Joywave bring ‘Permanent Pleasure’ to New Jersey’s White Eagle Hall 5/21/25 | photos & review

If you’re looking for a new “Obsession,” look no further than a Joywave show. The Rochester, New York indie rock superstars brought their Here To Perform… Spring 2025 Tour to New Jersey’s White Eagle Hall on May 21st with support from little image

The penultimate show of this tour began with a phenomenal opening performance from pop-rock trio little image. They were a fun start to the evening and I ended up completely falling in love with their music and pure talent. The band’s drummer, Troy Bruner, is admittedly the most fun to watch on stage. I lost count of how many times he stood on top of his drum kit to get the crowd hyped during and in between songs. 

Shortly after little image left the stage, fans began anxiously awaiting Joywave as soon as they unveiled the giant cat that’s featured on the cover of their latest record, Permanent Pleasure. This little guy is visually one of the best parts of the show and gets a 10/10 for being such a cute addition to their set design (especially when he starts spinning around!).

If there’s one thing Joywave knows how to do, it’s perform. Seriously, there was not a second of this show where my eyes weren’t glued to the men in matching blue silk pajamas that stood before me. Frontman Daniel Armbruster is truly a natural talent who could probably give the performance of a lifetime just about anywhere. The few moments I was released from this trance allowed me to take in the pure joy from those who surrounded me. Everyone in the crowd was singing and dancing like this show was the only thing that mattered in the world at that point–and ever would. 

Their setlist blended a mix of songs from Permanent Pleasure, along with some gems from the earlier parts of their discography. “Hate To Be a Bother,” “Funny Thing About Opinions,” and “Traveling at the Speed of Light” are some Joywave songs I hope are never retired from their time in the setlist spotlight. 

The night ended with the classic double “Destruction,” a track off the band’s 2015 record How Do You Feel Now? that has pretty much taken on a life of its own. Armbruster joked about how they played the song 7 times in a row the last time the band played in New Jersey, confusing an entire crowd of people and probably making them feel like they were going insane. Unfortunately, the state of New Jersey was not blessed with “Destruction” 7 times over this time around, but twice was just as fun. 

I think I’m at the point in my life where I can safely say that I’ll never miss a Joywave show whenever they’re in town. This night at White Eagle Hall was yet another reminder of how much the band enjoys what they do and how dedicated they are to giving their fans a show they’ll remember for a long time. Their shows are a treat, from the immaculate stage presence, good music, and comedian-level jokes scattered throughout the set, Joywave is a band you’ll want to see live at least once in your life.

Photos & Review by Amber Bintliff

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The Plot In You Sell Out Anaheim On their North American Tour | 2-22-25 | Feat. Holding Absence, Boundaries, & Acres | Photos + Review

For the past nine years, The Plot In You has been a steadfast band in my journey as a photographer. I still vividly remember the electrifying night July of 2016 when I captured them performing at the legendary Chain Reaction. It was one of my first experiences shooting in manual mode, armed with my dad’s then-new Canon Rebel T5 camera. Each time I see and photograph The Plot In You, I’m transported back to that moment, a powerful blend of excitement and nostalgia. Their evolution over the years mirrors my own growth in photography, making every encounter with them feel even more special. On their recent North American Tour, The Plot In You assembled an impressive lineup featuring Holding Absence, Boundaries, and Acres, creating a captivating and heavy-hitting experience right from the start. The energy in the venue was palpable, with the crowd immersed in the raw power of the performances. From the first note to the final encore, the show was nothing short of extraordinary. I can hardly wait to share all the unforgettable moments from this incredible night with you.

Acres, the electrifying band from Portsmouth, England, took to the stage with an explosive energy that set the tone for the night. They kicked off their performance with “A Different Shade of Misery,” a groove-heavy metalcore anthem where the intricate riffing of guitarists Ash Scott and Alex Freeman was nothing short of mesmerizing. The crowd vibed to the powerful rhythms that reverberated through the venue, showcasing their undeniable talent. The second song, “Lost,” shifted gears, revealing a raw post-hardcore intensity. With his commanding presence, lead vocalist Ben Lumber poured his heart into every note, effortlessly blending melodic singing with savage screams that pierced through the music, leaving the audience in awe of his vocal prowess. Next came “Into Flames,” a track bursting with fiery passion and infectious pop-punk energy. Drummer Parker Adsit provided an exhilarating backdrop with his punchy, dynamic rhythms, amplifying the song’s intensity and leaving listeners craving more. Throughout their set, Acres showcased a total of six tracks, including their latest offering, “Bloodlust.” This innovative electronic metalcore piece was a thrilling exploration of new sounds, expertly blurring the lines between genres and highlighting the band’s creative evolution. Excitement filled the air as they announced their upcoming album, “The Host,” set to drop in May. I can’t wait to experience the full spectrum of their artistry when the remaining tracks are unveiled. Acres is undeniably exceptional, and if they continue on this path, I foresee their popularity soaring to new heights.

