The Devil Wears Prada w/ Silent Planet, …SeeYouSpaceCowboy, & Like Moths To Flames | TDWP Is Eternal North American Tour | 11-27-24 | Photos + Review

December 10, 2024 Leave a comment

The Devil Wears Prada has undeniably impacted my life since I first discovered them at the Vans Warped Tour in 2011. Their performances have captivated me time and again, and I’ve been fortunate enough to capture them through my lens on multiple occasions. Each show they put on is a masterclass in artistry, with breathtaking light displays and an electrifying stage presence that resonates deeply with fans. For their monumental 20th Anniversary Tour, The Devil Wears Prada went all out to create their most stunning production to date. They assembled a fantastic lineup, bringing along talents like Silent Planet, with their thought-provoking lyrics; SeeYouSpaceCowboy, known for their raw energy; Like Moths to Flames, who deliver powerful performances; and Greyhaven, whose sound draws you in. This concert was not just a show; it was a remarkable experience that highlighted their growth, dedication, and passion for music. It was a night filled with unforgettable moments and a powerful connection between the band and the audience.

Unfortunately, I encountered several issues getting into the venue, which prevented me from seeing and photographing much of the iconic band Greyhaven. However, from the brief moments I did catch toward the end of their set, it was clear that they were absolutely incredible. Their performance was powerful and filled with the same raw energy that left a lasting impression the last time I photographed them in 2021. At that time, they were the direct support for SeeYouSpaceCowboy at Chain Reaction, and they truly brought their A-game. It was evident that the band has continued to evolve and captivate their audience. I regret missing more of their set.

The stage lit up next with the electrifying presence of Like Moths To Flames, hailing from Columbus, Ohio. They kicked off their set with the intense track “Habitual Decline” from their 2020 album “No Eternity In Gold.” Vocalist Chris Roetter unleashed a raw energy that instantly set the crowd ablaze, igniting an electric atmosphere that was palpable from the very first note. As they transitioned into their second song, “GNF,” the band delivered an avalanche of heavy riffs that encapsulated the essence of their early career. Guitarists Zach Pishney and Cody Cavanaugh unleashed a barrage of iconic riffs, showcasing the unique sound that Like Moths To Flames is celebrated for. The heaviness of the music resonated throughout the venue, drawing the audience deeper into their sonic journey. Next, they treated us to “Over The Garden Wall,” a standout from their newest album “The Cycles of Trying To Cope” released in 2024. This record has quickly secured a spot in my personal top 15 albums of the year, and witnessing songs from it amplified its brilliance. Drummer Roman Garcia delivered a masterclass in precision and consistency, his rhythms anchoring the band’s dynamic performance. Throughout their thrilling seven-song set, the energy radiated from the stage, creating an exhilarating experience that was a joy to capture through my lens. It had been nearly three years since I last saw and photographed the band, and they absolutely stunned me once more. They have evolved remarkably since our first encounter back in 2012, maturing into a powerhouse in the metalcore scene. Time truly flies, but one thing remained clear—Like Moths To Flames was the perfect band to warm up the crowd for the exciting acts that followed.

SETLIST

  1. Habitual Decline
  2. GNF
  3. Over The Garden Wall
  4. The Preservation Of Hate
  5. I Solemnly Swear
  6. Kintsugi
  7. Bury Your Pain

Up next was the exhilarating band …SeeYouSpaceCowboy from San Diego, CA. The last time I had the opportunity to see and photograph them was back in 2021 during their electrifying “The Romance Of Affliction North American Tour.” They sold out the iconic Chain Reaction that night, and the crowd was absolutely electric, a whirlwind of energy and enthusiasm. Fast forward to now, and it’s incredible to witness how they’ve skyrocketed to new heights over the past few years. The band kicked off their set with “Distain Coupled With A Wide Smile,” instantly unleashing the hardcore punk essence from their debut album onto the stage. Their unique sound is a captivating blend of post-hardcore, sasscore, hardcore punk, metalcore, and even a touch of mathcore — a fusion that has become their signature. Vocalist Connie Sgarbossa is nothing short of a powerhouse; her commanding stage presence is complemented by a fierce mix of growls and sassy melodic lines that ensure she stands out effortlessly. Guitarists Ethan Sgarbossa and Timmy Moreno are absolute shredders, delivering intricate guitar patterns that weave seamlessly throughout each song. The next track, “Silhouettes In Motion,” one of the lead singles from their 2024 album “Coup de Grace,” released earlier this year via Pure Noise Records, showcased their harmonic interplay beautifully. I was captivated by the way the vocals intertwined — Taylor Allen’s clean vocals soared in the choruses while Connie’s powerful screams and sass resonated throughout the verses, further enriched by Ethan’s additional cleans. Drummer AJ Tartol is a beast behind the kit, effortlessly navigating through complex time signatures and dynamic rhythms with precision that left the audience in awe. As the band dove into their third track, “The End to a Brief Moment of Lasting Intimacy,” a wave of nostalgia washed over me. This song holds a special significance for me, as I played a small role in its music video back in 2021 — I made a brief appearance, sharing a makeout scene with my friend AJ in a video that delves into the nuances of queer hookup culture. The song, along with its striking visuals, stands as a powerful statement, firmly placing LGBTQ+ representation in the spotlight within the heavier music genres. The energy in the room was palpable, with the crowd going wild throughout the band’s thrilling 10-song set. Fans were crowd surfing and moshing, fully immersed in the exhilarating atmosphere. It’s awe-inspiring to see …SeeYouSpaceCowboy continue to evolve and captivate audiences. They serve as a beacon of inspiration, and I genuinely admire their journey. I definitely can’t let too much time pass before I see and capture their magic again. Queer power, baby!

