Real Friends deliver a night full of sad songs and unforgettable memories to Brooklyn Paramount | Photos + Review

February 6, 2026 Leave a comment

When you think about the pop-punk genre, it’s hard not to have Real Friends come to mind. The Chicago natives have cemented themselves as a staple act within the scene since 2010, delivering emotionally gut-wrenching tunes that have become the soundtrack to the lives of so many. 

Now consisting of Cody Muraro (vocals), Kyle Fasel (bass), Eric Haines (rhythm guitar), David Knox (lead guitar) and Brian Blake (drums), the band recently wrapped up a short run of shows supporting State Champs for their Around The World and Back 10 Year Anniversary Tour. Real Friends brought the intensity that their live shows are known for to their opening slot at Brooklyn Paramount on January 16th. 

The band wasted absolutely no time once they got on stage with “Late Nights In My Car” as Muraro immediately called for two mosh pits on each side of the massive 2,700 capacity room. The thing about Real Friends is that they don’t just encourage the action, they join in on it. Waves of crowdsurfers began to glide through the air before Muraro made his way to the barricade and jumped on top of the crowd, grabbing the hands of those who surfed past him without missing a single note. 

Though the band released their latest album not too long ago in the fall of 2024, their setlist mainly consisted of older fan favorites. It was practically 2016 all over again once “Mess” kicked in next. The crowd was over the moon for this one as multiple circle pits raged on from the center and Brooklyn Paramount echoed with every word. 


When it comes to catharsis and connection, Real Friends are experts. Serving as one of the first singles from their recent record Blue Hour, “Waiting Room” is a gut-wrenching account of the daily battle that accompanies grief. This one is always tough to get through while watching the band’s raw emotions shine and many in the crowd sing along through tears. It’s a beautifully resonating part of the set that slaps you in the face with a reminder of how powerful and healing music can be. 

The crowd’s energy quickly returned as the mosh pits opened back up and even more people began to float towards the barricade for “From The Outside.” The contrast between the depressing and upbeat songs throughout the set is what makes these shows as fun as possible. You never know if you’re going to be sobbing uncontrollably or headbanging when you’re at a Real Friends show and I think that’s what makes the experience so beautiful.  

An extra special part of Real Friends’ live shows is when Muraro joins the crowd for “I’ve Given Up On You.” The singer hopped in the middle of the large sea of people to deliver an exceptionally emotional performance of the band’s most popular track. I’ve been lucky enough to find myself up close for this part twice now and each time has brought a wave of intensity that’s hard to describe. The raw emotion from the fans as they sing along with Muraro is what makes this moment integral to Real Friends’ sets. It’s heartwarming and a privilege to witness attendees connect with strangers over their shared love for this song and the band themselves. 

“Me First” followed right after, once again showcasing some serious musical whiplash. They ended their set with “Tell Me You’re Sorry” and urged the crowd to go as crazy as possible for this last song. Real Friends took over Brooklyn Paramount from the second the lights dimmed at 7:45pm until they stepped off stage 30 minutes later. 

I can confidently say that this band gets better every time I see them, each show outperforming the last. Whether as a support act or the headliner, Real Friends are a phenomenal band that I will always grab a ticket to see whenever they tour near me. While they currently have no upcoming shows for the rest of 2026 just yet, I am eager for the next time I find myself in a room full of people screaming “It’s been a lonely year” at the top of my lungs.

Review & Photography by Amber Bintliff

Keep up with us on social media! Facebook | Instagram | X | YouTube

Filed under Photography, Reviews Tagged with , , , , , ,

The Happy Fits says CELLO to Irving Plaza, NYC | Photos & Review | Throwback Thursday

February 5, 2026 Leave a comment

A night of top-tier indie-rock tunes, locked in fans from the front to the back of the house, a surprise marriage proposal, and to top it all off: The most badass electric cello performance ever known to humankind. No one does it quite like The Happy Fits.

The high-energy band returned to New York City on December 10, 2025, at Irving Plaza in support of their stellar fourth studio album, Lovesick, released in September.

Originally set to play at the Brooklyn Paramount days later, the band announced weeks in advance that their New York date was rescheduled and would take place at a different venue. Although this Wednesday evening was met with some dreary weather, concerns about nasty rain and mid-week haze were left at the door, as it began with not one, but two standout support performances.
NYC-based band Double Standard opened the night, setting the tone for an evening of incredible indie vibes and powerful female vocalists taking the stage. Everything from their confident presence, comfort in front of an audience, and overall style had me hooked from the first note of their opening song, “nvr c u again,” through “Crush.”

The five-piece project toured in support of their self-titled debut EP, Double Standard, released earlier in the summer. Performing seven of the eight songs on their project, Double Standard’s set provided the perfect introduction of the band to a largely new audience, and had me sharing their music with friends before they even left the stage.

The second act of the night was the vibrant indie rock band Pom Pom Squad, hailing from Brooklyn, NYC. Performing songs from their latest third studio album, Mirror Starts Moving Without Me (2024), I loved the sweet-but-don’t-cross-me sort of vibes from the whole band, and the enchanting vocals from frontwoman Mia Berrin.