SETLIST

  1. A Different Shade of Misery
  2. Lost
  3. Into Flames
  4. Nothing.
  5. Bloodlust
  6. Leave You To Rot

Next to the stage, Boundaries, hailing from Hartford, CT, transformed the area into a whirlwind of emotion and sound with their explosive opener, “Turning Hate Into Rage.” Their fusion of melodic hardcore and metalcore was not just heard; it was felt deep within every fiber of your being. The moment the piercing guitar tones from the incredible duo of Cody DelVecchio and Cory Emond erupted, I was completely captivated, swept up in the sheer force of their artistry. The band’s energy was off the charts as they leaped around the stage, creating an electric atmosphere that was impossible to ignore. Vocalist Matthew McDougal commanded the crowd with a magnetic and intense authority. His screams propelled the music forward, infusing it with an urgency that kept everyone on the edge of their seats. When they launched into their second track, “My Body Is A Cage,” the dynamic shifted to a heavier, doom-laden metalcore sound. The rapid, syncopated beats from drummer Tim Sullivan felt like a relentless heartbeat, driving the intensity even further. Their third song, “Darkness Shared,” immersed us deeper into a haunting metalcore realm, allowing bassist Nathan Calcagno’s deep grooves to resonate powerfully within the venue. His bass lines not only anchored the music but also intertwined beautifully with his clean vocals, creating a compelling contrast that enriched the overall experience. In total, Boundaries unleashed nine tracks during their set, delivering the most intense performance of the night. They skillfully balanced mesmerizing melodic moments with overwhelming bursts of heaviness, leaving the audience in awe. After eagerly anticipating the chance to experience and capture their electrifying energy, I can confidently say they surpassed all my expectations. I can hardly contain my excitement at the thought of immortalizing their vivid and aggressive spirit through my photography again in the future.

SETLIST

  1. Turning Hate Into Rage
  2. My Body Is A Cage
  3. Darkness Divided
  4. Is Survived By
  5. Cursed to Remember
  6. I’d Rather Not Say
  7. A Pale Light Lingers
  8. Inhale The Grief
  9. Easily Erased

Up next on stage was the incredible band Holding Absence, straight out of Cardiff, Wales. This was my third electrifying encounter with the band, the last being in August 2022 when they opened for Silverstein and The Amity Affliction. They kicked off their set with the powerful track “Aching Longing,” immediately immersing the audience in the intense side of their mesmerizing post-hardcore sound. Vocalist Lucas Woodland captivated everyone with a performance that radiated passion and strength, his powerful voice echoing throughout the venue. Guitarist Scott Carey intensified the experience with his dynamic backing screams, and as they transitioned into “Gravity,” the thunderous drumming from touring drummer Scott Waters created a pulse that resonated with every heart in the room. Their third song, “Like A Shadow,” illustrated the band’s unique modern twist on emo, seamlessly blending elements of post-hardcore, alternative rock, and pop-punk. The infectious energy surged as bassist Benjamin Elliott laid down deep grooves that propelled the entire performance. With a riveting set of eight songs, the band set the crowd ablaze with excitement, inspiring crowdsurfers to joyfully leap over the barricade. One of the most memorable moments for me was hearing “Afterlife” again; it remains one of my all-time favorites. Holding Absence is an unmissable spectacle that leaves you craving more. Trust me, you don’t want to miss the chance to see them live—you will be utterly captivated!

