Winona Fighter has spent the last year cementing themselves as punk-rock royalty. From the release of their groundbreaking debut album in February to playing non-stop shows all over the world since, the Nashville-based trio is one of the best and most exciting rising acts to hit the scene in modern years. Frontwoman/multi-instrumentalist Coco Kinnon, lead guitarist Dan Fuson, and bassist/producer Austin Luther channel their own vulnerability, blistering rage and emotional turmoil to resonate with their growing community that they’ve built from the ground up.
When it was first announced that Winona Fighter would be joining Waterparks on The Prowler Tour for select dates in the midwest and west coast, I was devastated. That initial devastation soon turned to scheming with my friends to see if we could make the trip out to the closest date from New York: Columbus, Ohio. Before I knew it, I was spending eight and a half hours in a car to see the trio at KEMBA Live on November 29th.
The second Winona Fighter stepped on stage, it solidified that I had made the right choice in traveling so far from home. Kinnon wasted no time, immediately jumping and running around the stage from the first few notes of “R U FAMOUS.” The band’s live energy is unlike anything I have ever seen. They took full advantage of the short time they had to let everyone know what they’re all about.
For a lot of Waterparks fans, they had no idea who Winona Fighter were before walking through the doors of KEMBA Live. While I had the time of my life screaming along to every word, it was even more thrilling to watch the people around me fall in love with their music. This is one of the many things I love about showing up to shows early in time for the openers. You seriously never know if you’re going to find your new favorite artist, even if 30 minutes ago you could barely remember who was even on the bill.
The setlist consisted of the biggest heavy-hitters from My Apologies To The Chef, including “I’M IN THE MARKET TO PLEASE NO ONE,” “You Look Like a Drunk Phoebe Bridgers” and “ Wlbrn St Tvrn.” The trio also gave the crowd an incredible cover of Beastie Boys’ “Sabotage.” I vividly remember being blown away by their performance of the song at their New Jersey headliner earlier this year and it was exciting to see others having a similar first-time reaction.
While the response to the band was generally positive, it shocked me a bit that we had made it almost entirely through their set with no mosh pits. This quickly changed once Kinnon offered the crowd some motivation, exclaiming that they had a job to do and Waterparks would be very unhappy with them if there continued to be no moshing. They closed out their set with “HAMMS IN A GLASS” and the mosh pit that raged on from the center was almost enough to make up for the other seven songs.
My apologies to anyone who still has yet to see Winona Fighter live. If driving eight and a half hours just to see them again doesn’t prove how good they are, I don’t know what will. Their shows, whether supporting or headlining, are some of the most vibrant and energetic spaces I’ve ever had the pleasure of being in. This year was only the beginning for Winona Fighter and I am stoked to see where 2026 takes them next.
New Jersey punk rap duo HO99O9 opened the night, bringing intense, hardcore vibes to the stage. The self-identified “Death Kult Mutant Freax” are currently supporting their third album, Tomorrow We Escape. I found myself stuck in the “stank face” for their entire set, impressed with their sick vocals and blend of metal, electronic, and rock. This performance was my first impression of the band, and they quickly made a fan out of me.
Just a few minutes before grandson’s performance, actor and comedian Walter Masterson made a surprise appearance for a quick comedy routine about recent local politics, highlighting the controversy over the NYC mayoral election earlier in the week. While HO99OR set the mood for the music, Masterson set the tone for the political motivation.
Canadian rockstar, activist, and overall badassgrandson brought his headlining tour to Brooklyn in November, marking his return to New York City as an independent artist for the first time. Supporting his third studio album, INERTIA, the “Blood // Water” singer delivered an electric performance showcasing his dynamic discography and bringing his signature activism-meets-music energy to a crowd prepared to shout by his side.
Even in my pre-show setlist snooping (Yes, I’m one of those people), I didn’t realize that grandson would bless fans with a performance of INERTIA in its entirety! This went undetected as he intertwined his previous work between his newer songs, creating a perfect blend for longtime “grandkids” and newcomers alike.
The first time I listened to the new album, I had my pick for the opening song of his tour… I was over the moon to find out that I had manifested the absolute banger that is “AUTONOMOUS DELIVERY ROBOT” as the first song of the night (if this didn’t set the tone for the rest of the night, I don’t know what would). This track had fans screaming at the top of their lungs for song after song; it was only fitting that he kicked things off with a bang!
I particularly enjoyed the back-to-back songs I call the “!!!” portion of the set, performing “Oh no!!!” and “We Did It!!!” one after another, tying his final modern tragedy ep in with his debut album, Death of an Optimist (2020). He also pulled from his most powerful earlier tunes, incorporating a sick back-to-back-to-back performance of “Darkside,” “Overdose,” and “6:00” just after “Stigmata,” a lineup so legendary that it would send long-time fans into a head-banging frenzy.
Performing the entirety of INERTIA, grandson naturally played all my album favorites (and everyone else’s, of course), nailing the heightened energy for tracks like “YOU MADE ME THIS WAY” and “PULL THE TRIGGER” that I envisioned while bopping my head to the songs on my way to the show. While I love the album front to back, the live show gave me a whole new appreciation for one track in particular…
Since the initial announcement of the headlining shows, the INERTIA tour underwent a lineup change. English punk rap duo Bob Vylan were originally set to open the night, but had their visas revoked by the U.S. after political statements made at the 2025 Glastonbury Festival about the IDF. The irony was not lost on fans, who not only share similar political ideologies but also value civil participation in government and continue to stand up for what they believe in.
Grandson played a chilling recording of Bob Vylan’s frontman, which played during “WHO’S THE ENEMY?,” a song they feature on, explaining the reason behind their absence in America. Ironically, they can’t cross the pond to perform on a song about taking a knee in the face of injustice. Grandson took a step back from the spotlight and let Bobby Vylan’s moving words take center stage:
“Our access to the country has been restricted, and our visas have been revoked […] all because we dare to speak up for the people of Palestine. And we urge each and every single person that is in the audience tonight to do the same thing. Let your government know that you do not stand by their actions…”
The room felt heavy, the room felt upset… and if nothing else would encourage a crowd of people to take action, I don’t know what would.