The only bummer of their set was that Berrin spent a majority of the time in dark lighting… Her outfit was gorgeous, and she had such a graceful presence… I wish the audience could see better from the back. However, this was changed throughout the set, and when they broke out the pom poms, they had a moment to (literally) shine!

After a couple of hours of anticipation and plenty of great tunes to set the mood, it was finally time for The Happy Fits to take the stage.

The four-piece put on a performance nothing short of exceptional, yet again beating expectations with their incredible stage presence and electric personalities.

The main character of the night is certainly the electric cello (well, the person playing the cello is included, of course). Vocalist and cellist Calvin Langman plays like no other, spotlighting an otherwise classical instrument in a new, indie-rock environment. This has always been and remains just one of the ways The Happy Fits are so unique – that, and their unmatched raw talent and energy, of course.

The setlist included just under half of the Lovesick album, opening with powerful singles “Cruel Power” and “Everything You Do.” Also from the latest album, The Happy Fits showcased “The Nerve,” “Shake Me,” “Black Hole,” “Do You See Me?,” and “I Could Stare at You for Hours” after a lovely proposal at the back of the house,  thanks to the band’s assistance (she said yes!).

“Lovesick #1 (Misery)” was the one song I was particularly excited to hear live. I wish I could relive the moment I first listened to this track, over and over again, as it’s perhaps my favorite from Lovesick (don’t make me choose, though). This song places a spotlight on Raina Mullen’s impeccably emotional vocals. There is something so magical about her delivery, with all its genuine angst and grace, and she exceeded my expectations early in the set.

I had the pleasure of seeing both newest members, Mullen and Nico Rose, in 2023 at Happy Fest, before they were officially a part of the band. I remember being so excited to hear two fresh female voices paired with songs I’ve known and enjoyed for years, in awe of how these beloved tracks just got better and better. Seeing them again,  years later, now permanent members and with a brand new album at their side, felt so empowering.

While focusing primarily on the new album, The Happy Fits did anything but neglect their earlier work. It was exciting to see some of my favorites, like “Do Your Worst” from Under the Shade of Green (2022) and “She Wants Me (To Be Loved)” from What Could Be Better? (2020), and some of my all-time faves, “Heart of a Dancer” and “Mary” from Concentrate (2018).

The group went even deeper into their discography when performing “Dirty Imbecile” and “Too Late” from their debut EP Awfully Apeelin’ (2016), making for a memorable show closer for longtime fans.

Beyond their own discography, The Happy Fits also did a fun cover of Fleetwood Mac’s 1977 hit “Go Your Own Way,” perfectly matching the tone of the rest of the set, keeping up with their energy and performing the song as if it were their own!

If you’re in the mood for an uplifting night of positive vibes, a stacked setlist, and incredible indie-rock tunes, The Happy Fits show is the one for you. Bring a group of friends, come in a duo, or find a friend or two in the crowd– You’re bound to run into a smiling face waiting to scream lyrics beside you.

If you’ve missed out on this tour, it’s not too late! The Happy Fits will embark on the second leg of their U.S. Lovesick tour in spring 2026! Tickets and more information are available on their official website, here.

The Happy Fits’ Irving Plaza, New York, NY, 12/10/25 Setlist:

  1. Cruel Power
  2. Everything You Do 
  3. She Wants Me (To Be Loved)
  4. Moving
  5. Lovesick #1 (Misery)
  6. Dirty Imbecile
  7. Do Your Worst
  8. The Nerve
  9. Cold Turkey
  10. I Could Stare at You for hours
  11. Shake Me
  12. Go Your Own Way (Fleetwood Mac cover)
  13. Hold Me Down
  14. So Alright, Cool, Whatever
  15. Black Hole
  16. Mary
  17. Do You See Me?
  18. Heart of a Dancer
  19. Too Late

Photos & Review byEmily McCormack

Keep up with us on social media! Facebook | Instagram | X | YouTube

Filed under news Tagged with , , , , , , , , , , , , , ,

Winona Fighter commands KEMBA Live’s “ATTENTION” on The Prowler Tour |11/29/25 | Photos & Review

December 23, 2025 Leave a comment

Winona Fighter has spent the last year cementing themselves as punk-rock royalty. From the release of their groundbreaking debut album in February to playing non-stop shows all over the world since, the Nashville-based trio is one of the best and most exciting rising acts to hit the scene in modern years. Frontwoman/multi-instrumentalist Coco Kinnon, lead guitarist Dan Fuson, and bassist/producer Austin Luther channel their own vulnerability, blistering rage and emotional turmoil to resonate with their growing community that they’ve built from the ground up.

When it was first announced that Winona Fighter would be joining Waterparks on The Prowler Tour for select dates in the midwest and west coast, I was devastated. That initial devastation soon turned to scheming with my friends to see if we could make the trip out to the closest date from New York: Columbus, Ohio. Before I knew it, I was spending eight and a half hours in a car to see the trio at KEMBA Live on November 29th. 

The second Winona Fighter stepped on stage, it solidified that I had made the right choice in traveling so far from home. Kinnon wasted no time, immediately jumping and running around the stage from the first few notes of “R U FAMOUS.” The band’s live energy is unlike anything I have ever seen. They took full advantage of the short time they had to let everyone know what they’re all about. 

