11-2-24 – Fit For An Autopsy Bring The Nothing That Is Through Southern California | Photos + Review

Fit For An Autopsy is an electrifying band that I can’t resist seeing and photographing every time they come through my town. Their headlining tour celebrated the release of their eagerly awaited album, “The Nothing That Is,” which dropped on October 25, 2024, under the renowned Nuclear Blast Records label. The tour featured a formidable lineup of supporting acts, including Bodysnatcher, known for their aggressive sound; Distant, who brought a heavy, slamming style; Sylosis, with their melodic intricacies; and Judiciary, delivering relentless hardcore energy. The night promised an intense experience filled with face-melting riffs and an enthusiastic crowd ready to immerse themselves in the powerful soundscapes created by these artists.

Kicking off the night was Judiciary from Lubbock, Texas, a band that wasted no time in capturing the audience’s attention with their explosive opener, “Blood.” Right from the start, their hardcore roots shone through, unleashing a wave of energy that had fans two-stepping and moshing with fervor. Their sound is a captivating fusion of hardcore punk, metalcore, and thrash metal, creating an intense atmosphere that enveloped the venue. At the helm was vocalist Jake Collinson, whose commanding stage presence demanded more chaos from the audience. With every guttural scream and passionate plea, he galvanized the crowd, urging them to dive deeper into the mayhem. The heavy, intricate riffs woven by guitarists Israel Garza and Jimmy LaDue reverberated through the space, while bassist Juan Vazquez laid down a thunderous foundation of grooves. Drummer Austin Scott-Looney anchored the band with relentless, driving beats, propelling them forward into their next track, “Paradigm Piercer.” As the performance unfolded, the excitement reached a fever pitch during the fourth song, “Social Crusade,” where the crowd truly let loose, thrashing about in wild abandon. This fervor only intensified as they transitioned into the final songs, “Temple” and “The Axis of Equality,” which rounded out a powerful set. Judiciary not only ignited the stage but also crafted a memorable, groove-heavy hardcore experience that reverberated long after their last note faded away.

Sylosis, the electrifying band from Reading, Berkshire, England, burst onto the stage with a palpable energy that had been building for years. Their long-awaited return to North America was a highlight for fans, as it had been a staggering 11 years since their last performance on this side of the Atlantic. They kicked off the evening with “Poison for the Lost,” a track that serves as a perfect introduction to their signature sound: a relentless fusion of thrash, metalcore, and melodic death metal, featuring both infectious grooves and brutal intensity. At the forefront of the performance was lead guitarist and vocalist Josh Middleton, who captivated the audience with his stunning vocal prowess and intricate, face-melting riffs. His stage presence was commanding, drawing everyone’s eyes to him. Alongside him, rhythm guitarist Conor Marshall contributed thick, rhythmic riffs that got the crowd moving and headbanging in unison, amplifying the electric atmosphere. As the band dove into their second song, “Pariahs,” my attention was irresistibly drawn to drummer Ali Richardson. He was a veritable force of nature behind the kit, unleashing intricate drum patterns that throbbed through the venue like a heartbeat, elevating every moment of their performance. The band then unleashed the title track from their 2020 album, “Cycle of Suffering,” which resonated powerfully with the audience. Bassist Ben Thomas filled the soundscape with deep, booming bass lines, adding layers of depth and groove that enveloped the crowd. The frenetic energy in the room soared, igniting a wild wave of moshing and headbanging, especially during the latter half of the set as they ripped through powerful tracks like “Teras,” “Worship Decay,” and “Deadwood.” The culmination of the set was a testament to the anticipation that had been building for so long, and every moment spent waiting to witness Sylosis live was undeniably well worth it. As they took their final bows, I couldn’t help but hope that it wouldn’t take another 11 years for them to make their triumphant return (spoilers: they are slated to come back in 2025!). The excitement for that moment is already brewing.

The stage came alive as the powerful presence of Distant, hailing from the far reaches of Rotterdam, The Netherlands, and Bratislava, Slovakia, took center stage. It had been just over two years since I last witnessed and captured their electrifying performance when they opened for the Chaos & Carnage Tour. This time, they kicked off with the thunderous track “Loveless Suffering,” taken from their much-anticipated upcoming album “Tsukuyomi: The Origin.” Vocalist Alan Grnja burst onto the stage with an energy that was palpable, immediately showcasing his astonishing vocal range that soared and growled in perfect harmony with the ferocity of the music. Meanwhile, guitarist Nouri Yetgin unleashed a barrage of aggressive riffs that instantly set the tone for the night. The intricate and pulsating rhythms showcased by drummer Rene Gerbrandy were especially prominent in the second song, “Oedipism,” where his skillful execution and dynamic patterns kept everyone on the edge of their seats. Completing the lineup, bassist Elmer Maurits delivered extraordinarily deep and penetrating bass lines that resonated through the venue, adding a richer layer to the band’s sound. It was evident that this group has undergone significant growth, evolving into a premier down-tempo deathcore ensemble, and witnessing their upward trajectory was nothing short of awe-inspiring. The band concluded their blistering set with an impressive array of tracks, including crowd favorites like “Exofilth,” “Born of Blood,” and “Hellmøuth,” before wrapping up with the intense “Heirs of Torment.” Each song ignited the audience, sending waves of energy through the crowd and prompting mosh pits that threatened to spill over. I left feeling exhilarated, already eager for the next opportunity to see and photograph these incredible musicians again!

Bodysnatcher, hailing from Melbourne, Florida, erupted onto the stage with unrelenting energy. They kicked off their set with the ferocious track “King of Rats,” an explosive mix of nu-metal and deathcore that instantly captivated the audience. Kyle Medina’s commanding vocals pierced through the air, while Chris Whited laid down heavy, downtempo beats that reverberated through the venue. Guitarist Kyle Carter and bassist Kyle Shope unleashed a torrent of intricate, fight-driven riffs that intensified the atmosphere. As the band transitioned into their next song, “Dead Rabbit,” the crowd felt the unmistakable weight of their hardcore influences. This riff-heavy track, laden with powerful callouts, had fans thrashing and shouting in unison. The excitement swelled as Bodysnatcher performed a gripping 10-song set, drawing from their latest EP, “Vile Conduct.” Standout tracks like “Human Distain,” “Infested,” “Murder8,” and “Severed” brought the audience to a fever pitch, as each song resonated with raw intensity. Having witnessed their performance earlier this year when they co-headlined with Spite at The Glass House in Pomona, CA, I was amazed at how much harder they brought it this time around. The vigor and skill on display had the crowd in a frenzy, losing themselves in the music. Capturing their electric presence is always a thrill, and I can hardly wait for my next opportunity to experience their dynamic show once more.

Fit For An Autopsy, the unstoppable force from Jersey City, New Jersey, finally took the stage, igniting the crowd with their electrifying opener, “Lower Purpose.” This tour was a visual and auditory spectacle, featuring not only an impressive light show but also a compelling 12-song setlist that showcased their latest album, “The Nothing That Is”, alongside fan favorites from previous releases dating back to 2017. Frontman Joe Badolato dominated the stage, his commanding vocals demanding chaos and engagement from the crowd as he delivered a captivating performance. Guitarists Pat Sheridan and Tim Howley unleashed relentless riffs that reverberated through the venue, while bassist Peter “Blue” Spinazola’s infectious energy kept the audience vibing and fully immersed in the experience. Completing this powerhouse ensemble, drummer Josean Orta played with remarkable ferocity, his beats driving the performance to exhilarating heights. Their new album is a bold progression for the band, enhancing their unmistakable deathcore sound while incorporating more melodic elements and intricate tempo variations, especially in tracks like “Red Horizon”. The crowd was truly alive during the performance, erupting with excitement for fan favorites like “The Sea of Tragic Beasts” and the fierce “Warfare.” Fit For An Autopsy is a band I never want to miss when they come to town, and once again, they delivered an unforgettable show. This album release tour was nothing short of extraordinary, especially with the support from amazing acts such as Bodysnatcher, Distant, Sylosis, and Judiciary. Each band brought unparalleled energy, making this one of the most standout concerts of the year. With only a few dates left on the tour, if you’re wavering about attending, I highly urge you to go. This is a tour that promises to be a powerful and immersive experience you won’t regret!

Fit For An Autopsy | Bodysnatcher | Distant | Sylosis | Judiciary

Photos + Review by Jamie Kaufman | Instagram | Facebook | X

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Caskets W/ Wind Walkers and Colorblind | Fall North American Tour | 10-15-24 | Photos

Colorblind

Wind Walkers

Caskets

Caskets | Wind Walkers | Colorblind

Photos courtesy of Jamie Kaufman | Instagram | Facebook | X

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Blessthefall Unleashes Their “Hollow Bodies” 10th Anniversary Tour In Santa Ana Featuring Caskets, Kingdom of Giants, and Dragged Under | 8/3/23 | Photos + Review |

Date: 8-3-23 at The Observatory Orange County in Santa Ana, CA

Let’s take a trip down memory lane to 2013 when Blessthefall performed on the mainstage at Vans Warped Tour in Ventura, CA. The band had just released their latest album, “Hollow Bodies,” via Fearless Records. Fast-forward to the present day and Blessthefall have announced their 10th-anniversary tour for this iconic album. The tour includes their first shows in almost four years and features Caskets, Kingdom of Giants, and Dragged Under, all of which I’ve seen and photographed before. The concert was a remarkable experience from start to finish.

