the band’s lineup is drummer Truman Berlin, a powerhouse on that stage, calling out to the crowd between songs and getting people excited. This was my first time not seeing guitarist Max Bremer with the band, but I know he’d be so proud of these guys for how well they performed. Kingdom of Giants is truly a band you do not want to miss!

SETLIST

  1. Burner
  2. Night Shift
  3. Wasted Space
  4. Two Suns
  5. Sync
  6. Bleach
  7. Wayfinder

Caskets from Leeds, England, came up next as direct support. This was my second time seeing the British quintet, the first being in May of 2022. Seeing them get a more extended set on this tour was fantastic, playing a 9-song set showcasing songs from each of their three releases. Vocalist Matt Flood shines on that stage, really getting the crowd going. One thing that always stands out to me whenever I see Caskets live is how happy bassist Chris McIntosh is to be on stage with a big bright smile shining from ear to ear. Guitarists Benji Wilson and Craig Robinson provided the heavy riffage that contrasts the synth-heavy melodies that genuinely give the band their signature sound. Drummer James Lazenby helps create the foundations of the band’s songs with intricate drum patterns. It’s been so cool to see the trajectory of this band, and I cannot wait to see where their upcoming album “Reflections” takes them. They were an excellent choice to be direct support for this tour!

  1. Guiding Light
  2. Hold Me Now
  3. Drowned In Emotion
  4. More Than Misery
  5. Too Late
  6. The Only Ones
  7. Lost In Echoes
  8. Falling Apart
  9. Glass Heart

 The all-mighty Blessthefall from Phoenix, AZ, came up next. To say this set meant a lot to me would be an understatement. The band played “Hollow Bodies” in its entirety for their first show in almost four years, with additional songs as well. Songs like “Exodus,” “You Wear A Crown But You Are No King,” “Hollow Bodies,” and “Youngbloods” truly showcase the dueling vocals of Beau Boken and bassist Jared Warth. A very cool moment was when Beau Boken’s wife, Lights, came out to perform the final song from Hollow Bodies, “Open Water,” which was quickly a highlight of the night. Guitarists Eric Lambert and Elliott Gruenberg shredded. The songs on this album have a rather djenty feel, which, as many know, is one of my favorite metal styles. The band brought along with them touring drummer Jared Fron who destroyed those intricate drum parts with precision. As a bonus, the band played their newest single, “Wake The Dead,” along with songs from their 2008 release, “Witness,” and a song from their 2018 release, “Hard Feelings.” The lighting the band brought with them this time was easily some of the best I’ve seen them with and genuinely added to the experience. Blessthefall has always been one of my favorite bands, so seeing and photographing them again after so long meant the world to me!

SETLIST

  1. Exodus
  2. You Wear A Crown But You Are No King
  3. Hollow Bodies
  4. Déjà Vu
  5. Buried In These Walls
  6. See You On The Outside
  7. Youngbloods
  8. Standing On The Ashes
  9. Carry On
  10. The Sound Of Starting Over
  11. Open Water

ENCORE

  1. Wake The Dead
  2. Cutthroat
  3. 2.0
  4. What’s Left Of Me
  5. Hey Baby, Here’s That Song You Wanted

Blessthefall’s 10th Anniversary Tour kick-off show was an absolute fever dream. Every band brought the energy tenfold and made it a stellar time. I cannot believe this album is now ten years old! It’s honestly crazy how fast time flies. This tour is still going on, so make sure to attend if there is a date close to you!

Blessthefall | Caskets | Kingdom of Giants | Dragged Under

Photos + Review Courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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L.S. Dunes ft. Pinkshift @ The Rave.

On July 24, post-hardcore supergroup L.S. Dunes and brought the heat(wave) to
Milwaukee, with a sold-out show at the Rave. The crowd was packed tight into the Rave bar as
it became closer to showtime. The crowd was an eclectic group, consisting of a broad age
range, from teens to “elder emos” like myself.
Pinkshift took the stage first, energizing the crowd immediately with their 90s grunge,
2000’s pop-punk sound. I had not heard of them before this show but had listened to a few of
their songs on the way to the show and was elated to see that they were incredibly active with
the crowd and so full of energy for their entire set, even with the heat of the room. They were
also incredibly reactive when someone in the crowd passed out, stopping immediately and
calling for staff to get the person help. They certainly gained more than a few new fans in
Milwaukee, including myself! Pinkshift continues the tour with L.S. Dunes through August 11
and then they make their way across the pond on their Britshift (+Belgium) tour from 8/19-
8/27, returning to the US for some short runs with Thursday and then Hawthorne Heights in
September.