For a lot of Waterparks fans, they had no idea who Winona Fighter were before walking through the doors of KEMBA Live. While I had the time of my life screaming along to every word, it was even more thrilling to watch the people around me fall in love with their music. This is one of the many things I love about showing up to shows early in time for the openers. You seriously never know if you’re going to find your new favorite artist, even if 30 minutes ago you could barely remember who was even on the bill. 

The setlist consisted of the biggest heavy-hitters from My Apologies To The Chef, including “I’M IN THE MARKET TO PLEASE NO ONE,” “You Look Like a Drunk Phoebe Bridgers” and “ Wlbrn St Tvrn.” The trio also gave the crowd an incredible cover of Beastie Boys’ “Sabotage.” I vividly remember being blown away by their performance of the song at their New Jersey headliner earlier this year and it was exciting to see others having a similar first-time reaction. 

While the response to the band was generally positive, it shocked me a bit that we had made it almost entirely through their set with no mosh pits. This quickly changed once Kinnon offered the crowd some motivation, exclaiming that they had a job to do and Waterparks would be very unhappy with them if there continued to be no moshing. They closed out their set with “HAMMS IN A GLASS” and the mosh pit that raged on from the center was almost enough to make up for the other seven songs. 

My apologies to anyone who still has yet to see Winona Fighter live. If driving eight and a half hours just to see them again doesn’t prove how good they are, I don’t know what will. Their shows, whether supporting or headlining, are some of the most vibrant and energetic spaces I’ve ever had the pleasure of being in. This year was only the beginning for Winona Fighter and I am stoked to see where 2026 takes them next. 

Review & Photography by Amber Bintliff

Keep up with us on social media! Facebook | Instagram | X | YouTube

Filed under news, Photography, Reviews Tagged with , , , , , , , , , , , , ,

Grayscale kept the Wellmont Theater alive with breathtaking performance | 9/12/25 | Photos & Review

September 26, 2025 Leave a comment

Often dubbed one of my personal favorite things to come out of Philadelphia, Grayscale have been a riveting force in the alt-rock scene since their formation in 2016. Consisting Collin Walsh, Andrew Kyne, Dallas Molster and Nick Veno, the four-piece released their emotionally compelling fourth studio album The Hart in January. The band previously hit the road this year for an Australian headline tour and as support for Mayday Parade’s Cheers For 20 Years Tour in the spring. 

Now, Grayscale joins Our Last Night for The Final Tour across North America alongside Wind Walkers. As someone who has been listening to Grayscale since high school and went to college 10 minutes from the Wellmont Theater, seeing the band so close to home was everything I could’ve ever dreamed of. 

The night kicked off with Wind Walkers, a vibrant post-hardcore and alternative metal band from central Massachusetts. I’ve been casually listening to the band for a little over a year now, but their live energy blew me away. “Drowning Hymns” and “Bodybag” are two of my favorite tracks from Wind Walkers and hearing them live elevated them in a way I can’t even describe. The band was a lot of fun to watch on stage and I’m excited for their upcoming EP I Don’t Belong Here. 

Grayscale followed shortly after and, as always, delivered a killer set. Opening with “Kept Me Alive,” the Philly rockers showed the crowd that they were in for one hell of a 45 minutes. I’ve been lucky enough to catch the group on tour twice now and Walsh’s vocals have immediately sent chills down my spine the second he picks up the mic both times. His voice especially shines through on “Through the Landslide” and “Talking In My Sleep,” showcasing his incredible range. 

The first older song of the night was “Dirty Bombs,” a fun track from their 2021 album UMBRA. This one in particular was a highlight of this night for me. Getting to sing along to every word and look around to see others in the crowd doing the same felt so healing. Grayscale also played “Fever Dream” from their 2017 debut album “Adornment.” This song is always a treat live, especially when you hear how loud the audience gets at the “So sit down, shut off / I don’t know how I let you lead so long” part. 

After listening to Grayscale for almost 8 years, finally getting to hear one of my favorite songs of theirs truly took the cake for the best part of this night. When I saw my first Grayscale show at The Stone Pony Summer Stage back in May, they had skipped over “In Violet” on the setlist for a special surprise performance of “Mum II.” Being able to finally hear this one live after so many years was a beautiful experience and I even found myself in one of the few mosh pits during their set for it. I’m not kidding when I say that this song was on almost every single Spotify playlist I made from the ages of 14 to 18 (and still is scattered amongst a few I listen to daily). 

Between songs, Walsh took the time to make some funny comments and express his gratitude to Our Last Night for taking the band on this tour. My personal favorite moment was when he asked the crowd if Montclair was Jets or Giants territory before exclaiming that it doesn’t matter and “Go Birds!” in honor of their home team the Eagles. He also acknowledged how they’re a bit out of place on the lineup of heavier artists, to which their solution was to perform an epic cover of Van Halen’s “Panama.” 

They ended their portion of the night with the closing track and lead single from The Hart, “Not Afraid To Die.” This song live is so special for so many reasons. From its beautifully motivating message to its cinematic production, Grayscale put their heart and soul into this track and it shows every time they perform it. “Not Afraid To Die” still hits so hard even two years after its release and remains as a dazzling finale to their live shows. 

