Capstan & A Grizzly Fate | Photos + Review

Set it Off was supposed to headline this Candian show in Winnipeg Manitoba, but unfortunately their bus had broken down due to the insane cold weather. Capstan, who has been touring with Set it Off got a chance to headline instead. It was absolutely incredible getting to not only see Capstan a second time but photograph them a second time as well! I did not get a chance to see Loiter play, they were added to the bill after Set it Off was confirmed as not coming, but I had memory card issues and missed their set. The other local opener was A Grizzly Fate, these guys have amazing stage presence and are really great people. I’ve been going to their shows since they started as a band and I’m really happy to see them play with bands like Capstan. Capstan of course killed it on stage! They have said many times that they love Winnipeg and they plan on coming back as many times as possible and I hope they do come back.

A Grizzly Fate

 

Capstan

 

 Photos + Review courtesy of Chris Hall

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The Classic Crime w/ Assuming We Survive, Your Bourgeois, and David Lunsford | West Coast Tour | Photos + Review

Seattle-based rock band The Classic Crime have been around for quite some time, releasing a handful of albums over the past fifteen years. The band have recently dropped a couple of singles, leading up to their upcoming full-length album “Patterns In The Static” (due to be released on February 28th) and embarked on a tour of the West Coast (their first tour since 2018) in support of the new material.
Opening up the night was Seattle based acoustic musician David Lunsford. He began the set with his most recent single, “God Damn Soul,” and played “Without Your Armor” and “On My Mind” from his 2018 debut LP, “To All My Friends And Family.” In addition, he also played two unreleased songs, one titled “Evergreen” and a self-titled song that he concluded his set with. What stood out to me about David’s set was the emotion he put into each of the songs he performed, and that was evident from the moment he started the set.


Up next was Your Bourgeois, a local rock band from Golden, Colorado. They had a pretty good mix of slower and more upbeat songs in their set, and seemed to show influences of various styles of rock, which made their set even more interesting. One of the main things that stood out to me about this band’s set and the music they played was the very impressive lead guitar solos in a couple of the songs.


Second to last was Assuming We Survive. I saw them headline in LA a couple of years ago and since then, they have quickly become one of my favorite bands to see live and one of my favorite bands overall. One thing I like a lot about their live shows is the energy they constantly bring throughout so much of their sets, and the large majority of their setlist consisted of some of the most upbeat tracks from recent releases (“Tear Me,” “Make It Out Alive,” “Smile Sometime,” “Too Close”). The band played their two latest EPs, “Chapters” and “The Enemy Within,” from beginning to end (with the exception of “California Stoned,” the final track on “Chapters”), and amidst all of the more upbeat songs they played, they slowed things down a bit as well when playing “Lost” and “Let You Down,” which had everyone waving their cellphone lights in the air.


The Classic Crime took the stage not long after Assuming We Survive was done, and they
instantly had the crowd singing along and rocking out to their music. Their setlist spanned from throughout their discography as they played songs such as “The Fight” from their 2006 debut LP “Albatross,” “Abracadavers” and “Gravedigging” from 2008’s “The Silver Cord,” “Beautiful Darkside” and “The Precipice” from 2012’s “Phoenix,” “Driftwood” and “Holy Water” from 2017’s “How To Be Human,” . In addition, they played their two latest singles, “Take The Moment” and “Miles And Miles,” which are both from their upcoming album “Patterns In The Static.” This was my first time seeing The Classic Crime, and immediately I thought that they put on a really fun live performance.

Each act that performed at this show was something a little bit different, but one commonality that all of them shared was putting on an interesting and captivating performance, and the show overall was a very fun one to watch.

The Classic Crime | Assuming We Survive | Your Bourgeois | David Lunsford

Photos + Review Courtesy of Megan Langley | Instagram

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Juwan Rohan’s “How The Day Ends” Review

 

juwanrowan

Juwan Rohan is a recording artist from Berkley California, who’s goal is to influence, encourage, and reach out to lost souls through his music. He strives to use music as a platform to inspire, motivate, and influence youth and unite the community together.

