I recently stumbled upon the mesmerizing sounds of Leprous and was captivated by their extensive discography, especially their latest album “Melodies of Atonement.” When I found out about their North American tour, I knew I couldn’t miss the chance to witness their brilliance live. Due to a medical emergency, Monuments was unable to perform on the tour as initially planned. However, Earthside and the electrifying Fight The Fight performed as opening acts, promising an unforgettable evening.
Hailing from Oslo, Norway, Fight The Fight set the stage on fire with their performance of “Serpent of the Sand.” Bathed in striking red and blue lights, they delivered an intense 30-minute set, showcasing nine songs, including tracks from their new album “Shah Of Time.” Their fusion of groove-heavy influences and a perfect blend of melody and heaviness left a lasting impression. With a stellar lineup of vocalist Fredrik Teig Bergstrom, drummer Sander Lambrechts, guitarists Tord Larsen and Tobias Rekke, and bassist Hans-Magnus E. Hermansen, Fight The Fight’s performance was an exhilarating mix of diverse sounds that left me craving for more!
SETLIST
Serpent of the Sand
Ascent
Monarch
Shining
Heart of Stone
A.I.
Alien
12800
In Memory
Earthside from New Haven, Connecticut was the next band to hit the stage. The band can be best described as cinematic progressive metal. This four-piece is quite unique as it is an instrumental quartet consisting of guitarist Jamie van Dyck, keyboardist Frank Sacramone, bassist Ryan Griffin, and drummer Ben Shanbrom. The band opened with their song “We Who Lament,” for which they recently released a video. Throughout the set, vocals from the featured vocalists on the album echoed through the backing tracks, adding a full-rounded sound to songs such as “We Who Lament” and “Let The Truth Speak.” The lighting during their set was dynamic, with lots of moody backlighting to enhance the atmosphere. The band played a total of five songs, most of which came from their newest album “Let The Truth Speak,” released in 2023 via Mascot Label Group and Music Theories Recordings. It was really cool to finally see Earthside live, especially since I’ve been online friends with Jamie for quite some time. They were truly incredible and really moved me.
SETLIST
We Who Lament
Pattern of Rebirth
Watching the Earth Sink
Let The Truth Speak
The Closest I’ve Become
The all-mighty Leprous from Notodden, Norway hit the stage next. The band put on an amazing hour and 40-minute show with a fantastic light display. They started with the opening track “Silently Walking Alone” from their new album “Melodies of Atonement”, showcasing Einar Solberg’s incredible vocal range. Throughout the set, they performed a total of 15 songs. The band’s lineup includes guitarists Tor Oddmund Suhrke and Robin Ognedal, bassist Simen Børven, drummer Baard Kolstad, and keyboardist Harrison White. During the song “Faceless”, they invited local fans onto the stage to sing with them as their choir, which was a really cool moment. They closed with my personal favorite song “Atonement” and then came back for an encore, letting the fans choose between three songs. The crowd chose “Illuminate”, which was an amazing way to end the show. It was an incredible performance that left me speechless. They prepared an amazing tour, and with Earthside and Fight The Fight alongside them, they brought a progressive metal show that was to die for.
Exodus & Fit For An Autopsy Obliterate The Stage in Anaheim
Venue: House of Blues in Anaheim, CA
Date: 11/24/23
Over the past several years, I have been lucky to check off many bands from my bucket list in terms of both seeing and photographing. I first saw Fit For An Autopsy back in 2017 and finally got them in front of my lens in January of 2022. This US tour is their biggest to date, and they co-headlined with the thrash metal legends in Exodus, who I finally got to check off my bucket list. The icons in Darkest Hour and the death metal boys in Undeath provided support for this tour. Coming through my favorite venue, the House of Blues in Anaheim, CA, this was a show I simply could not pass up.
Undeath from Rochester, NY opened the show up with a bang. This was my third time seeing and photographing these boys and they seem to get better and better each time. Vocalist Alexander Jones is a force to be reckoned with as he commands the stage. Guitarists Kyle Beam and Jared Welch brought the riffage and the headbangs galore. Bassist Tommy Wall is an absolute beast, strumming and creating those deep tones. Finishing out the band’s lineup is drummer Matt Browning, who’s clean and precise drumming holds the foundation down. The band played a mixed setlist of 7 songs, 3 of which came from their 2020 album “Lesions of a Different Kind” and 2 of which came from their 2022 album “Rise From The Grave”, both released via Prosthetic Records. The band even played two new songs, titled “Brandish The Blade” and “Cramped Caskets”, both of which continue the band’s sound of brutal death metal meets hardcore, which is truly a unique sound. I’ve loved seeing this band three times now, and I cannot wait to see and photograph them again!
SETLIST
Rise From The Grave
Necrobionics
Brandish The Blade
Cramped Caskets
Acidic Twilight Visions
Chained to a Reeking Rotted Body
Lesions of a Different Kind
Darkest Hour from Washington D.C. was up next as direct support for the co-headlining tour. This is a band that has been on my bucket list for quite some time with their melodic death metal verging on metalcore sound that also has some inspiration from thrash metal. From the moment I saw guitarist Mike Schleibaum and vocalist John Henry walk out, I knew this was about to be iconic. Drummer Travis Orbin immediately blew me away with his intricate drum patterns that are truly showcased throughout the band’s nine song set. Bassist Aaron Deal was truly energetic, giving me the windmills and headbangs. Finishing out the band’s lineup is guitarist Nico Santora, who I previously photographed with one of his’ other bands Fallujah. He fits perfectly into Darkest Hour’s sound and is always so fun to capture. The band played a well-mixed set of songs spanning many of their albums, but primarily from their 2017 record “Godless Prophets & The Migrant Flora”, and a couple from their upcoming 2024 release “Perpetual | Terminal”. This was truly an incredible set with high energy that really set the stage for the co-headliners. I’m so glad I finally got to see and photograph these guys! I own all of their records on CD, so it was cool to finally check them off my list!
SETLIST
Perpetual Terminal
The Sadist Nation
Stand and Receive Your Judgement
Knife In A Safe Room
Those Who Survived
The Flesh & The Flowers of Death
Rapture in Exile
With a Thousand Words to Say but One
Amor Fati
Fit For An Autopsy from Jersey City, NJ came up next as the first of the co-headlining bands to perform. I was beyond excited to see and them again as their 2019 album “The Sea Of Tragic Beasts” tied for first in my top albums of 2019 with Jinjer’s “Macro”. Their 2022 album “Oh What The Future Holds” had just dropped when I photographed them last year, and it’s been truly incredible to see their growth as a band in the span of the past year. The band opened with the title track “Oh What The Future Holds”, which set the stage for the set to come. With an incredible light show, the band came prepared with the theatrics. Vocalist Joe Badolato is front and center, and performed the best I’ve seen him, and that says a lot because he’s always pretty powerful on the mic. The band then went into the next track on the album “Pandora”, which is a very riff heavy song that showcases the talents of guitarists Pat Sheridan and Tim Howley, as well as the rhythmic bass coming from Peter “Blue” Spinazola. The breakdown in this song especially goes hard live, and the light show was on POINT here. The band then went into one of their new songs titled “Hellions”, which can be heard on the new split EP released in 2023 via Nuclear Blast titled “The Aggression Sessions” with Thy Art Is Murder and Malevolence, which is a heavy aggressive deathcore sounding song. The drums are especially booming in from Josean Orta. The band played some of my favorite songs, like “The Sea Of Tragic Beasts”, “Warfare”, and “Two Towers”, which were all absolutely incredible to see them play live. They had the crowd truly going nuts with crowd surfers and moshing galore. The band played a total of eleven songs with songs from every album from 2017 on. This is truly Fit For An Autopsy at their best I’ve seen them thus far. I cannot wait to see and photograph them again and to continue seeing their growth.
