The Afterglow Tour Lights Up Anaheim: Sleep Theory Feat. Nevertel, Oxymorrons, & Stray View Deliver Big | 5/31/25 | Photos + Review

Sleep Theory has been on heavy rotation for me ever since their 2023 EP Paper Hearts dropped. Their sound is an electrifying blend of modern metalcore and hard rock, laced with just enough 2000s nu-metal nostalgia to hit that sweet spot. They’ve been storming the scene like a summer downpour in the South, and honestly? It shows. For the first leg of their debut headliner in support of their debut album Afterglow, Sleep Theory ripped through Anaheim alongside Nevertel, Oxymorrons, and Stray View—selling out their only California stop. From the pit to the stage lights, the energy never dipped once.

Stray View (Dallas, TX)

Opening the night was Stray View, who wasted no time setting the bar high. Easily the heaviest support on the bill, they kicked things off with “Who You Really Are” from their Displace/Erase EP—a synth-heavy punch that locked me in immediately. Frontman Dave Escamilla commanded the stage with a presence that felt larger than life, while guitarist Brandon Rodriguez’s downtuned riffs hit like a hammer. Bassist Jake Lewis provided crushing low-end, especially on the freight-train intensity of their newest single “Come Down”. Their experimental streak shined on “Forget It”, which pulled the crowd into an industrial haze, showing just how versatile this band can be. With drummer Lucas Vitullo driving everything forward with relentless energy, Stray View’s seven-song set was a perfect spark to ignite the night.

SETLIST

  1. Who You Really Are
  2. Come Down
  3. Forget It
  4. Escape
  5. Vivid
  6. Wasteland
  7. The Riddle

Oxymorrons (Queens, NY)

Next up were Oxymorrons, who brought rap-rock chaos and swagger in full force. Brothers Dave “D” and Ashmy “KI” Bellevue worked the crowd with co-lead vocals, bouncing between fiery rap verses and raw screams with ease. They opened with Enemy off their newest album Melanin Punk, laying trap-infused beats over sharp nu-metal riffage that had the crowd moving instantly. Green Vision and Head For The Hills followed, with Jafe Paulino’s guitar work slicing through and drummer Matty Mayz pounding out massive grooves. Oxymorrons thrive in high-energy delivery and crowd interaction—their eight-song set felt like a party onstage, a collision of grit and swagger that proved they’re not just part of rap-rock’s revival, they’re pushing it forward.

SETLIST

  1. Enemy
  2. Green Vision
  3. Head For The Hills
  4. Definition
  5. Melanin Punk
  6. Insomnia
  7. Look Alive (Netic)
  8. Justice

Nevertel (Tampa, FL)

By the time Nevertel hit the stage, the room was buzzing. I’ve been spinning them since their 2021 album Everything In My Mind, so finally seeing and photographing them live was a huge moment. They opened with Losing Faith from their upcoming record Start Again, locking the crowd in immediately with their blend of heavy rock and melodic flair. Jeremy Michael’s smooth, almost delicate vocal tone stood in sharp contrast to Raul Lopez Jr.’s rap and R&B layers—together, their dynamic felt fresh and exciting. Tracks like Sacrifice and Back On Me leaned hard into trap-rock fusion, with Kevin Marks’ precision drumming and Alec Davis’ downtuned riffs pushing the breakdowns into filthy territory. Over ten songs spanning their catalog, Nevertel showcased why they’re one of the most compelling crossover acts in the scene right now. Genre lines blurred, energy soared, and by the end, they’d set the stage perfectly for Sleep Theory’s arrival.
SETLIST

  1. Losing Faith
  2. Sacrifice
  3. Back On Me
  4. Sym
  5. Feed The Machine
  6. Modified
  7. Some Things
  8. No Reverse
  9. Everything In My Mind
  10. Criminal

Sleep Theory (Memphis, TN)

Finally, it was time for Sleep Theory—and they did not disappoint. They stormed in with “Fallout”, the perfect mission statement for their sound: modern hard rock colliding with Linkin Park-style nu-metal and a dose of metalcore grit. Cullen Moore’s vocals were the centerpiece, soaring and crystal-clear, cutting through every layer of sound. Daniel Pruitt’s riffs and grooves paired perfectly with Paolo Vergara’s deep basslines, both pulling double duty with strong backing vocals, while Ben Pruitt’s intricate drum patterns elevated tracks like “III” and “Paralyzed”. This debut headlining setlist was no half-measure. Twenty songs stretched across Paper Hearts and Afterglow, bolstered by bold covers—Paramore’s “My Heart”, NSYNC’s “Bye Bye Bye”, Boyz II Men’s “Can You Stand The Rain”, and even Nevertel’s “Break The Silence”. Pair that with a slick lighting production, and Sleep Theory felt like a band already built for arenas. They’ve solidified themselves as one of the fastest-rising names in the heavy scene, and if this first tour is the blueprint, their trajectory is only up from here.

