Boys of Fall |Gold Edition Release Tour 2019

Photos courtesy of Alyssa Santiago | Website | Instagram | Twitter

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Papa Roach w/ Asking Alexandria and Bad Wolves | Who Do You Trust? USA Tour | Photos + Review

Papa Roach Trusts Hollywood To Close Out Their Who Do You Trust USA Tour

Venue: Hollywood Palladium on 8/31/19

Papa Roach has been a consistent band I have listened to throughout the years. Their song “Last Resort” is a staple in the Nu Metal genre and is iconic. When I saw the lineup for their “Who Do You Trust?” USA tour, I was thrilled. Asking Alexandria was the very first band I ever saw live back in 2011, and Bad Wolves’ debut 2018 album “Disobey” absolutely slays, so I knew this would be an amazing night.

First up was Bad Wolves from Los Angeles, CA. Before they even got on stage, the crowd was roaring as Josh Brolin, an actor best known by his’ recent role as Thanos in the Avengers franchise, came out to announce the band. When the band hit the stage, they were immediately on fire. The band opened with their song Learn To Live, which shows off their progressive metalcore roots, with djent style guitar riffs courtesy of guitarists Chris Cain and Doc Coyle, as well as a mixture of clean vocals and screams courtesy of vocalist Tommy Vext. But at the root of djent is the deep bass tones courtesy of Kyle Konkiel and odd time signatures courtesy of drummer John Boecklin. The band played a set that mixed their heavier riffy songs, with more radio rock friendly songs. The band played a total of 8 songs, finishing with their chart topping cover of The Cranberries’ “Zombie”, which they raised $250,000 towards the family of the late Dolores O’Riordan, who died on her way to record her vocal part on their cover. Their performance was filled with such vibrant energy. I was completely blown away by their performance, and they blew my expectations out of the water.

SETLIST

  1. Learn To Live
  2. No Masters
  3. Remember When
  4. Better The Devil
  5. I’ll Be There
  6. Hear Me Now
  7. Officer Down
  8. Zombie

Up next was Asking Alexandria from North Yorkshire, England. Coming on right after Bad Wolves with how tight and energetic they are would be tough for any band to do. For old fans of the band, hoping to hear the heavy metalcore stylings Asking Alexandria was once known for, unfortunately you will not be getting that here. I too have been a fan since their origins with a more metalcore and post-hardcore base, but the band has certainly transitioned to a more radio rock sound and style. They came out of the gate with their new single “The Violence”, which is pretty solid. While all of the other members were wearing normal attire, vocalist Danny Worsnop came out in a beige plaid suit and sun glasses, which definitely felt off. Besides that, the band played a variety of songs, most of which came from their 2017 self titled album “Asking Alexandria”, which was released via Sumerian Records. The only earlier song from the first two albums that the band played was “Someone Somewhere”, which they for some reason decided to play acoustically. The band relied on a lot of pyrotechnics to get through the performance, and while they were entertaining, they distracted from the actual set. The rest of the band consists of guitarists Ben Bruce and Cameron Liddell, bassist Sam Bettley, and drummer James Cassells. Overall, they put on a solid set, however, compared to when I saw them back in 2011, they lacked the heart and emotion I once saw them provide on stage.

SETLIST

  1. The Violence
  2. Into The Fire
  3. Where Did It Go?
  4. Run Free
  5. The Death Of Me
  6. Vultures
  7. Someone, Somewhere
  8. Moving On
  9. Eve
  10. When The Lights Come On
  11. Alone In A Room

Finally, Papa Roach from Vacaville, CA. Playing a sold out show in their hometown state on the second to last day of tour, this legendary band came to slay. For this tour, they prepared a whopping 19-song set that showcased songs from their whole discography. Vocalist Jacoby Shaddix is the ultimate showman, truly utilizing every inch of that stage. Behind the band was a huge LED screen that had many images and lyrics popping up, making the performance so tight and feeling like a full-on spectacle. The rest of the fourpiece consists of lead guitarist Jerry Horton, bassist Tobin Esperance, and drummer Tony Palermo. The band has so much heart and you could feel such positive energy radiating from the stage. In between the songs, Shaddix expressed how important it is to keep music alive, and really thanked people for supporting. It was truly awesome to see a band who’s been doing this for quite some time still be so humble and kind. And of course, the band’s encore “Last Resort”, got the crowd going nuts, with crowd surfers, circle pits, and crowd participation galore. Papa Roach was incredibly high energy, and chose a setlist that flowed beautifully. They proved that they indeed trusted Hollywood to be one of the last shows to close out the tour, and the crowds reactions definitely proved why. Papa Roach put on an incredible set, and I cannot wait to see them again!