SETLIST
Oh What The Future Holds
Pandora
Hellions
Warfare
Hydra
Iron Moon
A Higher Level Of Hate
The Sea Of Tragic Beasts
Your Pain Is Mine
Far From Heaven
Two Towers
The all mighty Exodus from San Francisco, CA came to the stage next. I was very excited to finally see these guys after listening to their music for quite some time, and they surely did not disappoint. From the moment they walked out on the stage, they were insanely high energy. Opening with the song “Impact Is Imminent”, vocalist Steve Souza truly had control over the stage and the crowd. Guitarists Gary Holt and Lee Atlus were in total sync, riffing those thrash riffs that get the crowd going wild. Going into R.E.M.F. from their newest album “Persona Non Grata”, I was hooked in on that drum beat from Tom Hunting the moment the song started. The dude is an absolute machine and as the sole founding member of the band, he is truly the foundation. Alongside Hunting in the rhythm section is bassist Jack Gibson, who’s headbangs and rhythmic strumming truly adds that edge to the band. The band in total played ten songs that spanned over five of their twelve albums. With an expansive discography and history dating back to 1979, Exodus remains strong and prominent in the metal scene. I am so glad I finally got to see and photograph these guys. They were truly so much fun to capture with their high energy. I highly recommend seeing them when they hit a city near you!
SETLIST
Impact Is Imminent
R.E.M.F.
Blacklist
Fabulous Disaster
Prescribing Horror
The Beating Will Continue (Until Morale Improves)
A Lesson In Violence
Bonded By Blood
The Toxic Waltz
Strike of the Beast
This tour was truly one for the books to capture. With so many different styles of metal, it was a night that felt like a mixture of nostalgia and eclecticism. You have the thrash from Exodus, the deathcore and post-metal from Fit For An Autopsy, the melodic death metal and metalcore from Darkest Hour, and the brutal death metal and hardcore from Undeath. This was truly an incredible show that I cannot say enough was a night to remember. I am so thankful any time I get to do a show like this.
August Burns Red Brings The Belasco To A New Level On Their Leveler Anniversary Tour
Venue: The Belasco Theater in Los Angeles, CA
Date: 12/8/21
August Burns Red has been a leading band in the metalcore genre for quite some time. The band solidified themselves with their sophomore album “Messengers.” They garnered a large following from then on, constantly innovating in their song structure and musicality. For the tenth anniversary of their fourth album, “Leveler,” the band re-recorded the album in its entirety, bringing on special guests and changing the tunings of the songs from then on. In celebration of this, they embarked on a 10th-anniversary tour supporting the album, which they played in its entirety. Unfortunately, a few of the crew and band members caught COVID-19 on the run of dates in October due to the pandemic, forcing the band to postpone about a week’s worth of dates to December. Regardless, I am beyond stoked I got to cover this date for August Burns Red, along with the incredible lineup of Fit For A King, ERRA, and Like Moths To Flames.
Up first was Like Moths To Flames from Columbus, Ohio. This is a band that I first got into in 2012 when I saw them on the “Scream It Like You Mean It Tour” alongside bands like Attack Attack!, We Came As Romans, and more. The band is the perfect middle ground between metalcore and post-hardcore. Since the last time I photographed and saw them back in 2018, the band found their new label at UNFD, where they dropped their fifth album “No Eternity In Gold” in 2020, along with their new EP “Pure Like Porcelain” in 2021. The band really strengthened their sound on these new releases. Chris Roetter’s vocals were showcased to the highest power on these releases, truly showing off his vocal prowess. Their single “Habitual Decline” in particular pops off like no other, both live and on record, showing off Chris’ cleans and screaming. Guitarists Zach Pishney and Jeremy Smith flourish on these releases as well, really bringing the instrumentals to new levels. I started feeling the band incorporating some elements of progressive metal on some songs, which, as many will tell you, is my favorite subgenre of metal personally. Unfortunately, bassist Aaron Evans was unable to make the rescheduled dates for whatever reason, which was my first time seeing the band without him. He has an entertaining stage presence that was sorely missed for me, but Chris Roetter was on top of that crowd, really getting people hyped like no other. Roman Garcia closed out the band’s live lineup on drums, who absolutely smashed through those drum parts with precision. The band played six songs that night, playing songs from their first album to the newest EP. Like Moths To Flames is always an incredible band to see live, and I cannot wait to hopefully see and photograph them on their upcoming co-headliner with Polaris in March – April!
SETLIST
The Worst In Me
Habitual Decline
I Solemnly Swear
Preservation Of Hate
The Anatomy Of Evil
Bury Your Pain
ERRA from Birmingham, Alabama, was up next. The last time I saw these progressive metalcore boys was in 2019, when they did a co-headlining tour with Northlane. The band has since released its critically acclaimed self-titled album via UNFD in 2021, which helped the band garner even more fans and streams galore. The band opened their set with the song “Gungrave,” which has some heavy riffage from guitarists Jesse Cash and Sean Price, the vocal stylings from JT Cavey, the deep bass grooves from Conor Hesse, and the intricate drum patterns from Alex Ballew. The song has that iconic yin and yang in vocals between Jesse’s cleans and JT’s screams. The band then went on to play their heaviest song from the self-titled album “Scorpion Hymn.” JT’s vocal prowess is on full display here, truly showing off his range. From lots of mids, screeching highs, and deep gutturals, JT is truly a powerhouse, and this song showcases all of his abilities in one. The instrumental structure of this song is much darker than many of their other songs, making this song a standout on the record as a whole. In contrast, the following song the band played is “Divisionary,” which is much brighter in sound compared to “Scorpion Hymn.” Jesse’s vocals are the song’s focal point, but those contrasting parts with JT’s screaming help give the song layers and momentum. The intricate guitar patterns really stand out to me in this song, along with a thick prominent bass tone in the latter half of the song, which gives Conor his’ moment to shine. The band played a total of 8 songs throughout the set, showcasing the band’s newest album and songs from previous releases. I was thoroughly excited to hear how these new songs translated live, and they definitely did not disappoint. I cannot wait to see and photograph these guys again on their spring tour as they support Beartooth, Silverstein, and The Devil Wears Prada!