The best part? All four bands are hitting the road again for the second leg of The Afterglow Tour (Sept 18–Oct 12, US). If it comes to your city, don’t miss it. These are the acts shaping heavy music’s future.

SETLIST

  1. Fallout
  2. Enough
  3. Parasite
  4. Hourglass
  5. Just A Mistake
  6. Gone or Staying
  7. Can You Stand The Rain (Boyz II Men cover)
  8. Bye Bye Bye (NSYNC cover)
  9. Afterglow
  10. Gravity
  11. III
  12. Paralyzed
  13. Break The Silence (Nevertel cover)
  14. My Heart (Paramore cover)
  15. It’s Over
  16. Another Way
  17. Words Are Worthless
  18. Stuck In My Head
  19. Numb
  20. Static

Sleep Theory | Nevertel | Oxymorrons | Stray View

Photos + Review Courtesy of Jamie Kaufman | Instagram | Facebook | X

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Citizen Soldier Feat. Icon For Hire & Halocene | Thank You For Hating Me US Tour | 10/6/24 | The Observatory Orange County | Photos + Review

Step into the world of group therapy, where music becomes the vessel to help you connect with your pain and emerge stronger together. Citizen Soldier orchestrates this transformative experience through their concerts, providing a safe haven to unleash emotions, find solace, and revel in the moment. During their Thank You For Hating Me Tour, they united with one of my beloved bands, Icon For Hire, and Halocene, to curate an unforgettable night brimming with raw emotions and breakthrough moments that will leave you feeling truly alive.

Halocene, an extraordinary band hailing from Phoenix, AZ, set the stage on fire as the opening act. They launched their performance with the electrifying “Just Won’t Die”, a mesmerizing fusion of progressive metalcore, pop punk, and synth-infused radio rock. Despite guitarist and co-vocalist Bradley Amick being under the weather and unable to perform, vocalist Addie Amick delivered a breathtaking performance, effortlessly taking charge of both vocal parts. The live lineup, featuring guitarist Ben McSherry and drummer Quinton Kufahl, exuded undeniable energy. With a repertoire of 7 songs, including captivating covers of “Unholy” by Sam Smith and “The Kill” by Thirty Seconds To Mars, the band left the audience spellbound. Their invigorating performance was an unforgettable start to the show, and I am eagerly anticipating the chance to capture their magnetic presence once again on their future tour.

SETLIST

  1. Just Won’t Die
  2. When Demons Come To Life
  3. Repent
  4. Unholy (Sam Smith cover)
  5. This Is Our War
  6. The Kill (Thirty Seconds To Mars cover)
  7. Maleficent

Up next, we were treated to the exceptional talents of Decatur, Illinois’ own Icon For Hire. This marked my seventh time catching the band live in the last decade, with the initial experience dating back to the 2014 Warped Tour. I cannot emphasize enough the profound impact their music has had on me.. The experience kicked off with the electrifying “Gatekeepers” from their latest album, The Reckoning. Vocalist Ariel Bloomer’s commanding presence immediately took center stage. They seamlessly transitioned into “Get Well” from their debut album “Scripted”, with guitarist Shawn Jump anchoring the band with a powerful, infectious groove. Icon For Hire’s music is an eclectic fusion, seamlessly blending alternative metal with elements of electronica, hip-hop, post-hardcore, and EDM. Their music spans across all the genres that hold a special place in my heart, and witnessing their ongoing sonic and visual evolution has been nothing short of breathtaking. They have never been afraid to be outspoken about mental health through their music, which is something I wholeheartedly commend and love. The band delivered an enthralling performance of 11 songs, showcasing the depth and breadth of their discography. I was particularly elated to see them play songs like “Venom” and “Ready For Combat” from their more recent releases. Without a doubt, Icon For Hire has solidified their status as THAT BAND.