Dragged Under from Seattle, Washington, was up first to the stage. I first saw and photographed the band in 2021 when they opened for Beartooth and Wage War, then again on their headliner in 2022 with support from Rivals. These guys are perfectly described as the middle ground between post-hardcore and metalcore. The band played a 6-song set of songs from both albums, “Upright Animals” and “The World Is In Your Way” equally. Anthony Cappocchi is an absolute beast of a frontman and got the crowd going. Guitarists Sean Rosario and Chris Namoc brought the energy with some heavy riffage and lots of jumping. Drummer Dylan Roy held down the fort with his incredible drumming prowess. I’m so glad I could see and photograph these guys again. Get to the show early to see these guys!

SETLIST

  1. Instability
  2. Suffer
  3. Brainwash Broadcast
  4. Upright Animals
  5. Chelsea
  6. Hypochondria

Kingdom of Giants was next to the stage, hailing from Sacramento, California. This was my fourth time seeing the sextet (although they play live as a quintet), and they did not disappoint. Playing a 7-song set, the band mainly played songs from their 2020 album “Passengers,” released via SharpTone Records, and their new single “Wasted Space.” I was stoked to finally hear songs like “Burner” and “Two Suns” in a live setting. Vocalist Dana Willax has never sounded better live, showcasing a mixture of cleans and screaming. The band’s new bassist Justin Roebuck-Joseph absolutely SLAYS with the band. He did not have an easy job jumping in for the previous bassist and clean vocalist, Jonny Reeves, but he did not disappoint. Guitarists Julian Perez and Red Martin destroyed it on stage with many headbangs and riffage galore. Closing out the band’s lineup is drummer Truman Berlin, a powerhouse on that stage, calling out to the crowd between songs and getting people excited. This was my first time not seeing guitarist Max Bremer with the band, but I know he’d be so proud of these guys for how well they performed. Kingdom of Giants is truly a band you do not want to miss!

SETLIST

  1. Burner
  2. Night Shift
  3. Wasted Space
  4. Two Suns
  5. Sync
  6. Bleach
  7. Wayfinder

Caskets from Leeds, England, came up next as direct support. This was my second time seeing the British quintet, the first being in May of 2022. Seeing them get a more extended set on this tour was fantastic, playing a 9-song set showcasing songs from each of their three releases. Vocalist Matt Flood shines on that stage, really getting the crowd going. One thing that always stands out to me whenever I see Caskets live is how happy bassist Chris McIntosh is to be on stage with a big bright smile shining from ear to ear. Guitarists Benji Wilson and Craig Robinson provided the heavy riffage that contrasts the synth-heavy melodies that genuinely give the band their signature sound. Drummer James Lazenby helps create the foundations of the band’s songs with intricate drum patterns. It’s been so cool to see the trajectory of this band, and I cannot wait to see where their upcoming album “Reflections” takes them. They were an excellent choice to be direct support for this tour!

  1. Guiding Light
  2. Hold Me Now
  3. Drowned In Emotion
  4. More Than Misery
  5. Too Late
  6. The Only Ones
  7. Lost In Echoes
  8. Falling Apart
  9. Glass Heart

 The all-mighty Blessthefall from Phoenix, AZ, came up next. To say this set meant a lot to me would be an understatement. The band played “Hollow Bodies” in its entirety for their first show in almost four years, with additional songs as well. Songs like “Exodus,” “You Wear A Crown But You Are No King,” “Hollow Bodies,” and “Youngbloods” truly showcase the dueling vocals of Beau Boken and bassist Jared Warth. A very cool moment was when Beau Boken’s wife, Lights, came out to perform the final song from Hollow Bodies, “Open Water,” which was quickly a highlight of the night. Guitarists Eric Lambert and Elliott Gruenberg shredded. The songs on this album have a rather djenty feel, which, as many know, is one of my favorite metal styles. The band brought along with them touring drummer Jared Fron who destroyed those intricate drum parts with precision. As a bonus, the band played their newest single, “Wake The Dead,” along with songs from their 2008 release, “Witness,” and a song from their 2018 release, “Hard Feelings.” The lighting the band brought with them this time was easily some of the best I’ve seen them with and genuinely added to the experience. Blessthefall has always been one of my favorite bands, so seeing and photographing them again after so long meant the world to me!

SETLIST

  1. Exodus
  2. You Wear A Crown But You Are No King
  3. Hollow Bodies
  4. Déjà Vu
  5. Buried In These Walls
  6. See You On The Outside
  7. Youngbloods
  8. Standing On The Ashes
  9. Carry On
  10. The Sound Of Starting Over
  11. Open Water

ENCORE

  1. Wake The Dead
  2. Cutthroat
  3. 2.0
  4. What’s Left Of Me
  5. Hey Baby, Here’s That Song You Wanted

Blessthefall’s 10th Anniversary Tour kick-off show was an absolute fever dream. Every band brought the energy tenfold and made it a stellar time. I cannot believe this album is now ten years old! It’s honestly crazy how fast time flies. This tour is still going on, so make sure to attend if there is a date close to you!

Blessthefall | Caskets | Kingdom of Giants | Dragged Under

Photos + Review Courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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August Burns Red featuring Fit For A King, ERRA, and Like Moths To Flames | Leveler 10 Year Anniversary Tour | 12/8/21 | Photos + Review

August Burns Red Brings The Belasco To A New Level On Their Leveler Anniversary Tour

Venue: The Belasco Theater in Los Angeles, CA

Date: 12/8/21

August Burns Red has been a leading band in the metalcore genre for quite some time. The band solidified themselves with their sophomore album “Messengers.” They garnered a large following from then on, constantly innovating in their song structure and musicality. For the tenth anniversary of their fourth album, “Leveler,” the band re-recorded the album in its entirety, bringing on special guests and changing the tunings of the songs from then on. In celebration of this, they embarked on a 10th-anniversary tour supporting the album, which they played in its entirety. Unfortunately, a few of the crew and band members caught COVID-19 on the run of dates in October due to the pandemic, forcing the band to postpone about a week’s worth of dates to December. Regardless, I am beyond stoked I got to cover this date for August Burns Red, along with the incredible lineup of Fit For A King, ERRA, and Like Moths To Flames. 

Up first was Like Moths To Flames from Columbus, Ohio. This is a band that I first got into in 2012 when I saw them on the “Scream It Like You Mean It Tour” alongside bands like Attack Attack!, We Came As Romans, and more. The band is the perfect middle ground between metalcore and post-hardcore. Since the last time I photographed and saw them back in 2018, the band found their new label at UNFD, where they dropped their fifth album “No Eternity In Gold” in 2020, along with their new EP “Pure Like Porcelain” in 2021. The band really strengthened their sound on these new releases. Chris Roetter’s vocals were showcased to the highest power on these releases, truly showing off his vocal prowess. Their single “Habitual Decline” in particular pops off like no other, both live and on record, showing off Chris’ cleans and screaming. Guitarists Zach Pishney and Jeremy Smith flourish on these releases as well, really bringing the instrumentals to new levels. I started feeling the band incorporating some elements of progressive metal on some songs, which, as many will tell you, is my favorite subgenre of metal personally. Unfortunately, bassist Aaron Evans was unable to make the rescheduled dates for whatever reason, which was my first time seeing the band without him. He has an entertaining stage presence that was sorely missed for me, but Chris Roetter was on top of that crowd, really getting people hyped like no other. Roman Garcia closed out the band’s live lineup on drums, who absolutely smashed through those drum parts with precision. The band played six songs that night, playing songs from their first album to the newest EP. Like Moths To Flames is always an incredible band to see live, and I cannot wait to hopefully see and photograph them on their upcoming co-headliner with Polaris in March – April! 

SETLIST

  1. The Worst In Me
  2. Habitual Decline
  3. I Solemnly Swear
  4. Preservation Of Hate
  5. The Anatomy Of Evil
  6. Bury Your Pain

ERRA from Birmingham, Alabama, was up next. The last time I saw these progressive metalcore boys was in 2019, when they did a co-headlining tour with Northlane. The band has since released its critically acclaimed self-titled album via UNFD in 2021, which helped the band garner even more fans and streams galore. The band opened their set with the song “Gungrave,” which has some heavy riffage from guitarists Jesse Cash and Sean Price, the vocal stylings from JT Cavey, the deep bass grooves from Conor Hesse, and the intricate drum patterns from Alex Ballew. The song has that iconic yin and yang in vocals between Jesse’s cleans and JT’s screams. The band then went on to play their heaviest song from the self-titled album “Scorpion Hymn.” JT’s vocal prowess is on full display here, truly showing off his range. From lots of mids, screeching highs, and deep gutturals, JT is truly a powerhouse, and this song showcases all of his abilities in one. The instrumental structure of this song is much darker than many of their other songs, making this song a standout on the record as a whole. In contrast, the following song the band played is “Divisionary,” which is much brighter in sound compared to “Scorpion Hymn.” Jesse’s vocals are the song’s focal point, but those contrasting parts with JT’s screaming help give the song layers and momentum. The intricate guitar patterns really stand out to me in this song, along with a thick prominent bass tone in the latter half of the song, which gives Conor his’ moment to shine. The band played a total of 8 songs throughout the set, showcasing the band’s newest album and songs from previous releases. I was thoroughly excited to hear how these new songs translated live, and they definitely did not disappoint. I cannot wait to see and photograph these guys again on their spring tour as they support Beartooth, Silverstein, and The Devil Wears Prada!