SETLIST
Gungrave
Scorpion Hymn
Divisionary
Eye of God
Irreversible
Breach
Vanish Canvas
Snowblood
Up next was Fit For A King from Dallas, TX. This was my fifth time seeing these metalcore greats, and they once again did not disappoint. Since I saw them in November 2019, the band dropped their sixth album in 2020 titled “The Path” on Solid State Records. It was met with critical acclaim and became the band’s most successful release to date streaming-wise. The band opened the set with the song “Stockholm,” which is a heavy banger to open the set with. This is one of the heavier songs from “The Path,” with Ryan Kirby’s iconic gutturals and lower toned vocals, the deep bass grooves from Ryan “Tuck” O’Leary, those chuggy guitars from Daniel Gailey and Bobby Lynge, and the fast and tight drums from Jared Easterling. This was Fit For A King’s first tour as a five-piece since 2013, with Bobby returning to the live stage for the tour. This was also the last run of shows with drummer and founding member Jared Easterling, who announced his departure prior to the tour. The band then went on to play the song “Locked (In My Head),” which was one of the leading singles from the new album. Locked definitely has a more post-hardcore vibe, reminiscent of the bands from the early-mid 2000s while still having a modern edge. Tuck and Ryan do an incredible job going back and forth on those clean vocals, really providing an emotion-driven melodic song to the mix that helped push the band’s boundaries in terms of what can be expected going forward. Continuing this momentum, the band then played “Breaking The Mirror,” which is all about overcoming past failures and pushing forward. The band really brought it to the next level with this new record, and the crowd was eating it up, with lots of crowd surfing and moshing galore. The band played a total of 11-songs, most of which came from “The Path” and “Dark Skies” and one song from “Deathgrip.” The band has really strengthened their core sound while still broadening out on what is possible. I cannot wait to see and photograph them on their “Dark Path Tour” in the spring as they headline the US with Silent Planet, Hollow Front, and AVOID supporting them. It will be an incredible time, and I cannot wait to see these metalcore boys again!
SETLIST
Stockholm
Locked (In My Head)
Breaking The Mirror
When Everything Means Nothing
Annihilation
The Price Of Agony
Deathgrip
Backbreaker
The Path
Tower Of Pain
God Of Fire
August Burns Red from Lancaster, Pennsylvania, came up next to the stage. The band came out swinging with the brand new opening track from the Leveler re-recording “X,” a wholly instrumental track. Bassist Dustin Davidson came out front and center, plucking those deep bass notes. Guitarists Brent Rambler and JT Brubaker played these gorgeous melodic guitar riffs that created a sing-along melody that would go into the next track. Due to personal issues, vocalist Jake Luhrs could not play the rescheduled dates. Due to this, Michael Felker from the metalcore band Convictions came in to do vocals for the band. Michael came out swinging on the song “Empire,” a fast-paced and riff-heavy metalcore track. One thing that is in the forefront of all of August Burns Red’s songs is the drum playing from the impressive Matt Greiner, who is truly on point with every beat he makes. The song “Empire” is jampacked with all of the elements that have helped August Burns Red solidify their sound: progressive and intricate guitar and drum patterns, sing-along sections, breakdowns, guitar solos, and uplifting vocals. The band then went on to play “Internal Cannon,” which was the song that got me into August Burns Red back in the day. The song features Matt K. Heafy from Trivium on the studio re-recording, which really added another layer to the song. The incredible dynamics in this song make it apparent why it is a fan favorite. August Burns Red’s metalcore style creates the melody using the instrumentals, as about 99% of the vocals are screaming in their music. Internal Cannon also has this slow-down section that incorporates some influences from jazz and blues that really help give some serious contrast to the song. The band then went on to play “Leveler” in its entirety, then came back to play a few newer songs and even an instrumental cover of “Carol of the Bells,” since the show was near the holiday time, totaling in at a whopping 18-songs in their setlist. August Burns Red never disappoints, and I cannot wait to see and photograph them again on their tour going on now with Killswitch Engage and Light The Torch! August Burns Red is genuinely an incredible band!
SETLIST
X
Empire
Internal Cannon
Divisions
Cutting The Ties
Pangaea
Carpe Diem
40 Nights
Salt & Light
Poor Millionaire
1/16/2011
Boys Of Fall
Leveler
Drum Solo
ENCORE
15. Bloodletter
16. Defender
17. Carol of the Bells (Mykola Leontovych cover)
18. White Washed
The Leveler 10th anniversary tour was a celebration of a truly incredible album from one of the leading metalcore bands in the genre, August Burns Red. Fit For A King, ERRA, and Like Moths To Flames were the perfect bands to support August Burns Red on this tour! Make sure to see all of these fantastic bands on their upcoming tours if they come to a city near you!
We Came As Romans Plant A Seed At A Sold Out Los Angeles Show
Venue: The Regent
Date: 10/20/21
We Came As Romans announced their 10 Year Anniversary Tour for their debut album “To Plant A Seed” in late 2019. Unfortunately, due to the global pandemic, the tour was postponed not once but twice. At last, the band could embark on the long-awaited anniversary tour, a year and a half after it was initially scheduled for. Along with the band came support from The Devil Wears Prada, Dayseeker, and Hollow Front. This stacked lineup brought the heavy, the emotional, and the nostalgia to a sold-out crowd that had awaited this night for a long while.
Up first was Hollow Front Grand Rapids, Michigan. The band is on the border between metalcore and post-hardcore, with some ambient backing tracks that bring in the progressive metal influences. The band opened their set with the opening track from their 2020 release “Loose Threads” titled “Afflicted,” which the band released independently. This song is melodic and comes out the gate, showcasing Tyler Tate’s harsh, growled vocals. The dude truly owns every inch of that stage. The band then went on to the title track from their newest album, “Loose Threads,” which really showcased guitarist and vocalist Dakota Alvarez’s vocal abilities and had a slower vibe to it. Devin Attard, one of the rising drummers in the metal scene, was headbanging and smashing the hell out of the drums in the back. The band then went on to play Vegabond, also from their newest album. This is one of the heavier tracks on the record and goes deep into the downtune with deep bass tones from bassist Brandon Rummler. In total, the band played seven songs and really started the show out perfectly. The crowd was still warming up and coming in, but they definitely got the pit warmed up for the bands to come. I cannot wait to see and photograph the Hollow Front boys again next year!
SETLIST
Afflicted
Loose Threads
Vagabond
Wearing Thin
Don’t Fall Asleep
Left Behind
Treading Water
Up next was the incredible Dayseeker from Orange County, CA. Dayseeker is another band that borders between metalcore and post-hardcore, with a lot of progressive metal influences in their instrumentalization and the ambiance that is felt throughout their music. For their setlist on this tour, the band played songs all from their newest album, “Sleeptalk,” released in 2019 via Spinefarm Records. The interlude “The Embers Glow” played as the band came on stage, leading into their first song, “The Color Black,” one of the heavier songs on that new album. The song showcases vocalist Rory Rodriguez’s vocals in the forefront, with him mixing between cleans and screaming. This new album is very emotional, speaking about alcoholism, loss, eating disorders, and more. Rory really poured his heart into these vocals, and you can tell with how much emotion he has on stage. One thing that is apparent throughout Dayseeker’s music is the intricate chord progression and fluidity, which are courtesy of the band’s guitarist Gino Sgambelluri and bassist Ramone Valerio, who really add a lot of complex parts to the instrumentals. The band then moved on to their second song, that being “Gates of Ivory.” This is another of the heavier songs on the album. Still, it does such a great job as the rest, with a good yin and yang between the heavy and the melodic with those beautiful instrumentals and Rory’s vocals. The third song in the set was “Crooked Soul,” which has some of the heaviest instrumentals of the record, paired with Rory’s more melodic vocals, creating a beautiful pairing in the song. Drummer Zac Mayfield, the drummer for bands Oh, Sleeper, and Noble, filled in for this tour, truly holding down the fort on the drums. But during the fourth song in the set, “Burial Plot,” the band’s drummer Mike Karle swapped in and finished the set with the band. It was fantastic to see him there slaying as always. The band, in total, had seven songs in their set, six if you don’t include the interlude intro. Dayseeker is always a joy to see and photograph. Keep an eye out on them, as they have many more things in their arsenal to come!