SETLIST

  1. Gatekeepers
  2. Get Well
  3. Pulse
  4. Off With Her Head
  5. Last One Standing
  6. Iodine
  7. The Grey
  8. Bleed It Out (Linkin Park Cover)
  9. Venom
  10. Ready For Combat
  11. Make A Move

Citizen Soldier from Salt Lake City, UT delivered a powerful performance, taking the stage with their emotionally charged set opener “Save Your Story.” The band’s roots go back to 2016 when vocalist Jake Segura wrote the poignant lyrics to “Let It Burn” during a stay in a mental hospital. Now, as a practicing clinical therapist, Segura uses his emotionally intense lyrics to create a safe space for exploring feelings in a group therapy setting. Their sound is rich and multifaceted, combining a hard rock edge with heartfelt ballads. The band’s lineup includes vocalist Jake Segura, guitarists Matt Duffney and Kooper Hanosky, bassist and keyboardist Wonitta, and drummer Kyle Persell. Citizen Soldier pulled out all the stops for this tour, featuring an elaborate light show and a powerful sound that fully immersed the audience in emotion. Their 16-song set even included guest appearances from Addie of Halocine on “Wish I Could Cry” and Ariel of Icon For Hire on “Victim or Survivor.” Despite not being familiar with Citizen Soldier before the show, I was completely captivated by their performance. The tour, which also featured Icon For Hire and Halocene, felt like a deeply cathartic group therapy session.

SETLIST

  1. Save Your Story
  2. Face To Face
  3. Everybody Hates You
  4. Strong For Somebody Else
  5. Where Were You
  6. My Own Miracle
  7. You Are Enough
  8. Tattoos
  9. Wish I Could Cry (Feat. Addie Amick)
  10. Dead-End Life
  11. Wired For Worthless
  12. Victim or Survivor (Feat. Ariel Bloomer)
  13. Burden
  14. Afterlife
  15. Would Anyone Care (ENCORE)
  16. Thank You For Hating Me (ENCORE)

Citizen Solider | Icon For Hire | Halocene

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | X

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Oneus 2024 2nd World Tour La Dolce Vita in USA

Date: March 28, 2024 | Venue: The Louisville Palace Theater Louisville, KY

ONEUS 2024 2nd World Tour La Dolce Vita in USA | Fandom Name: TOMOON

ONEUS Members:  Seoho 서호 or Lee Seoho (이서호), Leedo 이도 or Kim Gunhak (김건학), Keonhee 건희 or Lee Keonhee (이건희), Hwanwoong 환웅 or Yeo Hwanwoong (여환웅), and Xion 시온 or Son Dongju (손동주).

   안녕하세요 TOMOON!

                                                                                                                  annyonghaseyo

                                                  Hello TOMOON!

ONEUS (원어스)  debuted under RBW Entertainment on January 9, 2019, with a mini album “LIGHT US” and their title track, “Valkyrie.” ONEUS is a five-member group consisting of Seoho, Leedo, Keonhee, Hwanwoong, and Xion. Former member, Ravn, who originally debuted with the members as a six-member group, departed from ONEUS in October 2022. The group’s name, “ONEUS,” has two meanings – the first meaning is the members came together by gathering strength from every one of their fans. The second meaning symbolizes ONEUS’ mission to bring together regular people, who will work side-by-side to create a united world. The group’s fandom name, “TO MOON,” represents ONEUS’ fans as the “Moon,” who always orbit ONEUS, as the group represents the “Earth.” In addition, the group’s name, “ONEUS,” can be spelled as “One Earth” in Korean.

Milestones that ONEUS achieved in the past includes winning their first-ever music show win on MBC M’s Show Champion in 2021, for their lead single, “Luna,” which is off of the group’s 6th Mini Album, Blood Moon. In 2022, ONEUS joined the K-Pop competition series and reality survival show called, Road to Kingdom  – where already debuted male K-Pop groups competed to see who could be placed at the top, as well as gain eyes from a massive global audience in the process. This television program aired on Mnet to let lesser-known groups be seen by a global audience, as well as showcase each group’s charms, skills, talents, and overall potential of making it on the global stage. Out of the seven groups that competed, ONEUS finished in 4th place overall and has gained a bigger fan base because of the show’s program. The members also got a chance to release their digital single, “Come Back Home,” during the show’s airing.