SETLIST

  1. Who Do You Trust?
  2. Getting Away With Murder
  3. Broken Home
  4. Help
  5. Elevate
  6. Gravity
  7. Song 2 (Blur Cover)
  8. Drum Solo
  9. …To Be Loved
  10. Blood Brothers
  11. She Loves Me Not
  12. Come Around
  13. Forever
  14. Scars
  15. Between Angels and Insects
  16. Renegade Music
  17. Born For Greatness

ENCORE

  1. Last Resort

The “Who Do You Trust” tour was an amazing experience filled with a mixture of Metalcore, Radio Rock, and Nu-Metal. Papa Roach put together such a dynamic show and truly proved why they are still on top of the game after 26 years of being a band! They deliver and slay on stage!

Papa Roach | Asking Alexandria | Bad Wolves

Photos + Review courtesy of Jamie Kaufman | Instagram

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Suspending Gravity Tour 2019 ft The Unlikely Candidates & Marianas Trench

 The Strand Ballroom | Providence,RI

Photography by : Amanda Spring 

“Pressure” by Wage War out NOW!

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One of many bands in the metal-core scene who has continued to evolve their sound is Ocala, Florida based Wage War, from their debut “Blueprints,” which showcases the heaviest aspects of the band’s sound to their sophomore effort “Deadweight,” which incorporated some more melodic elements into their metalcore and post-hardcore influenced sound. However, the band’s third LP, “Pressure,” seems to show the evolution of Wage War’s sound the most, as they include elements from past material while also trying out some new styles.

Wage War really experimented with their sound on this record, with quite a few of these songs showing influences of rock and post-hardcore. “Grave” and “Take The Fight” show off Briton Bond’s singing skills through some very raw and passionate performances, “The Line” brings a lot of energy and a bit of aggression through the instrumentals accompanying a mostly melodic vocal performance, and the closing track “Will We Ever Learn” brings some dynamic instrumentals and powerful vocals through both heavier and more melodic performances.

Although the band did experiment quite a bit with this record, there are still quite a few moments on here that are reminiscent of their older material. “Low” is easily the heaviest out of all the singles, “Ghost” brings a ton of energy through the instrumentation and one of the heaviest breakdowns on the record, and “Fury” is one of the most aggressive songs all around, from the vocals to the instrumentals. Two of the singles (and two of my favorites on the album), “Who I Am” and “Prison,” both show off the band’s post-hardcore and metalcore influences with the balance of heavier and more melodic sections. A few of these songs take influence from the more melodic elements found on the band’s previous record, “Deadweight.” “Me Against Myself” has extremely catchy melodies from start to finish and is one of the most memorable songs on the record, “Forget My Name” is just as memorable and even shows some slight alternative rock and pop punk influences in the equally as catchy guitar work, and “Hurt” is a lot slower compared to a lot of these other songs and is a very raw, emotional ballad with a huge chorus.

While Wage War’s album is certainly a little bit different from their previous two LPs, I enjoyed the amount of variety and experimentation on it, and really like the different sounds and styles they experimented with. It not only shows new sides to the band’s sound, but also shows what they are capable of.

Review courtesy of Megan Langley | Instagram

Chevelle – Summer 2019 Tour

 

Chevelle – 8/25/19

Photos courtesy of Ashley Grace

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Vans Warped Tour – 25th Anniversary Review

When Founder Kevin Lyman announced last year that 2019 would be the end of Warped Tour (that we know of), fans of all ages, eras, and locations made the decision to flock to one of the three 25th Anniversary events .Located at the Rock and Roll Hall of Fame in Ohio, Atlantic City Beach in NJ, and the Shoreline Amphitheater in Mountain View, CA. I had the pleasure of traveling all the way from Massachusetts to go to Mountain View for the very last days of Warped and the experience was one for the books.