SETLIST

  1. Distain Couples With a Wide Smile
  2. Silhouettes In Motion
  3. The End to a Brief Moment of Lasting Intimacy
  4. Lubricant Like Kerosene
  5. Misinterpreting Constellations
  6. Subtle Whispers to Take Your Breath Away
  7. Armed With Their Teeth
  8. I Am A Trans-Continental Railroad, Please Run A Train On Me
  9. Self Help Specialist Ends Own Life
  10. Chewing The Scenery

Silent Planet from Azusa, CA burst onto the stage with an electrifying energy that set the tone for the night. I had the pleasure of witnessing the metalcore quartet earlier this year at the same venue during their sold-out Superbloom North American Tour, but this performance was on another level. They kicked off with “Offworlder,” immediately plunging the audience into a whirlwind of sound. Vocalist Garrett Russell commanded the stage with an undeniable presence, his powerful screams cutting through the air and his melodic singing weaving a captivating tapestry throughout the set. The sonic landscape was enriched by guitarist Mitchell Stark, whose downtuned grooves resonated deeply, captivating everyone in attendance. The band’s newer material features a rich blend of electronic and industrial elements, with Mitchell seamlessly transitioning to the keyboard to enhance their sound live. This innovative approach is a core reason why “Superbloom” has become my favorite album of theirs. As they moved into the second song, “Collider,” my attention gravitated toward drummer Alex Camarena. His playing, always impressively tight, was particularly spot-on that night, adding layers of intensity to the heartfelt melodies delivered by Garrett. Next came “Dreamwaker,” a track that enveloped the crowd in deep, resonating bass tones, skillfully executed by bassist Nick Pocock. The atmosphere reached a fever pitch during the fourth song, “Antimatter,” the lead single from “Superbloom.” The crowd erupted in enthusiasm, igniting a wave of crowdsurfing and headbanging that echoed the heavy energy of the track. Its fusion of industrial electronic vibes with melodic metalcore solidified its place as my second most-played song this year, just behind Unprocessed’s “Blackbone.”Silent Planet also treated fans to a selection of tracks from their 2021 album “Iridescent,” and the debut of a new song titled “Mindframe,” which is slated for release soon. As the 11-song set drew to a close with the critically acclaimed “Trilogy,” it was evident that Silent Planet had outdone themselves. Despite having seen them just months prior, this performance was a revelation. The lights danced overhead, casting dynamic shadows, while the band’s musicianship radiated an unrelenting fire. They left the crowd invigorated and perfectly primed for the next act, The Devil Wears Prada.

SETLIST

  1. Lights Off The Lost Coast (Intro)
  2. Offworlder
  3. Collider
  4. Dreamwalker
  5. Antimatter
  6. Panopticon
  7. Mindframe
  8. :Signal:
  9. Anunnaki
  10. Panic Room
  11. Trilogy

The Devil Wears Prada, a powerhouse hailing from the vibrant city of Dayton, Ohio, took the stage next, igniting the atmosphere with an electrifying presence. They unleashed an impressive 18-song set that journeyed through their rich discography, captivating fans old and new. They kicked off the evening with “Mammoth,” where frontman Mike Hranica’s thunderous screams pierced through the air, commanding immediate attention. The melodic blend of guitars, skillfully orchestrated by lead guitarist Kyle Sipress, wove a tapestry of sound that perfectly showcased the band’s roots in melodic metalcore, inciting an energetic frenzy among the crowd right from the start.As they transitioned into “Watchtower,” a standout track from 2022’s “Color Decay,” the band erupted into a blistering tempo that sent circle pits spiraling and crowdsurfers cascading towards the stage. My gaze was drawn to the powerhouse drummer Giuseppe Capolupo, whose ferocity on the drums was nothing short of mesmerizing. His precise and intricate patterns anchored the band’s music, punctuating the air with relentless energy. Adding richness to the overall sound, Jonathan Gering’s heavy synths and keys generated a complex layering that enhanced every performance element.When the band launched into “Danger: Wildman,” I was transported back to the unforgettable moment in 2018 when I first photographed them celebrating the 10-Year Anniversary of their album “With Roots Above and Branches Below.” The nostalgia was palpable, and hearing songs from such a beloved album was a treat that resonated deeply with fans. Completing the lineup was bassist Mason Nagy, whose deep grooves and powerful backing vocals resonated throughout the set, adding another layer of intensity to the performance.The energy in the venue reached a fever pitch as the band led the audience on a wild ride, their charisma and talent leaving everyone spellbound. The crowd went absolutely feral during heavier tracks like “Termination” from the Zombie EP, and classics such as “Dogs Can Grow Beards All Over” and “Hey John, What’s My Name Again?” had the audience singing and thrashing along with unrestrained enthusiasm. The Devil Wears Prada truly excelled in delivering a memorable experience during their Eternal 20th Anniversary Tour. With supporting acts that included Silent Planet, …SeeYouSpaceCowboy, Like Moths To Flames, and Greyhaven, the night was an exhilarating showcase of talent and energy that left the audience buzzing long after the final note was played.

SETLIST

  1. Mammoth
  2. Watchtower
  3. Danger: Wildman
  4. Born to Lose
  5. Salt
  6. Broken
  7. Ritual
  8. Reasons (Excision Cover)
  9. Noise
  10. Termination
  11. Escape
  12. Reptar, King of the Ozone
  13. Dez Moines
  14. Cancer
  15. Chemical
  16. Sacrifice
  17. Dogs Can Grow Beards All Over (ENCORE)
  18. Hey John, What’s Your Name Again? (ENCORE)

The Devil Wears Prada | Silent Planet | SeeYouSpaceCowboy | Like Moths To Flames | Greyhaven

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | X

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11-2-24 – Fit For An Autopsy Bring The Nothing That Is Through Southern California | Photos + Review

November 13, 2024 Leave a comment

Fit For An Autopsy is an electrifying band that I can’t resist seeing and photographing every time they come through my town. Their headlining tour celebrated the release of their eagerly awaited album, “The Nothing That Is,” which dropped on October 25, 2024, under the renowned Nuclear Blast Records label. The tour featured a formidable lineup of supporting acts, including Bodysnatcher, known for their aggressive sound; Distant, who brought a heavy, slamming style; Sylosis, with their melodic intricacies; and Judiciary, delivering relentless hardcore energy. The night promised an intense experience filled with face-melting riffs and an enthusiastic crowd ready to immerse themselves in the powerful soundscapes created by these artists.