The talented and underrated K-Pop group, ONEUS, took the stage at the historical Louisville Palace Theater in Louisville, Kentucky for their 2nd World Tour La Dolce Vita in USA. ONEUS opened with “Baila Conmigo” from the EP La Dolce Vita in 2023.

They played a few songs before they took a small break and talked with TOMOON introducing themselves, talking about food and what animals they are, and talking about how long it had been since the last time they came to Louisville. TOMOON was high energy and excited to see them again and packed the theater. TOMOON showed up for this show. They slowed things down so they could take a small breather from all the dancing for a few songs to make it more of an intimate show while singing to the hearts of their TOMOONS. There was a moment near the end of the show when one of the members saw a TOMOON in front eating their popcorn and was in shock that they were just unbothered while watching the show or when they took a small break on stage and Keonhee was showing everyone what he saw and he took the box of popcorn on stage to see if it was a real box of popcorn and it was funny and a cute moment. While they were saying their goodbyes one of the members said “Louisville is the best” in Korean and the translator had to question it like did he say that? He had to explain that it also had a different meaning and was a good moment where everyone laughed.

As for the lighting for the show, it was vibrant with all of their songs and each song for the LED BG effects was the MV’s for a visual. One of the songs LED BG had Traditional Korean Hanok or Palace to show us Korea. I can agree that Korea has a special place in my heart in history, architecture, food, shopping, and most importantly music.

Keep up with ONEUS on socials: Instagram | Youtube | Fanclub | Facebook

Thank you to Livenation, ONEUS, The Louisville Palace Theater, and RBW Entertainment for having us at The Camera Affect and In The Moment Productions for a great show. Please enjoy the moments we caught. We appreciate your continued support.

다음 공연 때 만나요, 안녕! 

daeum gongyon ttae mannayo annyong!

See you at the next show, bye!

Photos + Review by Chyenne Conner | Photography

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Ministry US Tour 2024 | Photos + Review

On March 20th, 2024, the Wind Creek Event Center in Bethlehem, Pennsylvania became
energized from the second the doors opened. The anticipation of the crowd grew as they
eagerly awaited for the arrival of the night’s performers: Ministry, Gary Numan, and Front Line
Assembly. It was very clear that the night would be more than just a show; it would be an
immersive hypnotic experience with raw emotion, mesmerizing visuals, and electrifying futuristic
sounds.

Starting off the night at 7:00pm was the Canadian electro-industrial band Front Line Assembly,
who immediately locked in the audience’s attention with their electronic beats and captivating
stage presence. Referring to themselves as FLA, the band is fronted by Bill Leeb and supported
by guitarist Matthew Setzer, drummer Jon Siren, and synthesizer/keyboardist Rhys Fulber.
Kicking off their set with their song “I.E.D.”, they transformed the venue into a sonic realm with
other hits including “Deadened” and “Millennium.” Each song radiated such intensity that it
seemed to put the audience under a synth spell. The pulsating beats and futuristic sounds were
so powerful that you could feel it throughout your body, which is an experience in itself. FLA’s
set served as a perfect introduction to a night that would continue to escalate with excitement.

The next set of the night was brought on by the talented Gary Numan. Gary Numan, the English
synth-pop artist, is considered to be the pioneer of electronic music. Numan’s iconic presence
reverberated throughout the venue, accompanied by guitarist Steve Harris, bassist Tim Slade,
keyboardist David Brooks, and drummer Jimmy Lucido. Together, they created an electrifying
journey for the syrienne. From the moment Numan stepped into the spotlight, his magnetic
stage presence was like no other, and completely commanded the audience’s attention. His
captivating movements radiated an aura that left the audience in another hypnotic synth spell.
He seamlessly matched the energy of both the music and stage visuals creating one of the most
immersive and mesmerizing performances I have ever seen. Nothing else seemed to exist
around me other than Numan on stage, seeing how passionate he was about performing. As he
unleashed classic hits such as “Cars” and “Metal” from his 1979 album The Pleasure Principle,
Numan accompanied those with songs from his more recent albums, Intruder, Savage (Songs
from a Broken World), and Splinter (Songs from a Broken Mind). Opening the set with the
haunting “Everything Comes Down to This”, he also incorporated songs into the set such as
“The Chosen”, “Love Hurt Bleed”, “My Name is Ruin”, and closed out the set with the compelling
“A Prayer for the Unborn”. Gary Numan’s performance not only showcased his musical
expertise, but solidified his status as a legend in the realm of the synth-pop and industrial
genres.