SETLIST

  1. Gungrave
  2. Scorpion Hymn
  3. Divisionary
  4. Eye of God
  5. Irreversible
  6. Breach
  7. Vanish Canvas
  8. Snowblood

Up next was Fit For A King from Dallas, TX. This was my fifth time seeing these metalcore greats, and they once again did not disappoint. Since I saw them in November 2019, the band dropped their sixth album in 2020 titled “The Path” on Solid State Records. It was met with critical acclaim and became the band’s most successful release to date streaming-wise. The band opened the set with the song “Stockholm,” which is a heavy banger to open the set with. This is one of the heavier songs from “The Path,” with Ryan Kirby’s iconic gutturals and lower toned vocals, the deep bass grooves from Ryan “Tuck” O’Leary, those chuggy guitars from Daniel Gailey and Bobby Lynge, and the fast and tight drums from Jared Easterling. This was Fit For A King’s first tour as a five-piece since 2013, with Bobby returning to the live stage for the tour. This was also the last run of shows with drummer and founding member Jared Easterling, who announced his departure prior to the tour. The band then went on to play the song “Locked (In My Head),” which was one of the leading singles from the new album. Locked definitely has a more post-hardcore vibe, reminiscent of the bands from the early-mid 2000s while still having a modern edge. Tuck and Ryan do an incredible job going back and forth on those clean vocals, really providing an emotion-driven melodic song to the mix that helped push the band’s boundaries in terms of what can be expected going forward. Continuing this momentum, the band then played “Breaking The Mirror,” which is all about overcoming past failures and pushing forward. The band really brought it to the next level with this new record, and the crowd was eating it up, with lots of crowd surfing and moshing galore. The band played a total of 11-songs, most of which came from “The Path” and “Dark Skies” and one song from “Deathgrip.” The band has really strengthened their core sound while still broadening out on what is possible. I cannot wait to see and photograph them on their “Dark Path Tour” in the spring as they headline the US with Silent Planet, Hollow Front, and AVOID supporting them. It will be an incredible time, and I cannot wait to see these metalcore boys again!

SETLIST

  1. Stockholm
  2. Locked (In My Head)
  3. Breaking The Mirror
  4. When Everything Means Nothing
  5. Annihilation
  6. The Price Of Agony
  7. Deathgrip
  8. Backbreaker
  9. The Path
  10. Tower Of Pain
  11. God Of Fire

August Burns Red from Lancaster, Pennsylvania, came up next to the stage. The band came out swinging with the brand new opening track from the Leveler re-recording “X,” a wholly instrumental track. Bassist Dustin Davidson came out front and center, plucking those deep bass notes. Guitarists Brent Rambler and JT Brubaker played these gorgeous melodic guitar riffs that created a sing-along melody that would go into the next track. Due to personal issues, vocalist Jake Luhrs could not play the rescheduled dates. Due to this, Michael Felker from the metalcore band Convictions came in to do vocals for the band. Michael came out swinging on the song “Empire,” a fast-paced and riff-heavy metalcore track. One thing that is in the forefront of all of August Burns Red’s songs is the drum playing from the impressive Matt Greiner, who is truly on point with every beat he makes. The song “Empire” is jampacked with all of the elements that have helped August Burns Red solidify their sound: progressive and intricate guitar and drum patterns, sing-along sections, breakdowns, guitar solos, and uplifting vocals. The band then went on to play “Internal Cannon,” which was the song that got me into August Burns Red back in the day. The song features Matt K. Heafy from Trivium on the studio re-recording, which really added another layer to the song. The incredible dynamics in this song make it apparent why it is a fan favorite. August Burns Red’s metalcore style creates the melody using the instrumentals, as about 99% of the vocals are screaming in their music. Internal Cannon also has this slow-down section that incorporates some influences from jazz and blues that really help give some serious contrast to the song. The band then went on to play “Leveler” in its entirety, then came back to play a few newer songs and even an instrumental cover of “Carol of the Bells,” since the show was near the holiday time, totaling in at a whopping 18-songs in their setlist. August Burns Red never disappoints, and I cannot wait to see and photograph them again on their tour going on now with Killswitch Engage and Light The Torch! August Burns Red is genuinely an incredible band!

SETLIST

  1. X
  2. Empire
  3. Internal Cannon
  4. Divisions
  5. Cutting The Ties
  6. Pangaea
  7. Carpe Diem
  8. 40 Nights
  9. Salt & Light
  10. Poor Millionaire
  11. 1/16/2011
  12. Boys Of Fall
  13. Leveler
  14. Drum Solo

ENCORE

15. Bloodletter

16. Defender

17. Carol of the Bells (Mykola Leontovych cover)

18. White Washed

The Leveler 10th anniversary tour was a celebration of a truly incredible album from one of the leading metalcore bands in the genre, August Burns Red. Fit For A King, ERRA, and Like Moths To Flames were the perfect bands to support August Burns Red on this tour! Make sure to see all of these fantastic bands on their upcoming tours if they come to a city near you!

August Burns Red | Fit For A King | ERRA | Like Moths To Flames

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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Volumes with special guests Varials, UnityTX, and Kingsmen | Fall US Tour | 11/20/21 | Photos + Review

Volumes Sell Out Their Hometown Show To Close Out Their Fall Tour

Chain Reaction in Anaheim, CA on 11/20/21

Volumes have been a band I have enjoyed for quite some time. Their progressive metalcore sound that verges on deathcore brings in a lot of fans that go absolutely nuts to their music. For their return to the stage, they embarked on a month-long headlining US Tour in support of their new album “Happier?” in 2021 via Fearless Records. They brought along a solid lineup of bands that are quite different in sound but who each bring the energy to the stage, those being Varials, UnityTX, and Kingsmen. This night was a lot of fun and brought a lot of high energy and vibes. 

First up to the stage were Kingsmen from Providence, Rhode Island. Unfortunately, some issues getting in as a photographer prevented me from seeing or photographing a majority of their set. However, I was able to get in and photograph the last song and a half of the set, which I utilized each second of. The band is good ole metalcore, with music in the same vein as bands like Killswitch Engage, Miss May I, and many more. I was very much looking forward to seeing Kingsmen and seeing their 5-song set, most of which came from their 2020 record “Revenge. Forgiveness. Recovery.”, which was released via SharpTone Records. The one song I did get to see and photograph was a cover of Metallica’s “Sad But True,” which they did exceptionally well. The vocalist Tanner was on point with his’ vocals, guitarists Nick and Tim did incredibly on those guitar parts, Adam held it down strong on those bass lines, and drummer Mike slammed those drum parts. I’m sad I could only see and photograph one song, but the band killed it on that cover. I cannot wait to see and photograph them for a longer period of time next time they come out to the west coast. 

SETLIST

  1. Tipping The Scales
  2. Nightmares
  3. Until I Departed
  4. Oppressor
  5. Sad But True (Metallica Cover)

Up next were the Dallas, Texas boys in UnityTX. This band is the perfect blend of metalcore, hardcore, and rap. The band played songs from their two EPs, “Madboy” and “Hellway,” released on Pure Noise Records. Their crowds went wild and even got so violent to the point where multiple crowd members were dragged out of the venue for fighting. Their music goes HARD. What’s unique is the diverse stylings the band has. With vocalist Shaolin at the forefront, the band incorporates many hip hop and rap elements. The band weaved some full-on rap songs into their set, showcasing Shaolin’s stage prowess and rap ability. The instrumentals in the band’s set should definitely be praised as well. Those basslines from Alberto are beefy and heavy. They add a deep groove to the songs that are very much needed. Then you have the guitar tones from Ricky that add a deep emphasis on those breakdowns and get the crowd going wild with those guitar chugs. Closing out the band’s lineup is Jonathan on drums, who slammed the hell out of those drums with precision. The band absolutely blew me away and proved why they are getting as far as they are. I cannot wait to see and photograph them again next time they come to Southern California. 