The track “How The Day Ends“ starts off with Juwan speaking over a beat, to which his flow mixes with smoothly.  It’s soulful, you just may start moving your head, and swaying your body to the beat. After listening to this song, you’ll feel a bit more connected to his struggles.  A listener can relate to how his tough times stress him out, and even with support you will still have off days. The message I receive from this song is, no matter what, focus on your long-term goals and future successes. It is healthy for everyone to have a creative outlet to pour sadness, stress and happiness into. For me, it’s writing photography, and sometimes painting. For Juwan it’s clear that his creative outlet is writing and music.

You can listen to his music on SpotifyItunes, and Soundcloud ; as well as follow him on Twitter, and Instagram.

Review by Cristine Trimarco |  Instagram |Facebook 

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Snoop Dogg lights up The Fillmore in Detroit – I Wanna Thank Me Tour 2020

Snoop Dogg accompanied by Warren G, Trick Trick, and Trae packed The Fillmore Detroit two Sunday’s ago for a fantastic show. The event sold out the 2,900 capacity venue and built up suspense and energy with every artist leading up to the headliner.

To help set the bar for such an amazing performance in Detroit, Trick Trick performed one of his most iconic songs “Welcome 2 Detroit”. To see an entire venue shout the lyrics in his home town was such a memorable display of energy and positive vibes that blew the roof off the venue.


Up next was Warren G to raise the bar even higher. With fantastic lighting, memorable hits from the early 90’s like “Regulate”, and party favors in the form of joints, the crowd reached a new level of intensity.

Lastly the headliner, Snoop Dogg made his appearance with a blunt in hand and exotic dancers on both sides of the stage. The crowd peaked the decibel level of the venue as he opened with his one of his top hits, What U Talkin’ Bout off his 2019 album I Wanna Thank Me. With a 24 song set he definitely stole the show. Ranging from top hits, new work off his album, and even a few feature songs he collaborated with such rap icons like Akon, Wiz Khalifa, and Dr. Dre., the audience never skipped a beat. With such diversity of fans of all ages and skin color we could all agree that the rap genre will never die and to live life Young, Wild and Free.

Review+ Photo Gallery by: Keenan Beals, Michigan Made Photography.

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In Flames with Red and Arrival Of Autumn | Winter North American Tour | Photos + Review

In Flames Set The Observatory On Fire On Their Winter North American Tour

Venue: The Observatory Orange Country on 11/6/19

            In Flames has been a band on my radar for quite some time. I got into them later than most when their 2016 album “Battles” hit the shelves. I was stoked when their North American Tour was announced, as I had still never seen them live. Along with the band came support from Red and Arrival of Autumn, giving the evening a mixture of metalcore, post-hardcore, hard rock, and melodic death metal. This night was truly amazing.

First up was Arrival Of Autumn from Grande Prairie, Alberta, Canada. This was my second time seeing and photographing these guys, the last time being a little over a month prior on the last date of their tour with Soulfly, Incite, and Prison. The band is the perfect mixture of metalcore and melodic death metal. Unfortunately, due to traffic, I was only able to photograph and catch the last song and a half of their set at The Observatory, but something that is evident about Arrival of Autumn is just how strong and together they are as a band. From their riff heavy instrumentals, courtesy of Ryan Sorensen and Brendan Anderson, to their thick basslines, thanks to Kevin Student, technical drumming from Ty Fox, and the mixture of a wide array of singing and screaming from vocalist Jamison Friesen, the band has a very strong sound that have blown me away both times I’ve seen them. The band played a 7-song set, most of which came from their debut 2019 release “Harbinger”, which was released via Nuclear Blast. Arrival Of Autumn is truly an amazing band and I cannot wait to catch their set again next time they’re in Southern California!

SETLIST

  1. Hurricane on the Horizon
  2. Witness
  3. Better Off Without
  4. The Endless
  5. Apocalyptic
  6. Old Bones / New Blood
  7. The Horror

Up next was Red from Nashville, Tennessee. This was my second time seeing these guys, with my last time being in March of 2018 when they co-headlined The Regent with Lacey Strum. I didn’t know much about them the first time I saw them but became a big fan after seeing them the first time. I now own every one of their six albums on physical copy and was happy with the songs they chose for their 9-song set. They mixed songs from their albums, along with songs from their 2019 EP “The Evening Hate”, which they released via The Fuel. I would best describe their sound as a mixture of Nu Metal, Alternative Rock, Alternative Metal, and Hard Rock. Their sound is dynamic, blending each of these songs into their diversified discography to perfection. When you go see Red live, the first thing you will realize is just how energetic vocalist Michael Barnes is, truly engaging with the crowd and owning every inch of the stage. Guitarist Anthony Armstrong, and twin brother and bassist Randy Armstrong own their sides of the stage with ease, slaying those guitars with ease. In the back of the stage, you’ll find drummer Dan Johnson drumming with force with his double bass drums on point. The band was a joy to see, and I especially liked them more now that I actually know the music they were playing. I cannot wait to see Red again in the future.