While I’m not as familiar with or as big of a fan of Our Last Night, their energy on stage blew me away. The post-hardcore band first popped into the scene in 2004 and has since built a massive discography that blends re-imagined covers of popular songs and their own stellar original music. They kicked off their set with a cover of Gracie Abrams’ “That’s So True” and I could feel the entirety of the Wellmont Theater come alive for the band. 

While the band announced they’d be halting touring to spend more time with their families and focus on new music, Our Last Night presented an energetic and bittersweet final show in New Jersey on the 12th. The Final Tour wraps up on Friday, September 26th in Nashville, TN at Ryman Auditorium.

Review & Photography by Amber Bintliff

Keep up with us on social media! Facebook | Instagram | X | YouTube

Filed under Photography, Reviews Tagged with , , , , , , , , , ,

Silversun Pickups’ epic return to The Wellmont Theater, New Jersey 8/23/25 | Photos & Review

September 7, 2025 Leave a comment

American rock band Silversun Pickups continue to treat New Jersey well. Stopping by what seems to be their favorite venue, the Wellmont Theater in Montclair, NJ, remains a staple on their headlining tours!

While this tour has several different openers throughout its four-month run, NJ was lucky enough to be blessed with the rock throwbacks from Kentucky, Girl Tones!

Sister-duo Kenzie and Laila served as an incredible opener to the night. My introduction to them was their angst-ridden single “Blame,” which served as SiriusXM’s Alt Nation “Impact Track” this summer. Excited to see them for months, the pair certainly did not disappoint!

This performance was Silversun Pickups’ fifth show at The Wellmont Theater, last performing in September 2024 in support of their sixth studio album, Physical Thrills (2022). Though they haven’t released a new project since, the Los Angeles group is still killing it on tour, and playing fan favorites from throughout their impressive 25-year discography. 

The alternative-rock band paid homage to the late legend Ozzy Osbourne with a “Crazy Train” introduction to their hit “Panic Switch,” getting an emotional cheer from the front to the back of the house. 

I got a chuckle out of frontman Brian Aubert’s story about meeting a frog on the streets of Montclair, who asked to live in his throat for warmth before turning into a spider that altered his voice. In short, he shared that although his voice wasn’t in the best shape, there was no way he would cancel his performance at the Wellmont.

It’s always fun to see the songs I’ve known for years, performed live on stage, especially hits like “Substitution” and “Lazy Eye!” Even after the singer explained that his voice may not have been up to his standards, I kept thinking to myself: Wow, they sound even better live than in the studio!

The members of Silversun Pickups are true talents, with dynamic vocals, incredible instrumentals, and lively stage presence. This band is the real deal. 

Here’s to hoping SSPU will return to The Wellmont in another three years (or, perhaps, even sooner!) 

Silversun Pickups’ The Wellmont Theater, Montclair, NJ 8/23/2025 Setlist:

  1. Well Thought Out Twinkles
  2. It Doesn’t Matter Why
  3. Panic Switch
  4. Scared Together
  5. Little Lover’s So Polite
  6. Alone on a Hill
  7. Kissing Families
  8. Don’t Know Yet
  9. Three Seed
  10. Substitution
  11. Circadian Rhythm (Last Dance)
  12. Dots and Dashes (Enough Already)
  13. Empty Nest
  14. Creation Lake (The Movies cover)
  15. Lazy Eye

Photos & Review by Emily McCormack

Keep up with us on social media! Facebook | Instagram | X | YouTube

Filed under news, Photography, Reviews, Tours Tagged with , , , , , , ,

The Afterglow Tour Lights Up Anaheim: Sleep Theory Feat. Nevertel, Oxymorrons, & Stray View Deliver Big | 5/31/25 | Photos + Review

August 27, 2025 Leave a comment

Sleep Theory has been on heavy rotation for me ever since their 2023 EP Paper Hearts dropped. Their sound is an electrifying blend of modern metalcore and hard rock, laced with just enough 2000s nu-metal nostalgia to hit that sweet spot. They’ve been storming the scene like a summer downpour in the South, and honestly? It shows. For the first leg of their debut headliner in support of their debut album Afterglow, Sleep Theory ripped through Anaheim alongside Nevertel, Oxymorrons, and Stray View—selling out their only California stop. From the pit to the stage lights, the energy never dipped once.

Stray View (Dallas, TX)

Opening the night was Stray View, who wasted no time setting the bar high. Easily the heaviest support on the bill, they kicked things off with “Who You Really Are” from their Displace/Erase EP—a synth-heavy punch that locked me in immediately. Frontman Dave Escamilla commanded the stage with a presence that felt larger than life, while guitarist Brandon Rodriguez’s downtuned riffs hit like a hammer. Bassist Jake Lewis provided crushing low-end, especially on the freight-train intensity of their newest single “Come Down”. Their experimental streak shined on “Forget It”, which pulled the crowd into an industrial haze, showing just how versatile this band can be. With drummer Lucas Vitullo driving everything forward with relentless energy, Stray View’s seven-song set was a perfect spark to ignite the night.