You could feel the anticipation grow as the time for L.S. Dunes to take the stage grew
closer. The heat in the room was immense and the only saving grace was an enormous fan,
blowing into the room from one entrance and the water that was passed out between sets.
When they took to the stage, the crowd exploded with energy as everyone surged forward with
excitement. I don’t think the crowed slowed down at all throughout their 12-song set. The
crowd tried to convince them to do a second encore, but like they said to the crowd, they “only
have 12 songs.” The band continues their tour through August 11th . Followed by joining Pierce The Veil on the Jaws of Life Tour next, from November 4th until December 8th.

Photos and review courtesy of Acacia Marie

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50 Cent’s The Final Lap Tour Brings the Heat to St. Louis.

If you thought St Louis couldn’t get any hotter, you weren’t at Hollywood Casino Amphitheatre Tuesday night, July 25th. G-Unit headliner 50 Cent lit up the stage with support from Busta Rhymes and Jeremih. The Final Lap Global Tour is in celebration of the 20th anniversary of his debut album “Get Rich or Die Tryin”, and is plugged as his last tour ever.

Opening the show was Jeremih, whose short set kicked off with his hit, Planez, brought to life by his backup dancer taking the role of flight attendant.

The set was followed by Busta Rhymes, with longtime hype man Spliff Starr, covering classics like Ante Up and Break Ya Neck, as well as covers, including a cover of Don’t Cha by The Pussycat Dolls.

50 seemed to be having a great time as he played some of his biggest hits from his earlier years for the packed partying audience, including Candy Shop, Magic Stick, In Da Club, and P.I.M.P.

The Final Lap Tour continues through North America through September, then takes to Europe, beginning in Amsterdam September 28th. Below are upcoming tour dates:

Coverage courtesy of Elizabeth Rajchart

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Sleeping With Sirens w/ Don Broco, Point North, & Garzi | CTRL-ALT-DEL Tour | Photos | 8/4/22

Garzi

Point North

Don Broco

Sleeping With Sirens

Photos courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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August Burns Red featuring Fit For A King, ERRA, and Like Moths To Flames | Leveler 10 Year Anniversary Tour | 12/8/21 | Photos + Review

August Burns Red Brings The Belasco To A New Level On Their Leveler Anniversary Tour

Venue: The Belasco Theater in Los Angeles, CA

Date: 12/8/21

August Burns Red has been a leading band in the metalcore genre for quite some time. The band solidified themselves with their sophomore album “Messengers.” They garnered a large following from then on, constantly innovating in their song structure and musicality. For the tenth anniversary of their fourth album, “Leveler,” the band re-recorded the album in its entirety, bringing on special guests and changing the tunings of the songs from then on. In celebration of this, they embarked on a 10th-anniversary tour supporting the album, which they played in its entirety. Unfortunately, a few of the crew and band members caught COVID-19 on the run of dates in October due to the pandemic, forcing the band to postpone about a week’s worth of dates to December. Regardless, I am beyond stoked I got to cover this date for August Burns Red, along with the incredible lineup of Fit For A King, ERRA, and Like Moths To Flames. 

Up first was Like Moths To Flames from Columbus, Ohio. This is a band that I first got into in 2012 when I saw them on the “Scream It Like You Mean It Tour” alongside bands like Attack Attack!, We Came As Romans, and more. The band is the perfect middle ground between metalcore and post-hardcore. Since the last time I photographed and saw them back in 2018, the band found their new label at UNFD, where they dropped their fifth album “No Eternity In Gold” in 2020, along with their new EP “Pure Like Porcelain” in 2021. The band really strengthened their sound on these new releases. Chris Roetter’s vocals were showcased to the highest power on these releases, truly showing off his vocal prowess. Their single “Habitual Decline” in particular pops off like no other, both live and on record, showing off Chris’ cleans and screaming. Guitarists Zach Pishney and Jeremy Smith flourish on these releases as well, really bringing the instrumentals to new levels. I started feeling the band incorporating some elements of progressive metal on some songs, which, as many will tell you, is my favorite subgenre of metal personally. Unfortunately, bassist Aaron Evans was unable to make the rescheduled dates for whatever reason, which was my first time seeing the band without him. He has an entertaining stage presence that was sorely missed for me, but Chris Roetter was on top of that crowd, really getting people hyped like no other. Roman Garcia closed out the band’s live lineup on drums, who absolutely smashed through those drum parts with precision. The band played six songs that night, playing songs from their first album to the newest EP. Like Moths To Flames is always an incredible band to see live, and I cannot wait to hopefully see and photograph them on their upcoming co-headliner with Polaris in March – April! 