Following the latest trend in tour setlists, the 17th song of the night switches from date to date, something similar to the “8-ball” song concept. grandson shared that his chosen song for Brooklyn would be for the longtime fans, surprising the audience with his single “Fallin (Temptation)” from his 2019 a modern tragedy vol. 2. In my mind, it feels like just yesterday that grandson announced that EP, so I may or may not have lost my marbles at this one (just kidding, they’re gone).
Amid all the headbanging and mosh pits, the most memorable moment of the night was the slower side. I held back tears throughout the entire set, but the one song that I knew would break me finally did: For just one song, grandson sang on an acoustic guitar with just a spotlight, bringing to the stage his beautifully heart-wrenching song, “Heather.” It brought me back to the first time I heard the I Love You, I’m Trying (2023) track, staring at the lyrics in awe. Dedicated to a fan who took her own life, this is grandson’s letter to her and a message to his fan base: no matter how tough times get, you will always have a friend in him and his music, showing his deep appreciation for everyone in the audience, or anyone who’s ever played a track of his in their headphones.
“This is dedicated / If you put me on your playlist / If you showed up to the stages / If I never get to say this / I’m proud of you”
The set ended with the songs that started it all: “Blood // Water.” This iconic 2018 single is what put grandson on so many fans’ radars ( it was certainly what hooked me on his music when I first heard it that same year). Also from a modern tragedy vol. 1, the night ended with the high-powered song “Stick Up,” as fans pushed their last bit of energy into one final mosh pit. I stood next to a couple who screamed the lyrics at one another with such passion, losing one another briefly to the circle pit… I couldn’t help but look at them and smile. Everyone was so alive!
If one thing’s for sure, this was a packed room filled with like-minded people – In politics, in music, in walks of life. Sometimes it’s relieving to be in a space with others and leave your worries at the door.
In over a decade of attending concerts, I cannot say that there is a single artist who evokes more emotion in me than grandson does. He is not only a compelling and talented singer and musician, but also a genuine human being who stands up for what he believes in and gives others the strength to persevere, even in the toughest times.
Like many others, his music has been by my side through the best times and the worst times as I graduated from high school, lived through the pandemic, and navigate adulthood. I am forever grateful for his fanbase, who are always willing to make new friends in line at the venue, or leave a positive comment on social media, and to grandson for keeping the revolution alive and kicking.
Often dubbed one of my personal favorite things to come out of Philadelphia, Grayscale have been a riveting force in the alt-rock scene since their formation in 2016. Consisting Collin Walsh, Andrew Kyne, Dallas Molster and Nick Veno, the four-piece released their emotionally compelling fourth studio album The Hart in January. The band previously hit the road this year for an Australian headline tour and as support for Mayday Parade’s Cheers For 20 Years Tour in the spring.
Now, Grayscale joins Our Last Night for The Final Tour across North America alongside Wind Walkers. As someone who has been listening to Grayscale since high school and went to college 10 minutes from the Wellmont Theater, seeing the band so close to home was everything I could’ve ever dreamed of.
The night kicked off with Wind Walkers, a vibrant post-hardcore and alternative metal band from central Massachusetts. I’ve been casually listening to the band for a little over a year now, but their live energy blew me away. “Drowning Hymns” and “Bodybag” are two of my favorite tracks from Wind Walkers and hearing them live elevated them in a way I can’t even describe. The band was a lot of fun to watch on stage and I’m excited for their upcoming EP I Don’t Belong Here.
Grayscale followed shortly after and, as always, delivered a killer set. Opening with “Kept Me Alive,” the Philly rockers showed the crowd that they were in for one hell of a 45 minutes. I’ve been lucky enough to catch the group on tour twice now and Walsh’s vocals have immediately sent chills down my spine the second he picks up the mic both times. His voice especially shines through on “Through the Landslide” and “Talking In My Sleep,” showcasing his incredible range.
The first older song of the night was “Dirty Bombs,” a fun track from their 2021 album UMBRA. This one in particular was a highlight of this night for me. Getting to sing along to every word and look around to see others in the crowd doing the same felt so healing. Grayscale also played “Fever Dream” from their 2017 debut album “Adornment.” This song is always a treat live, especially when you hear how loud the audience gets at the “So sit down, shut off / I don’t know how I let you lead so long” part.
After listening to Grayscale for almost 8 years, finally getting to hear one of my favorite songs of theirs truly took the cake for the best part of this night. When I saw my first Grayscale show at The Stone Pony Summer Stage back in May, they had skipped over “In Violet” on the setlist for a special surprise performance of “Mum II.” Being able to finally hear this one live after so many years was a beautiful experience and I even found myself in one of the few mosh pits during their set for it. I’m not kidding when I say that this song was on almost every single Spotify playlist I made from the ages of 14 to 18 (and still is scattered amongst a few I listen to daily).
Between songs, Walsh took the time to make some funny comments and express his gratitude to Our Last Night for taking the band on this tour. My personal favorite moment was when he asked the crowd if Montclair was Jets or Giants territory before exclaiming that it doesn’t matter and “Go Birds!” in honor of their home team the Eagles. He also acknowledged how they’re a bit out of place on the lineup of heavier artists, to which their solution was to perform an epic cover of Van Halen’s “Panama.”
They ended their portion of the night with the closing track and lead single from The Hart, “Not Afraid To Die.” This song live is so special for so many reasons. From its beautifully motivating message to its cinematic production, Grayscale put their heart and soul into this track and it shows every time they perform it. “Not Afraid To Die” still hits so hard even two years after its release and remains as a dazzling finale to their live shows.
While I’m not as familiar with or as big of a fan of Our Last Night, their energy on stage blew me away. The post-hardcore band first popped into the scene in 2004 and has since built a massive discography that blends re-imagined covers of popular songs and their own stellar original music. They kicked off their set with a cover of Gracie Abrams’ “That’s So True” and I could feel the entirety of the Wellmont Theater come alive for the band.