SETLIST

  1. Fight Inside
  2. Death of Me
  3. Confession (What’s Inside My Head)
  4. Let Go
  5. From The Ashes
  6. Already Over
  7. Feed The Machine
  8. The Evening Hate
  9. Breathe Into Me

In Flames from Gothenburg, Sweden finally hit the stage last. The band really went all out in terms of choosing their setlist, putting together 21-songs that showcased songs from ten of their thirteen albums. What blew me away was hearing the band’s change in sound over the span of their 30-year career as a band. Their musical style mixes together melodic death metal, metalcore, alternative metal, and heavy metal. The band played the perfect mix of the heavy, with some of their more melodic songs, to make both old school fans and newer fans alike very happy. Of the 21 songs they played, 6 of those songs came from their newest album “I, The Mask”, which was released in 2019 via Eleven Seven Records in North America, and via Nuclear Blast throughout the rest of the world. One element to the band’s sound that is iconic when many think of melodic death metal is their heavy use of guitar solos and dueling guitar parts, courtesy of Björn Gelotte and Chris Broderick. Both Gelotte and Broderick had great stage presence and interacted a lot with the crowd. The band’s older sound was strictly melodic death metal, but as time went on, vocalist Anders Fridén started incorporating more clean vocals, which truly helped bring the band in a different direction. Fridén told jokes between the band’s songs and was very active on stage. Bassist Bryce Paul headbanged like crazy and was also very big on crowd participation while he slammed out those bass notes. Drummer Tanner Wayne closes out the band’s lineup, playing an intricate drum patterns with ease. Wayne was previously in post-hardcore bands Chiodos and Scary Kids Scaring Kids but has since joined the metal greats of In Flames and helped them create “I, The Mask”, which has truly become my favorite record from the band to date. Just like their live set, the new record mixes together elements from melodic death metal with elements from metalcore, alternative metal, and heavy metal. They played a truly amazing set that left a lasting impression on me. I cannot wait to see them next time they come out to Southern California!

SETLIST

  1. Cloud Connected
  2. Only for the Weak
  3. Take This Life
  4. Clay Man
  5. Where the Dead Ships Dwell
  6. Call My Name
  7. Behind Space
  8. Follow Me
  9. Monsters in the Ballroom
  10. All for Me
  11. (This Is Our) House
  12. The Hive
  13. Wallflower
  14. Here Until Forever
  15. Burn
  16. Voices
  17. Everything’s Gone
  18. Colony
  19. The Truth
  20. I Am Above
  21. The End

The Winter North American Tour was an amazing spectacle to attend. I was finally able to see In Flames, who completely obliterated my expectations out of the water. It was great to see Red again, who were insane at this show and tore that stage up. And it was great to see my new friends in Arrival Of Autumn tear up that stage again, even though I was only able to catch a couple of songs. Truly an amazing night!

In Flames | Red | Arrival Of Autumn

Photos + Review courtesy of Jamie Kaufman | Instagram

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New Artist : Juwan Rowan

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Juwan Rowan is a hip-hop artist from Berkeley California.  Growing up around violence and through struggle, his hope is to connect with his community, and others around the world who may be lost; to be the inspiration, and motivation to keep them focused. He hopes to connect with his listeners through real life situations that they can relate to. If you’re a fan of J.Cole, and Logic you may also find a new favorite with-in Juwan.

You can listen to his music on Spotify, Itunes, and Soundcloud ; as well as follow him on Twitter, and Instagram.