SETLIST
The Embers Glow (Interlude/Intro)
The Color Black
Gates Of Ivory
Crooked Soul
Burial Plot
Drunk
Sleeptalk
Up next was the all mighty The Devil Wears Prada from Dayton, Ohio. The Devil Wears Prada has become one of the most consistent bands within the metalcore genre throughout their career, releasing seven full-length albums and two EPs. The band played a career-spanning set for their direct support slot, playing songs from almost all of their releases. They opened up the set with “Nightfall,” the opening track from “ZII,” released in 2021 via Solid State Records. This song is one of the heaviest songs the band has released in years, bringing the band to an elevated version of the heaviness they were known for in their earlier days as a band. Vocalist Mike Hranica is on full display for a majority of the song, with his mid and high range screams piercing through the heaviness. The song has a slowdown section for the cleans, which are provided by guitarist and clean vocalist Jeremy DePoyster. The band then went on to play “Outnumbered” from the “Zombie EP.” This EP stands the test of time as one of the band’s most popular releases with its sheer heaviness. The crowd went nuts, with lots of moshing and crowd surfing. During this song, bassist Mason Nagy had incredible energy, flailing and headbanging to his’ heart’s content. Keyboardist Jonathan Gering really brings a lot to this song, adding the needed synths and backing that amp up the song to new levels. The third song in the band’s set was “Born To Lose” from the album “Dead Throne.” Coming hot off the release of Zombie EP in 2010, this 2011 record saw the band continuing off the momentum they built thus far, combining the sound of their previous works with their new, more mature sound. Born To Lose is one of the highlighted tracks from this album. I was honed in on guitarist Kyle Sipress, who absolutely slayed it on those lead guitar parts, as well as drummer Giuseppe Capolupo, who is an absolute machine on those beats. I was, unfortunately, unable to get any photos of Kyle or Giuseppe, as we photographers were kicked out of the photo pit a song early due to the crowdsurfing. However, I was still able to enjoy the band’s incredible set from the crowd, where they played ten songs in total, ranging from most of their discography. This band always plays a flawless set, and I was thoroughly impressed with what they showcased to us. I cannot wait to see and photograph these guys once again in the new year!
SETLIST
Nightfall
Outnumbered
Born To Lose
Chemical
Lines of Your Hands
Forlorn
Sacrifice
Mammoth
Hey John, What’s Your Name Again?
Danger: Wildman
Finally, We Came As Romans from Troy, Michigan, came to the stage. For the 10th anniversary of “To Plant A Seed,” the band played the album in its entirety. However, they didn’t necessarily play it in order. The band played the entirety of the album but mixed in fan-favorite songs from the band’s discography. Before the band came on stage, they had a beautiful video playing on their LED screens about how impactful this album was on their careers and onto them as individuals. The band opened up with the title track “To Plant A Seed.” The stage exploded with CO2 cannons and an extensive lighting setup brought by the band. Vocalist Dave Stephens came right out the gate screaming those vocals and really controlling the crowd. What was remarkable was seeing the dynamic between Dave and bassist and backup vocalist Andy Glass. This was my first time seeing the band after the passing of the band’s founding clean vocalist Kyle Pavone. I was curious to see how the vocal duties would be split up. Andy took over, doing some of the screaming vocals, while Dave did the clean vocal parts. The band changed keys to fit Dave’s voice, and the new arrangements sounded absolutely incredible. The second song the band played was “Broken Statues.” During this song, I focused on guitarist Joshua Moore, who really holds it down on those lead guitar parts and instrumental melody. I have been a fan of his guitar playing for years, and to finally photograph it live was a dream come true. It was also so cool to see drummer David Puckett absolutely slay those drums. Formerly in the band For Today, David is quite established in the metal scene and has a range in his’ drum playing. Just hearing his’ playing on these songs that inspired me so much as a young kid was amazing. For their third song, the band played “We Are The Reasons.” I focused during this song on rhythm guitarist Lou Cotton, who truly grooved along with the rhythm section and held it down. It was amazing to finally hear songs like “Intensions” and “Roads That Don’t End and Views That Never Cease” played live since I saw them back in 2012 for the first time. It was also incredible to hear the band’s newest song, “Black Hole,” performed live, along with fan-favorite songs like “Hope,” “Tracing Back Roots,” and “Wasted Age,” among others. This is a band that has been a favorite of mine for quite some time. They were one of the first bands I got into in the scene. I remember getting this We Came As Romans gray shirt at Hot Topic back in 2011 and just being in awe. Little did I know that it would start quite the collection of metal shirts to come. We Came As Romans demolished that stage and performed a fantastic nineteen-song set, really planting their seed into The Regent in Los Angeles, California, on this Wednesday night!
SETLIST
To Plant A Seed
Broken Statues
We Are The Reasons
Beliefs
Dreams
To Move On Is To Grow
Wasted Age
Lost In The Moment
Hope
Tracing Back Roots
Black Hole
Intensions
Roads That Don’t End and Views That Never Cease
Searching, Seeking, Reaching, Always
I Will Not Reap Destruction
An Ever-Growing Wonder
ENCORE
17. Promise Me
18. Cold Like War
19. Darkbloom
The “To Plant A Seed 10 Year Anniversary Tour” was a long time coming and something I’ve had on my calendar a total of 4 different times now. I am just so happy that the bands, the management, and the venue worked hard to make it happen. We Came As Romans is an essential band in my personal musical journey, so to see the album that brought them into my life played in its entirety was a dream come true. Shout out to The Devil Wears Prada, Dayseeker, and Hollow Front for truly bringing your A-Game and bringing some incredible music to Los Angeles. Truly one of the best shows I’ve had the honor of covering this year.
Butcher Babies Slay Their Final Battle Against Goliath at 1720 in Los Angeles, CA
Venue: 1720 in Los Angeles, CA
Date: 10/7/21
When a band hits their 10-year milestone of being together, that is a huge accomplishment that deserves celebration. Unfortunately, that milestone for Butcher Babies came during the global COVID-19 pandemic, where they couldn’t party like the rockstars they are. One year later, the band came back with a vengeance to dominate the country with their first headlining tour in well over two years, where the band would play their debut album “Goliath” in its entirety, along with other songs. In the battle against Goliath were: Infected Rain, Stitched Up Heart, and local support from The Unsung. With this quartet of bands, Butcher Babies led the clan to victory at the final date of the Butcher Babies VS. Goliath Tour!