Closing out the night was the industrial metal band from Chicago, Illinois who paved the way for
the genre, Ministry. The headlining band had the audience eagerly waiting for what was to
come. They absolutely did not disappoint as the iconic frontman, Al Jourgenson, took center
stage next to his skeleton cross mic stand. Jourgenson was accompanied on stage by guitarists, Monte Pittman and Cesar Soto, bassist Paul D’Amour, keyboardist John Bechdel, and drummer Roy Mayorga. Since the second they walked onto the stage, each member radiated such passion.

Starting off their set with a song from their newest album HOPIUMFORTHEMASSES,
“B.D.E” brought an empowering energy to the stage right from the start. This song covered the
topic of toxic masculinity and violence against women, which had me head banging the whole
time. Ministry has always been a very political band, and each song resonated deeply,
highlighting the band’s commitment to addressing societal issues through their music. The
powerful visuals behind them put an emphasis on the topics being discussed in each song. After
playing a few other songs from their most recent album, the crowd’s energy heightened even
more as the gritty classic hits including “N.W.O.”, “Thieves”, “Just One Fix”, and “Stigmata”
echoed through the venue. Throughout their performance, I couldn’t help but notice the huge
mosh pit that opened up in the center, as many fans enjoyed this moment together. Closing out
their set with their most popular song, “Jesus Built My Hotrod” the crowd became even more
energetic, not wanting the night to end. Just like the rest of the night, the band did not only put
on a performance, but created a psychedelic and vibrant yet edgy experience that the whole
audience will forever remember. Ministry is such an iconic industrial metal band, and their
legacy will live on and continue to leave a lasting impact.

Ministry, Gary Numan, and Front Line Assembly, were some of the most mesmerizing and
talented performers I have ever seen. Each act brought their own unique and electrifying energy
and passion to the stage, creating hours of an immersive experience. The legacy of all three
performers will forever be respected and recognized in the industrial world, serving as
inspirations for the future.

Review & Photography courtesy of Kyra Britzke

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The Camera Affect team + guests transition to live streamed interviews.

With the upsetting yet realistic news from top touring executive Marc Geiger saying not to expect to see concerts again until 2022 we must adapt. The entertainment industry is taking such a huge hit and will continue to as venues close due to lack of finances, all while bands and fans alike become lost and upset due to missing and craving that togetherness we get being in a room full of strangers all there for a shared love of music.  With that in mind, we made the transition to continue to support musicians and artists the best way we know how to right now, which is virtually.  Going forward The Camera Affect + team will interview artists via video call and live stream it on our Facebook page.  We will be releasing the live interviews on our YouTube channel in parts as well for those who may have missed the live stream or who are not are Facebook.

Thank you to each and every one of our supporters, especially in this time of uncertainty – we’re here if you need us- just reach out!

Courtesy of Cristine Trimarco

Below are a few photos of interviews you can look forward to seeing on our Facebook  page right now or on our YouTube channel very soon!

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Made Up Lost Time by Kevin Garrett | EP Review

Kevin Garrett

The past few years have been a wild ride for musician Kevin Garrett, from releasing his debut EP “Mellow Drama” in 2015 to GRAMMY nominations, festival performances and shows with acts such as Mumford & Sons and Alessia Cara, and dropping his debut LP “Hoax” last year. Kevin has returned with his newly released sophomore EP, “Made Up Lost Time.”

The opening track “Tell You How I’m Feeling” really shows Kevin’s talent as a vocalist through a soulful performance that provides good melodies in the verses, and the harmonies in the chorus add more to the performance. The vocals really shine on the following track “Keep You Waiting” as well, as they bring a memorable pre-chorus that helps build up the song really well to its chorus. 

“Can’t Come Back” is on the much softer side, and the piano fits perfectly on the track. The melodies on here are really good as well and the song makes a great ballad overall. Lead single “Gone Again” is on the more upbeat side, bringing a rhythm as catchy as the melodies, and closing track “Factor In” is also a bit slower and is one of the most memorable and well-written songs the EP has to offer.

“Made Up Lost Time” is a soulful and memorable sophomore EP from Kevin Garrett.