SETLIST

  1. Aching Longing
  2. Gravity
  3. Like A Shadow
  4. Her Wings
  5. Nomoreroses
  6. A Crooked Melody
  7. Afterlife
  8. The Angel In The Marble

The Plot In You from Hancock County, OH took the stage by storm, bursting onto the scene with a dazzling display of confetti and their powerful opener, “Don’t Look Away.” Vocalist Landon Tewers delivered bone-rattling vocals that perfectly propelled this groove-heavy metalcore track. The energy only intensified with the follow-up, “Divide,” in which guitarist Josh Lewis Childress unleashed deep, resonant riffs, while bassist Ethan Yoder added a layer of syncopated bass that truly drives the song forward. Tewers showcased his remarkable versatility, effortlessly transitioning between haunting screams and smooth singing, creating a captivating listening experience. As the set continued, “Pretend” highlighted the band’s melodic prowess, introducing a pop-metal flair that was impossible to resist. Drummer Michael Cooper brought a crisp and vibrant energy to the percussion, elevating the track with his impeccable style. With a stunning production featuring elaborate lighting, The Plot In You prepared a monumental 15-song setlist, celebrating their journey from classics like 2015’s “Happiness In Self Destruction” to fresh cuts from their upcoming 2024 “Vol. 3 EP.” Hearing hits like “Feel Nothing” and “Forgotten” was truly a thrill, underscoring the band’s remarkable evolution over the years. Witnessing them sell out Anaheim once again felt like a triumphant homecoming. This tour was an unforgettable experience, especially with the incredible support from Holding Absence, Boundaries, and Acres. Don’t miss the chance to catch this powerful lineup; it was nothing short of spectacular!

SETLIST

  1. Don’t Look Away
  2. Divide
  3. Pretend
  4. Paradigm
  5. THE ONE YOU LOVED
  6. NOT JUST BREATHING
  7. Face Me
  8. Been Here Before
  9. Forgotten
  10. Spare Me
  11. All That I Can Give
  12. Closure
  13. Time Changes Everything
  14. Left Behind
  15. FEEL NOTHING (ENCORE)

The Plot In You | Holding Absence | Boundaries | Acres

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | X

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Incubus w/ special guest Coheed and Cambria | PHOTOS & REVIEW

September 6, 2024 | The Pavilion at Toyota Music Factory

What a way to start a show with the Hardrock Legends, Coheed and Cambria. They begin the night with their album title song, “ In Keeping Secrets of Silent Earth: 3,” to get the crowd in the mood for what is to come and I can say personally, it was the best way to kick it off, Claudio never disappoints with his energy. 

It was a beautiful, cool Friday night at The Pavilion at Toyota Music Factory, in Irving Texas. Coheed and Cambria played all their hits ranging from. “ Ten Speed (Of God’s Blood and Burial)”, “A Favor House Atlantic,” too, “A Disappearing Act,” “Shoulders,” and “The Liars Club,” from their 2022 album, Vaxis II: A Window of the Waking Mind. 

It wouldn’t be a Coheed and Cambria show if they didn’t end it with their most popular track, “Welcome Home,” from their 2005 album Good Apollo I’m Burning Star IV, Vol. 1 – From Fear Through the Eyes of Madness. Wow, what a mouthful! It was a great way to end their set cause it get the crowd pumped for the headliners… Incubus.

The stage has been set, lights have been cut and the sounds from the first song “Nice to know you,” kicks on and you can just feel that it was going to be some Morning Views indeed.

The energy the band put on the entire night of the set was just calming, relaxing, putting you in a state of pure bliss. Playing the album in its entirety was phenomenal, the crowd was grooving along with the band playing the songs, “Wish you were here,” “Just a phase,” “11 am,” and then the acoustic version of, “Blood on the Ground.’ Just beautiful.

As the night progressed it just got better and better, Brandon singing his heart and soul out with such passion shows how much he loves this music so much, Nicole Row playing an incredible bass line with such accuracy you just had to see it to believe it. Just wow! Mike with the iconic guitar riffs and a surprise at the end that I will fill you in on in just a bit. Gavin with such technical sounds from his turntable brought so much to the band. Last but not least, we cannot forget about Jose Pasillas and his cool smooth drum technique, one more time WOW!!