SETLIST

  1. Agony
  2. Ruckus
  3. Cross Me
  4. 60 Seconds (Wait)
  5. Bang Shit
  6. Hail Mary
  7. Walk With Me

Up next was Varials from Philadelphia, Pennsylvania. I’d best describe their sound as the perfect trifecta of metalcore, hardcore, and deathcore, with some minor nu-metal influences as well. This was my second time seeing and photographing the band, with the first time being back in May of 2019 when they toured in support of Sylar and Cane Hill at this same venue. Since then, the band has gone through some lineup changes, the most notable being the shift of vocalist to Mitchell. Mitchell was previously on guitar and absolutely killed it on his new position in the band. He screams and sings those parts with power and emotion. Mike is still slaying it on bass, adding some serious grit to the rhythm section. James added some grooves to the rhythm section on the guitar, which adds a lot to the band’s sound. The band brought out two touring members to finalize their live set for this tour. Kendrick is in the band BeGotten and played lead guitar on this tour, absolutely slaying those leads while also having incredibly high energy on stage that included two-stepping, windmills, and lots of headbangs. Kevin finalized the band’s lineup on drums, absolutely murdering that kit on stage. They played a 10-song set, playing songs from both of their albums, “In Darkness” and “Pain Again,” along with a couple of songs from their E.P. “Failure//Control.” I always enjoy seeing and photographing these guys and hope to do so again when they come out with All That Remains, Miss May I, and Tallah in Spring of 2022!

SETLIST

  1. Romance
  2. Empire of Dirt
  3. I Suffocate
  4. In Darkness
  5. South of One
  6. E.D.A.
  7. Stigmata
  8. Savage
  9. Anything To Numb
  10. The New Damnation

Volumes from Los Angeles, CA, came to the stage next. For the tour’s final date, the Southern California native band came back home to party it up. The band played a great mixture of songs to please old fans and new fans alike. Their progressive metalcore sound that borderlines on deathcore has garnered various fans. Vocalists Myke and Michael do a great job going back and forth on vocals, creating a jab punch in songs like “The Mixture” and “F.X.B.,” and creating incredible dynamics between cleans and screaming on songs like “Bend.” Bassist Raad adds those deep grooves that are ever-present throughout the band’s whole discography. Drummer Nick slams those drums with intricate patterns that create the bassline for the instrumentals to flow effortlessly. Finalizing the band’s live lineup is Mikhael on guitar, who plays those complex guitar parts flawlessly. The band really had a lot to offer in this set. They had the crowd going wild with a dynamic lighting setup to a whopping 17-song set that incorporated songs from their entire discography. Out of all the shows I covered in 2022, this was by far the rowdiest crowd I had the honor of being a part of. Volumes know how to bring the party, and they did not disappoint this time around.

SETLIST

  1. Intro
  2. F.B.X.
  3. The Mixture
  4. Holywater
  5. 91367
  6. Pixelate
  7. Get Enough
  8. Weighted
  9. Bend
  10. Serenity
  11. The Columbian Faction
  12. Edge Of The Earth
  13. Erased
  14. Pieces
  15. Intake
  16. Wormholes

Encore

17. Feels Good

Volumes truly brought it on this final night of their month-long trek on the road. With bands like Varials, UnityTX, and Kingsmen, they truly brought along with them a diverse group of bands that created a dynamic night of music. I’m still sad I couldn’t see and photograph more of Kingsmen’s set, but that will definitely happen next time. 

Volumes | Varials | UnityTX | Kingsmen

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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Silverstein with special guests The Plot In You and Can’t Swim | Silverstein 20th Anniversary Tour | 11/19/21 | Photos + Review

Silverstein Sells Out Their 20 Year Celebration In Los Angeles

11/19/21 at The Belasco Theater in Los Angeles, CA

              In March of 2020, Silverstein was set to go out on their 20th Anniversary Tour. Due to the ongoing pandemic, the tour was postponed twice. Finally setting out on tour in November and December of 2021, the band now hit their 21st anniversary as a band. To prepare for just a significant anniversary, the band prepared one of the longest sets I’ve ever seen a band play, and they brought along with them The Plot In You and Can’t Swim for the ride. This lineup made for a night of diverse music that kept fans entertained from start to finish.

              First up was Can’t Swim from Keansburg, New Jersey. I’d best describe the band’s sound in the subgenre known as “easycore.” Easycore is basically the merging of pop-punk and metalcore. Similar bands in sound would be A Day To Remember, Chunk! No, Captain Chunk, and more. The band started with the song “Set The Room Ablaze,” which comes from their newest album, “Change Of Plans,” released in 2021 via Pure Noise Records. This song has a heavy edge, with metalcore-inspired riffs courtesy of Danny Rico and Mike Sanchez. This song also features some raspy screams from guitarist Chris LoPorto. The song’s studio recording features Caleb Shomo from Beartooth, which honestly pushes the song over the edge. This is easily my favorite song from the band and having them open up with it was incredible to witness. The band then went on to play their song “Sometimes You Meet The Right People At The Wrong Time” from their 2018 record “This Too Won’t Pass,” released via Pure Noise Records. This song has an overall pop-punk feel, with the stand-out elements being the drum patterns and overall atmosphere. I focused during this song on drummer Blake Gamel, who was absolutely smashing those drums like crazy. Bassist Greg McDevitt also did a superb job on backup vocals, adding amazing harmonies that pushed the songs to another level. The third song in the set that I captured was their song “Sense of Humor,” which has a very lighthearted feel in the melodies and atmosphere. The song changes up about two-thirds of the way through with a breakdown, adding an extra layer of contrast and depth to the song that kept me jamming while in the photo pit. The band was tight as hell during their set and had incredible energy. They absolutely blew away my expectations. They played a nine-song setlist, playing songs from four of their releases. They’re a fantastic band, and I highly recommend attending their headlining tour in the spring if it comes near you!

SETLIST

  1. Set The Room Ablaze
  2. “Sometimes You Meet The Right Person At The Wrong Time”
  3. Sense Of Humor
  4. Prick
  5. Deliver Us From Evil
  6. Power
  7. My Queen
  8. Your Clothes
  9. Stranger

Up next was The Plot In You Hancock County, Ohio. This was my second time ever seeing The Plot In You, with the first and only other time being back in 2016 when they were headlining their “Happiness In Self Destruction” tour in support of their album they had released the year prior of the same title. The band has made quite the transformation since then. The band was previously a through and through metalcore band. They experimented with more melodic elements in the album “Happiness In Self Destruction” before diving deep into their new sound in 2018’s “Dispose” via Fearless Records. Going more towards a post-hardcore and progressive rock sound, the band has genuinely diversified their more recent records. The band opened with the song “Face Me” from their 2021 record “Swan Song,” also released on Fearless Records. Face Me opens up with a beat, and vocalist Landon Tewers before the full band comes in during the chorus. The band really brought the theatrics, with a gorgeous light show that really brought their performance to the next level. The instrumentals have a truly modern vibe to them. The bass from Ethan Yoder is vibrant and prominent, the guitar is deep and full from Josh Lewis Childress, and the drums are clean and solid from Michael Cooper. The band then went on to their second song, “Fall Again,” which is my favorite track from the new record. This song plays with the band’s heavier elements, bringing in some nu-metal inspiration in the guitar tones and vocalizations. Landon Tewers is truly on fire vocally on this record, showing his vast repertoire and prowess. The band then went on to play their song “Enemy,” which has an r&b feel to it, while still dialing into their post-hardcore sound. I love the new addition of the electronics into the music, as it adds a whole other layer to their sound. The crowd was eating them up, jumping, and singing along to every word. The band played a total of ten songs, spanning from “Swan Song,” “Dispose,” and “Happiness in Self Destruction,” which are three albums that really meld nicely in the band’s current discography and their more modern sound. The Plot In You has truly grown a lot since I last saw them, and I cannot wait to see them again. 

SETLIST

  1. Face Me
  2. Fall Again
  3. Enemy
  4. Not Just Breathing
  5. Time Changes Everything
  6. Paradigm
  7. One Last Time
  8. Too Far Gone
  9. Disposable Fix
  10. Feel Nothing

Silverstein from Burlington, Ontario, Canada, hit the stage next. Hitting two decades for a band in the heavier music genre is a massive milestone for bands in our genre and music in general. It can be easy to burn out and give up, but Silverstein has proven that a band can not only succeed but push themselves further and thrive through perseverance, growth, and rebuilding. For those who somehow have never heard Silverstein, they are that perfect blend of metalcore, post-hardcore, pop-punk, and punk rock. They started out as one of the classic emo bands and have constantly expanded upon their sound to keep previous fans impressed and gain a new, innovative following. For their 20th Anniversary Tour, the band went the whole nine yards, preparing three sets in total. They also brought an extensive amount of colorful and vibrant lighting, timed and themed perfectly to their music. The first set Silverstein played was a greatest hits set, performing songs from their whole discography. They opened with one of their newer singles titled “Bankrupt.” This track is an explosive and heavy track with a deep guitar groove courtesy of Josh Bradford and Paul Marc Rousseau. The crowd went bonkers, with crowd surfing and moshing galore. This track showcases vocalist Shane Told’s intense screams and solid clean vocals. He is a powerhouse vocalist and truly showcased that with this song. The band then went into the song “Massachusetts” from their 2013 album “This Is How The Wind Shifts,” which has a lighter sound compared to “Bankrupt.” Those intricate drum patterns from Paul Koehler are a standout in this song for me. The next song the band went into was “Smashed Into Pieces” from their debut album “When The Broken Is Easily Fixed,” which really has that classic emo and post-hardcore vibe the band founded themselves on. Bassist Billy Hamilton was on point with those harmonies and backup screams on this song, and that deep bass grove really helped push it over. The band then went into songs like “Bad Habits,” “It’s Over,” “Infinite,” and “The Afterglow.” The band even did a massive melody of songs, which included “The Artist,” “Sacrifice,” “I Am The Arsonist,” “The Continual Condition,” “My Disaster,” “Vices,” “Je Me Souviens,” and “Broken Stars.” After a short interlude, Shane Told came out to do an acoustic set while a few members joined during a song or two. The acoustic set consisted of “Rescue You,” “Untitled” by Social Distortion, “Red Light Pledge,” and “Where Are You,” all of which once again showcased how diverse and strong Shane Told’s vocals are all these years later. The band came on for their third set just a minute later to play their second album, “Discovering The Waterfront,” in its entirety. Songs like “My Heroine” and “Call It Karma” were standouts on the album for me, so to hear them live, along with the rest of the songs, was absolutely incredible. The band gave us a special treat for their encore to top it all off. As a final song, the band played “Bleeds No More” from their debut album. However, they changed things up, putting Shane Told on bass and having Billy Hamilton absolutely demolish those vocals. He was on fire, and Shane was plunking away at those chunky bass notes. This song finished off their set on such a high note. Silverstein again proves why they are a staple in their cohort, and I cannot wait to see them again in the new year. 

