Butcher Babies w/ Infected Rain, Stitched Up Heart, & The Unsung | Butcher Babies VS. Goliath Tour | 10/7/21 | Photos + Review

October 20, 2021 Leave a comment

Butcher Babies Slay Their Final Battle Against Goliath at 1720 in Los Angeles, CA

Venue: 1720 in Los Angeles, CA

Date: 10/7/21

When a band hits their 10-year milestone of being together, that is a huge accomplishment that deserves celebration. Unfortunately, that milestone for Butcher Babies came during the global COVID-19 pandemic, where they couldn’t party like the rockstars they are. One year later, the band came back with a vengeance to dominate the country with their first headlining tour in well over two years, where the band would play their debut album “Goliath” in its entirety, along with other songs. In the battle against Goliath were: Infected Rain, Stitched Up Heart, and local support from The Unsung. With this quartet of bands, Butcher Babies led the clan to victory at the final date of the Butcher Babies VS. Goliath Tour!

Up first was The Unsung from San Diego, CA. This quartet is the perfect example of progressive metalcore. One thing I always note whenever I see The Unsung live is just how tight these guys are. Like bands like Periphery, Veil of Maya, and many more in the genre, the vocals are a great mixture of cleans and screaming, courtesy of Tyler Sinclair. However, what sets them apart is that their music tends to have more cleans than screaming, which helps them reach a wider audience. Guitarist Devin Castro is an absolute beast, creating melodic hooks, leads, and solos that shred the hell out of the crowd. Drummer Garret Brown is a beast, playing many different styles and rhythmic patterns throughout the band’s music, sometimes changing time signature and tempos mid-song, which is common within the progressive metal genre. Closing out the band’s lineup is Thomas Sumstine on bass, who absolutely SLAYS adding in those deep grooves and tones that are pretty much essential to the music The Unsung releases. The band played a total of 7 songs, bringing out songs from their first EP, “Rise,” for the first time in a while, along with songs from their sophomore EP “Sin Cera” and new singles “Manic” and “Awake.” The band also brought their iconic light show with them, which adds that extra edge and atmosphere that helps set the tone. It was an epic start to the show, and I am so happy to have seen them again! The last time was around Christmas time in 2019, so it had been almost 2 years without hangs and without seeing this epic band live.

SETLIST

  1. Manic
  2. Herald
  3. Awake
  4. Rise
  5. Lacuna
  6. Chosen
  7. Desolation

Up next was Stitched Up Heart from Los Angeles, CA. I last saw and photographed Stitched Up Heart back in 2019, so I was excited to see and photograph them again and do so at an actual venue, this time and not at a bar. I’d best describe Stitched Up Heart’s sound as a combination between gothic metal, hard rock, and alternative metal. Touring alongside bands across the hard rock and metal genres, they have a sound that is quite versatile and diverse. The band started their set with the song “This Skin” from their 2020 album “Darkness,” released via Century Media Records. This song has a light electronic backing in parts and the downtuned guitar and bass tones, making the song a bit more light sounding than a lot of their other music. You could hear vocalist Mixi’s singing on full display out of the gate, showing a newfound strength and force behind her vocals that I didn’t hear at the last show. The second song, “Warrior,” also came from their newest album and is more of a stadium rock-style track. Those bass tones courtesy of Randy Mathias are on full display in this song, along with the crushing beats from drummer James Decker. The band then went on to their third song, “Catch Me When I Fall,” from their 2016 album “Finally Free.” Overall, this album has a darker vibe, and the guitar tones are much more gritty and dark, and guitarist Merritt Goodwin delivers on this tenfold. The band played a total of seven songs throughout their thirty-minute set, completely blowing my expectations out of the water. As it was the last day of the tour, there happened to be the last day of tour pranks. The other bands ran on stage during the band’s final song, “Monster,” and started randomly taking apart Decker’s drum kit mid-song. It was pretty funny, to say the least, and it made me wonder what pranks would come going forward. Stitched Up Heart as a whole seems to have stepped things up since the lockdown, really fine-tuning things and coming back tighter than ever.

SETLIST

  1. This Skin
  2. Warrior
  3. Catch Me When I Fall
  4. Finally Free
  5. Lost
  6. My Demon
  7. Monster

Up next as direct support was Infected Rain from Chisinau, Moldova. I got into Infected Rain’s music shortly after 2019’s “Endorphin” was unleashed to the world via Napalm Records. This was the band’s first US tour, as their 2020 tour with Swallow The Sun was cancelled due to the pandemic. The band’s sound is the perfect combination of metalcore, melodic death metal, and progressive metal. The band started their set with the song “Pendulum” from that 2019 album I just mentioned. This song is the perfect showcasing of vocalist Lena Scissorhands’ vocal prowess, showing a good amount of her harsh fry screaming, along with lots of her cleans, making for probably their most dynamic song on “Endorphin.” A core part of the band’s sound is downtuned guitars with djenty riffs, courtesy of Vadim “Vidick” Ojog and Serghei Babici. The band then went on to their second song, “Mold,” from their 2017 record “86”, which the band released independently. A big part of progressive metal is the deep, intricate bass tones provided by Vladimir Babich. The band is tight as all hell, and the foundation of any tight band is the drummer, whose part is essential in terms of tempo and keeping on the beat. Drummer Eugene Voluta is an absolute beast on stage, demolishing those double bass parts and obliterating the stage. The band moved onto their third song, “Black Gold,” one of the singles from that 2019 record “Endorphin.” In my honest opinion, Infected Rain blew me away with their control of the stage and just how tight they were. I was very much looking forward to their set, and they did not disappoint. Just like with Stitched Up Heart, Infected Rain found themselves in the midst of the end of tour pranks. During the final song, “Sweet, Sweet Lies,” of the band’s ten-song set, members from Butcher Babies and Stitched Up Heart came on stage and unleashed a pillow fight onto the members of Infected Rain. It was an all-out pillow fight to the death, and I couldn’t help but hysterically laugh. Infected Rain was absolutely incredible and set a very high bar for the whole night.

SETLIST

  1. Pendulum
  2. Mold
  3. Black Gold
  4. Passerby
  5. Freaky Carnival
  6. Endless Stairs
  7. Fool the Gravity
  8. Orphan Soul
  9. The Earth Mantra

Sweet, Sweet Lies

Finally, Butcher Babies come home to Los Angeles, CA, and hit the stage! For the band’s tenth anniversary tour, they decided to play eight of the twelve songs from their debut 2013 album “Goliath,” released via Century Media Records. I would best describe the band’s sound as a perfect blend between metalcore, death metal, thrash metal, and progressive metal. The band came prepared for this tour, with a light show and headbangs galore. Opening the show with “I Smell A Massacre,” the stage lit up bright red, showcasing the brutality and grittiness these songs from “Goliath” have. This first song is a fast one and showcases the vocal stylings of Heidi Shephard and Carla Harvey. Carla has a deeper guttural sound, while Heidi has the high screams on point. They both have a mixture of clean singing and screaming in their registers during this opening song, really showcasing a large amount of variety within this heavy song. Their second song, “The Mirror Never Lies,” opens up with this groovy guitar hook that can be heard throughout the song, courtesy of guitarist Henry Flury. This song is just groove central, even showcasing the bass in the forefront in sections. It’s moments like this where each member really shines, and you really feel all of the puzzle pieces individually come together. I love me a groovy djent song, and those bass tones from Ricky Bonazza are really showcased deep in the roots of this groove-heavy song. The band then moved on to their third song, the popular single from 2015’s “Take It Like A Man” titled “Monsters Ball.” This song is super thrashy, groovy, and heavy. You can really hear the intricate drum parts from drummer Chase Brickenden as he slams those drums to his’ heart’s content. “Monsters Ball” was the song that got me into the band in the first place, so to photograph them during this song was AMAZING. The band played many other songs from Goliath, my personal favorite being “In Denial.” This song has a classic metalcore vibe and is more on the tame side while also being heavy. It has the perfect yin and yang. The band also played quite a few of their new singles, such as “Bottom of a Bottle,” “It’s Killin’ Time, Baby!”, “Sleeping With the Enemy,” and “Yorktown.” They even played a game of Red Light, Green Light with the crowd, paying homage to the viral Netflix sensation “Squid Games.” Their set was absolutely incredible, and they seem to have somehow leveled up since the last time I saw them back in 2018. They absolutely killed it and proved why they are still so beloved 11 years after their debut in the scene. They definitely defeated Goliath in Los Angeles.

