Farewell Winters w/ special guest Groot

 

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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Knotfest Roadshow 2019

Slipknot |Volbeat | Gojira | Behemoth

Photos courtesy of Elizabeth Rajchart Instagram

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Dean Lewis’ A Place We Knew Tour ft Scott Helman

I love discovering new music, and one way I’ve been doing so in recent months is through the radio. One of my favorite artists I’ve discovered through doing this is Dean Lewis, an Australian musician who’s gotten a lot of recognition over here in America not just from the frequent radio play of his smash hit singles “Be Alright” and “Stay Awake,” but also from the album that both of these songs are on, called “A Place We Knew.” The album dropped during the spring of this year, and in support of it, Dean headed out on a worldwide headlining tour, which I attended the Denver date of.

Opening up the night was Scott Helman, a pop musician from Canada that I’ve also become pretty familiar with recently, especially with his latest release, his EP “Hang Ups,” which was released in late 2018. He opened with the title track off of that, and continued to play a variety of songs from throughout his discography, such as “Ripple Effect,” “PDA,” and “Gaslight” from his 2017 debut LP “Hôtel De Ville,” and fan favorite “Bungalow” from his 2014 EP “Augusta.” Throughout his entire set, which was just his voice and an acoustic guitar, Scott showed the talent he has as a musician and performer.

About twenty minutes after Scott finished, Dean Lewis took the stage in front of 1,100 fans who were ecstatic to see him perform. He opened his set with the opening track off of “A Place We Knew,” called “Hold Of Me,” followed by an older song, “Need You Now,” and the title track off of “A Place We Knew.” His setlist was primarily focused on songs from that record, including hits like “7 Minutes,” “Waves,” “Stay Awake” and “Be Alright,” as well as others, such as “Straight Back Down” (one of my personal favorites off the record), “Time To Go,” and “Half A Man.” Dean puts a lot of emotion into the performances in his songs, and the same thing goes for his live set as well. I loved the emotion he put into every song and think that might have been my favorite part about his entire live performance.

Both of the acts on the A Place We Knew Tour put on very impressive and captivating performances, making the show a great one overall.

Photos + Review courtesy of Megan Langley | Instagram

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2019 © The Camera Affect

 

Miss May I & The Word Alive celebrate 10 Year Anniversary of “Monument” & “Deceiver” ft Afterlife, Rozu, & Thousand Below | Photos + Review

In the summer of 2010, two of some of the biggest bands in the metalcore and post-hardcore scene released what could arguably be some of the most important albums in their careers. Miss May I released their sophomore record “Monument” on August 16th, and exactly two weeks later, The Word Alive dropped their debut album “Deciever.” With the ten-year anniversary of both of these albums almost right around the corner, both bands embarked on a co-headlining North American tour to celebrate the occasion, bringing along Afterlife and Thousand Below to support them, as well as having some up-and-coming bands from certain areas open up their local date of the tour. 

Opening up the night was Denver-based metalcore band Rozu. Though their set was only twenty minutes, they put everything into their performance and put on a really good show. They played the four singles that they have out currently (“Dissolve,” “Divide,” “Faceless,” and “Anchor”), as well as an unreleased track called “Rue.”. The band’s metalcore sound showed through the energy and aggression found throughout their live set, and their performance overall really impressed me. 

Next up was Florida-based band Afterlife. The band dropped their debut LP “Breaking Point” back in January of this year, and primarily included songs from that in their setlist: “PSA,” “Throat,” “Broken Home,” “New Rage,” and “Giving Back The Pain.” However, they still made room in their set for an older track, which was “Vicious Cycle,” the title track from their debut EP of the same name. The band mixes elements from various types of rock, and particularly alternative rock and nu-metal, and that blend of influences showed really well through their set and the songs they chose for it. 

The third band on the bill was Thousand Below. The band opened the set with their latest single “Chemical,” which is one of the most melodic (and in my personal opinion, one of the catchiest) tracks that they’ve released so far. They followed that up with two more of my favorite songs of theirs, debut single “Sinking Me” and “The Love You Let Too Close,” the title track from their debut album that came out last year. The remainder of the set was filled with a few more songs from that album: “Vein,” which is one of the band’s most aggressive tracks and one that really got the crowd moving, “No Place Like You” and “Tradition.” The band has always stood out to me in the post-hardcore genre and their live performance was further proof of that. 