SETLIST

  1. Bankrupt
  2. Massachusetts
  3. Smashed Into Pieces
  4. Bad Habits
  5. The Artist/ Sacrifice / I Am The Arsonist / The Continual Condition / My Disaster / Vices / Je Me Souviens / Broken Stars
  6. It’s Over
  7. Infinite
  8. The Afterglow
  9. Replace You
  10. Untitled (Social Distortion Cover)
  11. Red Light Pledge
  12. Where Are You
  13. Your Sword Versus My Dagger
  14. Smile In Your Sleep
  15. The Ides Of March
  16. Fist Wrapped In Blood
  17. Discovering The Waterfront
  18. Defend You
  19. My Heroine
  20. Always And Never
  21. Already Dead
  22. The Hours Back
  23. Call It Karma

ENCORE

24. Bleeds No More

Silverstein really went above and beyond for their 20th-anniversary tour. I am beyond grateful I could see and photograph them again, along with The Plot In You and Can’t Swim. All three bands played amazing sets and made the crowd go NUTS. Give some love to all of these bands and go see them live when they hit cities near you!

Silverstein | The Plot In You | Can’t Swim

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter |

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We Came As Romans ft The Devil Wears Prada, Dayseeker, and Hollow Front | To Plant A Seed 10 Year Anniversary Tour | 10/20/21 | Photos + Review

We Came As Romans Plant A Seed At A Sold Out Los Angeles Show

Venue: The Regent

Date: 10/20/21

We Came As Romans announced their 10 Year Anniversary Tour for their debut album “To Plant A Seed” in late 2019. Unfortunately, due to the global pandemic, the tour was postponed not once but twice. At last, the band could embark on the long-awaited anniversary tour, a year and a half after it was initially scheduled for. Along with the band came support from The Devil Wears Prada, Dayseeker, and Hollow Front. This stacked lineup brought the heavy, the emotional, and the nostalgia to a sold-out crowd that had awaited this night for a long while.

Up first was Hollow Front Grand Rapids, Michigan. The band is on the border between metalcore and post-hardcore, with some ambient backing tracks that bring in the progressive metal influences. The band opened their set with the opening track from their 2020 release “Loose Threads” titled “Afflicted,” which the band released independently. This song is melodic and comes out the gate, showcasing Tyler Tate’s harsh, growled vocals. The dude truly owns every inch of that stage. The band then went on to the title track from their newest album, “Loose Threads,” which really showcased guitarist and vocalist Dakota Alvarez’s vocal abilities and had a slower vibe to it. Devin Attard, one of the rising drummers in the metal scene, was headbanging and smashing the hell out of the drums in the back. The band then went on to play Vegabond, also from their newest album. This is one of the heavier tracks on the record and goes deep into the downtune with deep bass tones from bassist Brandon Rummler. In total, the band played seven songs and really started the show out perfectly. The crowd was still warming up and coming in, but they definitely got the pit warmed up for the bands to come. I cannot wait to see and photograph the Hollow Front boys again next year!

SETLIST

  1. Afflicted
  2. Loose Threads
  3. Vagabond
  4. Wearing Thin
  5. Don’t Fall Asleep
  6. Left Behind
  7. Treading Water

Up next was the incredible Dayseeker from Orange County, CA. Dayseeker is another band that borders between metalcore and post-hardcore, with a lot of progressive metal influences in their instrumentalization and the ambiance that is felt throughout their music. For their setlist on this tour, the band played songs all from their newest album, “Sleeptalk,” released in 2019 via Spinefarm Records. The interlude “The Embers Glow” played as the band came on stage, leading into their first song, “The Color Black,” one of the heavier songs on that new album. The song showcases vocalist Rory Rodriguez’s vocals in the forefront, with him mixing between cleans and screaming. This new album is very emotional, speaking about alcoholism, loss, eating disorders, and more. Rory really poured his heart into these vocals, and you can tell with how much emotion he has on stage. One thing that is apparent throughout Dayseeker’s music is the intricate chord progression and fluidity, which are courtesy of the band’s guitarist Gino Sgambelluri and bassist Ramone Valerio, who really add a lot of complex parts to the instrumentals. The band then moved on to their second song, that being “Gates of Ivory.” This is another of the heavier songs on the album. Still, it does such a great job as the rest, with a good yin and yang between the heavy and the melodic with those beautiful instrumentals and Rory’s vocals. The third song in the set was “Crooked Soul,” which has some of the heaviest instrumentals of the record, paired with Rory’s more melodic vocals, creating a beautiful pairing in the song. Drummer Zac Mayfield, the drummer for bands Oh, Sleeper, and Noble, filled in for this tour, truly holding down the fort on the drums. But during the fourth song in the set, “Burial Plot,” the band’s drummer Mike Karle swapped in and finished the set with the band. It was fantastic to see him there slaying as always. The band, in total, had seven songs in their set, six if you don’t include the interlude intro. Dayseeker is always a joy to see and photograph. Keep an eye out on them, as they have many more things in their arsenal to come!

SETLIST

  1. The Embers Glow (Interlude/Intro)
  2. The Color Black
  3. Gates Of Ivory
  4. Crooked Soul
  5. Burial Plot
  6. Drunk
  7. Sleeptalk

Up next was the all mighty The Devil Wears Prada from Dayton, Ohio. The Devil Wears Prada has become one of the most consistent bands within the metalcore genre throughout their career, releasing seven full-length albums and two EPs. The band played a career-spanning set for their direct support slot, playing songs from almost all of their releases. They opened up the set with “Nightfall,” the opening track from “ZII,” released in 2021 via Solid State Records. This song is one of the heaviest songs the band has released in years, bringing the band to an elevated version of the heaviness they were known for in their earlier days as a band. Vocalist Mike Hranica is on full display for a majority of the song, with his mid and high range screams piercing through the heaviness. The song has a slowdown section for the cleans, which are provided by guitarist and clean vocalist Jeremy DePoyster. The band then went on to play “Outnumbered” from the “Zombie EP.” This EP stands the test of time as one of the band’s most popular releases with its sheer heaviness. The crowd went nuts, with lots of moshing and crowd surfing. During this song, bassist Mason Nagy had incredible energy, flailing and headbanging to his’ heart’s content. Keyboardist Jonathan Gering really brings a lot to this song, adding the needed synths and backing that amp up the song to new levels. The third song in the band’s set was “Born To Lose” from the album “Dead Throne.” Coming hot off the release of Zombie EP in 2010, this 2011 record saw the band continuing off the momentum they built thus far, combining the sound of their previous works with their new, more mature sound. Born To Lose is one of the highlighted tracks from this album. I was honed in on guitarist Kyle Sipress, who absolutely slayed it on those lead guitar parts, as well as drummer Giuseppe Capolupo, who is an absolute machine on those beats. I was, unfortunately, unable to get any photos of Kyle or Giuseppe, as we photographers were kicked out of the photo pit a song early due to the crowdsurfing. However, I was still able to enjoy the band’s incredible set from the crowd, where they played ten songs in total, ranging from most of their discography. This band always plays a flawless set, and I was thoroughly impressed with what they showcased to us. I cannot wait to see and photograph these guys once again in the new year!