SETLIST

  1. Who You Really Are
  2. Come Down
  3. Forget It
  4. Escape
  5. Vivid
  6. Wasteland
  7. The Riddle

Oxymorrons (Queens, NY)

Next up were Oxymorrons, who brought rap-rock chaos and swagger in full force. Brothers Dave “D” and Ashmy “KI” Bellevue worked the crowd with co-lead vocals, bouncing between fiery rap verses and raw screams with ease. They opened with Enemy off their newest album Melanin Punk, laying trap-infused beats over sharp nu-metal riffage that had the crowd moving instantly. Green Vision and Head For The Hills followed, with Jafe Paulino’s guitar work slicing through and drummer Matty Mayz pounding out massive grooves. Oxymorrons thrive in high-energy delivery and crowd interaction—their eight-song set felt like a party onstage, a collision of grit and swagger that proved they’re not just part of rap-rock’s revival, they’re pushing it forward.

SETLIST

  1. Enemy
  2. Green Vision
  3. Head For The Hills
  4. Definition
  5. Melanin Punk
  6. Insomnia
  7. Look Alive (Netic)
  8. Justice

Nevertel (Tampa, FL)

By the time Nevertel hit the stage, the room was buzzing. I’ve been spinning them since their 2021 album Everything In My Mind, so finally seeing and photographing them live was a huge moment. They opened with Losing Faith from their upcoming record Start Again, locking the crowd in immediately with their blend of heavy rock and melodic flair. Jeremy Michael’s smooth, almost delicate vocal tone stood in sharp contrast to Raul Lopez Jr.’s rap and R&B layers—together, their dynamic felt fresh and exciting. Tracks like Sacrifice and Back On Me leaned hard into trap-rock fusion, with Kevin Marks’ precision drumming and Alec Davis’ downtuned riffs pushing the breakdowns into filthy territory. Over ten songs spanning their catalog, Nevertel showcased why they’re one of the most compelling crossover acts in the scene right now. Genre lines blurred, energy soared, and by the end, they’d set the stage perfectly for Sleep Theory’s arrival.
SETLIST

  1. Losing Faith
  2. Sacrifice
  3. Back On Me
  4. Sym
  5. Feed The Machine
  6. Modified
  7. Some Things
  8. No Reverse
  9. Everything In My Mind
  10. Criminal

Sleep Theory (Memphis, TN)

Finally, it was time for Sleep Theory—and they did not disappoint. They stormed in with “Fallout”, the perfect mission statement for their sound: modern hard rock colliding with Linkin Park-style nu-metal and a dose of metalcore grit. Cullen Moore’s vocals were the centerpiece, soaring and crystal-clear, cutting through every layer of sound. Daniel Pruitt’s riffs and grooves paired perfectly with Paolo Vergara’s deep basslines, both pulling double duty with strong backing vocals, while Ben Pruitt’s intricate drum patterns elevated tracks like “III” and “Paralyzed”. This debut headlining setlist was no half-measure. Twenty songs stretched across Paper Hearts and Afterglow, bolstered by bold covers—Paramore’s “My Heart”, NSYNC’s “Bye Bye Bye”, Boyz II Men’s “Can You Stand The Rain”, and even Nevertel’s “Break The Silence”. Pair that with a slick lighting production, and Sleep Theory felt like a band already built for arenas. They’ve solidified themselves as one of the fastest-rising names in the heavy scene, and if this first tour is the blueprint, their trajectory is only up from here.

The best part? All four bands are hitting the road again for the second leg of The Afterglow Tour (Sept 18–Oct 12, US). If it comes to your city, don’t miss it. These are the acts shaping heavy music’s future.

SETLIST

  1. Fallout
  2. Enough
  3. Parasite
  4. Hourglass
  5. Just A Mistake
  6. Gone or Staying
  7. Can You Stand The Rain (Boyz II Men cover)
  8. Bye Bye Bye (NSYNC cover)
  9. Afterglow
  10. Gravity
  11. III
  12. Paralyzed
  13. Break The Silence (Nevertel cover)
  14. My Heart (Paramore cover)
  15. It’s Over
  16. Another Way
  17. Words Are Worthless
  18. Stuck In My Head
  19. Numb
  20. Static

Sleep Theory | Nevertel | Oxymorrons | Stray View

Photos + Review Courtesy of Jamie Kaufman | Instagram | Facebook | X

Keep up with us on social media! Instagram | Facebook | X | YouTube

Filed under news, Photography, Reviews, Tours Tagged with , , , , , , , , , , , , , , , , , , , , , ,

Joywave bring ‘Permanent Pleasure’ to New Jersey’s White Eagle Hall 5/21/25 | photos & review

May 31, 2025 Leave a comment

If you’re looking for a new “Obsession,” look no further than a Joywave show. The Rochester, New York indie rock superstars brought their Here To Perform… Spring 2025 Tour to New Jersey’s White Eagle Hall on May 21st with support from little image. 

The penultimate show of this tour began with a phenomenal opening performance from pop-rock trio little image. They were a fun start to the evening and I ended up completely falling in love with their music and pure talent. The band’s drummer, Troy Bruner, is admittedly the most fun to watch on stage. I lost count of how many times he stood on top of his drum kit to get the crowd hyped during and in between songs. 

