Belmont’s “Stay Up” Track Review

 

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Cover Art by Danny DeRusso

Belmont are a band in the pop punk scene that have been on my radar for quite a while. I really enjoyed their self-titled debut album that came out back in 2018, and more recently, the Illinois-based band have released two new singles – “Stay Up” and “By My Side.”

“Stay Up” is the latest track of the two, and the first one on this double single. Catchy guitar riffs reside in the intro, bringing some impressive lead guitar lines (which return later on) and a lot of energy during the verses. The chorus brings extremely catchy melodies and the overall vocal performance there really shows off the lead vocalist’s range as he hits some higher notes during this section of the song. There’s a bit of aggression added in the vocals after the first chorus, continuing into the second verse, and this plus the breakdown later on (where the bass really shines) are two examples of how the band trace back to their more aggressive pop punk roots a little bit with this song.

“By My Side” is the second track from this double single release, and was released late last fall when the band announced their signing with Pure Noise Records. The blend of synths and harder hitting instrumentation reminds me of some of the elements the band incorporated on that self-titled record, and feels like a perfect track to The verses show the darker composition on the track, the pre-chorus and chorus are really catchy, and both of those sections bring impressive instrumentation as well.

“Stay Up” and “By My Side” combine many musical elements from Belmont’s discography, and continue to show the different sides of their sound and the constant experimentation and evolution within it.

Spotify

Review by Megan Langley | Instagram

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Sleeping With Sirens The Medicine Tour 2020 ft Set It Off, Point North & Belmont

Belmont

Point North

 Set It Off

Sleeping With Sirens

Photos courtesy of Megan Langley | Instagram

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In Flames with Red and Arrival Of Autumn | Winter North American Tour | Photos + Review

In Flames Set The Observatory On Fire On Their Winter North American Tour

Venue: The Observatory Orange Country on 11/6/19

            In Flames has been a band on my radar for quite some time. I got into them later than most when their 2016 album “Battles” hit the shelves. I was stoked when their North American Tour was announced, as I had still never seen them live. Along with the band came support from Red and Arrival of Autumn, giving the evening a mixture of metalcore, post-hardcore, hard rock, and melodic death metal. This night was truly amazing.

First up was Arrival Of Autumn from Grande Prairie, Alberta, Canada. This was my second time seeing and photographing these guys, the last time being a little over a month prior on the last date of their tour with Soulfly, Incite, and Prison. The band is the perfect mixture of metalcore and melodic death metal. Unfortunately, due to traffic, I was only able to photograph and catch the last song and a half of their set at The Observatory, but something that is evident about Arrival of Autumn is just how strong and together they are as a band. From their riff heavy instrumentals, courtesy of Ryan Sorensen and Brendan Anderson, to their thick basslines, thanks to Kevin Student, technical drumming from Ty Fox, and the mixture of a wide array of singing and screaming from vocalist Jamison Friesen, the band has a very strong sound that have blown me away both times I’ve seen them. The band played a 7-song set, most of which came from their debut 2019 release “Harbinger”, which was released via Nuclear Blast. Arrival Of Autumn is truly an amazing band and I cannot wait to catch their set again next time they’re in Southern California!

SETLIST

  1. Hurricane on the Horizon
  2. Witness
  3. Better Off Without
  4. The Endless
  5. Apocalyptic
  6. Old Bones / New Blood
  7. The Horror

Up next was Red from Nashville, Tennessee. This was my second time seeing these guys, with my last time being in March of 2018 when they co-headlined The Regent with Lacey Strum. I didn’t know much about them the first time I saw them but became a big fan after seeing them the first time. I now own every one of their six albums on physical copy and was happy with the songs they chose for their 9-song set. They mixed songs from their albums, along with songs from their 2019 EP “The Evening Hate”, which they released via The Fuel. I would best describe their sound as a mixture of Nu Metal, Alternative Rock, Alternative Metal, and Hard Rock. Their sound is dynamic, blending each of these songs into their diversified discography to perfection. When you go see Red live, the first thing you will realize is just how energetic vocalist Michael Barnes is, truly engaging with the crowd and owning every inch of the stage. Guitarist Anthony Armstrong, and twin brother and bassist Randy Armstrong own their sides of the stage with ease, slaying those guitars with ease. In the back of the stage, you’ll find drummer Dan Johnson drumming with force with his double bass drums on point. The band was a joy to see, and I especially liked them more now that I actually know the music they were playing. I cannot wait to see Red again in the future.