Review courtesy of Megan Langley | Instagram

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Interview w/ Shiragirl

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Artwork by : Sophia Bonafide

The Camera Affect Promotions had the pleasure of sitting down with New York native Shiragirl before her set during Vans Warped Tour to discuss everything from the creation of her own stage to her EP ‘Brooklyn Goes Hollywood’ to playing with Joan Jett. If you want to find out more about what Shiragirl had to say, keep reading below:

What was your reaction when you found out that this was going to be the last year of Warped?

I was super sad. I actually found out in 2017 that 2018 was going to be the last full cross-country run. I was bummed, it definitely felt like the end of an era.

What was your reaction when you were asked to come and play?

I was so happy and so excited and just honored to be included. Yeah, really happy.

So, I know that the Shiragirl Stage came about in a really unique way, correct me if I’m wrong. You pretty much asked Kevin (Lyman) if he could include more female bands on the lineup and he said maybe next year and you just did it anyways. 

Yep that’s exactly it!

What was that like knowing you had kind of “defied” him and you ended up with your own stage?

So how it happened was I was on the tour the previous year and I had noticed there were no female musicians and I said “hey can we come back and host some girl bands maybe in the Girls Garage Tent and he said “great idea, maybe next year.” We just decided lets do it anyway. We drove into the gates and set up and we had a little punk-rock set up. We just thought a year seemed so far away when you’re a kid, you know, and we thought why not and he walked up and we kind of held our breath because we didn’t know if we were going to get kicked out or what not and he just looked around and said “alright Shira, so you’re on for the whole tour” and it was both kind of an invite and almost a challenge. It felt really good to be able to then come back the next year and we were invited back to do an official stage, which Kevin named the Shiragirl Stage and host all those bands including Paramore on their first ever tour.

That’s wild. I heard that and was like “she’s a badass.”

Aww thank you!

 So as a female in a predominantly male dominated scene, did you find that you had to prove yourself when you played your first Warped Tour? Do you find that you still have to prove yourself now?

Oh absolutely, one hundred percent. We definitely had to prove ourselves. In a male dominated space women definitely have to work twice as hard to get the respect a man gets and that’s just how it is, and when we first started out there were bets against us finishing the tour. We were not taken seriously. People would say “this area back here is only for the bands” and we would say “we are the band” you know? Even now there’s a lot more exposure and representation but it’s still not equal and I feel like there’s this misconception that we’re all equal now but if you look at the numbers it’s just not true.

Did they come to respect you more overtime or was there something that you did that made them respect you?

I think just working really hard absolutely, building relationships on the tour and also just kicking ass, playing our instruments well, rehearsing, taking our craft seriously, that’s important too, putting the hours in and being good at what we do.

 Makes perfect sense. I know you’ve been called the Punk-Rock Madonna, where did that name come from?

It’s so funny, actually this girl Rose who is in a band called Anti Hero who played our stage in Canada, she’s from Toronto, she first said that to me and it kind of just stuck with our team. I think that our manager put it into a press release or a bio that made its way to Billboard and then Billboard kind of coined it last year when they premiered our first single. After Billboard said it I thought “oh my gosh, it’s official,” and I love it. Madonna is a huge influence of mine so it’s a compliment.

Your EP Brooklyn Goes Hollywood showed the juxtaposition between Hollywood and New York where you’re from. Did the title come before the sound of the album or did the sound of the album influence the title? 

That’s a good question. I think it was a big theme because our whole band is from New York, at least my drummer and bassist, the three of us really co-wrote that record and we wanted to achieve this fusion of a sound that was like the dancy pop fun aspect meets this harder punk-rock sound. I actually wanted to write a song called Brooklyn Goes Hollywood, I’ve had that in my mind forever. As songwriters, you often think of the song title before you think of the song sometimes and so it never became a song but then when we were talking about the album name I just thought this is like, the perfect way to describe the duality of the record.

What was it like having Joan Jett play your stage?