Shortly after little image left the stage, fans began anxiously awaiting Joywave as soon as they unveiled the giant cat that’s featured on the cover of their latest record, Permanent Pleasure. This little guy is visually one of the best parts of the show and gets a 10/10 for being such a cute addition to their set design (especially when he starts spinning around!).

If there’s one thing Joywave knows how to do, it’s perform. Seriously, there was not a second of this show where my eyes weren’t glued to the men in matching blue silk pajamas that stood before me. Frontman Daniel Armbruster is truly a natural talent who could probably give the performance of a lifetime just about anywhere. The few moments I was released from this trance allowed me to take in the pure joy from those who surrounded me. Everyone in the crowd was singing and dancing like this show was the only thing that mattered in the world at that point–and ever would. 

Their setlist blended a mix of songs from Permanent Pleasure, along with some gems from the earlier parts of their discography. “Hate To Be a Bother,” “Funny Thing About Opinions,” and “Traveling at the Speed of Light” are some Joywave songs I hope are never retired from their time in the setlist spotlight. 

The night ended with the classic double “Destruction,” a track off the band’s 2015 record How Do You Feel Now? that has pretty much taken on a life of its own. Armbruster joked about how they played the song 7 times in a row the last time the band played in New Jersey, confusing an entire crowd of people and probably making them feel like they were going insane. Unfortunately, the state of New Jersey was not blessed with “Destruction” 7 times over this time around, but twice was just as fun. 

I think I’m at the point in my life where I can safely say that I’ll never miss a Joywave show whenever they’re in town. This night at White Eagle Hall was yet another reminder of how much the band enjoys what they do and how dedicated they are to giving their fans a show they’ll remember for a long time. Their shows are a treat, from the immaculate stage presence, good music, and comedian-level jokes scattered throughout the set, Joywave is a band you’ll want to see live at least once in your life.

Photos & Review by Amber Bintliff

Keep up with us on social media! Instagram | Facebook | X | YouTube

Filed under Photography, Reviews Tagged with , , , , , ,

The Plot In You Sell Out Anaheim On their North American Tour | 2-22-25 | Feat. Holding Absence, Boundaries, & Acres | Photos + Review

March 5, 2025 Leave a comment

For the past nine years, The Plot In You has been a steadfast band in my journey as a photographer. I still vividly remember the electrifying night July of 2016 when I captured them performing at the legendary Chain Reaction. It was one of my first experiences shooting in manual mode, armed with my dad’s then-new Canon Rebel T5 camera. Each time I see and photograph The Plot In You, I’m transported back to that moment, a powerful blend of excitement and nostalgia. Their evolution over the years mirrors my own growth in photography, making every encounter with them feel even more special. On their recent North American Tour, The Plot In You assembled an impressive lineup featuring Holding Absence, Boundaries, and Acres, creating a captivating and heavy-hitting experience right from the start. The energy in the venue was palpable, with the crowd immersed in the raw power of the performances. From the first note to the final encore, the show was nothing short of extraordinary. I can hardly wait to share all the unforgettable moments from this incredible night with you.

Acres, the electrifying band from Portsmouth, England, took to the stage with an explosive energy that set the tone for the night. They kicked off their performance with “A Different Shade of Misery,” a groove-heavy metalcore anthem where the intricate riffing of guitarists Ash Scott and Alex Freeman was nothing short of mesmerizing. The crowd vibed to the powerful rhythms that reverberated through the venue, showcasing their undeniable talent. The second song, “Lost,” shifted gears, revealing a raw post-hardcore intensity. With his commanding presence, lead vocalist Ben Lumber poured his heart into every note, effortlessly blending melodic singing with savage screams that pierced through the music, leaving the audience in awe of his vocal prowess. Next came “Into Flames,” a track bursting with fiery passion and infectious pop-punk energy. Drummer Parker Adsit provided an exhilarating backdrop with his punchy, dynamic rhythms, amplifying the song’s intensity and leaving listeners craving more. Throughout their set, Acres showcased a total of six tracks, including their latest offering, “Bloodlust.” This innovative electronic metalcore piece was a thrilling exploration of new sounds, expertly blurring the lines between genres and highlighting the band’s creative evolution. Excitement filled the air as they announced their upcoming album, “The Host,” set to drop in May. I can’t wait to experience the full spectrum of their artistry when the remaining tracks are unveiled. Acres is undeniably exceptional, and if they continue on this path, I foresee their popularity soaring to new heights.