While the band announced they’d be halting touring to spend more time with their families and focus on new music, Our Last Night presented an energetic and bittersweet final show in New Jersey on the 12th. The Final Tour wraps up on Friday, September 26th in Nashville, TN at Ryman Auditorium.
Sleep Theory has been on heavy rotation for me ever since their 2023 EP Paper Hearts dropped. Their sound is an electrifying blend of modern metalcore and hard rock, laced with just enough 2000s nu-metal nostalgia to hit that sweet spot. They’ve been storming the scene like a summer downpour in the South, and honestly? It shows. For the first leg of their debut headliner in support of their debut album Afterglow, Sleep Theory ripped through Anaheim alongside Nevertel, Oxymorrons, and Stray View—selling out their only California stop. From the pit to the stage lights, the energy never dipped once.
Stray View (Dallas, TX)
Opening the night was Stray View, who wasted no time setting the bar high. Easily the heaviest support on the bill, they kicked things off with “Who You Really Are” from their Displace/Erase EP—a synth-heavy punch that locked me in immediately. Frontman Dave Escamilla commanded the stage with a presence that felt larger than life, while guitarist Brandon Rodriguez’s downtuned riffs hit like a hammer. Bassist Jake Lewis provided crushing low-end, especially on the freight-train intensity of their newest single “Come Down”. Their experimental streak shined on “Forget It”, which pulled the crowd into an industrial haze, showing just how versatile this band can be. With drummer Lucas Vitullo driving everything forward with relentless energy, Stray View’s seven-song set was a perfect spark to ignite the night.
SETLIST
Who You Really Are
Come Down
Forget It
Escape
Vivid
Wasteland
The Riddle
Oxymorrons (Queens, NY)
Next up were Oxymorrons, who brought rap-rock chaos and swagger in full force. Brothers Dave “D” and Ashmy “KI” Bellevue worked the crowd with co-lead vocals, bouncing between fiery rap verses and raw screams with ease. They opened with Enemy off their newest album Melanin Punk, laying trap-infused beats over sharp nu-metal riffage that had the crowd moving instantly. Green Vision and Head For The Hills followed, with Jafe Paulino’s guitar work slicing through and drummer Matty Mayz pounding out massive grooves. Oxymorrons thrive in high-energy delivery and crowd interaction—their eight-song set felt like a party onstage, a collision of grit and swagger that proved they’re not just part of rap-rock’s revival, they’re pushing it forward.
SETLIST
Enemy
Green Vision
Head For The Hills
Definition
Melanin Punk
Insomnia
Look Alive (Netic)
Justice
Nevertel (Tampa, FL)
By the time Nevertel hit the stage, the room was buzzing. I’ve been spinning them since their 2021 album Everything In My Mind, so finally seeing and photographing them live was a huge moment. They opened with Losing Faith from their upcoming record Start Again, locking the crowd in immediately with their blend of heavy rock and melodic flair. Jeremy Michael’s smooth, almost delicate vocal tone stood in sharp contrast to Raul Lopez Jr.’s rap and R&B layers—together, their dynamic felt fresh and exciting. Tracks like Sacrifice and Back On Me leaned hard into trap-rock fusion, with Kevin Marks’ precision drumming and Alec Davis’ downtuned riffs pushing the breakdowns into filthy territory. Over ten songs spanning their catalog, Nevertel showcased why they’re one of the most compelling crossover acts in the scene right now. Genre lines blurred, energy soared, and by the end, they’d set the stage perfectly for Sleep Theory’s arrival. SETLIST
Losing Faith
Sacrifice
Back On Me
Sym
Feed The Machine
Modified
Some Things
No Reverse
Everything In My Mind
Criminal
Sleep Theory (Memphis, TN)
Finally, it was time for Sleep Theory—and they did not disappoint. They stormed in with “Fallout”, the perfect mission statement for their sound: modern hard rock colliding with Linkin Park-style nu-metal and a dose of metalcore grit. Cullen Moore’s vocals were the centerpiece, soaring and crystal-clear, cutting through every layer of sound. Daniel Pruitt’s riffs and grooves paired perfectly with Paolo Vergara’s deep basslines, both pulling double duty with strong backing vocals, while Ben Pruitt’s intricate drum patterns elevated tracks like “III” and “Paralyzed”. This debut headlining setlist was no half-measure. Twenty songs stretched across Paper Hearts and Afterglow, bolstered by bold covers—Paramore’s “My Heart”, NSYNC’s “Bye Bye Bye”, Boyz II Men’s “Can You Stand The Rain”, and even Nevertel’s “Break The Silence”. Pair that with a slick lighting production, and Sleep Theory felt like a band already built for arenas. They’ve solidified themselves as one of the fastest-rising names in the heavy scene, and if this first tour is the blueprint, their trajectory is only up from here.
The best part? All four bands are hitting the road again for the second leg of The Afterglow Tour (Sept 18–Oct 12, US). If it comes to your city, don’t miss it. These are the acts shaping heavy music’s future.
For the past nine years, The Plot In You has been a steadfast band in my journey as a photographer. I still vividly remember the electrifying night July of 2016 when I captured them performing at the legendary Chain Reaction. It was one of my first experiences shooting in manual mode, armed with my dad’s then-new Canon Rebel T5 camera. Each time I see and photograph The Plot In You, I’m transported back to that moment, a powerful blend of excitement and nostalgia. Their evolution over the years mirrors my own growth in photography, making every encounter with them feel even more special. On their recent North American Tour, The Plot In You assembled an impressive lineup featuring Holding Absence, Boundaries, and Acres, creating a captivating and heavy-hitting experience right from the start. The energy in the venue was palpable, with the crowd immersed in the raw power of the performances. From the first note to the final encore, the show was nothing short of extraordinary. I can hardly wait to share all the unforgettable moments from this incredible night with you.