Incubus was nearing the end of the album Morning Views, with their songs, “Have you Ever,” “Are you in,” but then they mixed in Phil Colins popular song, “In The Air Tonight,” which brought the crowd alive once again, but it didn’t stop there, just for a little bit of a kick they played a Rhianna cover!!! It was awesome to see them play, “Umbrella”

Aqueous Transmisson, which got you locked in on Mike playing the Chinese instrument the Pipa and it was everything just everything. Such a beautiful song you can listen to it so many times that you will never tire of it, ever. As the album came to a close they stayed on stage and gave the crowd what they wanted, the hits from all the albums, from “Anna Molly,” “Karma,” Pardon Me,” too, “The Warmth,” “Vitamin,” “Dig,” and the classic, “Drive.” What a way to end the night Incubus giving it all and playing their hearts, it was a great evening, with some Morning Views.

Coverage courtesy of Angel Castillo

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Boyz II Men at Hollywood Casino Amphitheatre

St. Louis | August 3, 2024

Photos courtesy of Elizabeth Rajchart

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Imminence From Sweden With Love Tour @ The Studio At The Factory | Photos+Review

Dallas, TX | April 23rd, 2024

As the first stop of The Black Tour for Imminence, from across the pond in the beautiful country of Sweden, they played The Studio at the Factory in Dallas Texas. I’m still in awe of how amazing, beautiful, ear soothing, and incredible this band is. It was just one hit after another, this band will grab you from start to finish.

It’s a challenge to put the show into words, they played these songs with so much passion that it was so hard to just look away, even for a second. Eddie Berg came in hot with the harsh vocal screams and soft soothing vocals with the second song, Paralyzed from their album Turn the light on. Harald Barrett and Alex Arnoldsson played their hearts out along side Peter Hanström, and Christian Höijer.

They worked this crowd so well that each person was locked in. Eddie can sing his soul out, but when he picked up that violin it was a whole different world we were immersed in. The bands songs that are well known are: Erase, Death by a thousand cuts, infectious and the debut of their new song Continuum. Holy hell the violin played a big role, it brought such beauty. Just when you thought it couldn’t get any better they give you more and more.

As they were nearing the end of the set, Imminence played the title track from the album Heaven in Hiding, and the new title track from their new album The Black. I’ve started showing people this band cause I want to share everything that makes up Imminence with people and don’t feel my description does it justice. Closing out the night with, Le Nior from Sweden with love.

Coverage courtesy of Angel Castillo

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Legend, Eric Johnson plays Dallas, TX @ House of Blues

April 4th, 2024

Wow! Simply wow! I have seen some amazing guitarist but never something like this in my life. Hearing Eric’s music on streaming doesn’t do it justice, just wait until you see it live.

As soon as Eric hit the stage the entire venue was locked on from the first second to the last, those first notes he played was nothing short of phenomenal. When he started the song Righteous it was magic all the way through. Other songs he played included Trail of Tears, Rafael, as well as a cover of Caravan by Duke Ellington. You had to see it to believe it. I was so into it that I took a moment to shut my eyes and went on that journey with the whole venue that night. 

When he played Desert Rose… man let me tell you I found myself again eyes closed, swaying to the sounds of the drums and the guitar riffs that I didn’t want it to end. It’s a incredible song. I was listening to it like on repeat on my way home that night. When Eric took a break, his pianist Sean took the reins for a bit and it was beautiful just beautiful.

As the night was coming to a close, Eric gave the crowd an Eric Johnson guitar solo in an amazing fashion that I wish I could see and hear it again. During his solo he transitioned to one of his most popular songs, the song that got me into his music as a young kid playing Guitar Hero 3 on Xbox: Cliffs of Dover.

He makes it look so simple, but in reality it’s not, for some of us who have tried to master it on Guitar Hero. Hysterical attempts to say the least. Hearing it live was just a whole groove session, a beautiful ride all the way to the last strum of that guitar.

Eric Johnson y’all, a great show, an amazing guitarist, truly a master of his craft and still rocking it to this day.

Coverage courtesy of Angel Castillo

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Oneus 2024 2nd World Tour La Dolce Vita in USA

Date: March 28, 2024 | Venue: The Louisville Palace Theater Louisville, KY

ONEUS 2024 2nd World Tour La Dolce Vita in USA | Fandom Name: TOMOON

ONEUS Members:  Seoho 서호 or Lee Seoho (이서호), Leedo 이도 or Kim Gunhak (김건학), Keonhee 건희 or Lee Keonhee (이건희), Hwanwoong 환웅 or Yeo Hwanwoong (여환웅), and Xion 시온 or Son Dongju (손동주).