Kicking off the night was Judiciary from Lubbock, Texas, a band that wasted no time in capturing the audience’s attention with their explosive opener, “Blood.” Right from the start, their hardcore roots shone through, unleashing a wave of energy that had fans two-stepping and moshing with fervor. Their sound is a captivating fusion of hardcore punk, metalcore, and thrash metal, creating an intense atmosphere that enveloped the venue. At the helm was vocalist Jake Collinson, whose commanding stage presence demanded more chaos from the audience. With every guttural scream and passionate plea, he galvanized the crowd, urging them to dive deeper into the mayhem. The heavy, intricate riffs woven by guitarists Israel Garza and Jimmy LaDue reverberated through the space, while bassist Juan Vazquez laid down a thunderous foundation of grooves. Drummer Austin Scott-Looney anchored the band with relentless, driving beats, propelling them forward into their next track, “Paradigm Piercer.” As the performance unfolded, the excitement reached a fever pitch during the fourth song, “Social Crusade,” where the crowd truly let loose, thrashing about in wild abandon. This fervor only intensified as they transitioned into the final songs, “Temple” and “The Axis of Equality,” which rounded out a powerful set. Judiciary not only ignited the stage but also crafted a memorable, groove-heavy hardcore experience that reverberated long after their last note faded away.

Sylosis, the electrifying band from Reading, Berkshire, England, burst onto the stage with a palpable energy that had been building for years. Their long-awaited return to North America was a highlight for fans, as it had been a staggering 11 years since their last performance on this side of the Atlantic. They kicked off the evening with “Poison for the Lost,” a track that serves as a perfect introduction to their signature sound: a relentless fusion of thrash, metalcore, and melodic death metal, featuring both infectious grooves and brutal intensity. At the forefront of the performance was lead guitarist and vocalist Josh Middleton, who captivated the audience with his stunning vocal prowess and intricate, face-melting riffs. His stage presence was commanding, drawing everyone’s eyes to him. Alongside him, rhythm guitarist Conor Marshall contributed thick, rhythmic riffs that got the crowd moving and headbanging in unison, amplifying the electric atmosphere. As the band dove into their second song, “Pariahs,” my attention was irresistibly drawn to drummer Ali Richardson. He was a veritable force of nature behind the kit, unleashing intricate drum patterns that throbbed through the venue like a heartbeat, elevating every moment of their performance. The band then unleashed the title track from their 2020 album, “Cycle of Suffering,” which resonated powerfully with the audience. Bassist Ben Thomas filled the soundscape with deep, booming bass lines, adding layers of depth and groove that enveloped the crowd. The frenetic energy in the room soared, igniting a wild wave of moshing and headbanging, especially during the latter half of the set as they ripped through powerful tracks like “Teras,” “Worship Decay,” and “Deadwood.” The culmination of the set was a testament to the anticipation that had been building for so long, and every moment spent waiting to witness Sylosis live was undeniably well worth it. As they took their final bows, I couldn’t help but hope that it wouldn’t take another 11 years for them to make their triumphant return (spoilers: they are slated to come back in 2025!). The excitement for that moment is already brewing.

The stage came alive as the powerful presence of Distant, hailing from the far reaches of Rotterdam, The Netherlands, and Bratislava, Slovakia, took center stage. It had been just over two years since I last witnessed and captured their electrifying performance when they opened for the Chaos & Carnage Tour. This time, they kicked off with the thunderous track “Loveless Suffering,” taken from their much-anticipated upcoming album “Tsukuyomi: The Origin.” Vocalist Alan Grnja burst onto the stage with an energy that was palpable, immediately showcasing his astonishing vocal range that soared and growled in perfect harmony with the ferocity of the music. Meanwhile, guitarist Nouri Yetgin unleashed a barrage of aggressive riffs that instantly set the tone for the night. The intricate and pulsating rhythms showcased by drummer Rene Gerbrandy were especially prominent in the second song, “Oedipism,” where his skillful execution and dynamic patterns kept everyone on the edge of their seats. Completing the lineup, bassist Elmer Maurits delivered extraordinarily deep and penetrating bass lines that resonated through the venue, adding a richer layer to the band’s sound. It was evident that this group has undergone significant growth, evolving into a premier down-tempo deathcore ensemble, and witnessing their upward trajectory was nothing short of awe-inspiring. The band concluded their blistering set with an impressive array of tracks, including crowd favorites like “Exofilth,” “Born of Blood,” and “Hellmøuth,” before wrapping up with the intense “Heirs of Torment.” Each song ignited the audience, sending waves of energy through the crowd and prompting mosh pits that threatened to spill over. I left feeling exhilarated, already eager for the next opportunity to see and photograph these incredible musicians again!

Bodysnatcher, hailing from Melbourne, Florida, erupted onto the stage with unrelenting energy. They kicked off their set with the ferocious track “King of Rats,” an explosive mix of nu-metal and deathcore that instantly captivated the audience. Kyle Medina’s commanding vocals pierced through the air, while Chris Whited laid down heavy, downtempo beats that reverberated through the venue. Guitarist Kyle Carter and bassist Kyle Shope unleashed a torrent of intricate, fight-driven riffs that intensified the atmosphere. As the band transitioned into their next song, “Dead Rabbit,” the crowd felt the unmistakable weight of their hardcore influences. This riff-heavy track, laden with powerful callouts, had fans thrashing and shouting in unison. The excitement swelled as Bodysnatcher performed a gripping 10-song set, drawing from their latest EP, “Vile Conduct.” Standout tracks like “Human Distain,” “Infested,” “Murder8,” and “Severed” brought the audience to a fever pitch, as each song resonated with raw intensity. Having witnessed their performance earlier this year when they co-headlined with Spite at The Glass House in Pomona, CA, I was amazed at how much harder they brought it this time around. The vigor and skill on display had the crowd in a frenzy, losing themselves in the music. Capturing their electric presence is always a thrill, and I can hardly wait for my next opportunity to experience their dynamic show once more.

Fit For An Autopsy, the unstoppable force from Jersey City, New Jersey, finally took the stage, igniting the crowd with their electrifying opener, “Lower Purpose.” This tour was a visual and auditory spectacle, featuring not only an impressive light show but also a compelling 12-song setlist that showcased their latest album, “The Nothing That Is”, alongside fan favorites from previous releases dating back to 2017. Frontman Joe Badolato dominated the stage, his commanding vocals demanding chaos and engagement from the crowd as he delivered a captivating performance. Guitarists Pat Sheridan and Tim Howley unleashed relentless riffs that reverberated through the venue, while bassist Peter “Blue” Spinazola’s infectious energy kept the audience vibing and fully immersed in the experience. Completing this powerhouse ensemble, drummer Josean Orta played with remarkable ferocity, his beats driving the performance to exhilarating heights. Their new album is a bold progression for the band, enhancing their unmistakable deathcore sound while incorporating more melodic elements and intricate tempo variations, especially in tracks like “Red Horizon”. The crowd was truly alive during the performance, erupting with excitement for fan favorites like “The Sea of Tragic Beasts” and the fierce “Warfare.” Fit For An Autopsy is a band I never want to miss when they come to town, and once again, they delivered an unforgettable show. This album release tour was nothing short of extraordinary, especially with the support from amazing acts such as Bodysnatcher, Distant, Sylosis, and Judiciary. Each band brought unparalleled energy, making this one of the most standout concerts of the year. With only a few dates left on the tour, if you’re wavering about attending, I highly urge you to go. This is a tour that promises to be a powerful and immersive experience you won’t regret!