SETLIST

  1. I Smell a Massacre
  2. The Mirror Never Lies
  3. Monsters Ball
  4. It’s Killin’ Time, Baby!
  5. C8H18 (Gasoline)
  6. Grim Sleeper
  7. In Denial
  8. Bottom of a Bottle
  9. The Deathsurround
  10. Axe Wound
  11. Sleeping With The Enemy
  12. Yorktown

ENCORE

13. They’re Coming To Take Me Away, Ha-Haaa! (Napoleon XIV cover)

14. Magnolia Blvd.

Butcher Babies put on an excellent tour for their comeback. This tour commemorating their 10 years of being a band was stacked to the brim with a fantastic lineup consisting of Infected Rain, Stitched Up Heart, and local support from The Unsung. This was a fantastic show and will easily be one of my favorites of the year!

Butcher Babies | Infected Rain | Stitched Up Heart | The Unsung

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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The Black Dahlia Murder w/ After The Burial, Carnifex, Rivers of Nihil, and Undeath | Up From The Sewer Tour | Photos + Review

October 11, 2021 Leave a comment

The Black Dahlia Murder Returns To California With A Bang Selling Out The Belasco

Date: September 18th, 2021

Venue: The Belasco in Los Angeles, CA

The Black Dahlia Murder is a band I constantly see live whenever they come through Southern California. As one of the staples of the melodic death metal genre, they are continually one-upping themselves with each record, staying true to who they are musically but constantly grinding like the madmen they are. Due to the ongoing COVID-19 situation, a lot of their touring surrounding their newest album, “Verminous,” was put on hold, and in such, this is their first tour back after all of the chaos. Unsurprisingly, the tour sold out like crazy, with over two-thirds of the dates being completely sold out, with the others close to selling out as well. Not only did The Black Dahlia Murder play quite a stacked setlist, but they brought along a beastly lineup of bands. The supporting lineup consisted of After The Burial, Carnifex, Rivers of Nihil, and Undeath. With a lineup this stacked, it was no wonder why the Los Angeles date was the first on the tour to sell out.

Undeath from Rochester, New York, was the first up to the stage. Coining themselves as “skull-crushing death metal,” it is no wonder why this is the perfect term to describe these guys. Their music is HEAVY. I had to bold that word because it needed emphasis.  With a gritty barebones sound similar to staple bands of the death metal genre like Dying Fetus, Nile, Cannibal Corpse, and more, this brutal death metal style set them apart from the rest of the bands on this lineup. Their vocalist Alexander Jones did a great job of crowd management. He owned that whole stage with his’ distinct vocals that you can tell have a slight black metal influence. Bassist Tommy Wall spanked that bass to give it those deep thick tones pumping through and prominent throughout Undeath’s sound. Guitarists Jared Welch and Kyle Beam add the riffage, really adding that gritty sound that pays homage to the death metal greats that came before them. The final member that closes out the band’s lineup is their drummer Matt Browning, who plays those stank beats with precision. When listening to the band’s album and witnessing their live set, I also feel a slight thrash vibe in their music, prominent throughout the brutal death metal genre. That gritty edge was showcased on their debut album “Lesions of a Different Kind,” released in 2020 via Prosthetic Records. They played 3 songs from this release, 1 song from their 2019 independent EP “Sentient Autolysis,” and one unreleased song that I, unfortunately, do not know the name of. Overall, these guys were a great way to start out the show and really set the stage for those to come with their high energy and brutal riffs.

SETLIST

  1. Enhancing the Dead
  2. (Unknown)
  3. Acidic Twilight Visions
  4. Chained to a Reeking Rotted Body
  5. Lesions of a Different Kind

The next band up was the ever so talented Rivers of Nihil from Reading, Pennsylvania. I first saw Rivers of Nihil back in 2018 when they opened for Thy Art Is Murder and Dying Fetus, and I already thought they were great then. But boy have they risen in my ranks since then. Initially, the band’s style was very much in line with the rest of those in the technical death metal genre: fast-paced, heavy, and riffy. However, as the band found their groove and started experimenting, they started moving more into the realm of progressive metal, mixing in clean vocals, and creating a cinematic style within their music. With their new record, The Work, just weeks away from debuting to the world, we as the audience were lucky to hear two of the new songs live, those being “Clean” and “Focus.” Within the new songs, you can really hear the power of vocalist Jake Dieffenbach and bassist/clean vocalist Adam Biggs’ voices. The new songs, along with the songs from their 2018 release “Where The Owls Know My Name,” have a lot of dynamics. But it seems that Jake and Adam have a good number of trade-offs in terms of vocals with The Work. They were the only band at the show to have clean vocals, and the change really felt needed as their set was well-rounded, and I couldn’t hold back a smile underneath my mask. Drummer Jared Klein is an absolute beast behind the kit, and my eyes always go to him because some of the technical parts he plays blow me away. Guitarists Brody Uttley and Jon Topore help create the atmosphere with their melodic instrumentals, paired with Uttley’s lead guitar solos and hooks. Honestly, Rivers of Nihil continue to get better and better every time I see them, and they constantly blow away any expectations I had prior. I cannot wait to see where this band goes with the release of “The Work,” which came out in 2021 via Metal Blade Records. You MUST all check out this band and see live if you have not yet done so.

SETLIST

  1. The Silent Life
  2. Focus
  3. Clean
  4. Sand Baptism
  5. Where The Owls Know My Name

The third band up to the stage was Carnifex from San Diego, CA. Carnifex has been one of the leading deathcore bands for quite some time, being one of the genre’s founders. Coming hot off the release of their newest album, “Graveside Confessions,” out now via Nuclear Blast Records, I was stoked to hear how the new songs would sound live. The lead singles from the record “Pray For Peace” and the title track “Graveyard Confessions” sounded epic and translated very well live. The band started their set with the title track from their 2019 record, “World War X,” and also played some of the band’s most famous songs, “Slit Wrist Savior” and “Lie To My Face,” which the band re-recorded for the new album “Graveside Confessions.” The band closed out the set with the title track from their 2010 album “Hell Chose Me,” which got the crowd wild. From the start of the set to the end, I was stoked.

As usual, the band had their large lit-up pentagrams, but they also had a bright lighting setup on stage with many strobing lights that were very well lit and timed. Vocalist Scott Ian Lewis is an absolute beast on stage, genuinely taking every inch in and captivating the crowd. Carnifex was one of the first death metal bands I got into, which came with their 2016 album “Slow Death.” What drew me straight in was the symphonic backing, along with Scott’s vocals. Something evident in Carnifex’s music is just how intricate and technical their drumming parts are, and that is all courtesy of the ever so talented Shawn Cameron on drums. This dude is an absolute beast and truly has me in awe when I hear how fast some of his parts are. A significant change from the last time I saw Carnifex to now is the band going from having two guitarists down to one. Still, guitarist Cory Arford did not disappoint in the slightest. He absolutely killed it on those leads and shredded it on that stage. Closing out the band’s lineup is Fred Calderon, who provides the headbangs and the deep tones from his bass. Bass, in my opinion, is the most underrated instrument when it comes to bands. To me, the bass is one of the most essential, as it adds some of the deeper undertones that can really bring the music to the next level, and Fred does that very well. All in all, Carnifex is an absolutely insane band to see live and is very consistent when it comes to theatrics and musicianship.