SETLIST

  1. Nightfall
  2. Outnumbered
  3. Born To Lose
  4. Chemical
  5. Lines of Your Hands
  6. Forlorn
  7. Sacrifice
  8. Mammoth
  9. Hey John, What’s Your Name Again?
  10. Danger: Wildman

Finally, We Came As Romans from Troy, Michigan, came to the stage. For the 10th anniversary of “To Plant A Seed,” the band played the album in its entirety. However, they didn’t necessarily play it in order. The band played the entirety of the album but mixed in fan-favorite songs from the band’s discography. Before the band came on stage, they had a beautiful video playing on their LED screens about how impactful this album was on their careers and onto them as individuals. The band opened up with the title track “To Plant A Seed.” The stage exploded with CO2 cannons and an extensive lighting setup brought by the band. Vocalist Dave Stephens came right out the gate screaming those vocals and really controlling the crowd. What was remarkable was seeing the dynamic between Dave and bassist and backup vocalist Andy Glass. This was my first time seeing the band after the passing of the band’s founding clean vocalist Kyle Pavone. I was curious to see how the vocal duties would be split up. Andy took over, doing some of the screaming vocals, while Dave did the clean vocal parts. The band changed keys to fit Dave’s voice, and the new arrangements sounded absolutely incredible. The second song the band played was “Broken Statues.” During this song, I focused on guitarist Joshua Moore, who really holds it down on those lead guitar parts and instrumental melody. I have been a fan of his guitar playing for years, and to finally photograph it live was a dream come true. It was also so cool to see drummer David Puckett absolutely slay those drums. Formerly in the band For Today, David is quite established in the metal scene and has a range in his’ drum playing. Just hearing his’ playing on these songs that inspired me so much as a young kid was amazing. For their third song, the band played “We Are The Reasons.” I focused during this song on rhythm guitarist Lou Cotton, who truly grooved along with the rhythm section and held it down. It was amazing to finally hear songs like “Intensions” and “Roads That Don’t End and Views That Never Cease” played live since I saw them back in 2012 for the first time. It was also incredible to hear the band’s newest song, “Black Hole,” performed live, along with fan-favorite songs like “Hope,” “Tracing Back Roots,” and “Wasted Age,” among others. This is a band that has been a favorite of mine for quite some time. They were one of the first bands I got into in the scene. I remember getting this We Came As Romans gray shirt at Hot Topic back in 2011 and just being in awe. Little did I know that it would start quite the collection of metal shirts to come. We Came As Romans demolished that stage and performed a fantastic nineteen-song set, really planting their seed into The Regent in Los Angeles, California, on this Wednesday night!

SETLIST

  1. To Plant A Seed
  2. Broken Statues
  3. We Are The Reasons
  4. Beliefs
  5. Dreams
  6. To Move On Is To Grow
  7. Wasted Age
  8. Lost In The Moment
  9. Hope
  10. Tracing Back Roots
  11. Black Hole
  12. Intensions
  13. Roads That Don’t End and Views That Never Cease
  14. Searching, Seeking, Reaching, Always
  15. I Will Not Reap Destruction
  16. An Ever-Growing Wonder

ENCORE

17. Promise Me

18. Cold Like War

19. Darkbloom

The “To Plant A Seed 10 Year Anniversary Tour” was a long time coming and something I’ve had on my calendar a total of 4 different times now. I am just so happy that the bands, the management, and the venue worked hard to make it happen. We Came As Romans is an essential band in my personal musical journey, so to see the album that brought them into my life played in its entirety was a dream come true. Shout out to The Devil Wears Prada, Dayseeker, and Hollow Front for truly bringing your A-Game and bringing some incredible music to Los Angeles. Truly one of the best shows I’ve had the honor of covering this year.

We Came As Romans | The Devil Wears Prada | Dayseeker | Hollow Front

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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Butcher Babies w/ Infected Rain, Stitched Up Heart, & The Unsung | Butcher Babies VS. Goliath Tour | 10/7/21 | Photos + Review

Butcher Babies Slay Their Final Battle Against Goliath at 1720 in Los Angeles, CA

Venue: 1720 in Los Angeles, CA

Date: 10/7/21

When a band hits their 10-year milestone of being together, that is a huge accomplishment that deserves celebration. Unfortunately, that milestone for Butcher Babies came during the global COVID-19 pandemic, where they couldn’t party like the rockstars they are. One year later, the band came back with a vengeance to dominate the country with their first headlining tour in well over two years, where the band would play their debut album “Goliath” in its entirety, along with other songs. In the battle against Goliath were: Infected Rain, Stitched Up Heart, and local support from The Unsung. With this quartet of bands, Butcher Babies led the clan to victory at the final date of the Butcher Babies VS. Goliath Tour!

Up first was The Unsung from San Diego, CA. This quartet is the perfect example of progressive metalcore. One thing I always note whenever I see The Unsung live is just how tight these guys are. Like bands like Periphery, Veil of Maya, and many more in the genre, the vocals are a great mixture of cleans and screaming, courtesy of Tyler Sinclair. However, what sets them apart is that their music tends to have more cleans than screaming, which helps them reach a wider audience. Guitarist Devin Castro is an absolute beast, creating melodic hooks, leads, and solos that shred the hell out of the crowd. Drummer Garret Brown is a beast, playing many different styles and rhythmic patterns throughout the band’s music, sometimes changing time signature and tempos mid-song, which is common within the progressive metal genre. Closing out the band’s lineup is Thomas Sumstine on bass, who absolutely SLAYS adding in those deep grooves and tones that are pretty much essential to the music The Unsung releases. The band played a total of 7 songs, bringing out songs from their first EP, “Rise,” for the first time in a while, along with songs from their sophomore EP “Sin Cera” and new singles “Manic” and “Awake.” The band also brought their iconic light show with them, which adds that extra edge and atmosphere that helps set the tone. It was an epic start to the show, and I am so happy to have seen them again! The last time was around Christmas time in 2019, so it had been almost 2 years without hangs and without seeing this epic band live.

SETLIST

  1. Manic
  2. Herald
  3. Awake
  4. Rise
  5. Lacuna
  6. Chosen
  7. Desolation

Up next was Stitched Up Heart from Los Angeles, CA. I last saw and photographed Stitched Up Heart back in 2019, so I was excited to see and photograph them again and do so at an actual venue, this time and not at a bar. I’d best describe Stitched Up Heart’s sound as a combination between gothic metal, hard rock, and alternative metal. Touring alongside bands across the hard rock and metal genres, they have a sound that is quite versatile and diverse. The band started their set with the song “This Skin” from their 2020 album “Darkness,” released via Century Media Records. This song has a light electronic backing in parts and the downtuned guitar and bass tones, making the song a bit more light sounding than a lot of their other music. You could hear vocalist Mixi’s singing on full display out of the gate, showing a newfound strength and force behind her vocals that I didn’t hear at the last show. The second song, “Warrior,” also came from their newest album and is more of a stadium rock-style track. Those bass tones courtesy of Randy Mathias are on full display in this song, along with the crushing beats from drummer James Decker. The band then went on to their third song, “Catch Me When I Fall,” from their 2016 album “Finally Free.” Overall, this album has a darker vibe, and the guitar tones are much more gritty and dark, and guitarist Merritt Goodwin delivers on this tenfold. The band played a total of seven songs throughout their thirty-minute set, completely blowing my expectations out of the water. As it was the last day of the tour, there happened to be the last day of tour pranks. The other bands ran on stage during the band’s final song, “Monster,” and started randomly taking apart Decker’s drum kit mid-song. It was pretty funny, to say the least, and it made me wonder what pranks would come going forward. Stitched Up Heart as a whole seems to have stepped things up since the lockdown, really fine-tuning things and coming back tighter than ever.

SETLIST

  1. This Skin
  2. Warrior
  3. Catch Me When I Fall
  4. Finally Free
  5. Lost
  6. My Demon
  7. Monster

Up next as direct support was Infected Rain from Chisinau, Moldova. I got into Infected Rain’s music shortly after 2019’s “Endorphin” was unleashed to the world via Napalm Records. This was the band’s first US tour, as their 2020 tour with Swallow The Sun was cancelled due to the pandemic. The band’s sound is the perfect combination of metalcore, melodic death metal, and progressive metal. The band started their set with the song “Pendulum” from that 2019 album I just mentioned. This song is the perfect showcasing of vocalist Lena Scissorhands’ vocal prowess, showing a good amount of her harsh fry screaming, along with lots of her cleans, making for probably their most dynamic song on “Endorphin.” A core part of the band’s sound is downtuned guitars with djenty riffs, courtesy of Vadim “Vidick” Ojog and Serghei Babici. The band then went on to their second song, “Mold,” from their 2017 record “86”, which the band released independently. A big part of progressive metal is the deep, intricate bass tones provided by Vladimir Babich. The band is tight as all hell, and the foundation of any tight band is the drummer, whose part is essential in terms of tempo and keeping on the beat. Drummer Eugene Voluta is an absolute beast on stage, demolishing those double bass parts and obliterating the stage. The band moved onto their third song, “Black Gold,” one of the singles from that 2019 record “Endorphin.” In my honest opinion, Infected Rain blew me away with their control of the stage and just how tight they were. I was very much looking forward to their set, and they did not disappoint. Just like with Stitched Up Heart, Infected Rain found themselves in the midst of the end of tour pranks. During the final song, “Sweet, Sweet Lies,” of the band’s ten-song set, members from Butcher Babies and Stitched Up Heart came on stage and unleashed a pillow fight onto the members of Infected Rain. It was an all-out pillow fight to the death, and I couldn’t help but hysterically laugh. Infected Rain was absolutely incredible and set a very high bar for the whole night.