Up first was The Unsung from San Diego, CA. This quartet is the perfect example of progressive metalcore. One thing I always note whenever I see The Unsung live is just how tight these guys are. Like bands like Periphery, Veil of Maya, and many more in the genre, the vocals are a great mixture of cleans and screaming, courtesy of Tyler Sinclair. However, what sets them apart is that their music tends to have more cleans than screaming, which helps them reach a wider audience. Guitarist Devin Castro is an absolute beast, creating melodic hooks, leads, and solos that shred the hell out of the crowd. Drummer Garret Brown is a beast, playing many different styles and rhythmic patterns throughout the band’s music, sometimes changing time signature and tempos mid-song, which is common within the progressive metal genre. Closing out the band’s lineup is Thomas Sumstine on bass, who absolutely SLAYS adding in those deep grooves and tones that are pretty much essential to the music The Unsung releases. The band played a total of 7 songs, bringing out songs from their first EP, “Rise,” for the first time in a while, along with songs from their sophomore EP “Sin Cera” and new singles “Manic” and “Awake.” The band also brought their iconic light show with them, which adds that extra edge and atmosphere that helps set the tone. It was an epic start to the show, and I am so happy to have seen them again! The last time was around Christmas time in 2019, so it had been almost 2 years without hangs and without seeing this epic band live.
SETLIST
Manic
Herald
Awake
Rise
Lacuna
Chosen
Desolation
Up next was Stitched Up Heart from Los Angeles, CA. I last saw and photographed Stitched Up Heart back in 2019, so I was excited to see and photograph them again and do so at an actual venue, this time and not at a bar. I’d best describe Stitched Up Heart’s sound as a combination between gothic metal, hard rock, and alternative metal. Touring alongside bands across the hard rock and metal genres, they have a sound that is quite versatile and diverse. The band started their set with the song “This Skin” from their 2020 album “Darkness,” released via Century Media Records. This song has a light electronic backing in parts and the downtuned guitar and bass tones, making the song a bit more light sounding than a lot of their other music. You could hear vocalist Mixi’s singing on full display out of the gate, showing a newfound strength and force behind her vocals that I didn’t hear at the last show. The second song, “Warrior,” also came from their newest album and is more of a stadium rock-style track. Those bass tones courtesy of Randy Mathias are on full display in this song, along with the crushing beats from drummer James Decker. The band then went on to their third song, “Catch Me When I Fall,” from their 2016 album “Finally Free.” Overall, this album has a darker vibe, and the guitar tones are much more gritty and dark, and guitarist Merritt Goodwin delivers on this tenfold. The band played a total of seven songs throughout their thirty-minute set, completely blowing my expectations out of the water. As it was the last day of the tour, there happened to be the last day of tour pranks. The other bands ran on stage during the band’s final song, “Monster,” and started randomly taking apart Decker’s drum kit mid-song. It was pretty funny, to say the least, and it made me wonder what pranks would come going forward. Stitched Up Heart as a whole seems to have stepped things up since the lockdown, really fine-tuning things and coming back tighter than ever.
SETLIST
This Skin
Warrior
Catch Me When I Fall
Finally Free
Lost
My Demon
Monster
Up next as direct support was Infected Rain from Chisinau, Moldova. I got into Infected Rain’s music shortly after 2019’s “Endorphin” was unleashed to the world via Napalm Records. This was the band’s first US tour, as their 2020 tour with Swallow The Sun was cancelled due to the pandemic. The band’s sound is the perfect combination of metalcore, melodic death metal, and progressive metal. The band started their set with the song “Pendulum” from that 2019 album I just mentioned. This song is the perfect showcasing of vocalist Lena Scissorhands’ vocal prowess, showing a good amount of her harsh fry screaming, along with lots of her cleans, making for probably their most dynamic song on “Endorphin.” A core part of the band’s sound is downtuned guitars with djenty riffs, courtesy of Vadim “Vidick” Ojog and Serghei Babici. The band then went on to their second song, “Mold,” from their 2017 record “86”, which the band released independently. A big part of progressive metal is the deep, intricate bass tones provided by Vladimir Babich. The band is tight as all hell, and the foundation of any tight band is the drummer, whose part is essential in terms of tempo and keeping on the beat. Drummer Eugene Voluta is an absolute beast on stage, demolishing those double bass parts and obliterating the stage. The band moved onto their third song, “Black Gold,” one of the singles from that 2019 record “Endorphin.” In my honest opinion, Infected Rain blew me away with their control of the stage and just how tight they were. I was very much looking forward to their set, and they did not disappoint. Just like with Stitched Up Heart, Infected Rain found themselves in the midst of the end of tour pranks. During the final song, “Sweet, Sweet Lies,” of the band’s ten-song set, members from Butcher Babies and Stitched Up Heart came on stage and unleashed a pillow fight onto the members of Infected Rain. It was an all-out pillow fight to the death, and I couldn’t help but hysterically laugh. Infected Rain was absolutely incredible and set a very high bar for the whole night.
SETLIST
Pendulum
Mold
Black Gold
Passerby
Freaky Carnival
Endless Stairs
Fool the Gravity
Orphan Soul
The Earth Mantra
Sweet, Sweet Lies
Finally, Butcher Babies come home to Los Angeles, CA, and hit the stage! For the band’s tenth anniversary tour, they decided to play eight of the twelve songs from their debut 2013 album “Goliath,” released via Century Media Records. I would best describe the band’s sound as a perfect blend between metalcore, death metal, thrash metal, and progressive metal. The band came prepared for this tour, with a light show and headbangs galore. Opening the show with “I Smell A Massacre,” the stage lit up bright red, showcasing the brutality and grittiness these songs from “Goliath” have. This first song is a fast one and showcases the vocal stylings of Heidi Shephard and Carla Harvey. Carla has a deeper guttural sound, while Heidi has the high screams on point. They both have a mixture of clean singing and screaming in their registers during this opening song, really showcasing a large amount of variety within this heavy song. Their second song, “The Mirror Never Lies,” opens up with this groovy guitar hook that can be heard throughout the song, courtesy of guitarist Henry Flury. This song is just groove central, even showcasing the bass in the forefront in sections. It’s moments like this where each member really shines, and you really feel all of the puzzle pieces individually come together. I love me a groovy djent song, and those bass tones from Ricky Bonazza are really showcased deep in the roots of this groove-heavy song. The band then moved on to their third song, the popular single from 2015’s “Take It Like A Man” titled “Monsters Ball.” This song is super thrashy, groovy, and heavy. You can really hear the intricate drum parts from drummer Chase Brickenden as he slams those drums to his’ heart’s content. “Monsters Ball” was the song that got me into the band in the first place, so to photograph them during this song was AMAZING. The band played many other songs from Goliath, my personal favorite being “In Denial.” This song has a classic metalcore vibe and is more on the tame side while also being heavy. It has the perfect yin and yang. The band also played quite a few of their new singles, such as “Bottom of a Bottle,” “It’s Killin’ Time, Baby!”, “Sleeping With the Enemy,” and “Yorktown.” They even played a game of Red Light, Green Light with the crowd, paying homage to the viral Netflix sensation “Squid Games.” Their set was absolutely incredible, and they seem to have somehow leveled up since the last time I saw them back in 2018. They absolutely killed it and proved why they are still so beloved 11 years after their debut in the scene. They definitely defeated Goliath in Los Angeles.
SETLIST
I Smell a Massacre
The Mirror Never Lies
Monsters Ball
It’s Killin’ Time, Baby!
C8H18 (Gasoline)
Grim Sleeper
In Denial
Bottom of a Bottle
The Deathsurround
Axe Wound
Sleeping With The Enemy
Yorktown
ENCORE
13. They’re Coming To Take Me Away, Ha-Haaa! (Napoleon XIV cover)
14. Magnolia Blvd.
Butcher Babies put on an excellent tour for their comeback. This tour commemorating their 10 years of being a band was stacked to the brim with a fantastic lineup consisting of Infected Rain, Stitched Up Heart, and local support from The Unsung. This was a fantastic show and will easily be one of my favorites of the year!