   안녕하세요 TOMOON!

                                                                                                                  annyonghaseyo

                                                  Hello TOMOON!

ONEUS (원어스)  debuted under RBW Entertainment on January 9, 2019, with a mini album “LIGHT US” and their title track, “Valkyrie.” ONEUS is a five-member group consisting of Seoho, Leedo, Keonhee, Hwanwoong, and Xion. Former member, Ravn, who originally debuted with the members as a six-member group, departed from ONEUS in October 2022. The group’s name, “ONEUS,” has two meanings – the first meaning is the members came together by gathering strength from every one of their fans. The second meaning symbolizes ONEUS’ mission to bring together regular people, who will work side-by-side to create a united world. The group’s fandom name, “TO MOON,” represents ONEUS’ fans as the “Moon,” who always orbit ONEUS, as the group represents the “Earth.” In addition, the group’s name, “ONEUS,” can be spelled as “One Earth” in Korean.

Milestones that ONEUS achieved in the past includes winning their first-ever music show win on MBC M’s Show Champion in 2021, for their lead single, “Luna,” which is off of the group’s 6th Mini Album, Blood Moon. In 2022, ONEUS joined the K-Pop competition series and reality survival show called, Road to Kingdom  – where already debuted male K-Pop groups competed to see who could be placed at the top, as well as gain eyes from a massive global audience in the process. This television program aired on Mnet to let lesser-known groups be seen by a global audience, as well as showcase each group’s charms, skills, talents, and overall potential of making it on the global stage. Out of the seven groups that competed, ONEUS finished in 4th place overall and has gained a bigger fan base because of the show’s program. The members also got a chance to release their digital single, “Come Back Home,” during the show’s airing.

The talented and underrated K-Pop group, ONEUS, took the stage at the historical Louisville Palace Theater in Louisville, Kentucky for their 2nd World Tour La Dolce Vita in USA. ONEUS opened with “Baila Conmigo” from the EP La Dolce Vita in 2023.

They played a few songs before they took a small break and talked with TOMOON introducing themselves, talking about food and what animals they are, and talking about how long it had been since the last time they came to Louisville. TOMOON was high energy and excited to see them again and packed the theater. TOMOON showed up for this show. They slowed things down so they could take a small breather from all the dancing for a few songs to make it more of an intimate show while singing to the hearts of their TOMOONS. There was a moment near the end of the show when one of the members saw a TOMOON in front eating their popcorn and was in shock that they were just unbothered while watching the show or when they took a small break on stage and Keonhee was showing everyone what he saw and he took the box of popcorn on stage to see if it was a real box of popcorn and it was funny and a cute moment. While they were saying their goodbyes one of the members said “Louisville is the best” in Korean and the translator had to question it like did he say that? He had to explain that it also had a different meaning and was a good moment where everyone laughed.

As for the lighting for the show, it was vibrant with all of their songs and each song for the LED BG effects was the MV’s for a visual. One of the songs LED BG had Traditional Korean Hanok or Palace to show us Korea. I can agree that Korea has a special place in my heart in history, architecture, food, shopping, and most importantly music.

Keep up with ONEUS on socials: Instagram | Youtube | Fanclub | Facebook

Thank you to Livenation, ONEUS, The Louisville Palace Theater, and RBW Entertainment for having us at The Camera Affect and In The Moment Productions for a great show. Please enjoy the moments we caught. We appreciate your continued support.

다음 공연 때 만나요, 안녕! 

daeum gongyon ttae mannayo annyong!

See you at the next show, bye!

Photos + Review by Chyenne Conner | Photography

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Ministry US Tour 2024 | Photos + Review

On March 20th, 2024, the Wind Creek Event Center in Bethlehem, Pennsylvania became
energized from the second the doors opened. The anticipation of the crowd grew as they
eagerly awaited for the arrival of the night’s performers: Ministry, Gary Numan, and Front Line
Assembly. It was very clear that the night would be more than just a show; it would be an
immersive hypnotic experience with raw emotion, mesmerizing visuals, and electrifying futuristic
sounds.

