The HU ft Crown Lands – The Gereg Tour 2019 – North America

Crown Lands

The HU

Photos courtesy of Chyenne Conner

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Interview to follow

Taking Back Sunday ft Red City Radio & Destry | 2019 North America Tour – Leg 2

Destry

 Red City Radio

Taking Back Sunday

Photos courtesy of Ashley Grace : Instagram | Twitter

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All-In Moment’s self-titled album “All-In Moment” – Album Review

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Photo courtesy of Crisitne Trimarco

All-In Moment is a 4- piece hard rock/ metal band from Staten Island New, York. The band consists of vocalist Chris Scott, guitarist David Cohen, bassist Luke Lewis, and drummer Daniel Luczak.
Recently they released their self-titled album “All -In Moment” which you can listen to here

The album opens with “Before The Bomb Drops “, which in my opinion was a great choice due to the instrumental fast paced opening, as well as the breakdown that for sure would make anyone want to mosh the second they hear it.

Next up is “Haunt Me “, the vocals are my favorite part of this song, as well as the lyrics. I caught myself singing “haunt me in my dreams but I’ll be alright “ after listening. I enjoy how the vocals fade out, and the instruments end the song
Following Haunt Me, is “Unstoppable”, introducing some screams to this album at the perfect time. To feel unstoppable is to feel powerful. This song, with its fast-paced beat is catchy for sure.
The last song I will be reviewing, and my favorite song on the album is “From Chaos Comes Clarity” , the lyrics “ sometimes we all gotta fall, to find ourselves, from chaos comes clarity” are really important, and true with-in my own personal experiences. I feel many new listeners will related to this song, and they should give it a listen.
My team member Ashley, will be reviewing the second half of the album below,

Song # 5 off of “All-In Moment” is called “For You.” I’m not entirely sure who write the lyrics to this song, but whoever it was loves the person they sing about. They’d do anything for the one they sing about. It’s a heart warming song off a badass album! It picks up heavily at the end as well to keep the flow of the album.

Moving into song #6 “Refuse the Call”. This is song starts off hard and if I was seeing them live, there’d be a mosh pit within the first 30 seconds which I love. The lead guitar line is driving and I love the drums in this song!

“Oblivion” takes track 7. And out of the four I have reviewed, my personal favorite. It’s a headbanger for sure. It has a great pop punk feel to it, but still keeps that hard driving sound All-in Moment has. The breakdown has these dueling guitars which is one of my favorite things a band could do!

Closing out the self titled album is “Not that Far Away.” I honestly dig his style of singing because it reminds me of 90s grunge music, and who doesn’t appreciate that. This song rips. From the heavy flow of guitars, banging drums, and a sick bass line.

All in all I’d review this album a 6 out of 10! I’ve spent 13 years in and out of studio sessions. So in my opinion, the vocals could have been mixed a little bit more post production. Really rad band! Be sure to check them out, social media listed below.

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Photo courtesy of Cristine Trimarco

Review courtesy of Cristine Trimarco  & Ashley Grace

All-In Moment: Twitter | Instagram | Facebook | Spotify 

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Artist Alert – Raul Del Moral

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Raul Del Moral is a bilingual singer and talented guitarist whose genre influences include reggaeton, acoustic and folk. ‘Quedate Conmigo’ is definitely a club tune and is easy to dance to. The verses are sung in Spanish and the chorus in English, making it easy to remember. The accordion sound in the background is very distinctive. It’s definitely my favourite of his Spotify selection. Campeón is made up of guitars and trumpets and has a strong beat throughout. I loved the trumpet fadeout at the end. It was all in Spanish so I had no idea what the song was about but it sounded really good! The third solo song, Where is My Home? has a very different sound and feel. It tells a story about Del Moral unwillingly leaving his home and questioning where he now belongs in the world. The lyrics emphasize his feeling of displacement. The sprawling electric guitar solo that begins a couple of minutes into the seven minute song and lasts nearly as long as the remainder of the song is moving.