SETLIST

  1. The Worst In Me
  2. Habitual Decline
  3. I Solemnly Swear
  4. Preservation Of Hate
  5. The Anatomy Of Evil
  6. Bury Your Pain

ERRA from Birmingham, Alabama, was up next. The last time I saw these progressive metalcore boys was in 2019, when they did a co-headlining tour with Northlane. The band has since released its critically acclaimed self-titled album via UNFD in 2021, which helped the band garner even more fans and streams galore. The band opened their set with the song “Gungrave,” which has some heavy riffage from guitarists Jesse Cash and Sean Price, the vocal stylings from JT Cavey, the deep bass grooves from Conor Hesse, and the intricate drum patterns from Alex Ballew. The song has that iconic yin and yang in vocals between Jesse’s cleans and JT’s screams. The band then went on to play their heaviest song from the self-titled album “Scorpion Hymn.” JT’s vocal prowess is on full display here, truly showing off his range. From lots of mids, screeching highs, and deep gutturals, JT is truly a powerhouse, and this song showcases all of his abilities in one. The instrumental structure of this song is much darker than many of their other songs, making this song a standout on the record as a whole. In contrast, the following song the band played is “Divisionary,” which is much brighter in sound compared to “Scorpion Hymn.” Jesse’s vocals are the song’s focal point, but those contrasting parts with JT’s screaming help give the song layers and momentum. The intricate guitar patterns really stand out to me in this song, along with a thick prominent bass tone in the latter half of the song, which gives Conor his’ moment to shine. The band played a total of 8 songs throughout the set, showcasing the band’s newest album and songs from previous releases. I was thoroughly excited to hear how these new songs translated live, and they definitely did not disappoint. I cannot wait to see and photograph these guys again on their spring tour as they support Beartooth, Silverstein, and The Devil Wears Prada!

SETLIST

  1. Gungrave
  2. Scorpion Hymn
  3. Divisionary
  4. Eye of God
  5. Irreversible
  6. Breach
  7. Vanish Canvas
  8. Snowblood

Up next was Fit For A King from Dallas, TX. This was my fifth time seeing these metalcore greats, and they once again did not disappoint. Since I saw them in November 2019, the band dropped their sixth album in 2020 titled “The Path” on Solid State Records. It was met with critical acclaim and became the band’s most successful release to date streaming-wise. The band opened the set with the song “Stockholm,” which is a heavy banger to open the set with. This is one of the heavier songs from “The Path,” with Ryan Kirby’s iconic gutturals and lower toned vocals, the deep bass grooves from Ryan “Tuck” O’Leary, those chuggy guitars from Daniel Gailey and Bobby Lynge, and the fast and tight drums from Jared Easterling. This was Fit For A King’s first tour as a five-piece since 2013, with Bobby returning to the live stage for the tour. This was also the last run of shows with drummer and founding member Jared Easterling, who announced his departure prior to the tour. The band then went on to play the song “Locked (In My Head),” which was one of the leading singles from the new album. Locked definitely has a more post-hardcore vibe, reminiscent of the bands from the early-mid 2000s while still having a modern edge. Tuck and Ryan do an incredible job going back and forth on those clean vocals, really providing an emotion-driven melodic song to the mix that helped push the band’s boundaries in terms of what can be expected going forward. Continuing this momentum, the band then played “Breaking The Mirror,” which is all about overcoming past failures and pushing forward. The band really brought it to the next level with this new record, and the crowd was eating it up, with lots of crowd surfing and moshing galore. The band played a total of 11-songs, most of which came from “The Path” and “Dark Skies” and one song from “Deathgrip.” The band has really strengthened their core sound while still broadening out on what is possible. I cannot wait to see and photograph them on their “Dark Path Tour” in the spring as they headline the US with Silent Planet, Hollow Front, and AVOID supporting them. It will be an incredible time, and I cannot wait to see these metalcore boys again!

SETLIST

  1. Stockholm
  2. Locked (In My Head)
  3. Breaking The Mirror
  4. When Everything Means Nothing
  5. Annihilation
  6. The Price Of Agony
  7. Deathgrip
  8. Backbreaker
  9. The Path
  10. Tower Of Pain
  11. God Of Fire