Fit For An Autopsy | Bodysnatcher | Distant | Sylosis | Judiciary

Photos + Review by Jamie Kaufman | Instagram | Facebook | X

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Citizen Soldier Feat. Icon For Hire & Halocene | Thank You For Hating Me US Tour | 10/6/24 | The Observatory Orange County | Photos + Review

October 14, 2024 Leave a comment

Step into the world of group therapy, where music becomes the vessel to help you connect with your pain and emerge stronger together. Citizen Soldier orchestrates this transformative experience through their concerts, providing a safe haven to unleash emotions, find solace, and revel in the moment. During their Thank You For Hating Me Tour, they united with one of my beloved bands, Icon For Hire, and Halocene, to curate an unforgettable night brimming with raw emotions and breakthrough moments that will leave you feeling truly alive.

Halocene, an extraordinary band hailing from Phoenix, AZ, set the stage on fire as the opening act. They launched their performance with the electrifying “Just Won’t Die”, a mesmerizing fusion of progressive metalcore, pop punk, and synth-infused radio rock. Despite guitarist and co-vocalist Bradley Amick being under the weather and unable to perform, vocalist Addie Amick delivered a breathtaking performance, effortlessly taking charge of both vocal parts. The live lineup, featuring guitarist Ben McSherry and drummer Quinton Kufahl, exuded undeniable energy. With a repertoire of 7 songs, including captivating covers of “Unholy” by Sam Smith and “The Kill” by Thirty Seconds To Mars, the band left the audience spellbound. Their invigorating performance was an unforgettable start to the show, and I am eagerly anticipating the chance to capture their magnetic presence once again on their future tour.

SETLIST

  1. Just Won’t Die
  2. When Demons Come To Life
  3. Repent
  4. Unholy (Sam Smith cover)
  5. This Is Our War
  6. The Kill (Thirty Seconds To Mars cover)
  7. Maleficent

Up next, we were treated to the exceptional talents of Decatur, Illinois’ own Icon For Hire. This marked my seventh time catching the band live in the last decade, with the initial experience dating back to the 2014 Warped Tour. I cannot emphasize enough the profound impact their music has had on me.. The experience kicked off with the electrifying “Gatekeepers” from their latest album, The Reckoning. Vocalist Ariel Bloomer’s commanding presence immediately took center stage. They seamlessly transitioned into “Get Well” from their debut album “Scripted”, with guitarist Shawn Jump anchoring the band with a powerful, infectious groove. Icon For Hire’s music is an eclectic fusion, seamlessly blending alternative metal with elements of electronica, hip-hop, post-hardcore, and EDM. Their music spans across all the genres that hold a special place in my heart, and witnessing their ongoing sonic and visual evolution has been nothing short of breathtaking. They have never been afraid to be outspoken about mental health through their music, which is something I wholeheartedly commend and love. The band delivered an enthralling performance of 11 songs, showcasing the depth and breadth of their discography. I was particularly elated to see them play songs like “Venom” and “Ready For Combat” from their more recent releases. Without a doubt, Icon For Hire has solidified their status as THAT BAND.

SETLIST

  1. Gatekeepers
  2. Get Well
  3. Pulse
  4. Off With Her Head
  5. Last One Standing
  6. Iodine
  7. The Grey
  8. Bleed It Out (Linkin Park Cover)
  9. Venom
  10. Ready For Combat
  11. Make A Move

Citizen Soldier from Salt Lake City, UT delivered a powerful performance, taking the stage with their emotionally charged set opener “Save Your Story.” The band’s roots go back to 2016 when vocalist Jake Segura wrote the poignant lyrics to “Let It Burn” during a stay in a mental hospital. Now, as a practicing clinical therapist, Segura uses his emotionally intense lyrics to create a safe space for exploring feelings in a group therapy setting. Their sound is rich and multifaceted, combining a hard rock edge with heartfelt ballads. The band’s lineup includes vocalist Jake Segura, guitarists Matt Duffney and Kooper Hanosky, bassist and keyboardist Wonitta, and drummer Kyle Persell. Citizen Soldier pulled out all the stops for this tour, featuring an elaborate light show and a powerful sound that fully immersed the audience in emotion. Their 16-song set even included guest appearances from Addie of Halocine on “Wish I Could Cry” and Ariel of Icon For Hire on “Victim or Survivor.” Despite not being familiar with Citizen Soldier before the show, I was completely captivated by their performance. The tour, which also featured Icon For Hire and Halocene, felt like a deeply cathartic group therapy session.

SETLIST

  1. Save Your Story
  2. Face To Face
  3. Everybody Hates You
  4. Strong For Somebody Else
  5. Where Were You
  6. My Own Miracle
  7. You Are Enough
  8. Tattoos
  9. Wish I Could Cry (Feat. Addie Amick)
  10. Dead-End Life
  11. Wired For Worthless
  12. Victim or Survivor (Feat. Ariel Bloomer)
  13. Burden
  14. Afterlife
  15. Would Anyone Care (ENCORE)
  16. Thank You For Hating Me (ENCORE)

Citizen Solider | Icon For Hire | Halocene

Photos + Review courtesy of Jamie Kaufman | Instagram | Facebook | X

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Leprous Featuring Earthside & Fight The Fight | Melodies of Atonement North American Tour | 9/27/24 | House of Blues, Anaheim, CA | Photos + Review

October 3, 2024 Leave a comment

I recently stumbled upon the mesmerizing sounds of Leprous and was captivated by their extensive discography, especially their latest album “Melodies of Atonement.” When I found out about their North American tour, I knew I couldn’t miss the chance to witness their brilliance live. Due to a medical emergency, Monuments was unable to perform on the tour as initially planned. However, Earthside and the electrifying Fight The Fight performed as opening acts, promising an unforgettable evening.