Even before the doors opened you could feel the energy of the other concert goers. The line wrapped around the venue and everyone was giddy to get inside, look at the inflatable set times one last time and experience the magic that is Warped Tour. Both days were memorable and days that everyone that attended will treasure for life.

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DAY ONE

Bright eyed and bushy tailed fans flooded the gates on July 20 for the first day of Warped. There were five stages, three built stages in the parking lot and the amphitheater stage which was split down the middle to create two mini stages.

Plague Vendor kicked off the day on the Monster Energy Stage, setting the scene for how wild the weekend was going to be. After starting off on the stage for a few minutes, lead singer Brandon Blaine climbed over the barricade and made his way into the middle of the crowd. Blaine had the crowd hyped while the band rocked out on stage. At once point Blaine even picked up a young boy who was having fun in the crowd and carried him around for part of the song.

We The Kings absolutely lit up the main stage, bringing back hits from their early years like Check Yes Juliet and Say You Like Me as well as incorporating new jams such as I Feel Alive. Lead singer Travis took time out of the set to thank his bandmates, the crowd and Kevin Lyman for keeping Warped Tour alive for as long as he did. Hands down it was one of the best sets of the day.

Silent Planet started their set with a member of the non-profit Hope for a Day coming out and speaking to the crowd, which I thought was an amazing thing to do. Lead vocalist Garrett delivered powerful vocals and the entire bands’ stage presence was amazing. The crowd was having an equally fantastic time and at one point Garrett climbed the barricade, holding hands with fans and held the microphone out to an enthusiastic crowd surfer to sing the next line of one of the songs. If you haven’t seen Silent Planet, I highly suggest you do so.

The most memorable and all around fantastic in every way sets were Simple Plan and The Offspring who closed out the day on a high note. Both bands absolutely shredded the stage and put their heart into each and every song they performed. Seeing two iconic bands work the stage of Warped Tour one last time was the best way Warped could have decided to end the night.

DAY TWO

Juliet Simms took over the Black Craft stage and performed her heart out while husband Andy Black stood on the sidelines watching with admiration. Simms showed off her vocal range and flexibility with a great mix of her songs, one of them being the ballad she wrote for her husband. Clad in a blue jean jumpsuit and heels, Simms put on a fantastic set.

Rapper Whitney Peyton exploded on the stage, bright blue hair catching your eye. Peyton was one of the most interactive artists I’ve seen, especially so on the stage. Her lyrics and beats were catchy and her vocals were clean and crisp. At one point, Peyton brought out a pineapple pinata and had the crowd absolutely demolish it in a mosh pit before closing out her set while crowd surfing atop a pool inflatable. Definitely catch Whitney Peyton at one of her shows if you get the chance!

The fabulous four piece rock group Doll Skin, compiled of four badass females, was incredibly high energy. Each member captivated the crowd in their own way, especially lead singer Sydney who’s sharp vocals and ever changing expressions made the set even more fun to watch. I had the honor of meeting them after their set and the ladies of Doll Skin are without a doubt some of the sweetest and most down to earth people I’ve met.

The most thrilling set of the day goes to Yungblud who exploded on the stage in a black silk dress along with his signature pink socks. Never once during the set did the energy level die down, either by the crowd or by the man himself. Throwing out a couple of provocative sensual moves here and there, including thrusting against his guitar, Yungblud performed hit after hit. The crowd shocker was when rapper Machine Gun Kelly joined him onstage as a special surprise guest to perform their song “I Think I’m Okay.” The pair got the crowd more hyped than I thought was possible and crowd surfed over to the Monster Energy viewing platform, making it the most memorable “official” set.