SETLIST

  1. Pendulum
  2. Mold
  3. Black Gold
  4. Passerby
  5. Freaky Carnival
  6. Endless Stairs
  7. Fool the Gravity
  8. Orphan Soul
  9. The Earth Mantra

Sweet, Sweet Lies

Finally, Butcher Babies come home to Los Angeles, CA, and hit the stage! For the band’s tenth anniversary tour, they decided to play eight of the twelve songs from their debut 2013 album “Goliath,” released via Century Media Records. I would best describe the band’s sound as a perfect blend between metalcore, death metal, thrash metal, and progressive metal. The band came prepared for this tour, with a light show and headbangs galore. Opening the show with “I Smell A Massacre,” the stage lit up bright red, showcasing the brutality and grittiness these songs from “Goliath” have. This first song is a fast one and showcases the vocal stylings of Heidi Shephard and Carla Harvey. Carla has a deeper guttural sound, while Heidi has the high screams on point. They both have a mixture of clean singing and screaming in their registers during this opening song, really showcasing a large amount of variety within this heavy song. Their second song, “The Mirror Never Lies,” opens up with this groovy guitar hook that can be heard throughout the song, courtesy of guitarist Henry Flury. This song is just groove central, even showcasing the bass in the forefront in sections. It’s moments like this where each member really shines, and you really feel all of the puzzle pieces individually come together. I love me a groovy djent song, and those bass tones from Ricky Bonazza are really showcased deep in the roots of this groove-heavy song. The band then moved on to their third song, the popular single from 2015’s “Take It Like A Man” titled “Monsters Ball.” This song is super thrashy, groovy, and heavy. You can really hear the intricate drum parts from drummer Chase Brickenden as he slams those drums to his’ heart’s content. “Monsters Ball” was the song that got me into the band in the first place, so to photograph them during this song was AMAZING. The band played many other songs from Goliath, my personal favorite being “In Denial.” This song has a classic metalcore vibe and is more on the tame side while also being heavy. It has the perfect yin and yang. The band also played quite a few of their new singles, such as “Bottom of a Bottle,” “It’s Killin’ Time, Baby!”, “Sleeping With the Enemy,” and “Yorktown.” They even played a game of Red Light, Green Light with the crowd, paying homage to the viral Netflix sensation “Squid Games.” Their set was absolutely incredible, and they seem to have somehow leveled up since the last time I saw them back in 2018. They absolutely killed it and proved why they are still so beloved 11 years after their debut in the scene. They definitely defeated Goliath in Los Angeles.

SETLIST

  1. I Smell a Massacre
  2. The Mirror Never Lies
  3. Monsters Ball
  4. It’s Killin’ Time, Baby!
  5. C8H18 (Gasoline)
  6. Grim Sleeper
  7. In Denial
  8. Bottom of a Bottle
  9. The Deathsurround
  10. Axe Wound
  11. Sleeping With The Enemy
  12. Yorktown

ENCORE

13. They’re Coming To Take Me Away, Ha-Haaa! (Napoleon XIV cover)

14. Magnolia Blvd.

Butcher Babies put on an excellent tour for their comeback. This tour commemorating their 10 years of being a band was stacked to the brim with a fantastic lineup consisting of Infected Rain, Stitched Up Heart, and local support from The Unsung. This was a fantastic show and will easily be one of my favorites of the year!

Butcher Babies | Infected Rain | Stitched Up Heart | The Unsung

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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Atreyu w/ Whitechapel, He Is Legend, Tempting Fate, and Santa Cruz | 20th Anniversary Tour | Photos + Review

Atreyu Closes Out Their 20th Anniversary Celebration In Ventura

Venue: The Majestic Ventura Theater in Ventura, CA on 11/20/19

When a band hits a milestone in their career, it’s a big deal. From hitting 1 year as a band, to selling out a show, each of these milestones for bands has sentimental value in their growth. Atreyu hit twenty years of being a band, which is huge considering the many bands in their cohort of metal that have come and gone since they started. While it seemed the band would be done after 2010, the band came back in 2014 stronger than ever, continuing with the momentum they had before and then some! With seven albums under their belt, the band let the fans vote on their setlist, which showcased songs from each record. Atreyu brought along with them an interesting mix of bands. With Whitechapel as direct support bringing the deathcore, He Is Legend bringing their southern influenced Mathcore, Tempting Fate bringing the post hardcore, and Santa Cruz throwing it back with some glam rock to the table, this tour was a blend of bands that were different from one another and kept the show truly interesting. Those of us in attendance at this final date of the tour has a wonderful time!

First up was Santa Cruz from Helsinki, Finland. Opening the show up, the band brought out a flare completely different than any other band on the lineup. Their sound is a mixture of glam metal, heavy metal, hard rock, and has some elements of post hardcore mixed in. As the oddballs on the tour, they really hyped the crowd up with energy, especially frontman and founding member Archie Cruz, who shredded to his’ hearts content center stage and captivated the audience with his vocal abilities reminiscent of hair metal from the 80s. The band’s touring guitarist Joe Perez was on point, shredding both the rhythm and lead parts when he and Archie switched off, with incredible stage presence and lots of hairflipping action. On stage left, you’ll find the band’s bassist Eemi Lamberg, who played his basslines with precision and class, while also giving lots of windmills and high energy. Closing out the band’s lineup is drummer Tuomas Lehtonen, who did backup vocals along with his fast and intense drum playing. Throughout the band’s six-song set, you could feel the energy thriving on the stage. I wasn’t able to meet the band, as they took their merch away shortly after they played, but they slayed their set and executed their performance brilliantly. It was a great way to start out the show!

SETLIST

  1. Changing Of Seasons
  2. Bang Bang (My Worst Enemy)
  3. True Believer
  4. We Are The Ones To Fall
  5. Wasted & Wounded
  6. Aiming High

Up next was Tempting Fate from Los Angeles, CA. This band sits on the borderline of post-hardcore and metalcore, while also blending in some nu metal influences, shown especially in their song “Sik”. As an independent band, they have released two EPs and one full length record, which they incorporated songs from each release into their eight-song set. The band has an interesting dynamic, with brothers Cory Beecher on vocals and Shane Beecher on guitar. Drummer Alex Rivas played the heavy blast beat sections with ease and had a lot of energy behind the kit. Eemi Lamberg from Santa Cruz filled in on bass, providing a lot of energy and bass lines to the band’s set. It was cool for me to see the variety in the band’s sound, with songs like “Filthy” showing their heavier side, and other songs like “A Place Called Home” showing off the band’s hard rock side. I was thoroughly impressed by their set. Tempting Fate is definitely a band to keep your eyes on!

SETLIST

  1. Filthy
  2. Questions
  3. Eminence
  4. 99
  5. Falling To Pieces
  6. I’d Rather Burn
  7. A Place Called Home
  8. Sik

Next to the stage was the all mighty He Is Legend from Wilmington, North Carolina. Starting out as a metalcore band, the band’s sound has progressed throughout the years, becoming more of a fusion between a plethora of sub-genres, most notably being a mixture of hard rock, alternative metal, stoner rock, psychedelic rock, sludge metal, and southern rock. Watching their set and listening to their music takes listeners on a journey, as songs can sometimes mix several of these influences together, creating an album where each song is dynamic and impressive. Vocalist Schuylar Croom is an entertaining person to watch on stage, grooving along with the music as if he is entranced in it. Lead guitarist Adam Tanbouz and rhythm guitarist Andrew Gaultier played their parts with ease and headbanging to their hearts content. Bassist Matty Williams strummed in those deep basslines that hit the spot in the band’s music, while providing tons of hairflips and energy. Jesse Shelley on drums is the final piece to the band’s lineup, holding down the fort and keeping the band on track while playing the drums with precision, even through the many random tempo changes. The band has a total of six albums, four of which they played songs from in their seven-song setlist. Overall, I was blown away by their set and cannot wait to see He Is Legend again in the future.

SETLIST

  1. White Bat
  2. Burn All Your Rock Records
  3. The Seduction
  4. The Widow of Magnolia
  5. Attack of the Dungeon Witch
  6. Everyone I Know Has Fangs
  7. Boogiewoman

Whitechapel from Knoxville, Tennessee was up next as direct support. Whenever I prepare for a Whitechapel set, I know what to expect: lots of energy, lots of strobing lighting, and those groovy heavy tones that match perfectly with vocalist Phil Bozeman’s deep guttural vocals. Since they released their album “The Valley” earlier in the year, which was released via Metal Blade Records, the band played six-songs from the album, along with three other fan favorite songs, adding up to a nine-song set. Whitechapel has interesting dynamics in their band, with three guitarists: Ben Savage, Alex Wade, and Zach Householder. While Ben technically does a majority of the leads, each guitarist shines during the set, truly adding to the band’s groove metal infused deathcore. Vocalist Phil Boseman really stepped out of the box on the new record, showing off more of his’ vocal abilities in terms of clean vocals, shown in songs “When A Demon Defiles A Witch” and “Hickory Creek”, both of which they played on this tour. I’m also very amused whenever I see Gabe Crisp on stage, as the dude has a really intense presence on that stage, truly jamming out and grooving along while playing those piercing bass tones. The band’s live drummer Alex Rüdinger closes out the current Whitechapel lineup, and he does not disappoint, nailing all of the bands intricate drum patterns. One funny part of the set that stuck out to me was when Phil Boseman said, “We just wrote this next song this morning, so I hope you enjoy it”, and then going on to play the band’s most recognizable song “This Is Exile”. I always love seeing Whitechapel live because they truly have an amazing arsenal of music and it’s cool to see what songs they’re going to pull out of the vault for their sets. Whitechapel never disappoints in concert, and I am looking forward to seeing them again when they come out to Southern California next!