SETLIST

  1. World War X
  2. Pray For Peace
  3. Slit Wrist Savior
  4. Graveside Confessions
  5. Lie To My Face
  6. Hell Chose Me

Up next as direct support was the ever so talented band After The Burial from Minneapolis, Minnesota. Unfortunately, vocalist Anthony Notarmaso became sick on tour and lost his voice. The band continued on and played instrumentally, which the crowd went WILD for. After the Burial is a very technical band instrumentally. Thanks to their odd time signatures, guitar tones, and fast pacing, the band is well known in the progressive metal genre, constantly teetering between metalcore and deathcore territory. Having the instrumentals showcased in the forefront was an absolutely incredible sight and audible experience. Guitarist Trent Hafdahl was on full display. His leads and backing vocal parts were at the forefront of the band’s performance. They had beautifully timed and strobed lighting that added to the overall experience and performance. The crowd went wild when the band started the set with the fan-favorite song “Lost In The Static.” During the next song, “In Flux,” I couldn’t help but really tune in to bass player Adrian Oropeza. Adrian is really vibing on stage, with his headbanging and downtuned bass tones really adding the grit and djenty sound that the band is known for. Dan Carle closes out the band’s rhythm section, and he is by far one of the most on-point and technical drummers in the progressive metal scene, not missing a beat. I especially noticed it during the third song in the set, “Collapse.” After I left the photo pit, I got to see just how nuts the crowd was going. With a moshpit about twice the size as it was prior, they were absolutely mesmerized by the technicality and prowess the band showcased. During the lead single “Behold The Crown,” from the band’s 2019 album “Evergreen,” released via Sumerian Records, I especially saw this energy from the crowd with one of the fastest and most violent circle pits of the night. The band played two more songs before closing out their incredible set, those songs being “Exist, Exist,” and “A Wolf Among Ravens.” I am incredibly proud of these guys for trooping on through their vocalist being sick. Them playing instrumentally was incredible and wowed the whole audience in attendance.

SETLIST

  1. Lost In The Static
  2. In Flux
  3. Collapse
  4. Behold The Crown
  5. Exist, Exist
  6. A Wolf Among Ravens

The Black Dahlia Murder hailing from Waterford, Michigan, finally hit the stage next. To say they obliterated the stage with their talent would be an understatement. Being a band with 20 years and nine albums under their belt, they had a lot of songs to choose from for their set. I think they created a setlist that was both dynamic and crowd-pleasing. The band opened up the show with “I Will Return” from the 2009 album “Deflorate,” released via Metal Blade Records, which is the record label the band has been with thus far throughout their career. This is typically the band’s closing track when they headline, so it was cool to hear it at the beginning of the set. One thing that cannot be ignored when seeing The Black Dahlia Murder live is vocalist Trevor Strnad’s vocal prowess and control over the crowd. His vocal tone and stage presence combined have made him a figurehead within the death metal community. With crowd surfers galore and tons of moshing in the pit, the band quickly moved on to the title track “Verminous” from their newest album from 2020 that reached number 99 on the billboard 200. Strnad stated himself that the addition of guitarist Brandon Ellis was really showcased on this record. While Ellis was also a part of their 2017 record “Nightbringers,” his style and musicianship really took the helm for the new record. Bassist Max Lavelle provided lots of headbanging, windmills, and deep grooving bass tones that really mesh beautifully with the band’s sound. The band then went into their third song, “Nightbringers,” and I really noticed just how on-point drummer Alan Cassidy was during this song and throughout the whole set. The Black Dahlia Murder songs are incredibly technical, fast, and complex, and Cassidy did not miss a single beat. Guitarist and founding member Brian Eschbach absolutely shreds those rhythm guitar parts with ease. As I’ve stated, the band’s songs are challenging. But someone like Eschbach has been performing them with ease for over two decades at this point, and you can tell he is genuinely enjoying himself on stage with him smiling and exuding lots of positive energy. The band went on to play a career-spanning set, with songs from seven of their nine records. I always get excited when they play “What A Horrible Night To Have A Curse” from their 2007 album “Nocturnal,” as it reminds me of when I first discovered the band myself when I found that song on Rock Band. Fun fact, that song is still the most challenging song on Rock Band for drums. The Black Dahlia Murder once again blew me away, with their colorful green and red lighting to their technical musicianship that got the rest of the crowd and me going wild. They are always on point and are a band that must be witnessed to fully appreciate how great of a band they truly are.

SETLIST

  1. I Will Return
  2. Verminous
  3. Nightbringers
  4. Unhallowed
  5. Funeral Thirst
  6. Sunless Empire
  7. Nocturnal
  8. Statutory Ape
  9. Removal of the Oaken Stake
  10. Contagion
  11. Everything Went Black
  12. On Stirring Seas of Salted Blood
  13. Child of Night
  14. Kings of the Nightworld
  15. What A Horrible Night To Have A Curse
  16. Warborn
  17. As Good As Dead
  18. Deathmask Divine
  19. Miasma

This tour was beyond incredible. After a year and a half away from shows, to have this monster of a tour with these fantastic bands be one of my first shows back; was beyond incredible. Thank you to all of the amazing bands, crew, and venue staff for making sure this show and tour ran so smoothly. This will probably go down as one of the best tours of 2021.

The Black Dahlia Murder | After The Burial | Carnifex | Rivers of Nihil | Undeath

Photos + Review Courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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8/16/21 | Beartooth | The Below Tour | Photos + Review

August 24, 2021 Leave a comment

Beartooth Dominates Anaheim With A Sold Out Show on The Below Tour

Venue: House of Blues Anaheim in Anaheim, CA on 8/16/21

As music fans, we all have bands that we want to see. But then something seems to always come up. Whether it be scheduling issues or another show overlapping, that’s always been my issue when it’s come to seeing or photographing Beartooth. I’ve been listening to their music since their debut in 2013, but this show was my first time actually seeing or photographing them. To say it was amazing would be an understatement, and I was so glad to finally see and photograph Wage War and Dragged Under as well. California hasn’t been getting as many big tours since we reopened live venues post-pandemic. So to have a show of this caliber come through was absolutely amazing.

First up on tour was Dragged Under from Seattle, Washington. I’d best describe Dragged Under’s sound as being that perfect blend of metalcore and hardcore punk. Their sound is right up the same vein as bands like Stick To Your Guns, Beartooth, and Stray From The Path, which are all among some of my favorite bands of all time. The band started off their set with the songs “Instability” and “The Real You”, which really showcased vocalist Anthony Cappocchi’s vocal prowess and control over the stage and crowd. Bassist Hans Hessburg was an animal on stage, headbanging and jumping around the stage like crazy. The band then went on to play their newest single, “Brainwash Broadcast”, which has received critical acclaim and has garnered a lot of views, streams, and radio play on SiriusXM Octane. Ryan “Fluff” Bruce shines on this song with his’ leads and hooks, which translate well live as well. Sean Rosario on rhythm guitar adds that dynamic sound that pushes the band over the edge. Kalan Anderson is the final piece to the puzzle, slamming the hell out of those drums and keeps the beat on time. The band played 7 songs, 6 of which came from their debut album “The World Is In Your Way”. I was thoroughly impressed with their set overall, and I’m glad they could play a good number of songs as the opener. I cannot wait to see these guys shine on a stage again soon!

