Everyone’s new favorite pop-punk / alt rock artist – Yungblud

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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Interview w/ Shiragirl

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Artwork by : Sophia Bonafide

The Camera Affect Promotions had the pleasure of sitting down with New York native Shiragirl before her set during Vans Warped Tour to discuss everything from the creation of her own stage to her EP ‘Brooklyn Goes Hollywood’ to playing with Joan Jett. If you want to find out more about what Shiragirl had to say, keep reading below:

What was your reaction when you found out that this was going to be the last year of Warped?

I was super sad. I actually found out in 2017 that 2018 was going to be the last full cross-country run. I was bummed, it definitely felt like the end of an era.

What was your reaction when you were asked to come and play?

I was so happy and so excited and just honored to be included. Yeah, really happy.

So, I know that the Shiragirl Stage came about in a really unique way, correct me if I’m wrong. You pretty much asked Kevin (Lyman) if he could include more female bands on the lineup and he said maybe next year and you just did it anyways. 

Yep that’s exactly it!

What was that like knowing you had kind of “defied” him and you ended up with your own stage?

So how it happened was I was on the tour the previous year and I had noticed there were no female musicians and I said “hey can we come back and host some girl bands maybe in the Girls Garage Tent and he said “great idea, maybe next year.” We just decided lets do it anyway. We drove into the gates and set up and we had a little punk-rock set up. We just thought a year seemed so far away when you’re a kid, you know, and we thought why not and he walked up and we kind of held our breath because we didn’t know if we were going to get kicked out or what not and he just looked around and said “alright Shira, so you’re on for the whole tour” and it was both kind of an invite and almost a challenge. It felt really good to be able to then come back the next year and we were invited back to do an official stage, which Kevin named the Shiragirl Stage and host all those bands including Paramore on their first ever tour.

That’s wild. I heard that and was like “she’s a badass.”

Aww thank you!

 So as a female in a predominantly male dominated scene, did you find that you had to prove yourself when you played your first Warped Tour? Do you find that you still have to prove yourself now?

Oh absolutely, one hundred percent. We definitely had to prove ourselves. In a male dominated space women definitely have to work twice as hard to get the respect a man gets and that’s just how it is, and when we first started out there were bets against us finishing the tour. We were not taken seriously. People would say “this area back here is only for the bands” and we would say “we are the band” you know? Even now there’s a lot more exposure and representation but it’s still not equal and I feel like there’s this misconception that we’re all equal now but if you look at the numbers it’s just not true.

Did they come to respect you more overtime or was there something that you did that made them respect you?

I think just working really hard absolutely, building relationships on the tour and also just kicking ass, playing our instruments well, rehearsing, taking our craft seriously, that’s important too, putting the hours in and being good at what we do.

 Makes perfect sense. I know you’ve been called the Punk-Rock Madonna, where did that name come from?

It’s so funny, actually this girl Rose who is in a band called Anti Hero who played our stage in Canada, she’s from Toronto, she first said that to me and it kind of just stuck with our team. I think that our manager put it into a press release or a bio that made its way to Billboard and then Billboard kind of coined it last year when they premiered our first single. After Billboard said it I thought “oh my gosh, it’s official,” and I love it. Madonna is a huge influence of mine so it’s a compliment.

Your EP Brooklyn Goes Hollywood showed the juxtaposition between Hollywood and New York where you’re from. Did the title come before the sound of the album or did the sound of the album influence the title? 

That’s a good question. I think it was a big theme because our whole band is from New York, at least my drummer and bassist, the three of us really co-wrote that record and we wanted to achieve this fusion of a sound that was like the dancy pop fun aspect meets this harder punk-rock sound. I actually wanted to write a song called Brooklyn Goes Hollywood, I’ve had that in my mind forever. As songwriters, you often think of the song title before you think of the song sometimes and so it never became a song but then when we were talking about the album name I just thought this is like, the perfect way to describe the duality of the record.

What was it like having Joan Jett play your stage?

That was a dream come true! So Joan was on the tour, she used to bike over to the side of our stage and watch the girl bands and she actually gave me a pep talk because about halfway through the tour half my band quit, first my drummer then my guitarist quit. I was super upset, we were hosting all these bands, and she knocked on my RV door, sat on the couch next to me, looked me in the eye and said “you’re doing a good thing and you have to keep going.” She said “girls like that make girls like us look bad and you’ve got to keep going” and I said “okay I’ve got to keep going because Joan Jett told me to.” The last day of that tour was when it had kind of been discussed that she would do a special appearance with her manager and it was Cleveland, Ohio and they said “Joan wants you to sing and she’s going to play guitar and do backup” and it was crazy. Right before we went on we were rehearsing on the side of the stage it felt like I was in the Runaways. It was really a dream and I was so honored, just recently they put a Warped Tour exhibit in the Rock and Roll Hall of Fame and I got included and in it is our set list from that day and a photo of us performing with Joan Jett next to her bra and her setlist and my shirt so it’s really cool. What an honor. This was before Instagram and stuff so someone had captured a video of it on Youtube somewhere but I wish I had gotten more of my personal footage from it, from that moment, but nothing can replace that memory. Just looking out and seeing Kevin Lyman in the crowd.