Acres, the electrifying band from Portsmouth, England, took to the stage with an explosive energy that set the tone for the night. They kicked off their performance with “A Different Shade of Misery,” a groove-heavy metalcore anthem where the intricate riffing of guitarists Ash Scott and Alex Freeman was nothing short of mesmerizing. The crowd vibed to the powerful rhythms that reverberated through the venue, showcasing their undeniable talent. The second song, “Lost,” shifted gears, revealing a raw post-hardcore intensity. With his commanding presence, lead vocalist Ben Lumber poured his heart into every note, effortlessly blending melodic singing with savage screams that pierced through the music, leaving the audience in awe of his vocal prowess. Next came “Into Flames,” a track bursting with fiery passion and infectious pop-punk energy. Drummer Parker Adsit provided an exhilarating backdrop with his punchy, dynamic rhythms, amplifying the song’s intensity and leaving listeners craving more. Throughout their set, Acres showcased a total of six tracks, including their latest offering, “Bloodlust.” This innovative electronic metalcore piece was a thrilling exploration of new sounds, expertly blurring the lines between genres and highlighting the band’s creative evolution. Excitement filled the air as they announced their upcoming album, “The Host,” set to drop in May. I can’t wait to experience the full spectrum of their artistry when the remaining tracks are unveiled. Acres is undeniably exceptional, and if they continue on this path, I foresee their popularity soaring to new heights.
SETLIST
A Different Shade of Misery
Lost
Into Flames
Nothing.
Bloodlust
Leave You To Rot
Next to the stage, Boundaries, hailing from Hartford, CT, transformed the area into a whirlwind of emotion and sound with their explosive opener, “Turning Hate Into Rage.” Their fusion of melodic hardcore and metalcore was not just heard; it was felt deep within every fiber of your being. The moment the piercing guitar tones from the incredible duo of Cody DelVecchio and Cory Emond erupted, I was completely captivated, swept up in the sheer force of their artistry. The band’s energy was off the charts as they leaped around the stage, creating an electric atmosphere that was impossible to ignore. Vocalist Matthew McDougal commanded the crowd with a magnetic and intense authority. His screams propelled the music forward, infusing it with an urgency that kept everyone on the edge of their seats. When they launched into their second track, “My Body Is A Cage,” the dynamic shifted to a heavier, doom-laden metalcore sound. The rapid, syncopated beats from drummer Tim Sullivan felt like a relentless heartbeat, driving the intensity even further. Their third song, “Darkness Shared,” immersed us deeper into a haunting metalcore realm, allowing bassist Nathan Calcagno’s deep grooves to resonate powerfully within the venue. His bass lines not only anchored the music but also intertwined beautifully with his clean vocals, creating a compelling contrast that enriched the overall experience. In total, Boundaries unleashed nine tracks during their set, delivering the most intense performance of the night. They skillfully balanced mesmerizing melodic moments with overwhelming bursts of heaviness, leaving the audience in awe. After eagerly anticipating the chance to experience and capture their electrifying energy, I can confidently say they surpassed all my expectations. I can hardly contain my excitement at the thought of immortalizing their vivid and aggressive spirit through my photography again in the future.
SETLIST
Turning Hate Into Rage
My Body Is A Cage
Darkness Divided
Is Survived By
Cursed to Remember
I’d Rather Not Say
A Pale Light Lingers
Inhale The Grief
Easily Erased
Up next on stage was the incredible band Holding Absence, straight out of Cardiff, Wales. This was my third electrifying encounter with the band, the last being in August 2022 when they opened for Silverstein and The Amity Affliction. They kicked off their set with the powerful track “Aching Longing,” immediately immersing the audience in the intense side of their mesmerizing post-hardcore sound. Vocalist Lucas Woodland captivated everyone with a performance that radiated passion and strength, his powerful voice echoing throughout the venue. Guitarist Scott Carey intensified the experience with his dynamic backing screams, and as they transitioned into “Gravity,” the thunderous drumming from touring drummer Scott Waters created a pulse that resonated with every heart in the room. Their third song, “Like A Shadow,” illustrated the band’s unique modern twist on emo, seamlessly blending elements of post-hardcore, alternative rock, and pop-punk. The infectious energy surged as bassist Benjamin Elliott laid down deep grooves that propelled the entire performance. With a riveting set of eight songs, the band set the crowd ablaze with excitement, inspiring crowdsurfers to joyfully leap over the barricade. One of the most memorable moments for me was hearing “Afterlife” again; it remains one of my all-time favorites. Holding Absence is an unmissable spectacle that leaves you craving more. Trust me, you don’t want to miss the chance to see them live—you will be utterly captivated!
SETLIST
Aching Longing
Gravity
Like A Shadow
Her Wings
Nomoreroses
A Crooked Melody
Afterlife
The Angel In The Marble
The Plot In You from Hancock County, OH took the stage by storm, bursting onto the scene with a dazzling display of confetti and their powerful opener, “Don’t Look Away.” Vocalist Landon Tewers delivered bone-rattling vocals that perfectly propelled this groove-heavy metalcore track. The energy only intensified with the follow-up, “Divide,” in which guitarist Josh Lewis Childress unleashed deep, resonant riffs, while bassist Ethan Yoder added a layer of syncopated bass that truly drives the song forward. Tewers showcased his remarkable versatility, effortlessly transitioning between haunting screams and smooth singing, creating a captivating listening experience. As the set continued, “Pretend” highlighted the band’s melodic prowess, introducing a pop-metal flair that was impossible to resist. Drummer Michael Cooper brought a crisp and vibrant energy to the percussion, elevating the track with his impeccable style. With a stunning production featuring elaborate lighting, The Plot In You prepared a monumental 15-song setlist, celebrating their journey from classics like 2015’s “Happiness In Self Destruction” to fresh cuts from their upcoming 2024 “Vol. 3 EP.” Hearing hits like “Feel Nothing” and “Forgotten” was truly a thrill, underscoring the band’s remarkable evolution over the years. Witnessing them sell out Anaheim once again felt like a triumphant homecoming. This tour was an unforgettable experience, especially with the incredible support from Holding Absence, Boundaries, and Acres. Don’t miss the chance to catch this powerful lineup; it was nothing short of spectacular!