Hailing from Oslo, Norway, Fight The Fight set the stage on fire with their performance of “Serpent of the Sand.” Bathed in striking red and blue lights, they delivered an intense 30-minute set, showcasing nine songs, including tracks from their new album “Shah Of Time.” Their fusion of groove-heavy influences and a perfect blend of melody and heaviness left a lasting impression. With a stellar lineup of vocalist Fredrik Teig Bergstrom, drummer Sander Lambrechts, guitarists Tord Larsen and Tobias Rekke, and bassist Hans-Magnus E. Hermansen, Fight The Fight’s performance was an exhilarating mix of diverse sounds that left me craving for more!

SETLIST

  1. Serpent of the Sand
  2. Ascent
  3. Monarch
  4. Shining
  5. Heart of Stone
  6. A.I.
  7. Alien
  8. 12800
  9. In Memory

Earthside from New Haven, Connecticut was the next band to hit the stage. The band can be best described as cinematic progressive metal. This four-piece is quite unique as it is an instrumental quartet consisting of guitarist Jamie van Dyck, keyboardist Frank Sacramone, bassist Ryan Griffin, and drummer Ben Shanbrom. The band opened with their song “We Who Lament,” for which they recently released a video. Throughout the set, vocals from the featured vocalists on the album echoed through the backing tracks, adding a full-rounded sound to songs such as “We Who Lament” and “Let The Truth Speak.” The lighting during their set was dynamic, with lots of moody backlighting to enhance the atmosphere. The band played a total of five songs, most of which came from their newest album “Let The Truth Speak,” released in 2023 via Mascot Label Group and Music Theories Recordings. It was really cool to finally see Earthside live, especially since I’ve been online friends with Jamie for quite some time. They were truly incredible and really moved me.

SETLIST

  1. We Who Lament
  2. Pattern of Rebirth
  3. Watching the Earth Sink
  4. Let The Truth Speak
  5. The Closest I’ve Become

The all-mighty Leprous from Notodden, Norway hit the stage next. The band put on an amazing hour and 40-minute show with a fantastic light display. They started with the opening track “Silently Walking Alone” from their new album “Melodies of Atonement”, showcasing Einar Solberg’s incredible vocal range. Throughout the set, they performed a total of 15 songs. The band’s lineup includes guitarists Tor Oddmund Suhrke and Robin Ognedal, bassist Simen Børven, drummer Baard Kolstad, and keyboardist Harrison White. During the song “Faceless”, they invited local fans onto the stage to sing with them as their choir, which was a really cool moment. They closed with my personal favorite song “Atonement” and then came back for an encore, letting the fans choose between three songs. The crowd chose “Illuminate”, which was an amazing way to end the show. It was an incredible performance that left me speechless. They prepared an amazing tour, and with Earthside and Fight The Fight alongside them, they brought a progressive metal show that was to die for.

SETLIST

  1. Silently Walking Alone
  2. The Price
  3. Mirage
  4. I Hear The Sirens
  5. Like A Sunken Ship
  6. Slave
  7. Distant Bells
  8. Unfree My Soul
  9. Below
  10. Faceless
  11. Castaway Angels
  12. From The Flame
  13. Atonement
  14. The Sky Is Red (Outro)
  15. Illuminate (ENCORE)

Leprous | Earthside | Fight The Fight

Photos + Review Courtesy of Jamie Kaufman | Instagram | Facebook | X

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Incubus w/ special guest Coheed and Cambria | PHOTOS & REVIEW

September 18, 2024 Leave a comment

September 6, 2024 | The Pavilion at Toyota Music Factory

What a way to start a show with the Hardrock Legends, Coheed and Cambria. They begin the night with their album title song, “ In Keeping Secrets of Silent Earth: 3,” to get the crowd in the mood for what is to come and I can say personally, it was the best way to kick it off, Claudio never disappoints with his energy. 

It was a beautiful, cool Friday night at The Pavilion at Toyota Music Factory, in Irving Texas. Coheed and Cambria played all their hits ranging from. “ Ten Speed (Of God’s Blood and Burial)”, “A Favor House Atlantic,” too, “A Disappearing Act,” “Shoulders,” and “The Liars Club,” from their 2022 album, Vaxis II: A Window of the Waking Mind. 

It wouldn’t be a Coheed and Cambria show if they didn’t end it with their most popular track, “Welcome Home,” from their 2005 album Good Apollo I’m Burning Star IV, Vol. 1 – From Fear Through the Eyes of Madness. Wow, what a mouthful! It was a great way to end their set cause it get the crowd pumped for the headliners… Incubus.

The stage has been set, lights have been cut and the sounds from the first song “Nice to know you,” kicks on and you can just feel that it was going to be some Morning Views indeed.

The energy the band put on the entire night of the set was just calming, relaxing, putting you in a state of pure bliss. Playing the album in its entirety was phenomenal, the crowd was grooving along with the band playing the songs, “Wish you were here,” “Just a phase,” “11 am,” and then the acoustic version of, “Blood on the Ground.’ Just beautiful.

As the night progressed it just got better and better, Brandon singing his heart and soul out with such passion shows how much he loves this music so much, Nicole Row playing an incredible bass line with such accuracy you just had to see it to believe it. Just wow! Mike with the iconic guitar riffs and a surprise at the end that I will fill you in on in just a bit. Gavin with such technical sounds from his turntable brought so much to the band. Last but not least, we cannot forget about Jose Pasillas and his cool smooth drum technique, one more time WOW!!

Incubus was nearing the end of the album Morning Views, with their songs, “Have you Ever,” “Are you in,” but then they mixed in Phil Colins popular song, “In The Air Tonight,” which brought the crowd alive once again, but it didn’t stop there, just for a little bit of a kick they played a Rhianna cover!!! It was awesome to see them play, “Umbrella”

Aqueous Transmisson, which got you locked in on Mike playing the Chinese instrument the Pipa and it was everything just everything. Such a beautiful song you can listen to it so many times that you will never tire of it, ever. As the album came to a close they stayed on stage and gave the crowd what they wanted, the hits from all the albums, from “Anna Molly,” “Karma,” Pardon Me,” too, “The Warmth,” “Vitamin,” “Dig,” and the classic, “Drive.” What a way to end the night Incubus giving it all and playing their hearts, it was a great evening, with some Morning Views.