SETLIST

  1. Instability
  2. The Real You
  3. Brainwash Broadcast
  4. Chelsea
  5. The Hardest Drug
  6. Just Like Me
  7. Hypocondria

Up next was Wage War from Ocala, Florida. Wage War has been a band that has always been on my bucket list and has always been on my radar, but I never got the chance to see. For my first time seeing them, I was blown away. The first thing you will notice about Wage War is how much of a presence lead vocalist Briton Bond has on stage. He absolutely commands that stage and screams the hell out of those words. The band played a great mix of songs, 3 of which came from their 2019 album “Pressure”, 3 from their 2017 album “Deadweight”, 2 from their 2015 album “Blueprints”, their newest single “High Horse”, and an unreleased track “Teeth”, presumably coming from their upcoming fourth album. One of my favorite things about Wage War’s sound is the clean vocals provided by Cody Quistad, who also plays rhythm guitar in the band. Those melodic choruses on songs like “Who I Am”, “Low”, and “Alive” are what really hooked me on Wage War, and I was so happy to hear these songs live. Lead guitarist Seth Blake really adds some unique hooks to the band’s sound. I consistently find myself humming some of those down-tuned guitar hooks from their songs in my head, and they sounded even better live! Adding to those lower tones, Chris Gaylord hits deep with those groovy bass tones that keep those heads banging. Finalizing their lineup is Stephen Kluesener, who adds some dynamic beats and rhythm that really grounds the band. I’m so stoked I was finally able to see Wage War, and I cannot wait to see and photograph them again soon!

SETLIST

  1. Stitch
  2. Who I Am
  3. Prison
  4. High Horse
  5. Alive
  6. The River
  7. Don’t Let Me Fade Away
  8. Teeth
  9. Gravity
  10. Low

Finally, Beartooth came to the stage from Columbus, Ohio. Beartooth has a sound that has always been unique. They’re riff-heavy metalcore with more of a hardcore punk style edge mixed in. But what sets them apart from many bands are their melodic choruses and hooks that really drive home with audiences. For their fourth record entitled “Below”, the band set out to really go back to their roots, with an aggressive yet diverse showing of music. Beartooth opened the show with the first track off the album, titled “Below”. This aggressive start to the album and set truly set the stage for the show they were about to put on. As vocalist Caleb Shomo ran out stage and screamed out those opening lines of the song, it was chaos from then on. The band brought an extensive lighting setup and LED light panel behind them, which lit up lyrics to songs and showed dynamic visuals for each song. Caleb really honed in on his’ musicianship on this record, taking elements from each of the three previous records while also trying out some new styles as well. Bassist Oshie Bichar was on fire, constantly moving about on stage and helping with the sing-along sections. Guitarists Zach Huston and Will Deely shredded on their parts and added a lot to the band’s sound. Connor Dennis is a superb drummer and was incredibly energetic throughout the entire set. The band played a whopping 17-song set: 8 from 2021’s “Below”, 4 from 2014’s “Aggressive”, 3 from 2018’s “Disease”, and 2 from 2016’s “Aggressive”. With a wide array of songs from both the new album and the rest of the discography, Beartooth made sure to make this headlining set something new fans and old would love. I am so glad I could finally see and photograph them, and I cannot wait to do so again soon.

SETLIST:

  1. Below
  2. Devastation
  3. Hated
  4. Sick of Me
  5. Fed Up
  6. Dominate
  7. The Lines
  8. Beaten In Lips
  9. Body Bag
  10. Hell of It
  11. Skin
  12. You Never Know
  13. Bad Listener
  14. Disease
  15. In Between

ENCORE

16. The Past Is Dead

17. The Last Riff

All in all, The Below tour was an absolute dream come true. Beartooth has been a huge bucket list band for me to see for quite some time, so seeing and photographing them was a dream come true. A massive shoutout to the fantastic crew and the other bands Wage War and Dragged Under, who absolutely DESTROYED that stage! Thank you for bringing this tour to California and for presenting us with live music once again!

Beartooth | Wage War | Dragged Under

Photos + Review By: Jamie Kaufman | Facebook | Instagram | Twitter

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Sleepsculptor Interview

April 21, 2020 Leave a comment

 

In a genre like metalcore where so many bands fade into the back, patterns often repeating, and a lot of songs falling into a similar sound, how do you make yourself stand out? Sleepsculptor’s answer is to create intense, chaotic music that will leave your jaw on the floor. Of course many bands fall flat by doing too much. Sleepsculptor has done the opposite, taking a huge hold on the scene they’ve become a part of. I talked with Ben Pypiak and Hunter Derr, lead vocalists of Sleepsculptor to ask about what makes the band special. 

What inspired Sleepsculptor and the sound you guys were going for?

Hunter: Definitely bands like the Tony Danza Tapdance Extravaganza, Arsonists Get All The Girls, IWrestledabearonce. We were going for a more mathy approach to metalcore.

Danza was a metalcore giant that had a huge influence on the scene with the same sporadic, chaotic sound Sleepsculptor achieves. The band regularly covers them in their live shows, giving insanely impressive performances of Rudy X 3 and The Alpha The Omega, a song that the TDTE never played live themselves. Their cover of Rudy X 3 can be seen here: https://youtu.be/h8gE8z82Xc

The inspiration coming from bands of the same genre brought me to my next question. 

Is that where you pull inspiration from while writing. Is it solely mathcore/sporadic metalcore based or do you pull inspiration from other genres?

Hunter: I feel like we most definitely pull from a lot of genres. I mainly listen to Captain Murphy and Earl Sweatshirt. Everyone else listens to some pretty niche stuff I’d say.

Do you ever worry about how your music will be received based on how unique it is?

Hunter: Nah not really I feel like we just write what we want to write and if people like it, that’s cool. If not, I don’t really mind because I make music for myself at the end of the day.   Ben: It’s pretty cool to hear that people like what we make anyway. 

Sleepsculptor isn’t for the faint of heart for sure. The live shows feel claustrophobic in the best way possible. The constantly changing guitar, the vocalist’s fast and angry tonal changes. It’s enough to make anyone want to get moving, and their shows certainly deliver. It’s amazing to see them move as a unit, which is difficult for bands so large sometimes. Along with two vocalists, they have two guitarists, Jake Moyer and Kuyler Massam, who offer intensely technical playing along with the classic breakdowns everyone knows and loves. To help with the fast paced performances, James Slattery as drummer, and Travis Antoniello on bass, are both well versed in the metalcore scene, both being in the Wilkes Barre local band Toothless. With so many amazing creative minds, I always wondered who took the reins while writing. 

Is there any difficulty having 6 member’s input while making music?

Hunter: I don’t think so, we’re all generally into the same stuff. It’s easier to get weirder ideas.    Ben: We’re all pretty connected. 

Do you two (Ben and Hunter) ever disagree on where to go vocally/lyrically or does it work best when you bounce your ideas off of each other?

Hunter: Not that I can think of, we’ll usually write in chunks and then go back and dissect/ split parts up.  Ben: Not really, sometimes we swap lyrics.  

Their first album, Untimening, was well received, but their most recent album, Entry: Dispersal, was beyond unique. 

Entry: Dispersal was different than Untimening, do you plan on leaning towards more of a drastic change with your next release?

Ben: We all decided to get pretty experimental, but not straying too far. 

Hunter: It’s definitely gonna be a lot weirder than anything we’ve released yet. 

Weird has turned out to be an amazing thing for Sleepsculptor. The band constantly works and writes, which explains why in seemingly less than 2 years, they have grown into a force to be reckoned with in the Pennsylvania metalcore scene. Entry: Dispersal was a fantastic album in every sense of the word, every song having the same vibe, but every one felt insanely unique. Every piece of music released by Sleepsculptor has its own personality and own breath of life, making them an absolute joy to listen to. It’s exciting to support them, and I cannot wait to see what they do in the future. 