Courtesy of India-Mae Alby

You can follow Raul on all his socials – Spotify  | Instagram| Website

Like Moths To Flames’ “Where The Light Refuses To Go.”- Album Review

Like Moths To Flames have been apart of the post-hardcore scene for quite awhile, though I personally first got into them in 2017 when they released “Nowhere Left To Sink,” and their album that followed, “Dark Divine,” which I also enjoyed. Over the past couple of months, the band has released a trilogy of singles, which make up their most recent release, an EP titled “Where The Light Refuses To Go.”

“All That You Lost” quickly foreshadows some of what’s to come on the rest of the EP through the darker and mostly heavier intro, where the lead guitar really stands out. The verses are pretty heavy as well, where very energetic instrumentals drive the rhythm and the heavier vocals really get to shine, and the bass shows off before and during the breakdown later on in the check. The choruses in between are a lot more melodic, and the melodies are catchy, yet also darker. This fits perfectly with the overall vibe that this track has and makes this chorus as a whole a bit different from those on the other choruses later on in the EP. “Smoke And Mirrors” is a Little Bit slower compared to the opener, and contrasts a lot to begin with. The more melodic vocals in the verses show a ton of emotion, and the screamed vocals blend with those very well. The heavier sections bring a ton of energy, and so does the huge and very memorable chorus, which is one of the best on the EP. Closing out this EP is “Into The Black,” which mixes some synths with the heavier instrumentals in the darker, riff-heavy intro. The more melodic verses bring some softer vocals and give the instrumentation more room to shine, especially the bass and drums. The pre-chorus is a bit reminiscent of the intro, being a lot heavier instrumentally (and also vocally), and it leads up to yet another very catchy chorus that’s upbeat and a really fun one to listen to. The bridge mixes clean and screamed vocals, both of which deliver an emotional performance, especially the clean vocals that finish out the song and the EP, which really impressed and stood out to me on first listen.

On “Where The Light Refuses To Go,” Like Moths To Flames bring a perfect balance of aggression and melody and continue to perfect their post-hardcore sound.

Review by Megan Langley | Instagram

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Wage War w/ Like Moths To Flames, Polaris, and Dayseeker | Pressure North American Tour | Photos + Review

Venue, Date, & City: Marquis Theater in Denver, CO on 10/18/2019

Florida based metalcore band Wage War are a band that have been on my radar for awhile, ever since I heard their single “Youngblood,” from their 2015 debut LP, “Deadweight.” Fast forward a few years later, and the band have now released their third album, “Pressure,” and I attended the Denver date of the North American headlining tour that they did in support of the record.

Southern California based post-hardcore band Dayseeker opened up the night. They played a mix of songs from 2017’s “Dreaming Is Sinking /// Waking Is Rising” (“Vultures” & “Sleep In The Sea Pt. II”) and their newly released album “Sleeptalk” (“Drunk,” “Crooked Soul,” “Burial Plot,” and “Sleeptalk”). The extremely catchy hooks and the overall energy the band puts into their live performance had so many people in the crowd singing and dancing along (myself included) and made the set a really fun one to watch.

Polaris was up next, and while I wasn’t extremely familiar with their music and hadn’t seen them live before, I was really impressed by their set. Their setlist was entirely made of songs off of their latest release, their 2018 debut LP “The Mortal Coil,” and included “The Remedy,” “Casualty,” “Crooked Path,” “Relapse,” “Consume,” and “Lucid.” They put a lot of energy and emotion into their performance, and the crowd was the same way, shouting the words and moshing throughout the set.

The Columbus, Ohio based Like Moths To Flames were second to last. The band played a surprisingly large amount of older material during their set, spanning from all throughout their discography, playing a few songs from “When We Don’t Exist” and “An Eye For An Eye,” as well as playing more recent material, such as “Bury Your Pain” from the double single “The Dream Is Dead,” “Nowhere Left To Sink” from their last LP “Dark Divine,” and “All That You Lost,” one of the three most recent singles the band had released since signing to UNFD.