I bet. Did you ever think you would get from where you started to playing on the same stage as Joan Jett singing one of her songs as the main vocalist?

It was an honor. We did actually open up for her band earlier that year and I just have to say it’s a great example of how Warped Tour has opened up so many doors for up and coming artist because if it weren’t for Warped Tour I never would have met her because she was playing the tour and we got introduced. So yeah, huge honor and definitely inspires me to keep going.

What has been your best or craziest memory?

Oh my gosh, there’s so many but one that comes to mind is that I got to perform Lori Meyers with NOFX and that was super cool. Any time you’re on the main stage the crowd is so big and the energy is amazing and I also got to perform with The Transplants and that was super cool. Anytime you get to do a special guest performance like that is amazing.

Last question. When they announced that Warped Tour was coming to an end I noticed a couple pop up tours start happening and they started traveling the country. Do you think there’s ever going to be anything on the Warped Tour scale again or do you think Warped Tour is kind of the “Mecca” of everything. 

Great question. Personally I think there’s only one Kevin Lyman and Warped Tour is one of a kind and I don’t think there will be another Warped Tour. I know Kevin hopes to see someone else pick up the torch and do what he did but you just can’t duplicate it. I do hope to see other tours, like Sad Summer tour and Disrupt and I would love to play any of those and be part of it but nothing is ever going to be like Warped Tour. The way that Kevin really brought together all these baby bands and big bands in one plane and made them feel like a family with the after parties and barbecues, his involvement in non-profit organizations, making sure the tour recycled, getting involved with charity organizations, such as FEND, you don’t see that a lot in the music industry. He’s a humanitarian and a lot of people in the music industry are more about profit or whatever it is, fame, and he’s really just a great person. While I hope there will be another Warped Tour, I think it really is one of a kind. That being said.  Kevin is advising me, I’m actually working on starting a tour of my own, kind of based on a similar mission we had with the Shiragirl Stage to promote women in music and platform for female artists. It’s going to be called Gritty in Pink and it’s going to start off as an event series, monthly in LA and eventually we’re hoping to build a whole tour off of that.

 I love that, I’m definitely coming back just for that!

Yay!

Keep up with Shiragirl on Twitter| Facebook | Instagram

Show some love to the graphic designer Sophia

Interview courtesy of Linette Wainwright | Twitter & Instagram  

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Silent Planet, not so silent when it comes to singing about important matters.

Watch their music video for Visible Unseen |Orphan & more

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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Knotfest Roadshow 2019

Slipknot |Volbeat | Gojira | Behemoth

Photos courtesy of Elizabeth Rajchart Instagram

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Miss May I & The Word Alive celebrate 10 Year Anniversary of “Monument” & “Deceiver” ft Afterlife, Rozu, & Thousand Below | Photos + Review

In the summer of 2010, two of some of the biggest bands in the metalcore and post-hardcore scene released what could arguably be some of the most important albums in their careers. Miss May I released their sophomore record “Monument” on August 16th, and exactly two weeks later, The Word Alive dropped their debut album “Deciever.” With the ten-year anniversary of both of these albums almost right around the corner, both bands embarked on a co-headlining North American tour to celebrate the occasion, bringing along Afterlife and Thousand Below to support them, as well as having some up-and-coming bands from certain areas open up their local date of the tour. 

Opening up the night was Denver-based metalcore band Rozu. Though their set was only twenty minutes, they put everything into their performance and put on a really good show. They played the four singles that they have out currently (“Dissolve,” “Divide,” “Faceless,” and “Anchor”), as well as an unreleased track called “Rue.”. The band’s metalcore sound showed through the energy and aggression found throughout their live set, and their performance overall really impressed me. 

Next up was Florida-based band Afterlife. The band dropped their debut LP “Breaking Point” back in January of this year, and primarily included songs from that in their setlist: “PSA,” “Throat,” “Broken Home,” “New Rage,” and “Giving Back The Pain.” However, they still made room in their set for an older track, which was “Vicious Cycle,” the title track from their debut EP of the same name. The band mixes elements from various types of rock, and particularly alternative rock and nu-metal, and that blend of influences showed really well through their set and the songs they chose for it. 

