All-In Moment’s self-titled album “All-In Moment” – Album Review

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Photo courtesy of Crisitne Trimarco

All-In Moment is a 4- piece hard rock/ metal band from Staten Island New, York. The band consists of vocalist Chris Scott, guitarist David Cohen, bassist Luke Lewis, and drummer Daniel Luczak.
Recently they released their self-titled album “All -In Moment” which you can listen to here

The album opens with “Before The Bomb Drops “, which in my opinion was a great choice due to the instrumental fast paced opening, as well as the breakdown that for sure would make anyone want to mosh the second they hear it.

Next up is “Haunt Me “, the vocals are my favorite part of this song, as well as the lyrics. I caught myself singing “haunt me in my dreams but I’ll be alright “ after listening. I enjoy how the vocals fade out, and the instruments end the song
Following Haunt Me, is “Unstoppable”, introducing some screams to this album at the perfect time. To feel unstoppable is to feel powerful. This song, with its fast-paced beat is catchy for sure.
The last song I will be reviewing, and my favorite song on the album is “From Chaos Comes Clarity” , the lyrics “ sometimes we all gotta fall, to find ourselves, from chaos comes clarity” are really important, and true with-in my own personal experiences. I feel many new listeners will related to this song, and they should give it a listen.
My team member Ashley, will be reviewing the second half of the album below,

Song # 5 off of “All-In Moment” is called “For You.” I’m not entirely sure who write the lyrics to this song, but whoever it was loves the person they sing about. They’d do anything for the one they sing about. It’s a heart warming song off a badass album! It picks up heavily at the end as well to keep the flow of the album.

Moving into song #6 “Refuse the Call”. This is song starts off hard and if I was seeing them live, there’d be a mosh pit within the first 30 seconds which I love. The lead guitar line is driving and I love the drums in this song!

“Oblivion” takes track 7. And out of the four I have reviewed, my personal favorite. It’s a headbanger for sure. It has a great pop punk feel to it, but still keeps that hard driving sound All-in Moment has. The breakdown has these dueling guitars which is one of my favorite things a band could do!

Closing out the self titled album is “Not that Far Away.” I honestly dig his style of singing because it reminds me of 90s grunge music, and who doesn’t appreciate that. This song rips. From the heavy flow of guitars, banging drums, and a sick bass line.

All in all I’d review this album a 6 out of 10! I’ve spent 13 years in and out of studio sessions. So in my opinion, the vocals could have been mixed a little bit more post production. Really rad band! Be sure to check them out, social media listed below.

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Photo courtesy of Cristine Trimarco

Review courtesy of Cristine Trimarco  & Ashley Grace

All-In Moment: Twitter | Instagram | Facebook | Spotify 

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Artist Alert – Raul Del Moral

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Raul Del Moral is a bilingual singer and talented guitarist whose genre influences include reggaeton, acoustic and folk. ‘Quedate Conmigo’ is definitely a club tune and is easy to dance to. The verses are sung in Spanish and the chorus in English, making it easy to remember. The accordion sound in the background is very distinctive. It’s definitely my favourite of his Spotify selection. Campeón is made up of guitars and trumpets and has a strong beat throughout. I loved the trumpet fadeout at the end. It was all in Spanish so I had no idea what the song was about but it sounded really good! The third solo song, Where is My Home? has a very different sound and feel. It tells a story about Del Moral unwillingly leaving his home and questioning where he now belongs in the world. The lyrics emphasize his feeling of displacement. The sprawling electric guitar solo that begins a couple of minutes into the seven minute song and lasts nearly as long as the remainder of the song is moving.

Courtesy of India-Mae Alby

You can follow Raul on all his socials – Spotify  | Instagram| Website

King Soloman – ” I Need That ” Review

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King Soloman’s most recent release “I Need That” follows suit with the trendy catchy lyrics of most modern-day trap and mumble rap. His vocal flow is consistent throughout the track. I enjoyed how he pays respect to where he started making beats, at his Alma mater Edward R Murrow High School, in Brooklyn. It’s respectable to never forget where you started. Can’t wait to see what more is to come. The music video for this song drops on December 25th!