August Burns Red from Lancaster, Pennsylvania, came up next to the stage. The band came out swinging with the brand new opening track from the Leveler re-recording “X,” a wholly instrumental track. Bassist Dustin Davidson came out front and center, plucking those deep bass notes. Guitarists Brent Rambler and JT Brubaker played these gorgeous melodic guitar riffs that created a sing-along melody that would go into the next track. Due to personal issues, vocalist Jake Luhrs could not play the rescheduled dates. Due to this, Michael Felker from the metalcore band Convictions came in to do vocals for the band. Michael came out swinging on the song “Empire,” a fast-paced and riff-heavy metalcore track. One thing that is in the forefront of all of August Burns Red’s songs is the drum playing from the impressive Matt Greiner, who is truly on point with every beat he makes. The song “Empire” is jampacked with all of the elements that have helped August Burns Red solidify their sound: progressive and intricate guitar and drum patterns, sing-along sections, breakdowns, guitar solos, and uplifting vocals. The band then went on to play “Internal Cannon,” which was the song that got me into August Burns Red back in the day. The song features Matt K. Heafy from Trivium on the studio re-recording, which really added another layer to the song. The incredible dynamics in this song make it apparent why it is a fan favorite. August Burns Red’s metalcore style creates the melody using the instrumentals, as about 99% of the vocals are screaming in their music. Internal Cannon also has this slow-down section that incorporates some influences from jazz and blues that really help give some serious contrast to the song. The band then went on to play “Leveler” in its entirety, then came back to play a few newer songs and even an instrumental cover of “Carol of the Bells,” since the show was near the holiday time, totaling in at a whopping 18-songs in their setlist. August Burns Red never disappoints, and I cannot wait to see and photograph them again on their tour going on now with Killswitch Engage and Light The Torch! August Burns Red is genuinely an incredible band!

SETLIST

  1. X
  2. Empire
  3. Internal Cannon
  4. Divisions
  5. Cutting The Ties
  6. Pangaea
  7. Carpe Diem
  8. 40 Nights
  9. Salt & Light
  10. Poor Millionaire
  11. 1/16/2011
  12. Boys Of Fall
  13. Leveler
  14. Drum Solo

ENCORE

15. Bloodletter

16. Defender

17. Carol of the Bells (Mykola Leontovych cover)

18. White Washed

The Leveler 10th anniversary tour was a celebration of a truly incredible album from one of the leading metalcore bands in the genre, August Burns Red. Fit For A King, ERRA, and Like Moths To Flames were the perfect bands to support August Burns Red on this tour! Make sure to see all of these fantastic bands on their upcoming tours if they come to a city near you!

August Burns Red | Fit For A King | ERRA | Like Moths To Flames

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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Fit For An Autopsy featuring Enterprise Earth, Ingested, Signs of the Swarm, Great American Ghost, & Zombie Eating Horse | Winter US Tour | 1/19/22 | Photos

Fit For An Autopsy Packs The House For Their Album Release Tour in Los Angeles

Venue: 1720 in Los Angeles, CA

Date: 1/19/22

Zombie Eating Horse

Great American Ghost

Signs of the Swarm

Ingested

Enterprise Earth

Fit For An Autopsy

Photos courtesy of Jamie Kaufman | Facebook | Instagram | Twitter

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Volumes with special guests Varials, UnityTX, and Kingsmen | Fall US Tour | 11/20/21 | Photos + Review

Volumes Sell Out Their Hometown Show To Close Out Their Fall Tour

Chain Reaction in Anaheim, CA on 11/20/21

Volumes have been a band I have enjoyed for quite some time. Their progressive metalcore sound that verges on deathcore brings in a lot of fans that go absolutely nuts to their music. For their return to the stage, they embarked on a month-long headlining US Tour in support of their new album “Happier?” in 2021 via Fearless Records. They brought along a solid lineup of bands that are quite different in sound but who each bring the energy to the stage, those being Varials, UnityTX, and Kingsmen. This night was a lot of fun and brought a lot of high energy and vibes. 

First up to the stage were Kingsmen from Providence, Rhode Island. Unfortunately, some issues getting in as a photographer prevented me from seeing or photographing a majority of their set. However, I was able to get in and photograph the last song and a half of the set, which I utilized each second of. The band is good ole metalcore, with music in the same vein as bands like Killswitch Engage, Miss May I, and many more. I was very much looking forward to seeing Kingsmen and seeing their 5-song set, most of which came from their 2020 record “Revenge. Forgiveness. Recovery.”, which was released via SharpTone Records. The one song I did get to see and photograph was a cover of Metallica’s “Sad But True,” which they did exceptionally well. The vocalist Tanner was on point with his’ vocals, guitarists Nick and Tim did incredibly on those guitar parts, Adam held it down strong on those bass lines, and drummer Mike slammed those drum parts. I’m sad I could only see and photograph one song, but the band killed it on that cover. I cannot wait to see and photograph them for a longer period of time next time they come out to the west coast. 