The Devil Wears Prada has undeniably impacted my life since I first discovered them at the Vans Warped Tour in 2011. Their performances have captivated me time and again, and I’ve been fortunate enough to capture them through my lens on multiple occasions. Each show they put on is a masterclass in artistry, with breathtaking light displays and an electrifying stage presence that resonates deeply with fans. For their monumental 20th Anniversary Tour, The Devil Wears Prada went all out to create their most stunning production to date. They assembled a fantastic lineup, bringing along talents like Silent Planet, with their thought-provoking lyrics; SeeYouSpaceCowboy, known for their raw energy; Like Moths to Flames, who deliver powerful performances; and Greyhaven, whose sound draws you in. This concert was not just a show; it was a remarkable experience that highlighted their growth, dedication, and passion for music. It was a night filled with unforgettable moments and a powerful connection between the band and the audience.
Unfortunately, I encountered several issues getting into the venue, which prevented me from seeing and photographing much of the iconic band Greyhaven. However, from the brief moments I did catch toward the end of their set, it was clear that they were absolutely incredible. Their performance was powerful and filled with the same raw energy that left a lasting impression the last time I photographed them in 2021. At that time, they were the direct support for SeeYouSpaceCowboy at Chain Reaction, and they truly brought their A-game. It was evident that the band has continued to evolve and captivate their audience. I regret missing more of their set.
The stage lit up next with the electrifying presence of Like Moths To Flames, hailing from Columbus, Ohio. They kicked off their set with the intense track “Habitual Decline” from their 2020 album “No Eternity In Gold.” Vocalist Chris Roetter unleashed a raw energy that instantly set the crowd ablaze, igniting an electric atmosphere that was palpable from the very first note. As they transitioned into their second song, “GNF,” the band delivered an avalanche of heavy riffs that encapsulated the essence of their early career. Guitarists Zach Pishney and Cody Cavanaugh unleashed a barrage of iconic riffs, showcasing the unique sound that Like Moths To Flames is celebrated for. The heaviness of the music resonated throughout the venue, drawing the audience deeper into their sonic journey. Next, they treated us to “Over The Garden Wall,” a standout from their newest album “The Cycles of Trying To Cope” released in 2024. This record has quickly secured a spot in my personal top 15 albums of the year, and witnessing songs from it amplified its brilliance. Drummer Roman Garcia delivered a masterclass in precision and consistency, his rhythms anchoring the band’s dynamic performance. Throughout their thrilling seven-song set, the energy radiated from the stage, creating an exhilarating experience that was a joy to capture through my lens. It had been nearly three years since I last saw and photographed the band, and they absolutely stunned me once more. They have evolved remarkably since our first encounter back in 2012, maturing into a powerhouse in the metalcore scene. Time truly flies, but one thing remained clear—Like Moths To Flames was the perfect band to warm up the crowd for the exciting acts that followed.
SETLIST
Habitual Decline
GNF
Over The Garden Wall
The Preservation Of Hate
I Solemnly Swear
Kintsugi
Bury Your Pain
Up next was the exhilarating band …SeeYouSpaceCowboy from San Diego, CA. The last time I had the opportunity to see and photograph them was back in 2021 during their electrifying “The Romance Of Affliction North American Tour.” They sold out the iconic Chain Reaction that night, and the crowd was absolutely electric, a whirlwind of energy and enthusiasm. Fast forward to now, and it’s incredible to witness how they’ve skyrocketed to new heights over the past few years. The band kicked off their set with “Distain Coupled With A Wide Smile,” instantly unleashing the hardcore punk essence from their debut album onto the stage. Their unique sound is a captivating blend of post-hardcore, sasscore, hardcore punk, metalcore, and even a touch of mathcore — a fusion that has become their signature. Vocalist Connie Sgarbossa is nothing short of a powerhouse; her commanding stage presence is complemented by a fierce mix of growls and sassy melodic lines that ensure she stands out effortlessly. Guitarists Ethan Sgarbossa and Timmy Moreno are absolute shredders, delivering intricate guitar patterns that weave seamlessly throughout each song. The next track, “Silhouettes In Motion,” one of the lead singles from their 2024 album “Coup de Grace,” released earlier this year via Pure Noise Records, showcased their harmonic interplay beautifully. I was captivated by the way the vocals intertwined — Taylor Allen’s clean vocals soared in the choruses while Connie’s powerful screams and sass resonated throughout the verses, further enriched by Ethan’s additional cleans. Drummer AJ Tartol is a beast behind the kit, effortlessly navigating through complex time signatures and dynamic rhythms with precision that left the audience in awe. As the band dove into their third track, “The End to a Brief Moment of Lasting Intimacy,” a wave of nostalgia washed over me. This song holds a special significance for me, as I played a small role in its music video back in 2021 — I made a brief appearance, sharing a makeout scene with my friend AJ in a video that delves into the nuances of queer hookup culture. The song, along with its striking visuals, stands as a powerful statement, firmly placing LGBTQ+ representation in the spotlight within the heavier music genres. The energy in the room was palpable, with the crowd going wild throughout the band’s thrilling 10-song set. Fans were crowd surfing and moshing, fully immersed in the exhilarating atmosphere. It’s awe-inspiring to see …SeeYouSpaceCowboy continue to evolve and captivate audiences. They serve as a beacon of inspiration, and I genuinely admire their journey. I definitely can’t let too much time pass before I see and capture their magic again. Queer power, baby!