That was a dream come true! So Joan was on the tour, she used to bike over to the side of our stage and watch the girl bands and she actually gave me a pep talk because about halfway through the tour half my band quit, first my drummer then my guitarist quit. I was super upset, we were hosting all these bands, and she knocked on my RV door, sat on the couch next to me, looked me in the eye and said “you’re doing a good thing and you have to keep going.” She said “girls like that make girls like us look bad and you’ve got to keep going” and I said “okay I’ve got to keep going because Joan Jett told me to.” The last day of that tour was when it had kind of been discussed that she would do a special appearance with her manager and it was Cleveland, Ohio and they said “Joan wants you to sing and she’s going to play guitar and do backup” and it was crazy. Right before we went on we were rehearsing on the side of the stage it felt like I was in the Runaways. It was really a dream and I was so honored, just recently they put a Warped Tour exhibit in the Rock and Roll Hall of Fame and I got included and in it is our set list from that day and a photo of us performing with Joan Jett next to her bra and her setlist and my shirt so it’s really cool. What an honor. This was before Instagram and stuff so someone had captured a video of it on Youtube somewhere but I wish I had gotten more of my personal footage from it, from that moment, but nothing can replace that memory. Just looking out and seeing Kevin Lyman in the crowd.

I bet. Did you ever think you would get from where you started to playing on the same stage as Joan Jett singing one of her songs as the main vocalist?

It was an honor. We did actually open up for her band earlier that year and I just have to say it’s a great example of how Warped Tour has opened up so many doors for up and coming artist because if it weren’t for Warped Tour I never would have met her because she was playing the tour and we got introduced. So yeah, huge honor and definitely inspires me to keep going.

What has been your best or craziest memory?

Oh my gosh, there’s so many but one that comes to mind is that I got to perform Lori Meyers with NOFX and that was super cool. Any time you’re on the main stage the crowd is so big and the energy is amazing and I also got to perform with The Transplants and that was super cool. Anytime you get to do a special guest performance like that is amazing.

Last question. When they announced that Warped Tour was coming to an end I noticed a couple pop up tours start happening and they started traveling the country. Do you think there’s ever going to be anything on the Warped Tour scale again or do you think Warped Tour is kind of the “Mecca” of everything. 

Great question. Personally I think there’s only one Kevin Lyman and Warped Tour is one of a kind and I don’t think there will be another Warped Tour. I know Kevin hopes to see someone else pick up the torch and do what he did but you just can’t duplicate it. I do hope to see other tours, like Sad Summer tour and Disrupt and I would love to play any of those and be part of it but nothing is ever going to be like Warped Tour. The way that Kevin really brought together all these baby bands and big bands in one plane and made them feel like a family with the after parties and barbecues, his involvement in non-profit organizations, making sure the tour recycled, getting involved with charity organizations, such as FEND, you don’t see that a lot in the music industry. He’s a humanitarian and a lot of people in the music industry are more about profit or whatever it is, fame, and he’s really just a great person. While I hope there will be another Warped Tour, I think it really is one of a kind. That being said.  Kevin is advising me, I’m actually working on starting a tour of my own, kind of based on a similar mission we had with the Shiragirl Stage to promote women in music and platform for female artists. It’s going to be called Gritty in Pink and it’s going to start off as an event series, monthly in LA and eventually we’re hoping to build a whole tour off of that.

 I love that, I’m definitely coming back just for that!

Yay!

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Show some love to the graphic designer Sophia

Interview courtesy of Linette Wainwright | Twitter & Instagram  

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Knotfest Roadshow 2019

Slipknot |Volbeat | Gojira | Behemoth

Photos courtesy of Elizabeth Rajchart Instagram

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Interview w/ Jacqueline of Jacqueline City Apparel

Hello, I’m Jacqueline City, owner and creator of Jacqueline City Apparel. Jacqueline City Apparel is an online women’s boutique with unisex, plus sized and kids’ options. Our first unisex line “The Classic Collection” is currently live on our site. Our Spring women’s line “The Manic Pixie Collection” is live on Friday, March 1st on our site. The line is a feminine black, white and pink line which is inspired by “manic pixie dream girls.” Head to JacquelineCity.com and sign up for emails to become a citizen of Jacqueline City!

  1. At what age did you develop an interest in the fashion world?

From a very early age, I’ve been interested in fashion. My mother and grandmother love to tell stories about me as an infant, before I could even talk or walk, picking out my own outfits. In stores I would feel fabrics and pull down clothes into my coach. This eventually led me to picking out all my own outfits, make shopping my number one hobby and even try creating my own clothes. I taught myself to sew at age 6 or 7 and starting making fake magazines filled with my designs. It has been a long journey filled with ups and downs that led to Jacqueline City Apparel.