The Black Dahlia Murder Returns To California With A Bang Selling Out The Belasco
Date: September 18th, 2021
Venue: The Belasco in Los Angeles, CA
The Black Dahlia Murder is a band I constantly see live whenever they come through Southern California. As one of the staples of the melodic death metal genre, they are continually one-upping themselves with each record, staying true to who they are musically but constantly grinding like the madmen they are. Due to the ongoing COVID-19 situation, a lot of their touring surrounding their newest album, “Verminous,” was put on hold, and in such, this is their first tour back after all of the chaos. Unsurprisingly, the tour sold out like crazy, with over two-thirds of the dates being completely sold out, with the others close to selling out as well. Not only did The Black Dahlia Murder play quite a stacked setlist, but they brought along a beastly lineup of bands. The supporting lineup consisted of After The Burial, Carnifex, Rivers of Nihil, and Undeath. With a lineup this stacked, it was no wonder why the Los Angeles date was the first on the tour to sell out.
Undeath from Rochester, New York, was the first up to the stage. Coining themselves as “skull-crushing death metal,” it is no wonder why this is the perfect term to describe these guys. Their music is HEAVY. I had to bold that word because it needed emphasis. With a gritty barebones sound similar to staple bands of the death metal genre like Dying Fetus, Nile, Cannibal Corpse, and more, this brutal death metal style set them apart from the rest of the bands on this lineup. Their vocalist Alexander Jones did a great job of crowd management. He owned that whole stage with his’ distinct vocals that you can tell have a slight black metal influence. Bassist Tommy Wall spanked that bass to give it those deep thick tones pumping through and prominent throughout Undeath’s sound. Guitarists Jared Welch and Kyle Beam add the riffage, really adding that gritty sound that pays homage to the death metal greats that came before them. The final member that closes out the band’s lineup is their drummer Matt Browning, who plays those stank beats with precision. When listening to the band’s album and witnessing their live set, I also feel a slight thrash vibe in their music, prominent throughout the brutal death metal genre. That gritty edge was showcased on their debut album “Lesions of a Different Kind,” released in 2020 via Prosthetic Records. They played 3 songs from this release, 1 song from their 2019 independent EP “Sentient Autolysis,” and one unreleased song that I, unfortunately, do not know the name of. Overall, these guys were a great way to start out the show and really set the stage for those to come with their high energy and brutal riffs.
SETLIST
Enhancing the Dead
(Unknown)
Acidic Twilight Visions
Chained to a Reeking Rotted Body
Lesions of a Different Kind
The next band up was the ever so talented Rivers of Nihil from Reading, Pennsylvania. I first saw Rivers of Nihil back in 2018 when they opened for Thy Art Is Murder and Dying Fetus, and I already thought they were great then. But boy have they risen in my ranks since then. Initially, the band’s style was very much in line with the rest of those in the technical death metal genre: fast-paced, heavy, and riffy. However, as the band found their groove and started experimenting, they started moving more into the realm of progressive metal, mixing in clean vocals, and creating a cinematic style within their music. With their new record, The Work, just weeks away from debuting to the world, we as the audience were lucky to hear two of the new songs live, those being “Clean” and “Focus.” Within the new songs, you can really hear the power of vocalist Jake Dieffenbach and bassist/clean vocalist Adam Biggs’ voices. The new songs, along with the songs from their 2018 release “Where The Owls Know My Name,” have a lot of dynamics. But it seems that Jake and Adam have a good number of trade-offs in terms of vocals with The Work. They were the only band at the show to have clean vocals, and the change really felt needed as their set was well-rounded, and I couldn’t hold back a smile underneath my mask. Drummer Jared Klein is an absolute beast behind the kit, and my eyes always go to him because some of the technical parts he plays blow me away. Guitarists Brody Uttley and Jon Topore help create the atmosphere with their melodic instrumentals, paired with Uttley’s lead guitar solos and hooks. Honestly, Rivers of Nihil continue to get better and better every time I see them, and they constantly blow away any expectations I had prior. I cannot wait to see where this band goes with the release of “The Work,” which came out in 2021 via Metal Blade Records. You MUST all check out this band and see live if you have not yet done so.
SETLIST
The Silent Life
Focus
Clean
Sand Baptism
Where The Owls Know My Name
The third band up to the stage was Carnifex from San Diego, CA. Carnifex has been one of the leading deathcore bands for quite some time, being one of the genre’s founders. Coming hot off the release of their newest album, “Graveside Confessions,” out now via Nuclear Blast Records, I was stoked to hear how the new songs would sound live. The lead singles from the record “Pray For Peace” and the title track “Graveyard Confessions” sounded epic and translated very well live. The band started their set with the title track from their 2019 record, “World War X,” and also played some of the band’s most famous songs, “Slit Wrist Savior” and “Lie To My Face,” which the band re-recorded for the new album “Graveside Confessions.” The band closed out the set with the title track from their 2010 album “Hell Chose Me,” which got the crowd wild. From the start of the set to the end, I was stoked.
As usual, the band had their large lit-up pentagrams, but they also had a bright lighting setup on stage with many strobing lights that were very well lit and timed. Vocalist Scott Ian Lewis is an absolute beast on stage, genuinely taking every inch in and captivating the crowd. Carnifex was one of the first death metal bands I got into, which came with their 2016 album “Slow Death.” What drew me straight in was the symphonic backing, along with Scott’s vocals. Something evident in Carnifex’s music is just how intricate and technical their drumming parts are, and that is all courtesy of the ever so talented Shawn Cameron on drums. This dude is an absolute beast and truly has me in awe when I hear how fast some of his parts are. A significant change from the last time I saw Carnifex to now is the band going from having two guitarists down to one. Still, guitarist Cory Arford did not disappoint in the slightest. He absolutely killed it on those leads and shredded it on that stage. Closing out the band’s lineup is Fred Calderon, who provides the headbangs and the deep tones from his bass. Bass, in my opinion, is the most underrated instrument when it comes to bands. To me, the bass is one of the most essential, as it adds some of the deeper undertones that can really bring the music to the next level, and Fred does that very well. All in all, Carnifex is an absolutely insane band to see live and is very consistent when it comes to theatrics and musicianship.