SETLIST
Distain Couples With a Wide Smile
Silhouettes In Motion
The End to a Brief Moment of Lasting Intimacy
Lubricant Like Kerosene
Misinterpreting Constellations
Subtle Whispers to Take Your Breath Away
Armed With Their Teeth
I Am A Trans-Continental Railroad, Please Run A Train On Me
Self Help Specialist Ends Own Life
Chewing The Scenery
Silent Planet from Azusa, CA burst onto the stage with an electrifying energy that set the tone for the night. I had the pleasure of witnessing the metalcore quartet earlier this year at the same venue during their sold-out Superbloom North American Tour, but this performance was on another level. They kicked off with “Offworlder,” immediately plunging the audience into a whirlwind of sound. Vocalist Garrett Russell commanded the stage with an undeniable presence, his powerful screams cutting through the air and his melodic singing weaving a captivating tapestry throughout the set. The sonic landscape was enriched by guitarist Mitchell Stark, whose downtuned grooves resonated deeply, captivating everyone in attendance. The band’s newer material features a rich blend of electronic and industrial elements, with Mitchell seamlessly transitioning to the keyboard to enhance their sound live. This innovative approach is a core reason why “Superbloom” has become my favorite album of theirs. As they moved into the second song, “Collider,” my attention gravitated toward drummer Alex Camarena. His playing, always impressively tight, was particularly spot-on that night, adding layers of intensity to the heartfelt melodies delivered by Garrett. Next came “Dreamwaker,” a track that enveloped the crowd in deep, resonating bass tones, skillfully executed by bassist Nick Pocock. The atmosphere reached a fever pitch during the fourth song, “Antimatter,” the lead single from “Superbloom.” The crowd erupted in enthusiasm, igniting a wave of crowdsurfing and headbanging that echoed the heavy energy of the track. Its fusion of industrial electronic vibes with melodic metalcore solidified its place as my second most-played song this year, just behind Unprocessed’s “Blackbone.”Silent Planet also treated fans to a selection of tracks from their 2021 album “Iridescent,” and the debut of a new song titled “Mindframe,” which is slated for release soon. As the 11-song set drew to a close with the critically acclaimed “Trilogy,” it was evident that Silent Planet had outdone themselves. Despite having seen them just months prior, this performance was a revelation. The lights danced overhead, casting dynamic shadows, while the band’s musicianship radiated an unrelenting fire. They left the crowd invigorated and perfectly primed for the next act, The Devil Wears Prada.
SETLIST
Lights Off The Lost Coast (Intro)
Offworlder
Collider
Dreamwalker
Antimatter
Panopticon
Mindframe
:Signal:
Anunnaki
Panic Room
Trilogy
The Devil Wears Prada, a powerhouse hailing from the vibrant city of Dayton, Ohio, took the stage next, igniting the atmosphere with an electrifying presence. They unleashed an impressive 18-song set that journeyed through their rich discography, captivating fans old and new. They kicked off the evening with “Mammoth,” where frontman Mike Hranica’s thunderous screams pierced through the air, commanding immediate attention. The melodic blend of guitars, skillfully orchestrated by lead guitarist Kyle Sipress, wove a tapestry of sound that perfectly showcased the band’s roots in melodic metalcore, inciting an energetic frenzy among the crowd right from the start.As they transitioned into “Watchtower,” a standout track from 2022’s “Color Decay,” the band erupted into a blistering tempo that sent circle pits spiraling and crowdsurfers cascading towards the stage. My gaze was drawn to the powerhouse drummer Giuseppe Capolupo, whose ferocity on the drums was nothing short of mesmerizing. His precise and intricate patterns anchored the band’s music, punctuating the air with relentless energy. Adding richness to the overall sound, Jonathan Gering’s heavy synths and keys generated a complex layering that enhanced every performance element.When the band launched into “Danger: Wildman,” I was transported back to the unforgettable moment in 2018 when I first photographed them celebrating the 10-Year Anniversary of their album “With Roots Above and Branches Below.” The nostalgia was palpable, and hearing songs from such a beloved album was a treat that resonated deeply with fans. Completing the lineup was bassist Mason Nagy, whose deep grooves and powerful backing vocals resonated throughout the set, adding another layer of intensity to the performance.The energy in the venue reached a fever pitch as the band led the audience on a wild ride, their charisma and talent leaving everyone spellbound. The crowd went absolutely feral during heavier tracks like “Termination” from the Zombie EP, and classics such as “Dogs Can Grow Beards All Over” and “Hey John, What’s My Name Again?” had the audience singing and thrashing along with unrestrained enthusiasm. The Devil Wears Prada truly excelled in delivering a memorable experience during their Eternal 20th Anniversary Tour. With supporting acts that included Silent Planet, …SeeYouSpaceCowboy, Like Moths To Flames, and Greyhaven, the night was an exhilarating showcase of talent and energy that left the audience buzzing long after the final note was played.
I recently stumbled upon the mesmerizing sounds of Leprous and was captivated by their extensive discography, especially their latest album “Melodies of Atonement.” When I found out about their North American tour, I knew I couldn’t miss the chance to witness their brilliance live. Due to a medical emergency, Monuments was unable to perform on the tour as initially planned. However, Earthside and the electrifying Fight The Fight performed as opening acts, promising an unforgettable evening.
Hailing from Oslo, Norway, Fight The Fight set the stage on fire with their performance of “Serpent of the Sand.” Bathed in striking red and blue lights, they delivered an intense 30-minute set, showcasing nine songs, including tracks from their new album “Shah Of Time.” Their fusion of groove-heavy influences and a perfect blend of melody and heaviness left a lasting impression. With a stellar lineup of vocalist Fredrik Teig Bergstrom, drummer Sander Lambrechts, guitarists Tord Larsen and Tobias Rekke, and bassist Hans-Magnus E. Hermansen, Fight The Fight’s performance was an exhilarating mix of diverse sounds that left me craving for more!
SETLIST
Serpent of the Sand
Ascent
Monarch
Shining
Heart of Stone
A.I.
Alien
12800
In Memory
Earthside from New Haven, Connecticut was the next band to hit the stage. The band can be best described as cinematic progressive metal. This four-piece is quite unique as it is an instrumental quartet consisting of guitarist Jamie van Dyck, keyboardist Frank Sacramone, bassist Ryan Griffin, and drummer Ben Shanbrom. The band opened with their song “We Who Lament,” for which they recently released a video. Throughout the set, vocals from the featured vocalists on the album echoed through the backing tracks, adding a full-rounded sound to songs such as “We Who Lament” and “Let The Truth Speak.” The lighting during their set was dynamic, with lots of moody backlighting to enhance the atmosphere. The band played a total of five songs, most of which came from their newest album “Let The Truth Speak,” released in 2023 via Mascot Label Group and Music Theories Recordings. It was really cool to finally see Earthside live, especially since I’ve been online friends with Jamie for quite some time. They were truly incredible and really moved me.