Coverage courtesy of Angel Castillo

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Imminence From Sweden With Love Tour @ The Studio At The Factory | Photos+Review

April 30, 2024 Leave a comment

Dallas, TX | April 23rd, 2024

As the first stop of The Black Tour for Imminence, from across the pond in the beautiful country of Sweden, they played The Studio at the Factory in Dallas Texas. I’m still in awe of how amazing, beautiful, ear soothing, and incredible this band is. It was just one hit after another, this band will grab you from start to finish.

It’s a challenge to put the show into words, they played these songs with so much passion that it was so hard to just look away, even for a second. Eddie Berg came in hot with the harsh vocal screams and soft soothing vocals with the second song, Paralyzed from their album Turn the light on. Harald Barrett and Alex Arnoldsson played their hearts out along side Peter Hanström, and Christian Höijer.

They worked this crowd so well that each person was locked in. Eddie can sing his soul out, but when he picked up that violin it was a whole different world we were immersed in. The bands songs that are well known are: Erase, Death by a thousand cuts, infectious and the debut of their new song Continuum. Holy hell the violin played a big role, it brought such beauty. Just when you thought it couldn’t get any better they give you more and more.

As they were nearing the end of the set, Imminence played the title track from the album Heaven in Hiding, and the new title track from their new album The Black. I’ve started showing people this band cause I want to share everything that makes up Imminence with people and don’t feel my description does it justice. Closing out the night with, Le Nior from Sweden with love.

Coverage courtesy of Angel Castillo

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Legend, Eric Johnson plays Dallas, TX @ House of Blues

April 18, 2024 Leave a comment

April 4th, 2024

Wow! Simply wow! I have seen some amazing guitarist but never something like this in my life. Hearing Eric’s music on streaming doesn’t do it justice, just wait until you see it live.

As soon as Eric hit the stage the entire venue was locked on from the first second to the last, those first notes he played was nothing short of phenomenal. When he started the song Righteous it was magic all the way through. Other songs he played included Trail of Tears, Rafael, as well as a cover of Caravan by Duke Ellington. You had to see it to believe it. I was so into it that I took a moment to shut my eyes and went on that journey with the whole venue that night. 

When he played Desert Rose… man let me tell you I found myself again eyes closed, swaying to the sounds of the drums and the guitar riffs that I didn’t want it to end. It’s a incredible song. I was listening to it like on repeat on my way home that night. When Eric took a break, his pianist Sean took the reins for a bit and it was beautiful just beautiful.

As the night was coming to a close, Eric gave the crowd an Eric Johnson guitar solo in an amazing fashion that I wish I could see and hear it again. During his solo he transitioned to one of his most popular songs, the song that got me into his music as a young kid playing Guitar Hero 3 on Xbox: Cliffs of Dover.

He makes it look so simple, but in reality it’s not, for some of us who have tried to master it on Guitar Hero. Hysterical attempts to say the least. Hearing it live was just a whole groove session, a beautiful ride all the way to the last strum of that guitar.

Eric Johnson y’all, a great show, an amazing guitarist, truly a master of his craft and still rocking it to this day.

Coverage courtesy of Angel Castillo

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Oneus 2024 2nd World Tour La Dolce Vita in USA

April 17, 2024 Leave a comment

Date: March 28, 2024 | Venue: The Louisville Palace Theater Louisville, KY

ONEUS 2024 2nd World Tour La Dolce Vita in USA | Fandom Name: TOMOON

ONEUS Members:  Seoho 서호 or Lee Seoho (이서호), Leedo 이도 or Kim Gunhak (김건학), Keonhee 건희 or Lee Keonhee (이건희), Hwanwoong 환웅 or Yeo Hwanwoong (여환웅), and Xion 시온 or Son Dongju (손동주).

   안녕하세요 TOMOON!

                                                                                                                  annyonghaseyo

                                                  Hello TOMOON!

ONEUS (원어스)  debuted under RBW Entertainment on January 9, 2019, with a mini album “LIGHT US” and their title track, “Valkyrie.” ONEUS is a five-member group consisting of Seoho, Leedo, Keonhee, Hwanwoong, and Xion. Former member, Ravn, who originally debuted with the members as a six-member group, departed from ONEUS in October 2022. The group’s name, “ONEUS,” has two meanings – the first meaning is the members came together by gathering strength from every one of their fans. The second meaning symbolizes ONEUS’ mission to bring together regular people, who will work side-by-side to create a united world. The group’s fandom name, “TO MOON,” represents ONEUS’ fans as the “Moon,” who always orbit ONEUS, as the group represents the “Earth.” In addition, the group’s name, “ONEUS,” can be spelled as “One Earth” in Korean.

Milestones that ONEUS achieved in the past includes winning their first-ever music show win on MBC M’s Show Champion in 2021, for their lead single, “Luna,” which is off of the group’s 6th Mini Album, Blood Moon. In 2022, ONEUS joined the K-Pop competition series and reality survival show called, Road to Kingdom  – where already debuted male K-Pop groups competed to see who could be placed at the top, as well as gain eyes from a massive global audience in the process. This television program aired on Mnet to let lesser-known groups be seen by a global audience, as well as showcase each group’s charms, skills, talents, and overall potential of making it on the global stage. Out of the seven groups that competed, ONEUS finished in 4th place overall and has gained a bigger fan base because of the show’s program. The members also got a chance to release their digital single, “Come Back Home,” during the show’s airing.

The talented and underrated K-Pop group, ONEUS, took the stage at the historical Louisville Palace Theater in Louisville, Kentucky for their 2nd World Tour La Dolce Vita in USA. ONEUS opened with “Baila Conmigo” from the EP La Dolce Vita in 2023.

They played a few songs before they took a small break and talked with TOMOON introducing themselves, talking about food and what animals they are, and talking about how long it had been since the last time they came to Louisville. TOMOON was high energy and excited to see them again and packed the theater. TOMOON showed up for this show. They slowed things down so they could take a small breather from all the dancing for a few songs to make it more of an intimate show while singing to the hearts of their TOMOONS. There was a moment near the end of the show when one of the members saw a TOMOON in front eating their popcorn and was in shock that they were just unbothered while watching the show or when they took a small break on stage and Keonhee was showing everyone what he saw and he took the box of popcorn on stage to see if it was a real box of popcorn and it was funny and a cute moment. While they were saying their goodbyes one of the members said “Louisville is the best” in Korean and the translator had to question it like did he say that? He had to explain that it also had a different meaning and was a good moment where everyone laughed.