SETLIST

  1. Fight Inside
  2. Death of Me
  3. Confession (What’s Inside My Head)
  4. Let Go
  5. From The Ashes
  6. Already Over
  7. Feed The Machine
  8. The Evening Hate
  9. Breathe Into Me

In Flames from Gothenburg, Sweden finally hit the stage last. The band really went all out in terms of choosing their setlist, putting together 21-songs that showcased songs from ten of their thirteen albums. What blew me away was hearing the band’s change in sound over the span of their 30-year career as a band. Their musical style mixes together melodic death metal, metalcore, alternative metal, and heavy metal. The band played the perfect mix of the heavy, with some of their more melodic songs, to make both old school fans and newer fans alike very happy. Of the 21 songs they played, 6 of those songs came from their newest album “I, The Mask”, which was released in 2019 via Eleven Seven Records in North America, and via Nuclear Blast throughout the rest of the world. One element to the band’s sound that is iconic when many think of melodic death metal is their heavy use of guitar solos and dueling guitar parts, courtesy of Björn Gelotte and Chris Broderick. Both Gelotte and Broderick had great stage presence and interacted a lot with the crowd. The band’s older sound was strictly melodic death metal, but as time went on, vocalist Anders Fridén started incorporating more clean vocals, which truly helped bring the band in a different direction. Fridén told jokes between the band’s songs and was very active on stage. Bassist Bryce Paul headbanged like crazy and was also very big on crowd participation while he slammed out those bass notes. Drummer Tanner Wayne closes out the band’s lineup, playing an intricate drum patterns with ease. Wayne was previously in post-hardcore bands Chiodos and Scary Kids Scaring Kids but has since joined the metal greats of In Flames and helped them create “I, The Mask”, which has truly become my favorite record from the band to date. Just like their live set, the new record mixes together elements from melodic death metal with elements from metalcore, alternative metal, and heavy metal. They played a truly amazing set that left a lasting impression on me. I cannot wait to see them next time they come out to Southern California!

SETLIST

  1. Cloud Connected
  2. Only for the Weak
  3. Take This Life
  4. Clay Man
  5. Where the Dead Ships Dwell
  6. Call My Name
  7. Behind Space
  8. Follow Me
  9. Monsters in the Ballroom
  10. All for Me
  11. (This Is Our) House
  12. The Hive
  13. Wallflower
  14. Here Until Forever
  15. Burn
  16. Voices
  17. Everything’s Gone
  18. Colony
  19. The Truth
  20. I Am Above
  21. The End

The Winter North American Tour was an amazing spectacle to attend. I was finally able to see In Flames, who completely obliterated my expectations out of the water. It was great to see Red again, who were insane at this show and tore that stage up. And it was great to see my new friends in Arrival Of Autumn tear up that stage again, even though I was only able to catch a couple of songs. Truly an amazing night!

In Flames | Red | Arrival Of Autumn

Photos + Review courtesy of Jamie Kaufman | Instagram

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New Artist : Juwan Rowan

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Juwan Rowan is a hip-hop artist from Berkeley California.  Growing up around violence and through struggle, his hope is to connect with his community, and others around the world who may be lost; to be the inspiration, and motivation to keep them focused. He hopes to connect with his listeners through real life situations that they can relate to. If you’re a fan of J.Cole, and Logic you may also find a new favorite with-in Juwan.

You can listen to his music on Spotify, Itunes, and Soundcloud ; as well as follow him on Twitter, and Instagram.

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Photos by Tyvon Spivy

Photos + Review | Shakka @ Militant Entertainment Launch ft Xyzelle, Jo Jordan, J.A.E, Drey Cheeks, & Amahla

R’n’B singer Shakka’s concert turned out to be an intimate launch night for Militant Entertainment, a new platform for London creatives, featuring some of the UK’s most exciting upcoming R’n’B singers. Shakka didn’t take to the stage until 12.30am! I had arrived at 8pm. I was treated to some truly outstanding performances from Xyzelle, Jo Jordan, Drey Cheekz, Amahla and J.A.E. I had never heard any of their music and am now a fan of five new amazing artists. Xyzelle, 18, opened the stage with some mellow songs backed by subtle trap beats. Jo Jordan brought out an incredible guitarist (with an incredible afro) to perform some passionate love songs. Drey Cheekz came with a strong voice and good humour to sing some of her own material as well as a couple of covers. Amahla swept the crowd into a frenzy, with some people entranced by her soulful jazzy set. J.A.E sang and performed honest spoken word pieces to the sounds of her backing band’s saxophone, drums and guitar. I was pleasantly surprised by all the pre-Shakka performers. Amahla was a particular standout for me. By the time Shakka came on, the room had swelled to full capacity and he gave and received great energy. He was sweating heavily ten minutes in and I was struggling to take any focused pictures of him, he was moving around so much, whipping up the crowds. He performed favourites like ‘Say Nada’ and ‘Man Down’ and left the stage all too quickly, with the crowd shouting for him to return. He never did but it was an excellent night overall.