SETLIST
We Who Lament
Pattern of Rebirth
Watching the Earth Sink
Let The Truth Speak
The Closest I’ve Become
The all-mighty Leprous from Notodden, Norway hit the stage next. The band put on an amazing hour and 40-minute show with a fantastic light display. They started with the opening track “Silently Walking Alone” from their new album “Melodies of Atonement”, showcasing Einar Solberg’s incredible vocal range. Throughout the set, they performed a total of 15 songs. The band’s lineup includes guitarists Tor Oddmund Suhrke and Robin Ognedal, bassist Simen Børven, drummer Baard Kolstad, and keyboardist Harrison White. During the song “Faceless”, they invited local fans onto the stage to sing with them as their choir, which was a really cool moment. They closed with my personal favorite song “Atonement” and then came back for an encore, letting the fans choose between three songs. The crowd chose “Illuminate”, which was an amazing way to end the show. It was an incredible performance that left me speechless. They prepared an amazing tour, and with Earthside and Fight The Fight alongside them, they brought a progressive metal show that was to die for.
On a very rainy Friday night the Cannibal Corpse 2023 North American Tour came to destroy the sold out Worcester Palladium. Supporting this tour was the one and only Mayhem, Gorguts, & Blood Incantation. I have been to the Worcester Palladium at least a hundred times but I have never seen this iconic venue as electric as it was. I rushed in to just make it down the four packed levels into the photo pit to start my coverage.
Being a little overwhelmed having to hurry in after waiting in traffic, running through the rain to collect my credentials at the box office, getting down to the photo pit, and immediately starting to photograph half way through song one, I finally had a second to turn around to take in what was hands down one of the most religious concert experience I have ever attended.
Not knowing the two opening acts until this bill was announced, Blood Incantation was up first, a death metal band out of Denver, CO started in 2011. With dark blue and green lights, with an occasional white light shining, & endless fog, this band was a little hard to capture, but the job got done. Lead singer & guitarist, Paul Riedl had the softest most humble speaking voice to hype up crowd, then went into this deep death metal scream. You could barely see drummer Isaac Faulk whaling on the kit that made the whole room shake. The guitars were flawlessly melodic as Paul was joined by guitarist Mossis Faulk, and of course, the bassist Jeff Barret matched this vibe. As an opening band, sometimes it’s hard to get the crowd going and ready to rage but not on this night. The mosh pit was massive and going hard and people were flying through the air endlessly.
Gorguts was next. A seasoned Canadian death metal band out of Quebec formed in 1989. Lead singer & guitarist, Luc Lemay is the only original member left, but with how this band was flowing together you wouldn’t have known that. This group isn’t just death metal, they are technical death metal. Having fast blast beats, aggressive build ups, and guttural low screams, it’s honestly quite catchy to keep the head banging. Each band definitely had its collection of fans there but everyone was so electric that it almost was hard to tell.
I stated at the beginning of this “The one and only Mayhem” because that is truly what this band is. Formed in 1984 in Langhus, this Norwegian black metal band was one to put this genre on the map. The fog machines went off every 30 seconds, making the band members silhouettes during some of their performance. Front man Attila Csihar, known as Void, was dressed in a long tattered up robe with his entire face painted up moving across the stage like Voldermont did in Harry Potter. Memorizing the audience. Actually the entire band did that. Morten Bergeton Iversen, known as Teloch, one of the guitarists, was sporting his face being painted up as well, with a gothic style outfit, while everyone was wearing black shirts and jeans. The other members of the band did not sport the look those two did which was interesting to me but it didn’t matter due to what these musicians brought to the Palladium. I felt like I was on a Norwegian journey. The bass, played by Jorn Stubberud, known as Necrobutcher. The drums, ripped on by Jan Axel Blomberg, known as Hellhammer. Seamlessly flowing riffs being played by Charles Edward Hedger, known as Ghul alongside Teloch, and those vocals shook the house in a way I’ve never experienced. Mayhem brought an intensified element to this bill. I highly suggest catching them live at any point in time.
Waiting for the headliner, as the stage hands cleared the stage, the venue was still going hard with its wild energy. The merch booth still had a massive line half way down the venue steps, fans were still moshing & crowd surfing while waiting for the band to go on, I have yet to see that live at any show! Cannibal Corpse, starting out in 1988, originally out of Buffalo, NY, was on. If you’re a death metal fan, I’m going to say most likely you’re a Cannibal Corpse fan. George Fisher, aka Corpsegrinder, wore his very own “Respect The Neck” shirt which I thought was great. If you know anything about him, you know he is known for his unmatched headbanging, windmill whipping massive neck! The screams that came out of that man’s mouth may actually be talking demons, it was a little imidateding being that close but it was absolutely amazing. This seasoned band was nothing short of perfect, which was to no surprise. Playing a variety of fan favorites, the wild energy the Palladium held in its walls all night elevated to 11 for the entire 14 song setlist. It seriously never stopped. Alex Webster, the original bass player & founding member, guitarist Rob Barrett & Erik Rutan (who is fairly new to the band), and drummer Paul Mazurkiewicz, all in sync. The solos and riffs were dirty ripping through the hammering of the drums, in the best way we all want our riffs to be. They weren’t flashy in the way they looked or how the stage looked. The fog machine was barely pressed and the lights weren’t anything fancy whatsoever, but none of that mattered to anyone. I think at this point in time people from quite young ages to older folks in that crowd were heart warmed to be watching and respecting legends. Being able to witness all these things I have heard about Cannibal Corpse was one to cross off the bucket list. I am truly grateful I was able to attend this tour passing through. It was one for the books.