As for the lighting for the show, it was vibrant with all of their songs and each song for the LED BG effects was the MV’s for a visual. One of the songs LED BG had Traditional Korean Hanok or Palace to show us Korea. I can agree that Korea has a special place in my heart in history, architecture, food, shopping, and most importantly music.

Keep up with ONEUS on socials: Instagram | Youtube | Fanclub | Facebook

Thank you to Livenation, ONEUS, The Louisville Palace Theater, and RBW Entertainment for having us at The Camera Affect and In The Moment Productions for a great show. Please enjoy the moments we caught. We appreciate your continued support.

다음 공연 때 만나요, 안녕! 

daeum gongyon ttae mannayo annyong!

See you at the next show, bye!

Photos + Review by Chyenne Conner | Photography

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Ministry US Tour 2024 | Photos + Review

April 8, 2024 Leave a comment

On March 20th, 2024, the Wind Creek Event Center in Bethlehem, Pennsylvania became
energized from the second the doors opened. The anticipation of the crowd grew as they
eagerly awaited for the arrival of the night’s performers: Ministry, Gary Numan, and Front Line
Assembly. It was very clear that the night would be more than just a show; it would be an
immersive hypnotic experience with raw emotion, mesmerizing visuals, and electrifying futuristic
sounds.

Starting off the night at 7:00pm was the Canadian electro-industrial band Front Line Assembly,
who immediately locked in the audience’s attention with their electronic beats and captivating
stage presence. Referring to themselves as FLA, the band is fronted by Bill Leeb and supported
by guitarist Matthew Setzer, drummer Jon Siren, and synthesizer/keyboardist Rhys Fulber.
Kicking off their set with their song “I.E.D.”, they transformed the venue into a sonic realm with
other hits including “Deadened” and “Millennium.” Each song radiated such intensity that it
seemed to put the audience under a synth spell. The pulsating beats and futuristic sounds were
so powerful that you could feel it throughout your body, which is an experience in itself. FLA’s
set served as a perfect introduction to a night that would continue to escalate with excitement.

The next set of the night was brought on by the talented Gary Numan. Gary Numan, the English
synth-pop artist, is considered to be the pioneer of electronic music. Numan’s iconic presence
reverberated throughout the venue, accompanied by guitarist Steve Harris, bassist Tim Slade,
keyboardist David Brooks, and drummer Jimmy Lucido. Together, they created an electrifying
journey for the syrienne. From the moment Numan stepped into the spotlight, his magnetic
stage presence was like no other, and completely commanded the audience’s attention. His
captivating movements radiated an aura that left the audience in another hypnotic synth spell.
He seamlessly matched the energy of both the music and stage visuals creating one of the most
immersive and mesmerizing performances I have ever seen. Nothing else seemed to exist
around me other than Numan on stage, seeing how passionate he was about performing. As he
unleashed classic hits such as “Cars” and “Metal” from his 1979 album The Pleasure Principle,
Numan accompanied those with songs from his more recent albums, Intruder, Savage (Songs
from a Broken World), and Splinter (Songs from a Broken Mind). Opening the set with the
haunting “Everything Comes Down to This”, he also incorporated songs into the set such as
“The Chosen”, “Love Hurt Bleed”, “My Name is Ruin”, and closed out the set with the compelling
“A Prayer for the Unborn”. Gary Numan’s performance not only showcased his musical
expertise, but solidified his status as a legend in the realm of the synth-pop and industrial
genres.

Closing out the night was the industrial metal band from Chicago, Illinois who paved the way for
the genre, Ministry. The headlining band had the audience eagerly waiting for what was to
come. They absolutely did not disappoint as the iconic frontman, Al Jourgenson, took center
stage next to his skeleton cross mic stand. Jourgenson was accompanied on stage by guitarists, Monte Pittman and Cesar Soto, bassist Paul D’Amour, keyboardist John Bechdel, and drummer Roy Mayorga. Since the second they walked onto the stage, each member radiated such passion.

Starting off their set with a song from their newest album HOPIUMFORTHEMASSES,
“B.D.E” brought an empowering energy to the stage right from the start. This song covered the
topic of toxic masculinity and violence against women, which had me head banging the whole
time. Ministry has always been a very political band, and each song resonated deeply,
highlighting the band’s commitment to addressing societal issues through their music. The
powerful visuals behind them put an emphasis on the topics being discussed in each song. After
playing a few other songs from their most recent album, the crowd’s energy heightened even
more as the gritty classic hits including “N.W.O.”, “Thieves”, “Just One Fix”, and “Stigmata”
echoed through the venue. Throughout their performance, I couldn’t help but notice the huge
mosh pit that opened up in the center, as many fans enjoyed this moment together. Closing out
their set with their most popular song, “Jesus Built My Hotrod” the crowd became even more
energetic, not wanting the night to end. Just like the rest of the night, the band did not only put
on a performance, but created a psychedelic and vibrant yet edgy experience that the whole
audience will forever remember. Ministry is such an iconic industrial metal band, and their
legacy will live on and continue to leave a lasting impact.

Ministry, Gary Numan, and Front Line Assembly, were some of the most mesmerizing and
talented performers I have ever seen. Each act brought their own unique and electrifying energy
and passion to the stage, creating hours of an immersive experience. The legacy of all three
performers will forever be respected and recognized in the industrial world, serving as
inspirations for the future.

Review & Photography courtesy of Kyra Britzke

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Exodus & Fit For An Autopsy w/ Darkest Hour & Undeath | Fall North American Tour | 11/24/23 | Photos + Review

December 9, 2023 1 Comment

Exodus & Fit For An Autopsy Obliterate The Stage in Anaheim

Venue: House of Blues in Anaheim, CA

Date: 11/24/23

Over the past several years, I have been lucky to check off many bands from my bucket list in terms of both seeing and photographing. I first saw Fit For An Autopsy back in 2017 and finally got them in front of my lens in January of 2022. This US tour is their biggest to date, and they co-headlined with the thrash metal legends in Exodus, who I finally got to check off my bucket list. The icons in Darkest Hour and the death metal boys in Undeath provided support for this tour. Coming through my favorite venue, the House of Blues in Anaheim, CA, this was a show I simply could not pass up.