SETLIST
World War X
Pray For Peace
Slit Wrist Savior
Graveside Confessions
Lie To My Face
Hell Chose Me
Up next as direct support was the ever so talented band After The Burial from Minneapolis, Minnesota. Unfortunately, vocalist Anthony Notarmaso became sick on tour and lost his voice. The band continued on and played instrumentally, which the crowd went WILD for. After the Burial is a very technical band instrumentally. Thanks to their odd time signatures, guitar tones, and fast pacing, the band is well known in the progressive metal genre, constantly teetering between metalcore and deathcore territory. Having the instrumentals showcased in the forefront was an absolutely incredible sight and audible experience. Guitarist Trent Hafdahl was on full display. His leads and backing vocal parts were at the forefront of the band’s performance. They had beautifully timed and strobed lighting that added to the overall experience and performance. The crowd went wild when the band started the set with the fan-favorite song “Lost In The Static.” During the next song, “In Flux,” I couldn’t help but really tune in to bass player Adrian Oropeza. Adrian is really vibing on stage, with his headbanging and downtuned bass tones really adding the grit and djenty sound that the band is known for. Dan Carle closes out the band’s rhythm section, and he is by far one of the most on-point and technical drummers in the progressive metal scene, not missing a beat. I especially noticed it during the third song in the set, “Collapse.” After I left the photo pit, I got to see just how nuts the crowd was going. With a moshpit about twice the size as it was prior, they were absolutely mesmerized by the technicality and prowess the band showcased. During the lead single “Behold The Crown,” from the band’s 2019 album “Evergreen,” released via Sumerian Records, I especially saw this energy from the crowd with one of the fastest and most violent circle pits of the night. The band played two more songs before closing out their incredible set, those songs being “Exist, Exist,” and “A Wolf Among Ravens.” I am incredibly proud of these guys for trooping on through their vocalist being sick. Them playing instrumentally was incredible and wowed the whole audience in attendance.
SETLIST
Lost In The Static
In Flux
Collapse
Behold The Crown
Exist, Exist
A Wolf Among Ravens
The Black Dahlia Murder hailing from Waterford, Michigan, finally hit the stage next. To say they obliterated the stage with their talent would be an understatement. Being a band with 20 years and nine albums under their belt, they had a lot of songs to choose from for their set. I think they created a setlist that was both dynamic and crowd-pleasing. The band opened up the show with “I Will Return” from the 2009 album “Deflorate,” released via Metal Blade Records, which is the record label the band has been with thus far throughout their career. This is typically the band’s closing track when they headline, so it was cool to hear it at the beginning of the set. One thing that cannot be ignored when seeing The Black Dahlia Murder live is vocalist Trevor Strnad’s vocal prowess and control over the crowd. His vocal tone and stage presence combined have made him a figurehead within the death metal community. With crowd surfers galore and tons of moshing in the pit, the band quickly moved on to the title track “Verminous” from their newest album from 2020 that reached number 99 on the billboard 200. Strnad stated himself that the addition of guitarist Brandon Ellis was really showcased on this record. While Ellis was also a part of their 2017 record “Nightbringers,” his style and musicianship really took the helm for the new record. Bassist Max Lavelle provided lots of headbanging, windmills, and deep grooving bass tones that really mesh beautifully with the band’s sound. The band then went into their third song, “Nightbringers,” and I really noticed just how on-point drummer Alan Cassidy was during this song and throughout the whole set. The Black Dahlia Murder songs are incredibly technical, fast, and complex, and Cassidy did not miss a single beat. Guitarist and founding member Brian Eschbach absolutely shreds those rhythm guitar parts with ease. As I’ve stated, the band’s songs are challenging. But someone like Eschbach has been performing them with ease for over two decades at this point, and you can tell he is genuinely enjoying himself on stage with him smiling and exuding lots of positive energy. The band went on to play a career-spanning set, with songs from seven of their nine records. I always get excited when they play “What A Horrible Night To Have A Curse” from their 2007 album “Nocturnal,” as it reminds me of when I first discovered the band myself when I found that song on Rock Band. Fun fact, that song is still the most challenging song on Rock Band for drums. The Black Dahlia Murder once again blew me away, with their colorful green and red lighting to their technical musicianship that got the rest of the crowd and me going wild. They are always on point and are a band that must be witnessed to fully appreciate how great of a band they truly are.
SETLIST
I Will Return
Verminous
Nightbringers
Unhallowed
Funeral Thirst
Sunless Empire
Nocturnal
Statutory Ape
Removal of the Oaken Stake
Contagion
Everything Went Black
On Stirring Seas of Salted Blood
Child of Night
Kings of the Nightworld
What A Horrible Night To Have A Curse
Warborn
As Good As Dead
Deathmask Divine
Miasma
This tour was beyond incredible. After a year and a half away from shows, to have this monster of a tour with these fantastic bands be one of my first shows back; was beyond incredible. Thank you to all of the amazing bands, crew, and venue staff for making sure this show and tour ran so smoothly. This will probably go down as one of the best tours of 2021.
Beartooth Dominates Anaheim With A Sold Out Show on The Below Tour
Venue: House of Blues Anaheim in Anaheim, CA on 8/16/21
As music fans, we all have bands that we want to see. But then something seems to always come up. Whether it be scheduling issues or another show overlapping, that’s always been my issue when it’s come to seeing or photographing Beartooth. I’ve been listening to their music since their debut in 2013, but this show was my first time actually seeing or photographing them. To say it was amazing would be an understatement, and I was so glad to finally see and photograph Wage War and Dragged Under as well. California hasn’t been getting as many big tours since we reopened live venues post-pandemic. So to have a show of this caliber come through was absolutely amazing.
First up on tour was Dragged Under from Seattle, Washington. I’d best describe Dragged Under’s sound as being that perfect blend of metalcore and hardcore punk. Their sound is right up the same vein as bands like Stick To Your Guns, Beartooth, and Stray From The Path, which are all among some of my favorite bands of all time. The band started off their set with the songs “Instability” and “The Real You”, which really showcased vocalist Anthony Cappocchi’s vocal prowess and control over the stage and crowd. Bassist Hans Hessburg was an animal on stage, headbanging and jumping around the stage like crazy. The band then went on to play their newest single, “Brainwash Broadcast”, which has received critical acclaim and has garnered a lot of views, streams, and radio play on SiriusXM Octane. Ryan “Fluff” Bruce shines on this song with his’ leads and hooks, which translate well live as well. Sean Rosario on rhythm guitar adds that dynamic sound that pushes the band over the edge. Kalan Anderson is the final piece to the puzzle, slamming the hell out of those drums and keeps the beat on time. The band played 7 songs, 6 of which came from their debut album “The World Is In Your Way”. I was thoroughly impressed with their set overall, and I’m glad they could play a good number of songs as the opener. I cannot wait to see these guys shine on a stage again soon!
SETLIST
Instability
The Real You
Brainwash Broadcast
Chelsea
The Hardest Drug
Just Like Me
Hypocondria
Up next was Wage War from Ocala, Florida. Wage War has been a band that has always been on my bucket list and has always been on my radar, but I never got the chance to see. For my first time seeing them, I was blown away. The first thing you will notice about Wage War is how much of a presence lead vocalist Briton Bond has on stage. He absolutely commands that stage and screams the hell out of those words. The band played a great mix of songs, 3 of which came from their 2019 album “Pressure”, 3 from their 2017 album “Deadweight”, 2 from their 2015 album “Blueprints”, their newest single “High Horse”, and an unreleased track “Teeth”, presumably coming from their upcoming fourth album. One of my favorite things about Wage War’s sound is the clean vocals provided by Cody Quistad, who also plays rhythm guitar in the band. Those melodic choruses on songs like “Who I Am”, “Low”, and “Alive” are what really hooked me on Wage War, and I was so happy to hear these songs live. Lead guitarist Seth Blake really adds some unique hooks to the band’s sound. I consistently find myself humming some of those down-tuned guitar hooks from their songs in my head, and they sounded even better live! Adding to those lower tones, Chris Gaylord hits deep with those groovy bass tones that keep those heads banging. Finalizing their lineup is Stephen Kluesener, who adds some dynamic beats and rhythm that really grounds the band. I’m so stoked I was finally able to see Wage War, and I cannot wait to see and photograph them again soon!