SETLIST

  1. Tipping The Scales
  2. Nightmares
  3. Until I Departed
  4. Oppressor
  5. Sad But True (Metallica Cover)

Up next were the Dallas, Texas boys in UnityTX. This band is the perfect blend of metalcore, hardcore, and rap. The band played songs from their two EPs, “Madboy” and “Hellway,” released on Pure Noise Records. Their crowds went wild and even got so violent to the point where multiple crowd members were dragged out of the venue for fighting. Their music goes HARD. What’s unique is the diverse stylings the band has. With vocalist Shaolin at the forefront, the band incorporates many hip hop and rap elements. The band weaved some full-on rap songs into their set, showcasing Shaolin’s stage prowess and rap ability. The instrumentals in the band’s set should definitely be praised as well. Those basslines from Alberto are beefy and heavy. They add a deep groove to the songs that are very much needed. Then you have the guitar tones from Ricky that add a deep emphasis on those breakdowns and get the crowd going wild with those guitar chugs. Closing out the band’s lineup is Jonathan on drums, who slammed the hell out of those drums with precision. The band absolutely blew me away and proved why they are getting as far as they are. I cannot wait to see and photograph them again next time they come to Southern California. 

SETLIST

  1. Agony
  2. Ruckus
  3. Cross Me
  4. 60 Seconds (Wait)
  5. Bang Shit
  6. Hail Mary
  7. Walk With Me

Up next was Varials from Philadelphia, Pennsylvania. I’d best describe their sound as the perfect trifecta of metalcore, hardcore, and deathcore, with some minor nu-metal influences as well. This was my second time seeing and photographing the band, with the first time being back in May of 2019 when they toured in support of Sylar and Cane Hill at this same venue. Since then, the band has gone through some lineup changes, the most notable being the shift of vocalist to Mitchell. Mitchell was previously on guitar and absolutely killed it on his new position in the band. He screams and sings those parts with power and emotion. Mike is still slaying it on bass, adding some serious grit to the rhythm section. James added some grooves to the rhythm section on the guitar, which adds a lot to the band’s sound. The band brought out two touring members to finalize their live set for this tour. Kendrick is in the band BeGotten and played lead guitar on this tour, absolutely slaying those leads while also having incredibly high energy on stage that included two-stepping, windmills, and lots of headbangs. Kevin finalized the band’s lineup on drums, absolutely murdering that kit on stage. They played a 10-song set, playing songs from both of their albums, “In Darkness” and “Pain Again,” along with a couple of songs from their E.P. “Failure//Control.” I always enjoy seeing and photographing these guys and hope to do so again when they come out with All That Remains, Miss May I, and Tallah in Spring of 2022!

SETLIST

  1. Romance
  2. Empire of Dirt
  3. I Suffocate
  4. In Darkness
  5. South of One
  6. E.D.A.
  7. Stigmata
  8. Savage
  9. Anything To Numb
  10. The New Damnation

Volumes from Los Angeles, CA, came to the stage next. For the tour’s final date, the Southern California native band came back home to party it up. The band played a great mixture of songs to please old fans and new fans alike. Their progressive metalcore sound that borderlines on deathcore has garnered various fans. Vocalists Myke and Michael do a great job going back and forth on vocals, creating a jab punch in songs like “The Mixture” and “F.X.B.,” and creating incredible dynamics between cleans and screaming on songs like “Bend.” Bassist Raad adds those deep grooves that are ever-present throughout the band’s whole discography. Drummer Nick slams those drums with intricate patterns that create the bassline for the instrumentals to flow effortlessly. Finalizing the band’s live lineup is Mikhael on guitar, who plays those complex guitar parts flawlessly. The band really had a lot to offer in this set. They had the crowd going wild with a dynamic lighting setup to a whopping 17-song set that incorporated songs from their entire discography. Out of all the shows I covered in 2022, this was by far the rowdiest crowd I had the honor of being a part of. Volumes know how to bring the party, and they did not disappoint this time around.

SETLIST

  1. Intro
  2. F.B.X.
  3. The Mixture
  4. Holywater
  5. 91367
  6. Pixelate
  7. Get Enough
  8. Weighted
  9. Bend
  10. Serenity
  11. The Columbian Faction
  12. Edge Of The Earth
  13. Erased
  14. Pieces
  15. Intake
  16. Wormholes

Encore

17. Feels Good

Volumes truly brought it on this final night of their month-long trek on the road. With bands like Varials, UnityTX, and Kingsmen, they truly brought along with them a diverse group of bands that created a dynamic night of music. I’m still sad I couldn’t see and photograph more of Kingsmen’s set, but that will definitely happen next time. 

Volumes | Varials | UnityTX | Kingsmen

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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