SETLIST

  1. Forgiveness Is Weakness
  2. Brimstone
  3. Black Bear
  4. Third Depth
  5. When A Demon Defiles A Witch
  6. This Is Exile
  7. Hickory Creek
  8. Our Endless War
  9. The Saw Is The Law

Atreyu from Yorba Linda, California was up next to celebrate being together as a band for 20 years. The band’s setlist was voted on by the fans, adding up to a setlist with 20-songs spanning their entire discography, except songs from 2015’s “Long Live”. For the anniversary tour, the band brought an elaborate light show that lit up the whole venue, which made the 1200 capacity venue feel like a stadium show. The band’s lead vocalist Alex Varkatzas was filled with energy, truly utilizing every inch of that stage and engaging fans from every part of the crowd. One thing Atreyu never strays from is their guitar solos, and co-lead guitarists Dan Jacobs and Travis Miguel truly showcased their abilities throughout the set. Brandon Staller is the member that truly sets Atreyu apart from many other bands, as he plays the technical drum parts while providing the clean vocals for the band. Bassist Marc McKnight is truly a hype man on stage, playing his bass lines while engaging the audience members and headbanging with his epic beard waving around. Since the fans voted on the setlist, it consisted of mainly songs from the band’s earlier albums “The Curse” and “A Death-Grip On Yesterday”, but I was glad to see that fans at least voted on some songs from the band’s later albums. I am truly lucky and happy that I was able to see Atreyu two times in a span of five months. They’re a very entertaining band to see and photograph. I cannot wait to see them again when they come back out here!

SETLIST

  1. The Time Is Now
  2. Right Side of the Bed
  3. Ain’t Love Grand
  4. Doomsday
  5. My Fork in the Road (Your Knife in My Back)
  6. Ex’s and Oh’s
  7. Our Sick Story (Thus Far)
  8. The Theft
  9. Bleeding Mascara
  10. Demonology and Heartache
  11. The Crimson
  12. Her Portrait in Black
  13. Bleeding Is a Luxury
  14. House of Gold
  15. Becoming the Bull
  16. Falling Down
  17. Blow
  18. Five Vicodin Chased With a Shot of Clarity
  19. Untitled Finale
  20. Lip Gloss and Black

Atreyu has been dominating the rock and metal scenes for two decades and truly went all in on their anniversary tour. Whitechapel, He Is Legend, Tempting Fate, and Santa Cruz all brought it and meshed with Atreyu beautifully to create a wonderful night of music and a beautiful end to this tour! Make sure to check out all of these bands and see them on tour at a city near you!

Atreyu | Whitechapel | He Is Legend | Tempting Fate | Santa Cruz

Photos + Review courtesy of Jamie Kaufman | Instagram

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Cannibal Corpse w/ Thy Art Is Murder | Fall North American Tour | Photos + Review

Cannibal Corpse Slaughters Ventura

Venue: The Majestic Ventura Theater on 10/25/19

When it comes to death metal bands, Cannibal Corpse is one of the ultimate greats. I got into them a little later than most, when I came across “Hammer Smashed Face” on Rock Band back in 2013. They’ve been on my bucket list of bands I’ve wanted to see since then, and with them performing what would be a sold out show so close to home, this was the perfect opportunity to finally see them. And with another one of my favorite bands, Thy Art Is Murder, performing as well as direct support, this was bound to be a truly stellar show!

First up was Thy Art Is Murder from Sydney, Australia. This was my third time seeing these guys, and this was the longest set I’ve seen them play. They played a lot of songs from the new record “Human Target”, while mixing in songs from each of their other Nuclear Blast releases “Hate”, “Holy War” and “Dear Desolation”, totaling out to an 11-song set. Thy Art Is Murder is described as deathcore, but take in influences from death metal, blackened death metal, and even metalcore. It’s because of this blended sound that the band can fit with a plethora of metal lineups. I previously saw them in March of 2018 co-headlining with Dying Fetus on a North American Tour, then saw them in April of 2019 when they acted as direct support for Architects (UK) on their North American Tour. Once again, Thy Art Is Murder acted as direct support on this tour for none other than Cannibal Corpse, so Thy Art was able to bring out some of the heavier tracks on this run. I personally was extremely stoked to hear them play “New Gods” and “Make America Hate Again” from the new record. When you see the band live, there are a few notable things to look out for. Holding down the fort in the back is Jesse Beahler on drums, who truly creates an interesting dynamic with intense and difficult drum parts played to perfection. On stage left is rhythm guitarist Sean Leander and bassist Kevin Butler, who each groove along in each song with high energy and a plethora of facial expressions. Lead guitarist Andy Marsh stands on stage right and can be usually seen looking intensely into the crowd as he shreds to his’ hearts content. Front and center is vocalist CJ McMahon, who is spotted in the first 2 songs sporting a hooded cloak and looking tall and ominous into the crowd, while screaming and growling with a wide range of tones and pitches. The band is also known for their bright and strobing lighting, not using any of the frontal house lighting and bringing forth an haunting presence, which goes right along with their serious politically driven lyrical content that focuses on anti-religion, anti-extremism, animal rights, greed, war, and much more. I was thrilled to see Thy Art Is Murder once again and I believe they truly put on their best set to date!

SETLIST

  1. Death Squad Anthem
  2. Make America Hate Again
  3. Fur and Claw
  4. Slaves Beyond Death
  5. Holy War
  6. No Absolution
  7. Human Target
  8. The Son of Misery
  9. New Gods
  10. Reign of Darkness
  11. Puppet Master

Next up was the all mighty Cannibal Corpse from Buffalo, New York. After many years of listening to them and playing their songs on Rock Band, it finally became time to see them. The band is good ole fashioned death metal that borders the line of brutal death metal. Their lyrical content draws from horror fiction novels and horror films, with highly graphic and controversial imagery on their album covers to go along with the musical content. As a big horror fan myself, I was almost immediately drawn to that aspect of Cannibal Corpse when I found out about them. The band has been going strong since 1988, despite a couple lineup changes near the beginning of their career. What I was pleasantly surprised when watching them was how humble they were. They didn’t do a walk on intro like a lot of other bands, they didn’t bring additional lighting, they just played good fucking music and got the crowd hyped. Vocalist George “Corpsegrinder” Fisher blew me away with his ability to own the stage by doing a single stance. The band isn’t known for being insanely energetic, but the power each member gives off just from their stage presence and musical technicality is mind blowing. With fourteen albums in their discography, I was pleasantly surprised how well the band was able to cover, playing songs from twelve of those fourteen albums. The crowd went nuts, with one of the most violent mosh pits I’ve seen. This was a perfect setlist, as the band played a whopping 18-songs, with George adding in some comedic moments while the rest of the members would tune their instruments. I was thrilled to hear songs like “I Cum Blood”, “Hammer Smashed Face”, “Red Before Black”, and “Kill or Become”, which were all highlights from the set for me. Bassist and founding member Alex Webster was also very fun to watch for me, as his bass stance was very powerful and was very fun to capture. The band had Erik Rutan, guitarist of Hate Eternal, filling in on this tour. His stage presence and ability to own those dueling guitar solos blew me away. Drummer Paul Mazurkiewicz truly impressed me with his extremely technical drum parts that were played to perfection, along with his stage presence behind the kit. The dude is insanely fun to watch. Closing out the band’s lineup is guitarist Rob Barrett, who truly slayed it with his’ rhythmic patterns and technicality on the rhythm guitar. But the stand out was definitely George Fisher, who’s headbanging and vocal abilities drove the set to a whole other level. Cannibal Corpse’s performance was one for the books and I will definitely be seeing them again in the near future!

SETLIST

  1. Code of the Slashers
  2. Only One Will Die
  3. Red Before Black
  4. Scourge of Iron
  5. Staring Through the Eyes of the Dead
  6. The Wretched Spawn
  7. Devoured by Vermin
  8. Unleashing the Bloodthirsty
  9. Gutted
  10. Kill or Become
  11. A Skull Full of Maggots
  12. Evisceration Plague
  13. Firestorm Vengeance
  14. Death Walking Terror
  15. I Cum Blood
  16. Make Them Suffer
  17. Stripped, Raped, and Strangled
  18. Hammer Smashed Face

Cannibal Corpse’s Fall North American Tour was an amazing night with two bands who absolutely crushed it, performing incredible music that blew me away. Both Thy Art Is Murder and Cannibal Corpse are at the top of their game and I cannot wait to see both bands in the new year when they come out to California again!

Cannibal Corpse | Thy Art Is Murder

Photos + Review courtesy of Jamie Kaufman | Instagram

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