SETLIST

  1. A Different Shade of Misery
  2. Lost
  3. Into Flames
  4. Nothing.
  5. Bloodlust
  6. Leave You To Rot

Next to the stage, Boundaries, hailing from Hartford, CT, transformed the area into a whirlwind of emotion and sound with their explosive opener, “Turning Hate Into Rage.” Their fusion of melodic hardcore and metalcore was not just heard; it was felt deep within every fiber of your being. The moment the piercing guitar tones from the incredible duo of Cody DelVecchio and Cory Emond erupted, I was completely captivated, swept up in the sheer force of their artistry. The band’s energy was off the charts as they leaped around the stage, creating an electric atmosphere that was impossible to ignore. Vocalist Matthew McDougal commanded the crowd with a magnetic and intense authority. His screams propelled the music forward, infusing it with an urgency that kept everyone on the edge of their seats. When they launched into their second track, “My Body Is A Cage,” the dynamic shifted to a heavier, doom-laden metalcore sound. The rapid, syncopated beats from drummer Tim Sullivan felt like a relentless heartbeat, driving the intensity even further. Their third song, “Darkness Shared,” immersed us deeper into a haunting metalcore realm, allowing bassist Nathan Calcagno’s deep grooves to resonate powerfully within the venue. His bass lines not only anchored the music but also intertwined beautifully with his clean vocals, creating a compelling contrast that enriched the overall experience. In total, Boundaries unleashed nine tracks during their set, delivering the most intense performance of the night. They skillfully balanced mesmerizing melodic moments with overwhelming bursts of heaviness, leaving the audience in awe. After eagerly anticipating the chance to experience and capture their electrifying energy, I can confidently say they surpassed all my expectations. I can hardly contain my excitement at the thought of immortalizing their vivid and aggressive spirit through my photography again in the future.

SETLIST

  1. Turning Hate Into Rage
  2. My Body Is A Cage
  3. Darkness Divided
  4. Is Survived By
  5. Cursed to Remember
  6. I’d Rather Not Say
  7. A Pale Light Lingers
  8. Inhale The Grief
  9. Easily Erased

Up next on stage was the incredible band Holding Absence, straight out of Cardiff, Wales. This was my third electrifying encounter with the band, the last being in August 2022 when they opened for Silverstein and The Amity Affliction. They kicked off their set with the powerful track “Aching Longing,” immediately immersing the audience in the intense side of their mesmerizing post-hardcore sound. Vocalist Lucas Woodland captivated everyone with a performance that radiated passion and strength, his powerful voice echoing throughout the venue. Guitarist Scott Carey intensified the experience with his dynamic backing screams, and as they transitioned into “Gravity,” the thunderous drumming from touring drummer Scott Waters created a pulse that resonated with every heart in the room. Their third song, “Like A Shadow,” illustrated the band’s unique modern twist on emo, seamlessly blending elements of post-hardcore, alternative rock, and pop-punk. The infectious energy surged as bassist Benjamin Elliott laid down deep grooves that propelled the entire performance. With a riveting set of eight songs, the band set the crowd ablaze with excitement, inspiring crowdsurfers to joyfully leap over the barricade. One of the most memorable moments for me was hearing “Afterlife” again; it remains one of my all-time favorites. Holding Absence is an unmissable spectacle that leaves you craving more. Trust me, you don’t want to miss the chance to see them live—you will be utterly captivated!

SETLIST

  1. Aching Longing
  2. Gravity
  3. Like A Shadow
  4. Her Wings
  5. Nomoreroses
  6. A Crooked Melody
  7. Afterlife
  8. The Angel In The Marble

The Plot In You from Hancock County, OH took the stage by storm, bursting onto the scene with a dazzling display of confetti and their powerful opener, “Don’t Look Away.” Vocalist Landon Tewers delivered bone-rattling vocals that perfectly propelled this groove-heavy metalcore track. The energy only intensified with the follow-up, “Divide,” in which guitarist Josh Lewis Childress unleashed deep, resonant riffs, while bassist Ethan Yoder added a layer of syncopated bass that truly drives the song forward. Tewers showcased his remarkable versatility, effortlessly transitioning between haunting screams and smooth singing, creating a captivating listening experience. As the set continued, “Pretend” highlighted the band’s melodic prowess, introducing a pop-metal flair that was impossible to resist. Drummer Michael Cooper brought a crisp and vibrant energy to the percussion, elevating the track with his impeccable style. With a stunning production featuring elaborate lighting, The Plot In You prepared a monumental 15-song setlist, celebrating their journey from classics like 2015’s “Happiness In Self Destruction” to fresh cuts from their upcoming 2024 “Vol. 3 EP.” Hearing hits like “Feel Nothing” and “Forgotten” was truly a thrill, underscoring the band’s remarkable evolution over the years. Witnessing them sell out Anaheim once again felt like a triumphant homecoming. This tour was an unforgettable experience, especially with the incredible support from Holding Absence, Boundaries, and Acres. Don’t miss the chance to catch this powerful lineup; it was nothing short of spectacular!

SETLIST

  1. Don’t Look Away
  2. Divide
  3. Pretend
  4. Paradigm
  5. THE ONE YOU LOVED
  6. NOT JUST BREATHING
  7. Face Me
  8. Been Here Before
  9. Forgotten
  10. Spare Me
  11. All That I Can Give
  12. Closure
  13. Time Changes Everything
  14. Left Behind
  15. FEEL NOTHING (ENCORE)

The Plot In You | Holding Absence | Boundaries | Acres

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | X

Keep up with us on social media! Facebook | Instagram | X | YouTube

Filed under Photography, Reviews, Tours Tagged with , , , , , , , , , , , , , , , , , , , ,

Caskets W/ Wind Walkers and Colorblind | Fall North American Tour | 10-15-24 | Photos

November 6, 2024 Leave a comment

Colorblind

Wind Walkers

Caskets

Caskets | Wind Walkers | Colorblind

Photos courtesy of Jamie Kaufman | Instagram | Facebook | X

Keep up with us on social media! Instagram | Facebook | X | YouTube

Filed under Photography, Tours Tagged with , , , , , , , , , , , ,

Citizen Soldier Feat. Icon For Hire & Halocene | Thank You For Hating Me US Tour | 10/6/24 | The Observatory Orange County | Photos + Review

October 14, 2024 Leave a comment

Step into the world of group therapy, where music becomes the vessel to help you connect with your pain and emerge stronger together. Citizen Soldier orchestrates this transformative experience through their concerts, providing a safe haven to unleash emotions, find solace, and revel in the moment. During their Thank You For Hating Me Tour, they united with one of my beloved bands, Icon For Hire, and Halocene, to curate an unforgettable night brimming with raw emotions and breakthrough moments that will leave you feeling truly alive.