Undeath from Rochester, NY opened the show up with a bang. This was my third time seeing and photographing these boys and they seem to get better and better each time. Vocalist Alexander Jones is a force to be reckoned with as he commands the stage. Guitarists Kyle Beam and Jared Welch brought the riffage and the headbangs galore. Bassist Tommy Wall is an absolute beast, strumming and creating those deep tones. Finishing out the band’s lineup is drummer Matt Browning, who’s clean and precise drumming holds the foundation down. The band played a mixed setlist of 7 songs, 3 of which came from their 2020 album “Lesions of a Different Kind” and 2 of which came from their 2022 album “Rise From The Grave”, both released via Prosthetic Records. The band even played two new songs, titled “Brandish The Blade” and “Cramped Caskets”, both of which continue the band’s sound of brutal death metal meets hardcore, which is truly a unique sound. I’ve loved seeing this band three times now, and I cannot wait to see and photograph them again!

SETLIST

  1. Rise From The Grave
  2. Necrobionics
  3. Brandish The Blade
  4. Cramped Caskets
  5. Acidic Twilight Visions
  6. Chained to a Reeking Rotted Body
  7. Lesions of a Different Kind

Darkest Hour from Washington D.C. was up next as direct support for the co-headlining tour. This is a band that has been on my bucket list for quite some time with their melodic death metal verging on metalcore sound that also has some inspiration from thrash metal. From the moment I saw guitarist Mike Schleibaum and vocalist John Henry walk out, I knew this was about to be iconic. Drummer Travis Orbin immediately blew me away with his intricate drum patterns that are truly showcased throughout the band’s nine song set. Bassist Aaron Deal was truly energetic, giving me the windmills and headbangs. Finishing out the band’s lineup is guitarist Nico Santora, who I previously photographed with one of his’ other bands Fallujah. He fits perfectly into Darkest Hour’s sound and is always so fun to capture. The band played a well-mixed set of songs spanning many of their albums, but primarily from their 2017 record “Godless Prophets & The Migrant Flora”, and a couple from their upcoming 2024 release “Perpetual | Terminal”. This was truly an incredible set with high energy that really set the stage for the co-headliners. I’m so glad I finally got to see and photograph these guys! I own all of their records on CD, so it was cool to finally check them off my list!

SETLIST

  1. Perpetual Terminal
  2. The Sadist Nation
  3. Stand and Receive Your Judgement
  4. Knife In A Safe Room
  5. Those Who Survived
  6. The Flesh & The Flowers of Death
  7. Rapture in Exile
  8. With a Thousand Words to Say but One
  9. Amor Fati

Fit For An Autopsy from Jersey City, NJ came up next as the first of the co-headlining bands to perform. I was beyond excited to see and them again as their 2019 album “The Sea Of Tragic Beasts” tied for first in my top albums of 2019 with Jinjer’s “Macro”. Their 2022 album “Oh What The Future Holds” had just dropped when I photographed them last year, and it’s been truly incredible to see their growth as a band in the span of the past year. The band opened with the title track “Oh What The Future Holds”, which set the stage for the set to come. With an incredible light show, the band came prepared with the theatrics. Vocalist Joe Badolato is front and center, and performed the best I’ve seen him, and that says a lot because he’s always pretty powerful on the mic. The band then went into the next track on the album “Pandora”, which is a very riff heavy song that showcases the talents of guitarists Pat Sheridan and Tim Howley, as well as the rhythmic bass coming from Peter “Blue” Spinazola. The breakdown in this song especially goes hard live, and the light show was on POINT here. The band then went into one of their new songs titled “Hellions”, which can be heard on the new split EP released in 2023 via Nuclear Blast titled “The Aggression Sessions” with Thy Art Is Murder and Malevolence, which is a heavy aggressive deathcore sounding song. The drums are especially booming in from Josean Orta. The band played some of my favorite songs, like “The Sea Of Tragic Beasts”, “Warfare”, and “Two Towers”, which were all absolutely incredible to see them play live. They had the crowd truly going nuts with crowd surfers and moshing galore.  The band played a total of eleven songs with songs from every album from 2017 on. This is truly Fit For An Autopsy at their best I’ve seen them thus far. I cannot wait to see and photograph them again and to continue seeing their growth.

SETLIST

  1. Oh What The Future Holds
  2. Pandora
  3. Hellions
  4. Warfare
  5. Hydra
  6. Iron Moon
  7. A Higher Level Of Hate
  8. The Sea Of Tragic Beasts
  9. Your Pain Is Mine
  10. Far From Heaven
  11. Two Towers

The all mighty Exodus from San Francisco, CA came to the stage next. I was very excited to finally see these guys after listening to their music for quite some time, and they surely did not disappoint. From the moment they walked out on the stage, they were insanely high energy. Opening with the song “Impact Is Imminent”, vocalist Steve Souza truly had control over the stage and the crowd. Guitarists Gary Holt and Lee Atlus were in total sync, riffing those thrash riffs that get the crowd going wild. Going into R.E.M.F. from their newest album “Persona Non Grata”, I was hooked in on that drum beat from Tom Hunting the moment the song started. The dude is an absolute machine and as the sole founding member of the band, he is truly the foundation. Alongside Hunting in the rhythm section is bassist Jack Gibson, who’s headbangs and rhythmic strumming truly adds that edge to the band. The band in total played ten songs that spanned over five of their twelve albums. With an expansive discography and history dating back to 1979, Exodus remains strong and prominent in the metal scene. I am so glad I finally got to see and photograph these guys. They were truly so much fun to capture with their high energy. I highly recommend seeing them when they hit a city near you!

SETLIST

  1. Impact Is Imminent
  2. R.E.M.F.
  3. Blacklist
  4. Fabulous Disaster
  5. Prescribing Horror
  6. The Beating Will Continue (Until Morale Improves)
  7. A Lesson In Violence
  8. Bonded By Blood
  9. The Toxic Waltz
  10. Strike of the Beast

This tour was truly one for the books to capture. With so many different styles of metal, it was a night that felt like a mixture of nostalgia and eclecticism. You have the thrash from Exodus, the deathcore and post-metal from Fit For An Autopsy, the melodic death metal and metalcore from Darkest Hour, and the brutal death metal and hardcore from Undeath. This was truly an incredible show that I cannot say enough was a night to remember. I am so thankful any time I get to do a show like this.

Exodus | Fit For An Autopsy | Darkest Hour | Undeath

Photos + Review Courtesy of Jamie Kaufman | Instagram | Facebook | Twitter

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