Follow them on Instagram , you can listen to & buy their music on ITunes, Bandcamp, Spotify, and other streaming services

Interview + Photos courtesy of  Emily Sulkowski  –Instagram| Twitter

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Atreyu w/ Whitechapel, He Is Legend, Tempting Fate, and Santa Cruz | 20th Anniversary Tour | Photos + Review

April 10, 2020 Leave a comment

Atreyu Closes Out Their 20th Anniversary Celebration In Ventura

Venue: The Majestic Ventura Theater in Ventura, CA on 11/20/19

When a band hits a milestone in their career, it’s a big deal. From hitting 1 year as a band, to selling out a show, each of these milestones for bands has sentimental value in their growth. Atreyu hit twenty years of being a band, which is huge considering the many bands in their cohort of metal that have come and gone since they started. While it seemed the band would be done after 2010, the band came back in 2014 stronger than ever, continuing with the momentum they had before and then some! With seven albums under their belt, the band let the fans vote on their setlist, which showcased songs from each record. Atreyu brought along with them an interesting mix of bands. With Whitechapel as direct support bringing the deathcore, He Is Legend bringing their southern influenced Mathcore, Tempting Fate bringing the post hardcore, and Santa Cruz throwing it back with some glam rock to the table, this tour was a blend of bands that were different from one another and kept the show truly interesting. Those of us in attendance at this final date of the tour has a wonderful time!

First up was Santa Cruz from Helsinki, Finland. Opening the show up, the band brought out a flare completely different than any other band on the lineup. Their sound is a mixture of glam metal, heavy metal, hard rock, and has some elements of post hardcore mixed in. As the oddballs on the tour, they really hyped the crowd up with energy, especially frontman and founding member Archie Cruz, who shredded to his’ hearts content center stage and captivated the audience with his vocal abilities reminiscent of hair metal from the 80s. The band’s touring guitarist Joe Perez was on point, shredding both the rhythm and lead parts when he and Archie switched off, with incredible stage presence and lots of hairflipping action. On stage left, you’ll find the band’s bassist Eemi Lamberg, who played his basslines with precision and class, while also giving lots of windmills and high energy. Closing out the band’s lineup is drummer Tuomas Lehtonen, who did backup vocals along with his fast and intense drum playing. Throughout the band’s six-song set, you could feel the energy thriving on the stage. I wasn’t able to meet the band, as they took their merch away shortly after they played, but they slayed their set and executed their performance brilliantly. It was a great way to start out the show!

SETLIST

  1. Changing Of Seasons
  2. Bang Bang (My Worst Enemy)
  3. True Believer
  4. We Are The Ones To Fall
  5. Wasted & Wounded
  6. Aiming High

Up next was Tempting Fate from Los Angeles, CA. This band sits on the borderline of post-hardcore and metalcore, while also blending in some nu metal influences, shown especially in their song “Sik”. As an independent band, they have released two EPs and one full length record, which they incorporated songs from each release into their eight-song set. The band has an interesting dynamic, with brothers Cory Beecher on vocals and Shane Beecher on guitar. Drummer Alex Rivas played the heavy blast beat sections with ease and had a lot of energy behind the kit. Eemi Lamberg from Santa Cruz filled in on bass, providing a lot of energy and bass lines to the band’s set. It was cool for me to see the variety in the band’s sound, with songs like “Filthy” showing their heavier side, and other songs like “A Place Called Home” showing off the band’s hard rock side. I was thoroughly impressed by their set. Tempting Fate is definitely a band to keep your eyes on!

SETLIST

  1. Filthy
  2. Questions
  3. Eminence
  4. 99
  5. Falling To Pieces
  6. I’d Rather Burn
  7. A Place Called Home
  8. Sik

Next to the stage was the all mighty He Is Legend from Wilmington, North Carolina. Starting out as a metalcore band, the band’s sound has progressed throughout the years, becoming more of a fusion between a plethora of sub-genres, most notably being a mixture of hard rock, alternative metal, stoner rock, psychedelic rock, sludge metal, and southern rock. Watching their set and listening to their music takes listeners on a journey, as songs can sometimes mix several of these influences together, creating an album where each song is dynamic and impressive. Vocalist Schuylar Croom is an entertaining person to watch on stage, grooving along with the music as if he is entranced in it. Lead guitarist Adam Tanbouz and rhythm guitarist Andrew Gaultier played their parts with ease and headbanging to their hearts content. Bassist Matty Williams strummed in those deep basslines that hit the spot in the band’s music, while providing tons of hairflips and energy. Jesse Shelley on drums is the final piece to the band’s lineup, holding down the fort and keeping the band on track while playing the drums with precision, even through the many random tempo changes. The band has a total of six albums, four of which they played songs from in their seven-song setlist. Overall, I was blown away by their set and cannot wait to see He Is Legend again in the future.

SETLIST

  1. White Bat
  2. Burn All Your Rock Records
  3. The Seduction
  4. The Widow of Magnolia
  5. Attack of the Dungeon Witch
  6. Everyone I Know Has Fangs
  7. Boogiewoman

Whitechapel from Knoxville, Tennessee was up next as direct support. Whenever I prepare for a Whitechapel set, I know what to expect: lots of energy, lots of strobing lighting, and those groovy heavy tones that match perfectly with vocalist Phil Bozeman’s deep guttural vocals. Since they released their album “The Valley” earlier in the year, which was released via Metal Blade Records, the band played six-songs from the album, along with three other fan favorite songs, adding up to a nine-song set. Whitechapel has interesting dynamics in their band, with three guitarists: Ben Savage, Alex Wade, and Zach Householder. While Ben technically does a majority of the leads, each guitarist shines during the set, truly adding to the band’s groove metal infused deathcore. Vocalist Phil Boseman really stepped out of the box on the new record, showing off more of his’ vocal abilities in terms of clean vocals, shown in songs “When A Demon Defiles A Witch” and “Hickory Creek”, both of which they played on this tour. I’m also very amused whenever I see Gabe Crisp on stage, as the dude has a really intense presence on that stage, truly jamming out and grooving along while playing those piercing bass tones. The band’s live drummer Alex Rüdinger closes out the current Whitechapel lineup, and he does not disappoint, nailing all of the bands intricate drum patterns. One funny part of the set that stuck out to me was when Phil Boseman said, “We just wrote this next song this morning, so I hope you enjoy it”, and then going on to play the band’s most recognizable song “This Is Exile”. I always love seeing Whitechapel live because they truly have an amazing arsenal of music and it’s cool to see what songs they’re going to pull out of the vault for their sets. Whitechapel never disappoints in concert, and I am looking forward to seeing them again when they come out to Southern California next!

SETLIST

  1. Forgiveness Is Weakness
  2. Brimstone
  3. Black Bear
  4. Third Depth
  5. When A Demon Defiles A Witch
  6. This Is Exile
  7. Hickory Creek
  8. Our Endless War
  9. The Saw Is The Law

Atreyu from Yorba Linda, California was up next to celebrate being together as a band for 20 years. The band’s setlist was voted on by the fans, adding up to a setlist with 20-songs spanning their entire discography, except songs from 2015’s “Long Live”. For the anniversary tour, the band brought an elaborate light show that lit up the whole venue, which made the 1200 capacity venue feel like a stadium show. The band’s lead vocalist Alex Varkatzas was filled with energy, truly utilizing every inch of that stage and engaging fans from every part of the crowd. One thing Atreyu never strays from is their guitar solos, and co-lead guitarists Dan Jacobs and Travis Miguel truly showcased their abilities throughout the set. Brandon Staller is the member that truly sets Atreyu apart from many other bands, as he plays the technical drum parts while providing the clean vocals for the band. Bassist Marc McKnight is truly a hype man on stage, playing his bass lines while engaging the audience members and headbanging with his epic beard waving around. Since the fans voted on the setlist, it consisted of mainly songs from the band’s earlier albums “The Curse” and “A Death-Grip On Yesterday”, but I was glad to see that fans at least voted on some songs from the band’s later albums. I am truly lucky and happy that I was able to see Atreyu two times in a span of five months. They’re a very entertaining band to see and photograph. I cannot wait to see them again when they come back out here!