Starting off the night at 7:00pm was the Canadian electro-industrial band Front Line Assembly,
who immediately locked in the audience’s attention with their electronic beats and captivating
stage presence. Referring to themselves as FLA, the band is fronted by Bill Leeb and supported
by guitarist Matthew Setzer, drummer Jon Siren, and synthesizer/keyboardist Rhys Fulber.
Kicking off their set with their song “I.E.D.”, they transformed the venue into a sonic realm with
other hits including “Deadened” and “Millennium.” Each song radiated such intensity that it
seemed to put the audience under a synth spell. The pulsating beats and futuristic sounds were
so powerful that you could feel it throughout your body, which is an experience in itself. FLA’s
set served as a perfect introduction to a night that would continue to escalate with excitement.

The next set of the night was brought on by the talented Gary Numan. Gary Numan, the English
synth-pop artist, is considered to be the pioneer of electronic music. Numan’s iconic presence
reverberated throughout the venue, accompanied by guitarist Steve Harris, bassist Tim Slade,
keyboardist David Brooks, and drummer Jimmy Lucido. Together, they created an electrifying
journey for the syrienne. From the moment Numan stepped into the spotlight, his magnetic
stage presence was like no other, and completely commanded the audience’s attention. His
captivating movements radiated an aura that left the audience in another hypnotic synth spell.
He seamlessly matched the energy of both the music and stage visuals creating one of the most
immersive and mesmerizing performances I have ever seen. Nothing else seemed to exist
around me other than Numan on stage, seeing how passionate he was about performing. As he
unleashed classic hits such as “Cars” and “Metal” from his 1979 album The Pleasure Principle,
Numan accompanied those with songs from his more recent albums, Intruder, Savage (Songs
from a Broken World), and Splinter (Songs from a Broken Mind). Opening the set with the
haunting “Everything Comes Down to This”, he also incorporated songs into the set such as
“The Chosen”, “Love Hurt Bleed”, “My Name is Ruin”, and closed out the set with the compelling
“A Prayer for the Unborn”. Gary Numan’s performance not only showcased his musical
expertise, but solidified his status as a legend in the realm of the synth-pop and industrial
genres.

Closing out the night was the industrial metal band from Chicago, Illinois who paved the way for
the genre, Ministry. The headlining band had the audience eagerly waiting for what was to
come. They absolutely did not disappoint as the iconic frontman, Al Jourgenson, took center
stage next to his skeleton cross mic stand. Jourgenson was accompanied on stage by guitarists, Monte Pittman and Cesar Soto, bassist Paul D’Amour, keyboardist John Bechdel, and drummer Roy Mayorga. Since the second they walked onto the stage, each member radiated such passion.

Starting off their set with a song from their newest album HOPIUMFORTHEMASSES,
“B.D.E” brought an empowering energy to the stage right from the start. This song covered the
topic of toxic masculinity and violence against women, which had me head banging the whole
time. Ministry has always been a very political band, and each song resonated deeply,
highlighting the band’s commitment to addressing societal issues through their music. The
powerful visuals behind them put an emphasis on the topics being discussed in each song. After
playing a few other songs from their most recent album, the crowd’s energy heightened even
more as the gritty classic hits including “N.W.O.”, “Thieves”, “Just One Fix”, and “Stigmata”
echoed through the venue. Throughout their performance, I couldn’t help but notice the huge
mosh pit that opened up in the center, as many fans enjoyed this moment together. Closing out
their set with their most popular song, “Jesus Built My Hotrod” the crowd became even more
energetic, not wanting the night to end. Just like the rest of the night, the band did not only put
on a performance, but created a psychedelic and vibrant yet edgy experience that the whole
audience will forever remember. Ministry is such an iconic industrial metal band, and their
legacy will live on and continue to leave a lasting impact.

Ministry, Gary Numan, and Front Line Assembly, were some of the most mesmerizing and
talented performers I have ever seen. Each act brought their own unique and electrifying energy
and passion to the stage, creating hours of an immersive experience. The legacy of all three
performers will forever be respected and recognized in the industrial world, serving as
inspirations for the future.

Review & Photography courtesy of Kyra Britzke

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Exodus & Fit For An Autopsy w/ Darkest Hour & Undeath | Fall North American Tour | 11/24/23 | Photos + Review

Exodus & Fit For An Autopsy Obliterate The Stage in Anaheim

Venue: House of Blues in Anaheim, CA

Date: 11/24/23

Over the past several years, I have been lucky to check off many bands from my bucket list in terms of both seeing and photographing. I first saw Fit For An Autopsy back in 2017 and finally got them in front of my lens in January of 2022. This US tour is their biggest to date, and they co-headlined with the thrash metal legends in Exodus, who I finally got to check off my bucket list. The icons in Darkest Hour and the death metal boys in Undeath provided support for this tour. Coming through my favorite venue, the House of Blues in Anaheim, CA, this was a show I simply could not pass up.