       2. What inspired you to start this brand?

Since I’ve always had fashion in my veins, Jacqueline City Apparel was truly destined to happen. I’ve always dreamed of pursuing art is some way, but I’ve switched my focus a few times between painting, music, writing, and fashion. Art has always been my life, but now my focus is completely on the fashion world. I’m disabled and had to have my dreams take the back seat to my health for quite some time now; however, I’m finally able to start pursuing my passions. Jacqueline City Apparel is perfect for me because I can take my time and work from home, so I can pursue my dreams, while still focusing on my health.

      3. All of your apparel is 100% vegan, and includes no use of animal products. Why is that important to you?

As a vegan, making Jacqueline City Apparel a completely vegan brand was very important to me. I’m very much an animal lover, so I do not buy any animal products or by-products. My brand is for everyone, including vegans!

      4. While looking through the sizes, I saw sizing I don’t see often, everything from baby clothes to 5XL. Is there anything that specifically inspired you to be all inclusive?

Jacqueline City Apparel’s “Classic Collection” is a unisex collection with adult sizing up to a 5X as well as kids and baby options. The mission behind The Classic Collection is to be inclusive of everyone. I think too much pressure is put on women in fashion and the media to be a certain size, a certain skin tone, a certain height, and more. There’s a very specific ideal, unattainable beauty standard in the world today that’s truly absurd. Everyone should feel beautiful. Everyone should feel represented in the media. Everyone should be able to shop where they want to. Here at Jacqueline City Apparel, all are welcome to be citizens of Jacqueline City no matter your age, size, race or gender.

        5. While reading a bit about you I learned you are proud to be a disabled girl boss, can you share a bit about what it’s like living with your disability?

My disability is called dysautonomia, which means I can not regulate any of my autonomic systems and anything that should be automatically happening in my body. It’s affected everything from my thyroid and my temperature to my digestion and my blood pressure. It’s made my life incredibly difficult the past few years with major symptoms like nausea, dizziness, vision problems, brain fog, migraines and fainting. I was bedridden for some time. I have come a long way to be functioning the way I am now. I hid it for awhile, but now I’m proud to be disabled because of how far I’ve come on this road.

  1. What is your best advice to those with disabilities who also have big goals set like you do?

My biggest advice is to not feel ashamed or like any less of a person. I really struggled with my disability and shut a lot of people out because I did not know how to cope with it. I had to put myself and my health first for a long time; you need to know that’s okay. It’s okay to need time for yourself, and it’s okay to not be on the same schedule as a healthy person. You should not compare yourself to anyone else. I had to learn to accept help from others and I still struggle with not feeling like a burden. Your disability may make your dreams harder to achieve, but it does not make them impossible. You may have to find a new way to go about achieving your dream, but never give up the fight.

        7. What is your favorite piece you have released so far, and what are you most excited to release for the Manic Pixie Collection that drops March 1st?

My favorite design from The Classic Collection is the pop art design currently available on t-shirts and hoodies! I think the cartoon is adorable. I’m most excited to release the Not A Concept Painted Denim Jacket because they are hand painted by me. I glued the  jewels and faux pearls on to each one. I put a lot of thought and love into these jackets so I hope they’re well received. I hope everyone enjoys both lines!

      8. Where do you see your brand in a year from now?

I hope to expand Jacqueline City Apparel with many more collections over the next 12 months. I hope to have pop up shops and events as well as runway shows. I also hope to design more of the pieces by hand as well. Stay tuned to see how Jacqueline City Apparel grows!

       9. Do you plan on getting Jacqueline City apparel in stores? If so, what is your dream store to be sold in?

I do not have any plans to be in stores or own my own store at this time, but perhaps in the future.

       10. How can we best keep up with all future releases?

Signing up for emails at JacquelineCity.com should keep you informed on all things Jacqueline City Apparel! We also have Facebook as well as Instagram . You can also stay in the know with my personals being Instagram and Twitter ! I love responding to everyone. I often re-post anyone wearing Jacqueline City Apparel!

  11. What do you have to say to your supporters?

I’m so thankful for the support I’ve received so far. I was bedridden just 3 years ago, so to be able to now own my own business is so amazing to me. I hope you continue supporting me, so I can expand Jacqueline City Apparel. Please stay tuned to what else the brand has in store!

Interview by Cristine Trimarco

All photos courtesy of Veronica Takes Photos (Veronica Zin) Instagram / Facebook

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The Get Free Tour – 1/24/18

 Photos courtesy of Lexi Rodriguez, who owns Hope Through Headphones

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 24 of January, Lawrence Kansas, Granada Theater