SETLIST

  1. The Time Is Now
  2. Right Side of the Bed
  3. Ain’t Love Grand
  4. Doomsday
  5. My Fork in the Road (Your Knife in My Back)
  6. Ex’s and Oh’s
  7. Our Sick Story (Thus Far)
  8. The Theft
  9. Bleeding Mascara
  10. Demonology and Heartache
  11. The Crimson
  12. Her Portrait in Black
  13. Bleeding Is a Luxury
  14. House of Gold
  15. Becoming the Bull
  16. Falling Down
  17. Blow
  18. Five Vicodin Chased With a Shot of Clarity
  19. Untitled Finale
  20. Lip Gloss and Black

Atreyu has been dominating the rock and metal scenes for two decades and truly went all in on their anniversary tour. Whitechapel, He Is Legend, Tempting Fate, and Santa Cruz all brought it and meshed with Atreyu beautifully to create a wonderful night of music and a beautiful end to this tour! Make sure to check out all of these bands and see them on tour at a city near you!

Atreyu | Whitechapel | He Is Legend | Tempting Fate | Santa Cruz

Photos + Review courtesy of Jamie Kaufman | Instagram

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Ice Nine Kills w/ Fit For A King, Light The Torch, and Awake At Last | SiriusXM Octane Accelerator Tour | Photos + Review

March 5, 2020 Leave a comment

Ice Nine Kills Play Homage To Horror Classics At Their Sold-Out Los Angeles Show

Venue: The Belasco on 11/9/19

Ice Nine Kills has been a consistent band I’ve listened to since I got into them when I first saw them on Warped Tour in 2014. Their blend of symphonics with metalcore has always been intriguing to me. For the second edition of the SiriusXM Octane Accelerator Tour, Ice Nine Kills was announced to headline, with support from Fit For A King, Light The Torch, and Awake At Last. Make Them Suffer was also slotted to open on the tour, but due to VISA issues, they were unable to perform on the tour. This would be Ice Nine Kills’ biggest headlining tour to date in the United States, and they really went all out to make this an amazing tour.

First up was Awake At Last from Dover, Delaware. The band describes themselves as a mixture between pop, hard rock, and post-hardcore, which I agree with. Continuing their touring schedule in support of their newest release “The Change”, which was released in 2019 via Outerloop Records, the band opened the show with high energy that got the crowd going. Similarly to Ice Nine Kills, the band uses symphonic backing in their songs, with adds a great level of depth to their songs. Opening their set with the song “Purgatorium” from their independently released 2017 EP titled “Life/Death/Rebirth” showcases this depth to a T. Vocalist Vincent Torres has great stage presence, really engaging the crowd and moving about. Guitarists Imran Xhelili and Eric Blackway really held their own on stage, engaging their respective sides of the crowd and really adding to the energy coming from the band. Drew Hansen headbanged and slammed those notes with the bass with ease. Closing out the band’s live lineup is Jeff Dorber on drums, who was very energetic and engaging. Overall, I thoroughly enjoyed the band’s seven-song set, and thought they really got the energy going for the bands to come!

SETLIST

  1. Purgatorium
  2. More Than Animals
  3. Unobtainable
  4. Paralyzed
  5. Fallen Stars
  6. Dead Generation
  7. The Change

Up next was the all mighty Light The Torch from Los Angeles, CA. Previously called “Devil You Know”, the band has been around since 2012 and have released three studio albums together. I was very much excited to see them, as I have been a fan of each member’s respective bands. Vocalist Howard Jones was previously in Killswitch Engage, guitarist Francesco Artusato is also in All Shall Perish, who are on an indefinite hiatus, bassist Ryan Wombacher is also the bassist of Bleeding Through, who I had the pleasure of seeing and photographing in June of 2018, and drummer Kyle Baltus is the drummer of 38 Crazyfists. So as a super group, the band embarked on this tour and prepared an 8-song set, most of which came from their 2018 record “Revival”, which was released via Nuclear Blast Records. As the perfect blend between metalcore and alternative metal, the band was energetic and slayed that stage with ease. I was just in awe to finally see Howard Jones on stage, and to be able to photograph them was a dream come true. The band will be going on a North American tour in support of Killswitch Engage and August Burns Red in March – April, so definitely go check them out when they hit a city near you!

SETLIST

  1. The Bitter End
  2. Calm Before The Storm
  3. Lost In The Fire
  4. Virus
  5. Consume The Damned
  6. The Safety of Disbelief
  7. The Sound of Violence
  8. Die Alone

As direct support, Fit For A King from Dallas, Texas was up next. I have seen and photographed these guys four times now over the last two years and this is by far my favorite set they’ve performed. The band plays some damn good metalcore, and with five albums under their belt, they have created a solid career for themselves. For their direct support slot on this tour, the band prepared a ten-song set, with songs from their two newest releases “Dark Skies” from 2018 and “Deathgrip” from 2016, both of which were released via Solid State Records. Something long time fans will know is that vocalist Ryan Kirby has taken on more as a vocalist, doing both screaming and singing on these releases. His stage presence is incredible. Ryan “Tuck” O’Leary is the hypeman of the band, jumping, spinning, kicking, screaming, and singing to his’ heart’s content while playing those bass notes. Drummer and founding member Jared Easterling is always on point, playing intricate and dynamic drum parts, while exuding such joy and happiness while playing on stage. Guitarist Daniel Gailey closes out the band’s lineup, and despite some technical difficulties at the beginning of the set, came out and delivered a stellar performance. I love Fit For A King. If you love some good metalcore, they’ll be going on a world tour in support of “Dark Skies” that will be hitting North America, Europe, and more in the coming months!

SETLIST

  1. Engraved
  2. Backbreaker
  3. When Everything Means Nothing
  4. Shattered Glass
  5. Cold Room
  6. Dead Memory
  7. Deathgrip
  8. The Price of Agony
  9. Oblivion
  10. Tower of Pain

Ice Nine Kills from Boston, Massachusetts came out next to headline the night. With a dramatic curtain drop, the band started out their set with the infamous song and the third single “Thank God It’s Friday” from “The Silver Scream”, which was released in 2018 via Fearless Records. What the curtain drop revealed was an elaborate set of lighting and costuming. Each member was dressed up as a different horror icon: drummer Patrick Galante was dressed up was Billy The Puppet from SAW, guitarist and backup vocalist Ricky Armellino was dressed up as Georgie from IT, guitarist Dan Sugarman was dressed up as Jack Torrance from The Shining, and bassist Joe Occhiuti was dressed up as Edward Scissorhands. Spencer Charnas, the lead vocalist and founding member, changed costumes and props each song. When “Thank God It’s Friday” played, he was dressed up as Jason Vorhees from Friday The 13th, with the machete in hand. The second song in the set “The Jig Is Up”, spencer switched into his usual outfit for the show: a ripped green and red striped cut of shirt, black jeans, and shoes. But, to fit the song being about the SAW franchise, he sported an old man mask to act like John Kramer. For our third and final song in the photo pit, Spencer brought out a chainsaw and played with it for the duration of the song “Savages”. The rest of the set was filled with other costume changes, notably his’ complete costume change to be dressed up as Ghostface from the Scream franchise for the song “Your Number’s Up” from their 2019 deluxe edition release of the album. The whole band held their own. The most hyped part of the set would have to be during the encore when Spencer came on stage dressed up as Pennywise from IT and brought up someone in a Mickey Mouse costume. It was a creative way to mock Disney for banning the band. This set was filled with theatrics, amazing music, and amazing costumes. The band prepared a whopping 19-song set for their larger than life headliner, and it’s truly amazing to see how far they’ve come as a band since I first saw them. Ice Nine Kills is currently on a European tour in support of Hollywood Undead and Papa Roach, and then will be touring the US once again as support for Five Finger Death Punch, Papa Roach, and I Prevail from 4/8 – 5/20, so definitely go see them on a date near you! I can’t wait to see one of my favorite bands again when they come out here!