The third band on the bill was Thousand Below. The band opened the set with their latest single “Chemical,” which is one of the most melodic (and in my personal opinion, one of the catchiest) tracks that they’ve released so far. They followed that up with two more of my favorite songs of theirs, debut single “Sinking Me” and “The Love You Let Too Close,” the title track from their debut album that came out last year. The remainder of the set was filled with a few more songs from that album: “Vein,” which is one of the band’s most aggressive tracks and one that really got the crowd moving, “No Place Like You” and “Tradition.” The band has always stood out to me in the post-hardcore genre and their live performance was further proof of that. 

Second to last was The Word Alive, who began the set by playing their album “Deceiver” from start to finish in honor of the anniversary. This album in particular is one of their much more aggressive records, but also has plenty of powerful and memorable choruses and some meaningful lyrics, so as much as their set had the crowd moshing and surfing, it had them singing along for the hour long set. After those ten songs were finished, the band played some of their more recent tracks – “Trapped,” the lead single off of their 2016 album “Dark Matter,” “Misery,” a single that was released on its own awhile after the album dropped, and “Why Am I Like This?,” which is a song from their latest album “Violent Noise” and one of my personal favorites of theirs. 

Closing out the night was Miss May I, who played not only all the songs found on Monument when it first dropped, but also the tracks found on the deluxe reissue. After that, they concluded their set with three different songs that spanned from their entire discography: “Hey Mister” from “At Heart,” “Forgive and Forget” and “Shadows Inside,” the title track from their most recent release. They easily played one of the heaviest sets of the night, with people moshing and crowd surfing almost instantly, and put so much energy into their performance as well. 

This tour was my first time seeing all of these bands, and I loved it. Everyone on the lineup put on a great performance, and this tour was a great way to commemorate and celebrate the anniversary of two important albums for this genre of music.

7/30/2019 – Photos + Review courtesy of Megan Langley | Instagram

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2019 © The Camera Affect

 

The Trauma Tour 2019 – I Prevail ft Issues & Justin Stone

Justin Stone

 Issues

I Prevail

Photos courtesy of Ashley Grace : Instagram | Twitter

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Vans Warped Tour veteran Juliet Simms performs on the tour stage one last time.

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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Vigil Of War rock the stage at Vans Warped Tour 2019

 

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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Whitney Peyton | Live @ Vans Warped Tour 2019

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Rockstar Disrupt Festival | Main Stage w/ Thrice, The Used, Sum 41, Circa Survive, and Atreyu | Photos + Review

Rockstar Disrupt Festival – Main Stage Review

Venue: Five Point Amphitheatre on 7/20/19

As the festival stage bands finished, they transformed the stage for the main bands. All five of the main stage bands had 45-minute sets, where they were truly able to showcase their talents with full on lighting and theatrics. Although all of the acts performed on one stage, they truly made it look and feel special for the main stage bands.

The first of the main stage bands up was Atreyu from Yorba Linda, California. Atreyu has been a staple in the metalcore scene for quite some time. Although they had a 3-year hiatus from 2011-2014, they have still released 7 truly incredible albums over their career. I personally got into Atreyu in 2010 when their song “Ravenous” was on the video game Guitar Hero: Warriors of Rock. Although they didn’t play Ravenous, the band prepared a 10-song set filled to the brim with fan favorite songs, including “Bleeding Mascara”, “Becoming The Bull”, and their infamous Bon Jovi cover of “You Give Love A Bad Name”. This five piece consists of vocalist Alex Varkatzas, drummer and co-lead vocalist Brandon Saller, guitarists Dan Jacobs and Travis Miguel, and bassist Marc “Porter” McKnight. I had never seen Atreyu live before this date, but I had been listening to them for years. Although I had somewhat high expectations, Atreyu still blew my expectations out of the park. Their stage presence was amazing, with band members jumping off risers and truly using every inch of that stage. The band somehow sounded even better live than on album, which is difficult to do with a band that sounds as good as Atreyu does on album. I was blown away from the moment they hit the stage to the moment they left the stage!

SETLIST

  1. Our Time Is Now
  2. Right Side of the Bed
  3. Becoming The Bull
  4. Ex’s and Oh’s
  5. When Two Are One
  6. You Give Love A Bad Name (Bon Jovi Cover)
  7. Bleeding Mascara
  8. Falling Down
  9. House of Gold
  10. Blow

Up next was Circa Survive from Philadelphia, Pennsylvania. Circa Survive’s sound is best described as a mixture of post-hardcore and progressive rock. I first got into Circa Survive when their song “The Difference Between Medicine and Poison is the Dose” released on Rock Band in 2007. A big highlight moment of their set was when vocalist Anthony Green jumped on the barricade and embraced fans during the first song “Act Appalled” from their 2005 album Juturna. The band played a 9-song set, which showcased songs from their whole discography minus Violent Waves. The band really got into their set, grooving with every note and truly showcasing a set filled with emotion and raw energy. The rest of the band consists of guitarists Colin Frangicetto and Brendan Ekstrom, bassist Nick Beard, and drummer Steve Clifford. I will say that Anthony Green’s vocals sound raspier in person, which honestly added to the band’s sound. I was thoroughly impressed with their set and I’m stoked to have finally seen them after listening to them for so long.