Date: 8-3-23 at The Observatory Orange County in Santa Ana, CA
Let’s take a trip down memory lane to 2013 when Blessthefall performed on the mainstage at Vans Warped Tour in Ventura, CA. The band had just released their latest album, “Hollow Bodies,” via Fearless Records. Fast-forward to the present day and Blessthefall have announced their 10th-anniversary tour for this iconic album. The tour includes their first shows in almost four years and features Caskets, Kingdom of Giants, and Dragged Under, all of which I’ve seen and photographed before. The concert was a remarkable experience from start to finish.
Dragged Under from Seattle, Washington, was up first to the stage. I first saw and photographed the band in 2021 when they opened for Beartooth and Wage War, then again on their headliner in 2022 with support from Rivals. These guys are perfectly described as the middle ground between post-hardcore and metalcore. The band played a 6-song set of songs from both albums, “Upright Animals” and “The World Is In Your Way” equally. Anthony Cappocchi is an absolute beast of a frontman and got the crowd going. Guitarists Sean Rosario and Chris Namoc brought the energy with some heavy riffage and lots of jumping. Drummer Dylan Roy held down the fort with his incredible drumming prowess. I’m so glad I could see and photograph these guys again. Get to the show early to see these guys!
SETLIST
Instability
Suffer
Brainwash Broadcast
Upright Animals
Chelsea
Hypochondria
Kingdom of Giants was next to the stage, hailing from Sacramento, California. This was my fourth time seeing the sextet (although they play live as a quintet), and they did not disappoint. Playing a 7-song set, the band mainly played songs from their 2020 album “Passengers,” released via SharpTone Records, and their new single “Wasted Space.” I was stoked to finally hear songs like “Burner” and “Two Suns” in a live setting. Vocalist Dana Willax has never sounded better live, showcasing a mixture of cleans and screaming. The band’s new bassist Justin Roebuck-Joseph absolutely SLAYS with the band. He did not have an easy job jumping in for the previous bassist and clean vocalist, Jonny Reeves, but he did not disappoint. Guitarists Julian Perez and Red Martin destroyed it on stage with many headbangs and riffage galore. Closing out the band’s lineup is drummer Truman Berlin, a powerhouse on that stage, calling out to the crowd between songs and getting people excited. This was my first time not seeing guitarist Max Bremer with the band, but I know he’d be so proud of these guys for how well they performed. Kingdom of Giants is truly a band you do not want to miss!
SETLIST
Burner
Night Shift
Wasted Space
Two Suns
Sync
Bleach
Wayfinder
Caskets from Leeds, England, came up next as direct support. This was my second time seeing the British quintet, the first being in May of 2022. Seeing them get a more extended set on this tour was fantastic, playing a 9-song set showcasing songs from each of their three releases. Vocalist Matt Flood shines on that stage, really getting the crowd going. One thing that always stands out to me whenever I see Caskets live is how happy bassist Chris McIntosh is to be on stage with a big bright smile shining from ear to ear. Guitarists Benji Wilson and Craig Robinson provided the heavy riffage that contrasts the synth-heavy melodies that genuinely give the band their signature sound. Drummer James Lazenby helps create the foundations of the band’s songs with intricate drum patterns. It’s been so cool to see the trajectory of this band, and I cannot wait to see where their upcoming album “Reflections” takes them. They were an excellent choice to be direct support for this tour!
Guiding Light
Hold Me Now
Drowned In Emotion
More Than Misery
Too Late
The Only Ones
Lost In Echoes
Falling Apart
Glass Heart
The all-mighty Blessthefall from Phoenix, AZ, came up next. To say this set meant a lot to me would be an understatement. The band played “Hollow Bodies” in its entirety for their first show in almost four years, with additional songs as well. Songs like “Exodus,” “You Wear A Crown But You Are No King,” “Hollow Bodies,” and “Youngbloods” truly showcase the dueling vocals of Beau Boken and bassist Jared Warth. A very cool moment was when Beau Boken’s wife, Lights, came out to perform the final song from Hollow Bodies, “Open Water,” which was quickly a highlight of the night. Guitarists Eric Lambert and Elliott Gruenberg shredded. The songs on this album have a rather djenty feel, which, as many know, is one of my favorite metal styles. The band brought along with them touring drummer Jared Fron who destroyed those intricate drum parts with precision. As a bonus, the band played their newest single, “Wake The Dead,” along with songs from their 2008 release, “Witness,” and a song from their 2018 release, “Hard Feelings.” The lighting the band brought with them this time was easily some of the best I’ve seen them with and genuinely added to the experience. Blessthefall has always been one of my favorite bands, so seeing and photographing them again after so long meant the world to me!
SETLIST
Exodus
You Wear A Crown But You Are No King
Hollow Bodies
Déjà Vu
Buried In These Walls
See You On The Outside
Youngbloods
Standing On The Ashes
Carry On
The Sound Of Starting Over
Open Water
ENCORE
Wake The Dead
Cutthroat
2.0
What’s Left Of Me
Hey Baby, Here’s That Song You Wanted
Blessthefall’s 10th Anniversary Tour kick-off show was an absolute fever dream. Every band brought the energy tenfold and made it a stellar time. I cannot believe this album is now ten years old! It’s honestly crazy how fast time flies. This tour is still going on, so make sure to attend if there is a date close to you!
Rival Town is a heavy pop punk band from Ontario, Canada
They are gearing up for a new album and their first single “RUN” was just released! The song starts off strong with a theme- like intro. The lyrics feel very relatable to anyone struggling with mental health. The music video has very interesting lighting that matches the vibe of the song and band. It’s a good song to release as their first single due to how easily you’ll be able to dance and sing to it. Some really cool timestamps include 1:24 they switch it up and highlight the piano for a solid moment and at 1:37 the bridge slows down the song and the band does a really good job building up to the chorus again. The ending hits hard with a scream that really solidifies what I think the song is trying to represent. All in all, I cannot wait for what else they have in store!
The Camera Affect 