SETLIST
Stitch
Who I Am
Prison
High Horse
Alive
The River
Don’t Let Me Fade Away
Teeth
Gravity
Low
Finally, Beartooth came to the stage from Columbus, Ohio. Beartooth has a sound that has always been unique. They’re riff-heavy metalcore with more of a hardcore punk style edge mixed in. But what sets them apart from many bands are their melodic choruses and hooks that really drive home with audiences. For their fourth record entitled “Below”, the band set out to really go back to their roots, with an aggressive yet diverse showing of music. Beartooth opened the show with the first track off the album, titled “Below”. This aggressive start to the album and set truly set the stage for the show they were about to put on. As vocalist Caleb Shomo ran out stage and screamed out those opening lines of the song, it was chaos from then on. The band brought an extensive lighting setup and LED light panel behind them, which lit up lyrics to songs and showed dynamic visuals for each song. Caleb really honed in on his’ musicianship on this record, taking elements from each of the three previous records while also trying out some new styles as well. Bassist Oshie Bichar was on fire, constantly moving about on stage and helping with the sing-along sections. Guitarists Zach Huston and Will Deely shredded on their parts and added a lot to the band’s sound. Connor Dennis is a superb drummer and was incredibly energetic throughout the entire set. The band played a whopping 17-song set: 8 from 2021’s “Below”, 4 from 2014’s “Aggressive”, 3 from 2018’s “Disease”, and 2 from 2016’s “Aggressive”. With a wide array of songs from both the new album and the rest of the discography, Beartooth made sure to make this headlining set something new fans and old would love. I am so glad I could finally see and photograph them, and I cannot wait to do so again soon.
SETLIST:
Below
Devastation
Hated
Sick of Me
Fed Up
Dominate
The Lines
Beaten In Lips
Body Bag
Hell of It
Skin
You Never Know
Bad Listener
Disease
In Between
ENCORE
16. The Past Is Dead
17. The Last Riff
All in all, The Below tour was an absolute dream come true. Beartooth has been a huge bucket list band for me to see for quite some time, so seeing and photographing them was a dream come true. A massive shoutout to the fantastic crew and the other bands Wage War and Dragged Under, who absolutely DESTROYED that stage! Thank you for bringing this tour to California and for presenting us with live music once again!
Papa Roach Trusts Hollywood To Close Out Their Who Do You Trust USA Tour
Venue: Hollywood Palladium on 8/31/19
Papa Roach has been a consistent band I have listened to throughout the years. Their song “Last Resort” is a staple in the Nu Metal genre and is iconic. When I saw the lineup for their “Who Do You Trust?” USA tour, I was thrilled. Asking Alexandria was the very first band I ever saw live back in 2011, and Bad Wolves’ debut 2018 album “Disobey” absolutely slays, so I knew this would be an amazing night.
First up was Bad Wolves from Los Angeles, CA. Before they even got on stage, the crowd was roaring as Josh Brolin, an actor best known by his’ recent role as Thanos in the Avengers franchise, came out to announce the band. When the band hit the stage, they were immediately on fire. The band opened with their song Learn To Live, which shows off their progressive metalcore roots, with djent style guitar riffs courtesy of guitarists Chris Cain and Doc Coyle, as well as a mixture of clean vocals and screams courtesy of vocalist Tommy Vext. But at the root of djent is the deep bass tones courtesy of Kyle Konkiel and odd time signatures courtesy of drummer John Boecklin. The band played a set that mixed their heavier riffy songs, with more radio rock friendly songs. The band played a total of 8 songs, finishing with their chart topping cover of The Cranberries’ “Zombie”, which they raised $250,000 towards the family of the late Dolores O’Riordan, who died on her way to record her vocal part on their cover. Their performance was filled with such vibrant energy. I was completely blown away by their performance, and they blew my expectations out of the water.
SETLIST
Learn To Live
No Masters
Remember When
Better The Devil
I’ll Be There
Hear Me Now
Officer Down
Zombie
Up next was Asking Alexandria from North Yorkshire, England. Coming on right after Bad Wolves with how tight and energetic they are would be tough for any band to do. For old fans of the band, hoping to hear the heavy metalcore stylings Asking Alexandria was once known for, unfortunately you will not be getting that here. I too have been a fan since their origins with a more metalcore and post-hardcore base, but the band has certainly transitioned to a more radio rock sound and style. They came out of the gate with their new single “The Violence”, which is pretty solid. While all of the other members were wearing normal attire, vocalist Danny Worsnop came out in a beige plaid suit and sun glasses, which definitely felt off. Besides that, the band played a variety of songs, most of which came from their 2017 self titled album “Asking Alexandria”, which was released via Sumerian Records. The only earlier song from the first two albums that the band played was “Someone Somewhere”, which they for some reason decided to play acoustically. The band relied on a lot of pyrotechnics to get through the performance, and while they were entertaining, they distracted from the actual set. The rest of the band consists of guitarists Ben Bruce and Cameron Liddell, bassist Sam Bettley, and drummer James Cassells. Overall, they put on a solid set, however, compared to when I saw them back in 2011, they lacked the heart and emotion I once saw them provide on stage.
SETLIST
The Violence
Into The Fire
Where Did It Go?
Run Free
The Death Of Me
Vultures
Someone, Somewhere
Moving On
Eve
When The Lights Come On
Alone In A Room
Finally, Papa Roach from Vacaville, CA. Playing a sold out show in their hometown state on the second to last day of tour, this legendary band came to slay. For this tour, they prepared a whopping 19-song set that showcased songs from their whole discography. Vocalist Jacoby Shaddix is the ultimate showman, truly utilizing every inch of that stage. Behind the band was a huge LED screen that had many images and lyrics popping up, making the performance so tight and feeling like a full-on spectacle. The rest of the fourpiece consists of lead guitarist Jerry Horton, bassist Tobin Esperance, and drummer Tony Palermo. The band has so much heart and you could feel such positive energy radiating from the stage. In between the songs, Shaddix expressed how important it is to keep music alive, and really thanked people for supporting. It was truly awesome to see a band who’s been doing this for quite some time still be so humble and kind. And of course, the band’s encore “Last Resort”, got the crowd going nuts, with crowd surfers, circle pits, and crowd participation galore. Papa Roach was incredibly high energy, and chose a setlist that flowed beautifully. They proved that they indeed trusted Hollywood to be one of the last shows to close out the tour, and the crowds reactions definitely proved why. Papa Roach put on an incredible set, and I cannot wait to see them again!
SETLIST
Who Do You Trust?
Getting Away With Murder
Broken Home
Help
Elevate
Gravity
Song 2 (Blur Cover)
Drum Solo
…To Be Loved
Blood Brothers
She Loves Me Not
Come Around
Forever
Scars
Between Angels and Insects
Renegade Music
Born For Greatness
ENCORE
Last Resort
The “Who Do You Trust” tour was an amazing experience filled with a mixture of Metalcore, Radio Rock, and Nu-Metal. Papa Roach put together such a dynamic show and truly proved why they are still on top of the game after 26 years of being a band! They deliver and slay on stage!
The Camera Affect 