Though not officially a set, the most special part of the night took place at the very end of the day when band NOFX ended up running late and fellow artists flocked to the stage to put on an impromptu performance of some of NOFX’s songs. Among the artists who kept the crowd entertained while waiting for the band to arrive were Sum 41, John Feldmann of Gold Finger, Hyro the Hero and Yungblud, along with numerous other artists who felt like joining the party. Watching the artists perform together to really showed how Warped Tour brought together so many people of different backgrounds to one common place for one common passion–music. Spontaneity like what the artists did to fill the time is something that I, along with fellow Warped Tour goers will miss dearly and I’m keeping my fingers crossed that one day they’ll surprise us with another Warped Tour event.

>>>>ALL OUR WARPED CONTENT <<<<

Review courtesy of Linette Wainwright | Twitter & Instagram  

** Click through links will bring you directly to photo-sets of artists mentioned above. **

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Memphis May Fire plays Vans Warped Tour 2019

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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Everyone’s new favorite pop-punk / alt rock artist – Yungblud

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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Interview w/ Shiragirl

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Artwork by : Sophia Bonafide

The Camera Affect Promotions had the pleasure of sitting down with New York native Shiragirl before her set during Vans Warped Tour to discuss everything from the creation of her own stage to her EP ‘Brooklyn Goes Hollywood’ to playing with Joan Jett. If you want to find out more about what Shiragirl had to say, keep reading below:

What was your reaction when you found out that this was going to be the last year of Warped?

I was super sad. I actually found out in 2017 that 2018 was going to be the last full cross-country run. I was bummed, it definitely felt like the end of an era.

What was your reaction when you were asked to come and play?

I was so happy and so excited and just honored to be included. Yeah, really happy.

So, I know that the Shiragirl Stage came about in a really unique way, correct me if I’m wrong. You pretty much asked Kevin (Lyman) if he could include more female bands on the lineup and he said maybe next year and you just did it anyways. 

Yep that’s exactly it!

What was that like knowing you had kind of “defied” him and you ended up with your own stage?

So how it happened was I was on the tour the previous year and I had noticed there were no female musicians and I said “hey can we come back and host some girl bands maybe in the Girls Garage Tent and he said “great idea, maybe next year.” We just decided lets do it anyway. We drove into the gates and set up and we had a little punk-rock set up. We just thought a year seemed so far away when you’re a kid, you know, and we thought why not and he walked up and we kind of held our breath because we didn’t know if we were going to get kicked out or what not and he just looked around and said “alright Shira, so you’re on for the whole tour” and it was both kind of an invite and almost a challenge. It felt really good to be able to then come back the next year and we were invited back to do an official stage, which Kevin named the Shiragirl Stage and host all those bands including Paramore on their first ever tour.

That’s wild. I heard that and was like “she’s a badass.”

Aww thank you!

 So as a female in a predominantly male dominated scene, did you find that you had to prove yourself when you played your first Warped Tour? Do you find that you still have to prove yourself now?

Oh absolutely, one hundred percent. We definitely had to prove ourselves. In a male dominated space women definitely have to work twice as hard to get the respect a man gets and that’s just how it is, and when we first started out there were bets against us finishing the tour. We were not taken seriously. People would say “this area back here is only for the bands” and we would say “we are the band” you know? Even now there’s a lot more exposure and representation but it’s still not equal and I feel like there’s this misconception that we’re all equal now but if you look at the numbers it’s just not true.

Did they come to respect you more overtime or was there something that you did that made them respect you?

I think just working really hard absolutely, building relationships on the tour and also just kicking ass, playing our instruments well, rehearsing, taking our craft seriously, that’s important too, putting the hours in and being good at what we do.

 Makes perfect sense. I know you’ve been called the Punk-Rock Madonna, where did that name come from?

It’s so funny, actually this girl Rose who is in a band called Anti Hero who played our stage in Canada, she’s from Toronto, she first said that to me and it kind of just stuck with our team. I think that our manager put it into a press release or a bio that made its way to Billboard and then Billboard kind of coined it last year when they premiered our first single. After Billboard said it I thought “oh my gosh, it’s official,” and I love it. Madonna is a huge influence of mine so it’s a compliment.

Your EP Brooklyn Goes Hollywood showed the juxtaposition between Hollywood and New York where you’re from. Did the title come before the sound of the album or did the sound of the album influence the title? 