SETLIST

  1. Thank God It’s Friday
  2. The Jig Is Up
  3. SAVAGES
  4. The Nature of the Beast
  5. The World In My Hands
  6. Communion of the Cursed
  7. A Grave Mistake
  8. Your Number’s Up
  9. Rocking The Boat
  10. Merry Axe-Mas
  11. Thriller (Michael Jackson cover)
  12. Hell In The Hallways
  13. Stabbing In The Dark
  14. The Fastest Way To A Girl’s Heart Is Through Her Ribcage
  15. Love Bites
  16. Tess-Timony
  17. Me, Myself, & Hyde
  18. The American Nightmare

ENCORE

19. IT Is The End

The SiriusXM Octane Accelerator Tour was absolutely incredible from start to finish. Ice Nine Kills truly put on a one of a kind set that truly made me speechless walking out of the venue. Fit For A King delivered an incredible set as direct support and blew me away yet again. Light The Torch tore the stage up and made me an even bigger fan of them. And Awake At Last delivered a flawless set with ease as the opening act. I am truly grateful that I was able to attend this show and capture all of these amazing moments.

Ice Nine Kills | Fit For A King | Light The Torch | Awake At Last

Photos + Review courtesy of Jamie Kaufman | Instagram

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Diseased & Disguised Tour 2020 | Photos + Review

February 17, 2020 Leave a comment

Metalcore is a genre that never seems to go away, and that’s a good thing. When two giants of the scene, Beartooth and Motionless in White, announced their co-headlining tour, everyone knew we were in for a treat. With Limbs and Stick To Your Guns as support, this tour set the tone for the rest of 2020. 

Limbs was a band I had never heard of, but I was pleasantly surprised. They brought an energy no one in the crowd expected so early in the night. I’m used to watching openers have a few courtesy head bangs and nothing outside of it. The pit soon opened and the night began. With only one album, a few EPs and singles in their discography, you’d never expect a band to pack such a punch. 

Stick To Your Guns made their mark in the scene years ago, but something about them is always refreshing. Hardcore is a genre on a steady resurgence, and it’s easy to understand why. The set contained mostly classics such as “ Amber “ to spark memories in the crowd. The anger was obvious, but the band always has a way of bringing everyone in a room together. 

I can never stop suggesting Beartooth to anyone. Caleb Shomo has a voice that fills you with every emotion you could feel. The production of orange lights and fog created a vibe that made you want to move. Crowdsurfers made my job as a photographer difficult, but even my fellow photographers in the photo pit couldn’t help but bang their heads. Classic metal riffs with the anger and punch of a new hardcore band, Beartooth is a treat every single time. 

Few bands can pack a punch for over a decade. Motionless in White have the honor of being within those select few. The ambiance before they even walked on stage was enough to send shocks through the crowd. The spooky purple and blue lighting, strobes, and the skeletons on the stage, the band was sure to come out with a bang. Motionless mixes old songs with new, but the crowd knew the words to everything. Frontman Chris Motionless works the crowd into an angry and violent pit every single time, yet expresses his love and appreciation the entire time. With heavy hitters like Devils Night and Abigail, the crowd had plenty of energy to burn before the softer side of things came out towards the end with Another Life and Eternally Yours. The entire show was a mix of beauty, chaos, and spooky vibes. 

The Diseased and Disguised tour was an incredible start to the 2020 metal-core tour season. No mixed genres were needed to carry this tour around different fan bases. Solid, to the point heavy music was all it took to sell out shows, and created what I can say is one of the best shows I’ve been too.

Photos + review courtesy of Emily Sulkowski

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In Flames with Red and Arrival Of Autumn | Winter North American Tour | Photos + Review

February 1, 2020 Leave a comment

In Flames Set The Observatory On Fire On Their Winter North American Tour

Venue: The Observatory Orange Country on 11/6/19

            In Flames has been a band on my radar for quite some time. I got into them later than most when their 2016 album “Battles” hit the shelves. I was stoked when their North American Tour was announced, as I had still never seen them live. Along with the band came support from Red and Arrival of Autumn, giving the evening a mixture of metalcore, post-hardcore, hard rock, and melodic death metal. This night was truly amazing.

First up was Arrival Of Autumn from Grande Prairie, Alberta, Canada. This was my second time seeing and photographing these guys, the last time being a little over a month prior on the last date of their tour with Soulfly, Incite, and Prison. The band is the perfect mixture of metalcore and melodic death metal. Unfortunately, due to traffic, I was only able to photograph and catch the last song and a half of their set at The Observatory, but something that is evident about Arrival of Autumn is just how strong and together they are as a band. From their riff heavy instrumentals, courtesy of Ryan Sorensen and Brendan Anderson, to their thick basslines, thanks to Kevin Student, technical drumming from Ty Fox, and the mixture of a wide array of singing and screaming from vocalist Jamison Friesen, the band has a very strong sound that have blown me away both times I’ve seen them. The band played a 7-song set, most of which came from their debut 2019 release “Harbinger”, which was released via Nuclear Blast. Arrival Of Autumn is truly an amazing band and I cannot wait to catch their set again next time they’re in Southern California!

SETLIST

  1. Hurricane on the Horizon
  2. Witness
  3. Better Off Without
  4. The Endless
  5. Apocalyptic
  6. Old Bones / New Blood
  7. The Horror

Up next was Red from Nashville, Tennessee. This was my second time seeing these guys, with my last time being in March of 2018 when they co-headlined The Regent with Lacey Strum. I didn’t know much about them the first time I saw them but became a big fan after seeing them the first time. I now own every one of their six albums on physical copy and was happy with the songs they chose for their 9-song set. They mixed songs from their albums, along with songs from their 2019 EP “The Evening Hate”, which they released via The Fuel. I would best describe their sound as a mixture of Nu Metal, Alternative Rock, Alternative Metal, and Hard Rock. Their sound is dynamic, blending each of these songs into their diversified discography to perfection. When you go see Red live, the first thing you will realize is just how energetic vocalist Michael Barnes is, truly engaging with the crowd and owning every inch of the stage. Guitarist Anthony Armstrong, and twin brother and bassist Randy Armstrong own their sides of the stage with ease, slaying those guitars with ease. In the back of the stage, you’ll find drummer Dan Johnson drumming with force with his double bass drums on point. The band was a joy to see, and I especially liked them more now that I actually know the music they were playing. I cannot wait to see Red again in the future.

SETLIST

  1. Fight Inside
  2. Death of Me
  3. Confession (What’s Inside My Head)
  4. Let Go
  5. From The Ashes
  6. Already Over
  7. Feed The Machine
  8. The Evening Hate
  9. Breathe Into Me

In Flames from Gothenburg, Sweden finally hit the stage last. The band really went all out in terms of choosing their setlist, putting together 21-songs that showcased songs from ten of their thirteen albums. What blew me away was hearing the band’s change in sound over the span of their 30-year career as a band. Their musical style mixes together melodic death metal, metalcore, alternative metal, and heavy metal. The band played the perfect mix of the heavy, with some of their more melodic songs, to make both old school fans and newer fans alike very happy. Of the 21 songs they played, 6 of those songs came from their newest album “I, The Mask”, which was released in 2019 via Eleven Seven Records in North America, and via Nuclear Blast throughout the rest of the world. One element to the band’s sound that is iconic when many think of melodic death metal is their heavy use of guitar solos and dueling guitar parts, courtesy of Björn Gelotte and Chris Broderick. Both Gelotte and Broderick had great stage presence and interacted a lot with the crowd. The band’s older sound was strictly melodic death metal, but as time went on, vocalist Anders Fridén started incorporating more clean vocals, which truly helped bring the band in a different direction. Fridén told jokes between the band’s songs and was very active on stage. Bassist Bryce Paul headbanged like crazy and was also very big on crowd participation while he slammed out those bass notes. Drummer Tanner Wayne closes out the band’s lineup, playing an intricate drum patterns with ease. Wayne was previously in post-hardcore bands Chiodos and Scary Kids Scaring Kids but has since joined the metal greats of In Flames and helped them create “I, The Mask”, which has truly become my favorite record from the band to date. Just like their live set, the new record mixes together elements from melodic death metal with elements from metalcore, alternative metal, and heavy metal. They played a truly amazing set that left a lasting impression on me. I cannot wait to see them next time they come out to Southern California!