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Photos by Tyvon Spivy

Ghostemane w/ Lil Tracy, Jesus Piece, and Section H8 | Hiadica North American Tour | Photos

Hiadica North American Tour Photos

Venue: The Novo on 11/23/19

Section H8

Jesus Piece

Lil Tracy

Ghostemane

Ghostemane | Lil Tracy | Jesus Piece | Section H8

Photos courtesy of Jamie Kaufman

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The Geocidal Tendencies Tour 2019 | Primitive Man & Vitriol Photos

Primitive Man

Vitriol

12/6/2019

Photos courtesy of Laura Lateralus | Instagram

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Cannibal Corpse w/ Thy Art Is Murder | Fall North American Tour | Photos + Review

Cannibal Corpse Slaughters Ventura

Venue: The Majestic Ventura Theater on 10/25/19

When it comes to death metal bands, Cannibal Corpse is one of the ultimate greats. I got into them a little later than most, when I came across “Hammer Smashed Face” on Rock Band back in 2013. They’ve been on my bucket list of bands I’ve wanted to see since then, and with them performing what would be a sold out show so close to home, this was the perfect opportunity to finally see them. And with another one of my favorite bands, Thy Art Is Murder, performing as well as direct support, this was bound to be a truly stellar show!

First up was Thy Art Is Murder from Sydney, Australia. This was my third time seeing these guys, and this was the longest set I’ve seen them play. They played a lot of songs from the new record “Human Target”, while mixing in songs from each of their other Nuclear Blast releases “Hate”, “Holy War” and “Dear Desolation”, totaling out to an 11-song set. Thy Art Is Murder is described as deathcore, but take in influences from death metal, blackened death metal, and even metalcore. It’s because of this blended sound that the band can fit with a plethora of metal lineups. I previously saw them in March of 2018 co-headlining with Dying Fetus on a North American Tour, then saw them in April of 2019 when they acted as direct support for Architects (UK) on their North American Tour. Once again, Thy Art Is Murder acted as direct support on this tour for none other than Cannibal Corpse, so Thy Art was able to bring out some of the heavier tracks on this run. I personally was extremely stoked to hear them play “New Gods” and “Make America Hate Again” from the new record. When you see the band live, there are a few notable things to look out for. Holding down the fort in the back is Jesse Beahler on drums, who truly creates an interesting dynamic with intense and difficult drum parts played to perfection. On stage left is rhythm guitarist Sean Leander and bassist Kevin Butler, who each groove along in each song with high energy and a plethora of facial expressions. Lead guitarist Andy Marsh stands on stage right and can be usually seen looking intensely into the crowd as he shreds to his’ hearts content. Front and center is vocalist CJ McMahon, who is spotted in the first 2 songs sporting a hooded cloak and looking tall and ominous into the crowd, while screaming and growling with a wide range of tones and pitches. The band is also known for their bright and strobing lighting, not using any of the frontal house lighting and bringing forth an haunting presence, which goes right along with their serious politically driven lyrical content that focuses on anti-religion, anti-extremism, animal rights, greed, war, and much more. I was thrilled to see Thy Art Is Murder once again and I believe they truly put on their best set to date!

SETLIST

  1. Death Squad Anthem
  2. Make America Hate Again
  3. Fur and Claw
  4. Slaves Beyond Death
  5. Holy War
  6. No Absolution
  7. Human Target
  8. The Son of Misery
  9. New Gods
  10. Reign of Darkness
  11. Puppet Master

Next up was the all mighty Cannibal Corpse from Buffalo, New York. After many years of listening to them and playing their songs on Rock Band, it finally became time to see them. The band is good ole fashioned death metal that borders the line of brutal death metal. Their lyrical content draws from horror fiction novels and horror films, with highly graphic and controversial imagery on their album covers to go along with the musical content. As a big horror fan myself, I was almost immediately drawn to that aspect of Cannibal Corpse when I found out about them. The band has been going strong since 1988, despite a couple lineup changes near the beginning of their career. What I was pleasantly surprised when watching them was how humble they were. They didn’t do a walk on intro like a lot of other bands, they didn’t bring additional lighting, they just played good fucking music and got the crowd hyped. Vocalist George “Corpsegrinder” Fisher blew me away with his ability to own the stage by doing a single stance. The band isn’t known for being insanely energetic, but the power each member gives off just from their stage presence and musical technicality is mind blowing. With fourteen albums in their discography, I was pleasantly surprised how well the band was able to cover, playing songs from twelve of those fourteen albums. The crowd went nuts, with one of the most violent mosh pits I’ve seen. This was a perfect setlist, as the band played a whopping 18-songs, with George adding in some comedic moments while the rest of the members would tune their instruments. I was thrilled to hear songs like “I Cum Blood”, “Hammer Smashed Face”, “Red Before Black”, and “Kill or Become”, which were all highlights from the set for me. Bassist and founding member Alex Webster was also very fun to watch for me, as his bass stance was very powerful and was very fun to capture. The band had Erik Rutan, guitarist of Hate Eternal, filling in on this tour. His stage presence and ability to own those dueling guitar solos blew me away. Drummer Paul Mazurkiewicz truly impressed me with his extremely technical drum parts that were played to perfection, along with his stage presence behind the kit. The dude is insanely fun to watch. Closing out the band’s lineup is guitarist Rob Barrett, who truly slayed it with his’ rhythmic patterns and technicality on the rhythm guitar. But the stand out was definitely George Fisher, who’s headbanging and vocal abilities drove the set to a whole other level. Cannibal Corpse’s performance was one for the books and I will definitely be seeing them again in the near future!