SETLIST

  1. Act Appalled
  2. Rites of Investiture
  3. Child of the Desert
  4. The Difference Between Medicine and Poison is the Dose
  5. Holding Someone’s Hair Back
  6. In the Morning and Amazing…
  7. Lustration
  8. Stop the Fuckin’ Car
  9. Get Out

Sum 41 from Ontario, Canada was up next. Sum 41 is the perfect mixture of pop punk, punk rock, and post-hardcore. The sun went down just as their set was starting, which made the lighting truly stand out. For their set, Sum 41 prepared an 11-song set that showcased songs from a majority of their discography. They were extremely tight and very high energy. I thought the colored smoke cannons added to the experience and created some truly amazing moments to capture. This five piece consists of vocalist and rhythm guitarist Deryck Whibley, lead guitarist Dave Baksh, bassist Jason McCaslin, rhythm guitarist Tom Thacker, and drummer Frank Zummo. It was so cool to finally see Sum 41. Their songs “In Too Deep” and “Still Waiting” were staples in my childhood and were played in several movies and TV shows I watched so it was surreal to finally see them. Their stage presence was energetic and engaging. They truly slayed!

SETLIST

  1. The Hell Song
  2. Motivation
  3. Over My Head (Better Off Dead)
  4. We’re All To Blame
  5. Out For Blood
  6. Fake My Own Death
  7. Walking Disaster
  8. We Will Rock You (Queen Cover)
  9. In Too Deep
  10. Fat Lip
  11. Still Waiting

The Used from Orem, Utah was the second to last band to hit the stage. The Used was actually the second band in the post-hardcore genre, next to Escape the Fate, that truly helped me get into the scene as a whole. Their song “Blood On My Hands” was a staple in my middle school life and hearing them play it live was something I’ve waited to hear again for years. The Used started their set with an animation projected on a curtain with a dramatic curtain drop going into their first song “Take It Away”. Once the curtain dropped, it was a spectacle of a set, with LED screens behind the drummer, smoke machines, and the infamous heart hanging from the ceiling. They not only set the scene with special effects but with a setlist that matched the whole look and feel. This four piece consists of vocalist Bert McCracken, bassist Jeph Howard, drummer Dan Whitesides, and guitarist Joey Bradford. Bert McCracken was like a little kid on stage. He was living his’ extra life on that stage and his’ positive energy truly radiated throughout the entire Amphitheatre. The Used is one of the top bands in the genre and it is apparent as to why, they demolish any stage they step foot on. I cannot wait to see them again next time they’re out here!

SETLIST

  1. Take It Away
  2. The Bird and the Worm
  3. Listening
  4. All That I’ve Got
  5. I Caught Fire
  6. Wonderwall (Oasis Cover)
  7. Buried Myself Alive
  8. The Taste of Ink
  9. Blood On My Hands
  10. Pretty Handsome Awkward
  11. A Box Full of Sharp Objects

Closing out the night was Thrice who were playing their hometown in Irvine, CA. This band has accumulated a large arsenal of music over their 20-year career, releasing 10 albums over that time. They showcased songs from several of those releases in their 11-song set. Thrice’s sound can best be described as a mixture of post-hardcore, progressive metal, experimental rock, and alternative rock. Their set was very atmospheric, with very colorful lighting and smoke to match. This four piece consists of vocalist and rhythm guitarist Dustin Kensrue, lead guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge. I was not only impressed by their musical talents, but their whole aesthetics and stage presentation made their performance into a full on spectacle. There is no doubt why Thrice is still one of the biggest bands in the scene. They leave everything out on the stage and blew me away. I actually wound up ordering 4 of their CDs after watching their set. I was thoroughly impressed by Thrice and they were a perfect way to close out the Rockstar Disrupt Festival.

SETLIST

  1. Yellow Belly
  2. The Artist In The Ambulance
  3. Only Us
  4. Under a Killing Moon
  5. Just Breathe
  6. Of Dust and Nations
  7. In Exile
  8. Deeper Wells
  9. Beggars
  10. Black Honey
  11. The Earth Will Shake

The Rockstar Disrupt Festival was an amazing festival that gave the best of both worlds, a festival vibe and an amphitheater vibe all in one. I was so happy to check so many bands off my bucketlist to photograph all in one day. The bands truly went above and beyond and so did Rockstar for putting this whole festival together. I cannot wait to attend again next year! Thank you for creating a new tradition!

Thrice | The Used | Sum 41 | Circa Survive | Atreyu

Photos + Review courtesy of Jamie Kaufman | Instagram

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