Wage War closed out the night and put on a pretty long headlining set, also filled with songs from throughout their discography. They played a handful of songs off of “Pressure” (“Who I Am,” “Prison,” “Grave,” “Ghost,” “Hurt,” “Me Against Myself” and “Low”), as well as mixing some older fan favorites from their first two albums into their set – “Alive,” “Twenty One” and “The River” from their debut “Blueprints,” and “Johnny Cash,” “Don’t Let Me Fade Away,” “Gravity” and “Stitch” from their sophomore album, “Deadweight.” Each song of the band’s set had the sold out crowd engaged the whole time and I thought they put on a great performance.

This was my first time seeing all of these bands live, and their performances left a great first impression and made this tour one I really enjoyed.

Wage War | Like Moths To Flames | Polaris | Dayseeker

Photos + Review courtesy of Megan Langley | Instagram

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Blue Ridge Rock Fest Day 1 w/ A Day To Remember, The Convalescence, Beartooth, Of Mice & Men, Hinder, 10 Years,Cold, Soil, Flaw, A Feasting Beast, and Two Sides of Me

Blue Ridge Rock Festival Day 2

Two Sides of Me

A Feasting Beast

Flaw

Soil

Cold

10 Years

Hinder

Of Mice & Men

Beartooth

The Convalescence

A Day To Remember

A Day To Remember | The Convalescence | Beartooth | Of Mice & Men | Hinder | 10 Years | Cold | Soil | Flaw | A Feasting Beast | Two Sides of Me

Photos courtesy of Chyenne Conner| Instagram

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Blue Ridge Rock Fest Day 1 w/ Godsmack, DMX, In This Moment, I Prevail, Yelawolf, Another Day’s Armor, Memphis May Fire, RED, Kore Rozzik, New Years Day, and Burdens Within | Photos

Blue Ridge Rock Fest Day 1

Burdens Within

New Years Day

Kore Rozzik

RED

Memphis May Fire

Another Day’s Armor

Yelawolf

I Prevail

In This Moment

DMX

Godsmack

Godsmack | DMX | In This Moment | I Prevail | Yelawolf | Another Day’s Armor | Memphis May Fire | RED | Kore Rozzik | New Years Day | Burdens Within

Photos courtesy of Chyenne Conner

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Grayscale’s Nella Vita Tour 2019 ft Bearings, Belmont, & Rich People.

Grayscale are a band that have been on my radar for quite a while now. I first became a fan right when they signed to Fearless Records and released their single “Atlantic,” the lead single of their debut LP, “Adornment.” Since then, the band have been on numerous national and international tours, including the 2018 Vans Warped Tour, and this year, they did their first headlining tour here in the United States, in support of their newly released sophomore album, “Nella Vita.”

Opening up the night was New Jersey based Rich People. Three of the songs that the band played (“Fierce Grace,” “White Mark,” and one of my personal favorites of theirs, “Back Step (All The Real Girls”) are off of their most recent release, their 2018 album “Grace Session.” I love the raw emotion in this band’s music, but that is amplified even more in their live performance, which really impressed me.

Second on the bill was Canada based pop punk band Bearings. They primarily played songs off of their debut album, “Blue In The Dark,” such as “Where You Are,” “Aforementioned,” “Eyes Closed,” “Beautiful Places,” and the title track from that album. The band also included “So Damn Wrong” (one of their two recently released singles) and “Letters Home” from their third EP “Nothing Here Is Permanent.” Bearings brought quite a bit of energy throughout their whole set and were a lot of fun to watch.

Second to last was the Chicago based band Belmont, another pop punk band that have now become label-mates with Bearings, with their recent signing to Pure Noise Records. Belmont’s music leans more towards the more energetic and overall more punk influenced side of the pop punk genre, and they carried that energy into their live performance from start to finish as they played many songs from their self titled record (“Pushing Daisies,” “Hollowed Out”) as well as a few older favorites, such as “Overstepping,” “731” and “Convalescence.”