Halocene, an extraordinary band hailing from Phoenix, AZ, set the stage on fire as the opening act. They launched their performance with the electrifying “Just Won’t Die”, a mesmerizing fusion of progressive metalcore, pop punk, and synth-infused radio rock. Despite guitarist and co-vocalist Bradley Amick being under the weather and unable to perform, vocalist Addie Amick delivered a breathtaking performance, effortlessly taking charge of both vocal parts. The live lineup, featuring guitarist Ben McSherry and drummer Quinton Kufahl, exuded undeniable energy. With a repertoire of 7 songs, including captivating covers of “Unholy” by Sam Smith and “The Kill” by Thirty Seconds To Mars, the band left the audience spellbound. Their invigorating performance was an unforgettable start to the show, and I am eagerly anticipating the chance to capture their magnetic presence once again on their future tour.

SETLIST

  1. Just Won’t Die
  2. When Demons Come To Life
  3. Repent
  4. Unholy (Sam Smith cover)
  5. This Is Our War
  6. The Kill (Thirty Seconds To Mars cover)
  7. Maleficent

Up next, we were treated to the exceptional talents of Decatur, Illinois’ own Icon For Hire. This marked my seventh time catching the band live in the last decade, with the initial experience dating back to the 2014 Warped Tour. I cannot emphasize enough the profound impact their music has had on me.. The experience kicked off with the electrifying “Gatekeepers” from their latest album, The Reckoning. Vocalist Ariel Bloomer’s commanding presence immediately took center stage. They seamlessly transitioned into “Get Well” from their debut album “Scripted”, with guitarist Shawn Jump anchoring the band with a powerful, infectious groove. Icon For Hire’s music is an eclectic fusion, seamlessly blending alternative metal with elements of electronica, hip-hop, post-hardcore, and EDM. Their music spans across all the genres that hold a special place in my heart, and witnessing their ongoing sonic and visual evolution has been nothing short of breathtaking. They have never been afraid to be outspoken about mental health through their music, which is something I wholeheartedly commend and love. The band delivered an enthralling performance of 11 songs, showcasing the depth and breadth of their discography. I was particularly elated to see them play songs like “Venom” and “Ready For Combat” from their more recent releases. Without a doubt, Icon For Hire has solidified their status as THAT BAND.

SETLIST

  1. Gatekeepers
  2. Get Well
  3. Pulse
  4. Off With Her Head
  5. Last One Standing
  6. Iodine
  7. The Grey
  8. Bleed It Out (Linkin Park Cover)
  9. Venom
  10. Ready For Combat
  11. Make A Move

Citizen Soldier from Salt Lake City, UT delivered a powerful performance, taking the stage with their emotionally charged set opener “Save Your Story.” The band’s roots go back to 2016 when vocalist Jake Segura wrote the poignant lyrics to “Let It Burn” during a stay in a mental hospital. Now, as a practicing clinical therapist, Segura uses his emotionally intense lyrics to create a safe space for exploring feelings in a group therapy setting. Their sound is rich and multifaceted, combining a hard rock edge with heartfelt ballads. The band’s lineup includes vocalist Jake Segura, guitarists Matt Duffney and Kooper Hanosky, bassist and keyboardist Wonitta, and drummer Kyle Persell. Citizen Soldier pulled out all the stops for this tour, featuring an elaborate light show and a powerful sound that fully immersed the audience in emotion. Their 16-song set even included guest appearances from Addie of Halocine on “Wish I Could Cry” and Ariel of Icon For Hire on “Victim or Survivor.” Despite not being familiar with Citizen Soldier before the show, I was completely captivated by their performance. The tour, which also featured Icon For Hire and Halocene, felt like a deeply cathartic group therapy session.

SETLIST

  1. Save Your Story
  2. Face To Face
  3. Everybody Hates You
  4. Strong For Somebody Else
  5. Where Were You
  6. My Own Miracle
  7. You Are Enough
  8. Tattoos
  9. Wish I Could Cry (Feat. Addie Amick)
  10. Dead-End Life
  11. Wired For Worthless
  12. Victim or Survivor (Feat. Ariel Bloomer)
  13. Burden
  14. Afterlife
  15. Would Anyone Care (ENCORE)
  16. Thank You For Hating Me (ENCORE)

Citizen Solider | Icon For Hire | Halocene

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | X

Keep up with us on social media! Instagram | Facebook | X

Filed under Photography, Reviews, Tours Tagged with , , , , , , , , , , , , , , , , , ,

← Older posts