SETLIST

  1. Code of the Slashers
  2. Only One Will Die
  3. Red Before Black
  4. Scourge of Iron
  5. Staring Through the Eyes of the Dead
  6. The Wretched Spawn
  7. Devoured by Vermin
  8. Unleashing the Bloodthirsty
  9. Gutted
  10. Kill or Become
  11. A Skull Full of Maggots
  12. Evisceration Plague
  13. Firestorm Vengeance
  14. Death Walking Terror
  15. I Cum Blood
  16. Make Them Suffer
  17. Stripped, Raped, and Strangled
  18. Hammer Smashed Face

Cannibal Corpse’s Fall North American Tour was an amazing night with two bands who absolutely crushed it, performing incredible music that blew me away. Both Thy Art Is Murder and Cannibal Corpse are at the top of their game and I cannot wait to see both bands in the new year when they come out to California again!

Cannibal Corpse | Thy Art Is Murder

Photos + Review courtesy of Jamie Kaufman | Instagram

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The Starting Line & Chris Farren – Est. 1999 Tour Review

The Starting Line are a band in the pop punk and alternative scene that have now been around for twenty years, as of this year. To celebrate this anniversary and major milestone in their career, the band did several shows throughout the year, and I attended the Denver, Colorado show.

          Chris Farren opened the Denver show, and I’ve seen him live once before, when he opened for Free Throw back in September. He played a little bit of a longer set compared to the last time I saw him, and since his album “Born Hot” had been released in October, he incorporated a lot of newer songs into his setlist, including “Search 4 Me,” “Domain Lapse,” “Love Theme From “Born Hot,” and more. He also played older material, including one of my favorite songs of his, “Human Being.” Chris has a lot of charisma and passion that really shows through his live performance, and he puts on such a captivating live set overall. Some of the highlights from the performance were the signs behind him saying things such as “applause” and “guitar solo,” (as well as showcasing his original art), and the fact that he walked through the crowd and went up to the balcony to perform one of the songs.

Not too long after Chris finished his set, The Starting Line finally took the stage, and they played a variety of songs from throughout their discography. They played a large amount of earlier hits, such as “Up & Go,” “Almost There, Going Nowhere,” “Cheek To Cheek,”  “Left Coast Envy,” “The Drama Summer,” and “The Best Of Me” from their debut LP “Say It Like You Mean It,” and “Leaving” and “Greg’s Last Day” from their debut EP “The Hopes Of Starting Over.” The set also included songs from releases later on in their career, such as “Surprise, Surprise,” “Inspired By The $,” and “Making Love To The Camera” from “Based On A True Story,” and “Direction,” “Birds,” “Are You Alone,” “Island,” and “Way With Words” from “Direction,” as well as the three songs off of their 2016 EP “Anyways”: “Luck,” “Quitter,” and “Anyways.” One of the most interesting parts about this show was the fact that the vocalist would tell stories about the band’s history after every few songs, and would sometimes use those stories to introduce some of the songs they would play next. The stories discussed quite a few parts of the band’s career, from how they first got together to the process of making some of the music they incorporated into their setlist for the tour.

The Est. 1999 Tour was a very unique experience with two really great acts and I’m glad I got the chance to attend.

Venue: Summit Music Hall | City: Denver, CO | Date: 11/15/2019

Review by Megan Langley | Instagram

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