Undeath from Rochester, NY opened the show up with a bang. This was my third time seeing and photographing these boys and they seem to get better and better each time. Vocalist Alexander Jones is a force to be reckoned with as he commands the stage. Guitarists Kyle Beam and Jared Welch brought the riffage and the headbangs galore. Bassist Tommy Wall is an absolute beast, strumming and creating those deep tones. Finishing out the band’s lineup is drummer Matt Browning, who’s clean and precise drumming holds the foundation down. The band played a mixed setlist of 7 songs, 3 of which came from their 2020 album “Lesions of a Different Kind” and 2 of which came from their 2022 album “Rise From The Grave”, both released via Prosthetic Records. The band even played two new songs, titled “Brandish The Blade” and “Cramped Caskets”, both of which continue the band’s sound of brutal death metal meets hardcore, which is truly a unique sound. I’ve loved seeing this band three times now, and I cannot wait to see and photograph them again!

SETLIST

  1. Rise From The Grave
  2. Necrobionics
  3. Brandish The Blade
  4. Cramped Caskets
  5. Acidic Twilight Visions
  6. Chained to a Reeking Rotted Body
  7. Lesions of a Different Kind

Darkest Hour from Washington D.C. was up next as direct support for the co-headlining tour. This is a band that has been on my bucket list for quite some time with their melodic death metal verging on metalcore sound that also has some inspiration from thrash metal. From the moment I saw guitarist Mike Schleibaum and vocalist John Henry walk out, I knew this was about to be iconic. Drummer Travis Orbin immediately blew me away with his intricate drum patterns that are truly showcased throughout the band’s nine song set. Bassist Aaron Deal was truly energetic, giving me the windmills and headbangs. Finishing out the band’s lineup is guitarist Nico Santora, who I previously photographed with one of his’ other bands Fallujah. He fits perfectly into Darkest Hour’s sound and is always so fun to capture. The band played a well-mixed set of songs spanning many of their albums, but primarily from their 2017 record “Godless Prophets & The Migrant Flora”, and a couple from their upcoming 2024 release “Perpetual | Terminal”. This was truly an incredible set with high energy that really set the stage for the co-headliners. I’m so glad I finally got to see and photograph these guys! I own all of their records on CD, so it was cool to finally check them off my list!

SETLIST

  1. Perpetual Terminal
  2. The Sadist Nation
  3. Stand and Receive Your Judgement
  4. Knife In A Safe Room
  5. Those Who Survived
  6. The Flesh & The Flowers of Death
  7. Rapture in Exile
  8. With a Thousand Words to Say but One
  9. Amor Fati

Fit For An Autopsy from Jersey City, NJ came up next as the first of the co-headlining bands to perform. I was beyond excited to see and them again as their 2019 album “The Sea Of Tragic Beasts” tied for first in my top albums of 2019 with Jinjer’s “Macro”. Their 2022 album “Oh What The Future Holds” had just dropped when I photographed them last year, and it’s been truly incredible to see their growth as a band in the span of the past year. The band opened with the title track “Oh What The Future Holds”, which set the stage for the set to come. With an incredible light show, the band came prepared with the theatrics. Vocalist Joe Badolato is front and center, and performed the best I’ve seen him, and that says a lot because he’s always pretty powerful on the mic. The band then went into the next track on the album “Pandora”, which is a very riff heavy song that showcases the talents of guitarists Pat Sheridan and Tim Howley, as well as the rhythmic bass coming from Peter “Blue” Spinazola. The breakdown in this song especially goes hard live, and the light show was on POINT here. The band then went into one of their new songs titled “Hellions”, which can be heard on the new split EP released in 2023 via Nuclear Blast titled “The Aggression Sessions” with Thy Art Is Murder and Malevolence, which is a heavy aggressive deathcore sounding song. The drums are especially booming in from Josean Orta. The band played some of my favorite songs, like “The Sea Of Tragic Beasts”, “Warfare”, and “Two Towers”, which were all absolutely incredible to see them play live. They had the crowd truly going nuts with crowd surfers and moshing galore.  The band played a total of eleven songs with songs from every album from 2017 on. This is truly Fit For An Autopsy at their best I’ve seen them thus far. I cannot wait to see and photograph them again and to continue seeing their growth.