That’s a good question. I think it was a big theme because our whole band is from New York, at least my drummer and bassist, the three of us really co-wrote that record and we wanted to achieve this fusion of a sound that was like the dancy pop fun aspect meets this harder punk-rock sound. I actually wanted to write a song called Brooklyn Goes Hollywood, I’ve had that in my mind forever. As songwriters, you often think of the song title before you think of the song sometimes and so it never became a song but then when we were talking about the album name I just thought this is like, the perfect way to describe the duality of the record.

What was it like having Joan Jett play your stage?

That was a dream come true! So Joan was on the tour, she used to bike over to the side of our stage and watch the girl bands and she actually gave me a pep talk because about halfway through the tour half my band quit, first my drummer then my guitarist quit. I was super upset, we were hosting all these bands, and she knocked on my RV door, sat on the couch next to me, looked me in the eye and said “you’re doing a good thing and you have to keep going.” She said “girls like that make girls like us look bad and you’ve got to keep going” and I said “okay I’ve got to keep going because Joan Jett told me to.” The last day of that tour was when it had kind of been discussed that she would do a special appearance with her manager and it was Cleveland, Ohio and they said “Joan wants you to sing and she’s going to play guitar and do backup” and it was crazy. Right before we went on we were rehearsing on the side of the stage it felt like I was in the Runaways. It was really a dream and I was so honored, just recently they put a Warped Tour exhibit in the Rock and Roll Hall of Fame and I got included and in it is our set list from that day and a photo of us performing with Joan Jett next to her bra and her setlist and my shirt so it’s really cool. What an honor. This was before Instagram and stuff so someone had captured a video of it on Youtube somewhere but I wish I had gotten more of my personal footage from it, from that moment, but nothing can replace that memory. Just looking out and seeing Kevin Lyman in the crowd.

I bet. Did you ever think you would get from where you started to playing on the same stage as Joan Jett singing one of her songs as the main vocalist?

It was an honor. We did actually open up for her band earlier that year and I just have to say it’s a great example of how Warped Tour has opened up so many doors for up and coming artist because if it weren’t for Warped Tour I never would have met her because she was playing the tour and we got introduced. So yeah, huge honor and definitely inspires me to keep going.

What has been your best or craziest memory?

Oh my gosh, there’s so many but one that comes to mind is that I got to perform Lori Meyers with NOFX and that was super cool. Any time you’re on the main stage the crowd is so big and the energy is amazing and I also got to perform with The Transplants and that was super cool. Anytime you get to do a special guest performance like that is amazing.

Last question. When they announced that Warped Tour was coming to an end I noticed a couple pop up tours start happening and they started traveling the country. Do you think there’s ever going to be anything on the Warped Tour scale again or do you think Warped Tour is kind of the “Mecca” of everything. 

Great question. Personally I think there’s only one Kevin Lyman and Warped Tour is one of a kind and I don’t think there will be another Warped Tour. I know Kevin hopes to see someone else pick up the torch and do what he did but you just can’t duplicate it. I do hope to see other tours, like Sad Summer tour and Disrupt and I would love to play any of those and be part of it but nothing is ever going to be like Warped Tour. The way that Kevin really brought together all these baby bands and big bands in one plane and made them feel like a family with the after parties and barbecues, his involvement in non-profit organizations, making sure the tour recycled, getting involved with charity organizations, such as FEND, you don’t see that a lot in the music industry. He’s a humanitarian and a lot of people in the music industry are more about profit or whatever it is, fame, and he’s really just a great person. While I hope there will be another Warped Tour, I think it really is one of a kind. That being said.  Kevin is advising me, I’m actually working on starting a tour of my own, kind of based on a similar mission we had with the Shiragirl Stage to promote women in music and platform for female artists. It’s going to be called Gritty in Pink and it’s going to start off as an event series, monthly in LA and eventually we’re hoping to build a whole tour off of that.

 I love that, I’m definitely coming back just for that!

Yay!

Keep up with Shiragirl on Twitter| Facebook | Instagram

Show some love to the graphic designer Sophia

Interview courtesy of Linette Wainwright | Twitter & Instagram  

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Plague Vendor shreds the Vans Warped Tour stage

Photos courtesy of Linette Wainwright | Twitter & Instagram  

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