Second to last was The Word Alive, who began the set by playing their album “Deceiver” from start to finish in honor of the anniversary. This album in particular is one of their much more aggressive records, but also has plenty of powerful and memorable choruses and some meaningful lyrics, so as much as their set had the crowd moshing and surfing, it had them singing along for the hour long set. After those ten songs were finished, the band played some of their more recent tracks – “Trapped,” the lead single off of their 2016 album “Dark Matter,” “Misery,” a single that was released on its own awhile after the album dropped, and “Why Am I Like This?,” which is a song from their latest album “Violent Noise” and one of my personal favorites of theirs. 

Closing out the night was Miss May I, who played not only all the songs found on Monument when it first dropped, but also the tracks found on the deluxe reissue. After that, they concluded their set with three different songs that spanned from their entire discography: “Hey Mister” from “At Heart,” “Forgive and Forget” and “Shadows Inside,” the title track from their most recent release. They easily played one of the heaviest sets of the night, with people moshing and crowd surfing almost instantly, and put so much energy into their performance as well. 

This tour was my first time seeing all of these bands, and I loved it. Everyone on the lineup put on a great performance, and this tour was a great way to commemorate and celebrate the anniversary of two important albums for this genre of music.

7/30/2019 – Photos + Review courtesy of Megan Langley | Instagram

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2019 © The Camera Affect

 

The Trauma Tour 2019 – I Prevail ft Issues & Justin Stone

Justin Stone

 Issues

I Prevail

Photos courtesy of Ashley Grace : Instagram | Twitter

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Vans Warped Tour veteran Juliet Simms performs on the tour stage one last time.

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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Vigil Of War rock the stage at Vans Warped Tour 2019

 

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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We The Kings | Vans Warped Tour 2019

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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Whitney Peyton | Live @ Vans Warped Tour 2019

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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Interview w/ Jack Klatt + Photos Included

 

As a teenager in the late 90s and early 2000s, Jack grew up with the birth of the internet, as well as one of the first popular music sharing services, Napster. While many kids his age were using it to download popular music, Jack took a different approach. “I just started following things backwards, just kind of how I think it went…Rancid was one of my favorite bands when I was really young, and I started kind of just tracing their influences. That was just like a natural thing for me to do because I was curious of how they got to where they were. And I just kind of kept going back in time and back in time and wound up at the country blues and Woody Guthrie and all this folk music that was super fascinating to me, and I kind of just stuck around there for a while.

Being a child of the 90s when it’s just like N’Sync and the Backstreet Boys in all these neat little packages, it’s really nice to hear someone really raw like Woody Guthrie who’s just singing a song about how the Dust Bowl has affected his life. There’s something super honest about that that’s really real that rang a bell.”

Woody Guthrie’s influences are clear in Jack’s earlier albums, through his storytelling lyrics, solo fingerpicking guitar style, and simple, raw sound. But for his latest album, Ain’t It The Same, Jack decided to take a new approach. “That first solo record is recorded was in my friend’s basement, just basically live. The second record I did, The Shadows in the Sunset is just recorded in an old church live as well. We had two days on this track to record everything straight without any overdubs. [For Ain’t It The Same] I just I kind of planned out a year of my life and decided it was something I wanted to do and put together the best band I could think of and found the best studio I could think of. I really just wanted to get into the studio environment and see what happens. I had a lot of fun with it.”

A big difference on Ain’t It the Same is the addition of the band, something Jack was very excited about, and rightly so. Ain’t It The Same features a huge amount of talent: John James Tourville (fiddler for The Deslondes) on guitar, Casey McDonough on bass, and Alex Hall on drums, as well as studio engineer for the album.

“Basically, all these all these guys had a huge hand in it. I know my bio claims production status, but in a sense, it is a very anarchistic, kind of production in that I wrote the songs, I put the band together, I booked the studio time, arranged travel for everybody and then we had two weeks in the studio. And they had never really even heard these songs before. We just kind of worked them out together and kind of just worked to find what felt good and what felt right and what felt fun. That’s what came out of it and it was such a fun process of collaboration”

But Jack has made sure to stay true to his roots, even with more people and more polish. “The post-production phase was a little bit more involved to where [Alex Hall and I] did spend a lot of time and just got to play around in the studio like little kids, adding a little effects here and there.. But yeah I did kind of keep true to the live aspect that the old CDs had, just with a bit of trickery.”

As Jack’s career continues to grow and change, his thoughts on music stay the same, echoing himself as a teenager downloading blues jug music in a world of boy bands and bubblegum pop: “It’s kind of like that Louis Armstrong quote, ‘There’s only two kinds of music, good music and bad music.’ I think any music has to have soul. Something behind it, something real to make it move somebody. I think that’s the way it’s supposed to be.’

Jack Klatt – Interview + Photos courtesy of Elizabeth Rajchart Instagram

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