SETLIST

  1. Oh What The Future Holds
  2. Pandora
  3. Hellions
  4. Warfare
  5. Hydra
  6. Iron Moon
  7. A Higher Level Of Hate
  8. The Sea Of Tragic Beasts
  9. Your Pain Is Mine
  10. Far From Heaven
  11. Two Towers

The all mighty Exodus from San Francisco, CA came to the stage next. I was very excited to finally see these guys after listening to their music for quite some time, and they surely did not disappoint. From the moment they walked out on the stage, they were insanely high energy. Opening with the song “Impact Is Imminent”, vocalist Steve Souza truly had control over the stage and the crowd. Guitarists Gary Holt and Lee Atlus were in total sync, riffing those thrash riffs that get the crowd going wild. Going into R.E.M.F. from their newest album “Persona Non Grata”, I was hooked in on that drum beat from Tom Hunting the moment the song started. The dude is an absolute machine and as the sole founding member of the band, he is truly the foundation. Alongside Hunting in the rhythm section is bassist Jack Gibson, who’s headbangs and rhythmic strumming truly adds that edge to the band. The band in total played ten songs that spanned over five of their twelve albums. With an expansive discography and history dating back to 1979, Exodus remains strong and prominent in the metal scene. I am so glad I finally got to see and photograph these guys. They were truly so much fun to capture with their high energy. I highly recommend seeing them when they hit a city near you!

SETLIST

  1. Impact Is Imminent
  2. R.E.M.F.
  3. Blacklist
  4. Fabulous Disaster
  5. Prescribing Horror
  6. The Beating Will Continue (Until Morale Improves)
  7. A Lesson In Violence
  8. Bonded By Blood
  9. The Toxic Waltz
  10. Strike of the Beast

This tour was truly one for the books to capture. With so many different styles of metal, it was a night that felt like a mixture of nostalgia and eclecticism. You have the thrash from Exodus, the deathcore and post-metal from Fit For An Autopsy, the melodic death metal and metalcore from Darkest Hour, and the brutal death metal and hardcore from Undeath. This was truly an incredible show that I cannot say enough was a night to remember. I am so thankful any time I get to do a show like this.

Exodus | Fit For An Autopsy | Darkest Hour | Undeath

Photos + Review Courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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Wrecking Ball Metal Madness 2023 | Photos + Review

October 27 & 28 |  Dallas,TX

A night of chaos, death metal and metalcore, mosh pits, crowd surfing, stage dives, and non stop metal.

Creeping Death a local death metal group from Denton, Texas brought the madness to the stage. They sure do not disappoint when they come to town. They played some heavy hitting songs like, Bloodlust Contamination, Intestinal Wrap, The edge of Existence, and the last song called The Common Breed from the latest album Boundless Domain.

The next group that hit the stage was The Acacia Strain, Albany New York’s best deathcore band. They brought there best out to Dallas and fired it up like it was no one’s business with there songs, Carbomb, The Hills Have Eyes, Dr.Doom, Beast, and Skynet. This set was accompanied many stage divers and a giant most pit! The energy was intense, even after they got off the stage.

It’s been 4 years, FOUR YEARS, since Montreal, Quebec’s finest deathcore band, Despised Icon tore up the dance floor, and the stage. Being a fan of this band, I was just as amped up as the rest of the crowd. They came in with there best tracks, Snake In The Grass, The Aftermath, Beast, MVP, and a real banger of a song called Purgatory.

The headlining act. came all the way from Marlboro, Maryland, a technical death metal band, better known as Dying Fetus. They are a force to be reckoned with coming with some deep heavy hard drums, vocals and ear melting guitar riffs. From there old school tracks to the new bangers. The setlist included: Fixated On Devastation, Subjected To A Beating, Unbridled Fury, Grotesque Impalement, but let’s not forget these last two that got the crowd losing their minds, From Womb To Waste and Wrong One To Fuck With.

Overall it was a crazy night, with incredible performances from all the bands that played tonight.

Coverage courtesy of Angel Castillo

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