Amahla

Drey Cheeks

j.a.e

Jo Jordan

Shakka

Xyzelle

Photos & Review courtesy of India-Mae AlbyInstagram | Twitter

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Ghostemane w/ Lil Tracy, Jesus Piece, and Section H8 | Hiadica North American Tour | Photos

Hiadica North American Tour Photos

Venue: The Novo on 11/23/19

Section H8

Jesus Piece

Lil Tracy

Ghostemane

Ghostemane | Lil Tracy | Jesus Piece | Section H8

Photos courtesy of Jamie Kaufman

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Yizzy Presents at Pop Brixton

Yizzy Presents at Pop Brixton, South London, was a chance for many currently lesser-known rappers to have some time in the spotlight. Yizzy himself did not come out until after 10pm, giving over two hours of stage time to a medley of different London rappers, including British-Latino rappers like Guala, whose music, in English and Spanish, I’ve never heard before. South American Brits in the audience particularly enjoyed hearing Spanish rap. 

Ecuadorian, Colombian and Black British rappers performed solo and with friends, setting a good mood for the audience. I personally enjoyed the camaraderie and support that rappers showed each other. British rap is so diverse, in ways that I previously didn’t know about, so I walked away from the show having learned something. Other performers included L1, RingRoze, Helms (an acquaintance from an old job whose appearance on stage shocked and delighted me) and Koder, who looks a lot like Andre 3000. Koder was received extremely well. He was extremely energetic, bouncing around constantly (making it very difficult for me to photograph him!) and interacting with the audience a lot. His song, ‘Richer’, is particularly good and was performed alongside his backing vocalist. His friends in the audience kept shouting out “UNDENIABLE!” which became an infectious chant. 

When Yizzy eventually came out, everyone was already on a high, so his set was full of energy. His latest song, ‘Back It’, features Dizzee Rascal and has a distinctive sound that is very different from most UK rap songs. The beat features heavy guitar and dubstep sounds that honestly haven’t been heard in popular UK music for about ten years. Yizzy can rap FAST and kept up the pace throughout his whole performance. He recreated his Fire in the Booth freestyle, which floored me. Just stellar performances all round creating a perceptible sense of excitement about the UK rap scene. Grime, drill, rap and hip hop are all different but at Yizzy Presents we got a little taste of all of these genres from a wide range of rappers. Made me feel proud to be British!

Photos & Review courtesy of India-Mae Alby| Instagram | Twitter

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The HU – Audio Interview 2019

Team member Chyenne sat down and interviewed The HU, they answered these questions in both Mongolian and English.

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The Geocidal Tendencies Tour 2019 | Primitive Man & Vitriol Photos

Primitive Man

Vitriol

12/6/2019

Photos courtesy of Laura Lateralus | Instagram

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Emika ft Fifi Rong & Geiste live at The 100 Club

Emika’s show at The 100 Club by Tottenham Court Road was a cosy affair with a friendly, welcoming vibe. The club had chairs for audience members sitting by the side of the stage and everyone was very relaxed. The first support act, Geiste, reminded me of a younger Ellie Goulding in her style and the way that she jumped around onstage. She looked like a fairy onstage and made a lot of effort to talk to the audience and get everyone involved. She was essentially one-man band, singing while simultaneously controlling her complicated-looking equipment, including a loop pedal, creating a synthy electronic sound. At the end of her performance she excitedly jumped into the crowd to hug her friends who had come to support her.

 

The second support act was Fifi Rong, a Chinese-British alternative singer with amazing fashion sense and a beautiful face. Her strong, haunting vocals were combined with expressive dance moves that matched the vibe created by the lights and electronic backing music. She sang in both Chinese and English (I understand a bit of Chinese and realised that in one of her songs she was repeating the names of the colours over and over again – it sounded great!). She totally captivated the entire audience and I would happily watch her perform again.

Finally, Emika came onstage to play her keyboard and give us more electronic synthy vibes but this time with a bit more bass and finesse. She opened with an incredible cover of Wicked Games by Chris Isaak, an already atmospheric song made even more impactful with her use of instruments and breathy, wispy voice. Strobe lights flickered throughout most of Emika’s performance, making for a trippy experience. She would sometimes quickly wave her hand between her mouth and the microphone while singing, creating the same kind of sound that you experience when listening to music through headphones and the sound flits from left to right. She was awesome. Very masterful over her craft. And the audience loved it all.

Overall, a very strong performance from three talented women making strides in electronic, alternative music. I’m glad I got to experience it all in a small venue for maximum impact.

Photos & Review courtesy of India-Mae AlbyInstagramTwitter

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