SETLIST

  1. Cloud Connected
  2. Only for the Weak
  3. Take This Life
  4. Clay Man
  5. Where the Dead Ships Dwell
  6. Call My Name
  7. Behind Space
  8. Follow Me
  9. Monsters in the Ballroom
  10. All for Me
  11. (This Is Our) House
  12. The Hive
  13. Wallflower
  14. Here Until Forever
  15. Burn
  16. Voices
  17. Everything’s Gone
  18. Colony
  19. The Truth
  20. I Am Above
  21. The End

The Winter North American Tour was an amazing spectacle to attend. I was finally able to see In Flames, who completely obliterated my expectations out of the water. It was great to see Red again, who were insane at this show and tore that stage up. And it was great to see my new friends in Arrival Of Autumn tear up that stage again, even though I was only able to catch a couple of songs. Truly an amazing night!

In Flames | Red | Arrival Of Autumn

Photos + Review courtesy of Jamie Kaufman | Instagram

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Ghostemane w/ Lil Tracy, Jesus Piece, and Section H8 | Hiadica North American Tour | Photos

January 20, 2020 Leave a comment

Hiadica North American Tour Photos

Venue: The Novo on 11/23/19

Section H8

Jesus Piece

Lil Tracy

Ghostemane

Ghostemane | Lil Tracy | Jesus Piece | Section H8

Photos courtesy of Jamie Kaufman

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Cannibal Corpse w/ Thy Art Is Murder | Fall North American Tour | Photos + Review

December 5, 2019 Leave a comment

Cannibal Corpse Slaughters Ventura

Venue: The Majestic Ventura Theater on 10/25/19

When it comes to death metal bands, Cannibal Corpse is one of the ultimate greats. I got into them a little later than most, when I came across “Hammer Smashed Face” on Rock Band back in 2013. They’ve been on my bucket list of bands I’ve wanted to see since then, and with them performing what would be a sold out show so close to home, this was the perfect opportunity to finally see them. And with another one of my favorite bands, Thy Art Is Murder, performing as well as direct support, this was bound to be a truly stellar show!

First up was Thy Art Is Murder from Sydney, Australia. This was my third time seeing these guys, and this was the longest set I’ve seen them play. They played a lot of songs from the new record “Human Target”, while mixing in songs from each of their other Nuclear Blast releases “Hate”, “Holy War” and “Dear Desolation”, totaling out to an 11-song set. Thy Art Is Murder is described as deathcore, but take in influences from death metal, blackened death metal, and even metalcore. It’s because of this blended sound that the band can fit with a plethora of metal lineups. I previously saw them in March of 2018 co-headlining with Dying Fetus on a North American Tour, then saw them in April of 2019 when they acted as direct support for Architects (UK) on their North American Tour. Once again, Thy Art Is Murder acted as direct support on this tour for none other than Cannibal Corpse, so Thy Art was able to bring out some of the heavier tracks on this run. I personally was extremely stoked to hear them play “New Gods” and “Make America Hate Again” from the new record. When you see the band live, there are a few notable things to look out for. Holding down the fort in the back is Jesse Beahler on drums, who truly creates an interesting dynamic with intense and difficult drum parts played to perfection. On stage left is rhythm guitarist Sean Leander and bassist Kevin Butler, who each groove along in each song with high energy and a plethora of facial expressions. Lead guitarist Andy Marsh stands on stage right and can be usually seen looking intensely into the crowd as he shreds to his’ hearts content. Front and center is vocalist CJ McMahon, who is spotted in the first 2 songs sporting a hooded cloak and looking tall and ominous into the crowd, while screaming and growling with a wide range of tones and pitches. The band is also known for their bright and strobing lighting, not using any of the frontal house lighting and bringing forth an haunting presence, which goes right along with their serious politically driven lyrical content that focuses on anti-religion, anti-extremism, animal rights, greed, war, and much more. I was thrilled to see Thy Art Is Murder once again and I believe they truly put on their best set to date!

SETLIST

  1. Death Squad Anthem
  2. Make America Hate Again
  3. Fur and Claw
  4. Slaves Beyond Death
  5. Holy War
  6. No Absolution
  7. Human Target
  8. The Son of Misery
  9. New Gods
  10. Reign of Darkness
  11. Puppet Master

Next up was the all mighty Cannibal Corpse from Buffalo, New York. After many years of listening to them and playing their songs on Rock Band, it finally became time to see them. The band is good ole fashioned death metal that borders the line of brutal death metal. Their lyrical content draws from horror fiction novels and horror films, with highly graphic and controversial imagery on their album covers to go along with the musical content. As a big horror fan myself, I was almost immediately drawn to that aspect of Cannibal Corpse when I found out about them. The band has been going strong since 1988, despite a couple lineup changes near the beginning of their career. What I was pleasantly surprised when watching them was how humble they were. They didn’t do a walk on intro like a lot of other bands, they didn’t bring additional lighting, they just played good fucking music and got the crowd hyped. Vocalist George “Corpsegrinder” Fisher blew me away with his ability to own the stage by doing a single stance. The band isn’t known for being insanely energetic, but the power each member gives off just from their stage presence and musical technicality is mind blowing. With fourteen albums in their discography, I was pleasantly surprised how well the band was able to cover, playing songs from twelve of those fourteen albums. The crowd went nuts, with one of the most violent mosh pits I’ve seen. This was a perfect setlist, as the band played a whopping 18-songs, with George adding in some comedic moments while the rest of the members would tune their instruments. I was thrilled to hear songs like “I Cum Blood”, “Hammer Smashed Face”, “Red Before Black”, and “Kill or Become”, which were all highlights from the set for me. Bassist and founding member Alex Webster was also very fun to watch for me, as his bass stance was very powerful and was very fun to capture. The band had Erik Rutan, guitarist of Hate Eternal, filling in on this tour. His stage presence and ability to own those dueling guitar solos blew me away. Drummer Paul Mazurkiewicz truly impressed me with his extremely technical drum parts that were played to perfection, along with his stage presence behind the kit. The dude is insanely fun to watch. Closing out the band’s lineup is guitarist Rob Barrett, who truly slayed it with his’ rhythmic patterns and technicality on the rhythm guitar. But the stand out was definitely George Fisher, who’s headbanging and vocal abilities drove the set to a whole other level. Cannibal Corpse’s performance was one for the books and I will definitely be seeing them again in the near future!

SETLIST

  1. Code of the Slashers
  2. Only One Will Die
  3. Red Before Black
  4. Scourge of Iron
  5. Staring Through the Eyes of the Dead
  6. The Wretched Spawn
  7. Devoured by Vermin
  8. Unleashing the Bloodthirsty
  9. Gutted
  10. Kill or Become
  11. A Skull Full of Maggots
  12. Evisceration Plague
  13. Firestorm Vengeance
  14. Death Walking Terror
  15. I Cum Blood
  16. Make Them Suffer
  17. Stripped, Raped, and Strangled
  18. Hammer Smashed Face

Cannibal Corpse’s Fall North American Tour was an amazing night with two bands who absolutely crushed it, performing incredible music that blew me away. Both Thy Art Is Murder and Cannibal Corpse are at the top of their game and I cannot wait to see both bands in the new year when they come out to California again!

Cannibal Corpse | Thy Art Is Murder

Photos + Review courtesy of Jamie Kaufman | Instagram

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