Finishing out the night was Philadelphia based band Grayscale, who have evolved their sound quite a lot over the years, and especially with their sophomore LP “Nella Vita,” which this tour was in support of. They played a handful of songs from that album, including singles “In Violet,” “Painkiller Weather,” “Old Friends” and “Baby Blue,” as well as a few others off of the album: “Just Right,” “YOUNG,” and “Twilight: My Heaven.” Grayscale have quickly become one of my favorite bands to see live and have impressed me each time I’ve seen them, and this show was no different.

 

Grayscale put on yet another impressive performance, I got to see Belmont, Bearings, and Rich People for the first time (and all their sets were a great first impression of their live performances), and overall, the Nella Vita tour may just be one of my favorites that I’ve attended in 2019 so far.

9/24/19 – Marquis Theater

Photos + Review courtesy of Megan Langley | Instagram

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2019 © The Camera Affect

 

Free Throw ft Chris Farren, Youth Fountain & Macseal | Fall 2019 Tour

I’ve heard a lot about Free Throw over the past couple of years through the albums they’ve released and tours they’ve been apart of, but really became a fan of them this year when they released their third album, “What’s Past Is Prologue.” The band began a headlining tour in support of this record, with support from Chris Farren, Youth Fountain and Macseal, which I attended the Denver date of.

Macseal kicked off the night. The emo/alternative quartet played songs that spanned their discography as a band so far, from playing “Cats” and “5:45 AM (Not Fun)” from their 2015 self-titled debut EP, to “Harry” and “Next To You” from their 2017 release “Yeah, No, I Know,” and “Golden Hour” and “Sure, Thing Shelly” (which was a great choice to open the set with) from their most recent EP to date, 2018’s “Map It Out.” Their set also included music from their upcoming debut LP, “Super Enthusiast,” – the lead single “Always Hazy,” and another new song from the record. Macseal put on a very fun and energetic set and started off the show very well.

Speaking of energy, that’s easily a word I’d use to describe the set from the next band, Youth Fountain. The Canadian pop punk band played several songs from their recently released debut album, “Letters To Our Former Selves,” an album that has also quickly become one of my favorites of this year so far. I love the band’s more emotional and slightly aggressive take on pop punk, and that all shows even more through their incredible live show. From the set opener (Rose Coloured Glass) to the song that not only closed out their set, but also closes out their album (“Blooms”) and the many songs in between (“Letters To Our Former Selves,” “Complacent,” “Worried,” “Moody,” “Deadlocked,” and “Grinding Teeth”), the crowd was singing and shouting along with them, bringing as much energy and passion as the band did throughout the entire set.

 

Next up was Chris Farren, who’s been releasing music under his own name for a few years now. He opened with the very catchy “Search 4 Me,” one of two singles that he’s released so far from his upcoming record, “Born Hot.” (The other single of the two is “Surrender,” which he played later on in the set). He also played a lot of previous material, including the singles “Where U Are” and “The Way That I Love U Has Changed,” and three songs from his sophomore album “Can’t Die” – “Don’t Be Cruel,” “Human Being,” and “Say You Want Me.”

Closing out the night was Free Throw. Throughout their hour long set, they played eleven songs, also spanning from throughout their entire discography, including a handful of tracks from “What’s Past Is Prologue” (“The Corner’s Dilemma,” “Tail Whip, Struggle,” “You Don’t Say That” and the title track), as well as some older favorites, such as “Better Have Burn Heal” and “Randy, I Am The Liquor” from their sophomore album “Bear Your Mind,” and “Tongue Tied,” “Two Beers In,” and “Good Job, Champ,” from their debut LP, “These Days Are Gone.” With each song they played, the band brought so much energy and so much emotion, putting on a great live show overall.

Photos + Review courtesy of Megan Langley | Instagram

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2019 © The Camera Affect