 

You can keep up with him on social media : Facebook | Instagram | Spotify

If you’re looking for a kick-ass publicist check out Revel Relations

Jame Doe’s ” Garden w/ no Water” | Review

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Portland OR artist Jame Doe recently released his song “ Garden w/ no water”. You can listen on spotify. This song starts with a catchy tune mixed with the sound of dripping water. Which is a great example of the genres definitions. Electro- pop is defined as a pop music with electronically produce sounds. It isn’t something I hear every day, but it’s good change. I’m new to the electro-pop genre, but happy to have been introduced to it. With a memorable chorus, you’ll catch yourself humming along towards the end of the song. Everything about this song flows so clearly, you can tell it was professionally produced. The vocals are calm but make you want to dance. The high notes are just wonderful. Jame is passionate, and it shows through his art. I am a fan of his unique style choices, dressing in outfits I don’t often see on stage. A stage is for a show, with his music and wardrobe it is just that, so keep at it Jame. Be YOU.

Review by Cristine Trimarco

You can keep up with Jame here : Spotify |Facebook |Instagram |Website |Youtube

 

Like Moths To Flames’ “Where The Light Refuses To Go.”- Album Review

Like Moths To Flames have been apart of the post-hardcore scene for quite awhile, though I personally first got into them in 2017 when they released “Nowhere Left To Sink,” and their album that followed, “Dark Divine,” which I also enjoyed. Over the past couple of months, the band has released a trilogy of singles, which make up their most recent release, an EP titled “Where The Light Refuses To Go.”

“All That You Lost” quickly foreshadows some of what’s to come on the rest of the EP through the darker and mostly heavier intro, where the lead guitar really stands out. The verses are pretty heavy as well, where very energetic instrumentals drive the rhythm and the heavier vocals really get to shine, and the bass shows off before and during the breakdown later on in the check. The choruses in between are a lot more melodic, and the melodies are catchy, yet also darker. This fits perfectly with the overall vibe that this track has and makes this chorus as a whole a bit different from those on the other choruses later on in the EP. “Smoke And Mirrors” is a Little Bit slower compared to the opener, and contrasts a lot to begin with. The more melodic vocals in the verses show a ton of emotion, and the screamed vocals blend with those very well. The heavier sections bring a ton of energy, and so does the huge and very memorable chorus, which is one of the best on the EP. Closing out this EP is “Into The Black,” which mixes some synths with the heavier instrumentals in the darker, riff-heavy intro. The more melodic verses bring some softer vocals and give the instrumentation more room to shine, especially the bass and drums. The pre-chorus is a bit reminiscent of the intro, being a lot heavier instrumentally (and also vocally), and it leads up to yet another very catchy chorus that’s upbeat and a really fun one to listen to. The bridge mixes clean and screamed vocals, both of which deliver an emotional performance, especially the clean vocals that finish out the song and the EP, which really impressed and stood out to me on first listen.

On “Where The Light Refuses To Go,” Like Moths To Flames bring a perfect balance of aggression and melody and continue to perfect their post-hardcore sound.

Review by Megan Langley | Instagram

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Twenty One Pilots’ Bandito Tour ft MisterWives Review

Columbus, ohio based duo twenty one pilots have quickly become one of the biggest names in alternative music, and there’s been even more hype (see what I did there?) about them with their latest album, “Trench,” which dropped last year. They did a headlining tour in support of it last year, which I attended, and I couldn’t resist the opportunity to see them again when they announced a return to Denver as part of an additional leg of this tour.

Opening up the night was NYC based band Misterwives, who combine influences of pop, alternative, dance, soul and folk music. I’ve seen them live once before when they opened for Panic! At The Disco a few years ago, and was just as impressed by them this time around. The band opened with their latest singles “The End” and “whywhywhy,” (as well as adding in “Coloring Outside The Lines from their sophomore album “Connect The Dots” in between the two new singles), followed by an unreleased song called “Find My Way Home,” and a cover of the very popular “Truth Hurts” by hip hop artist Lizzo, and the set was closed out with “Reflections” and “Our Own House” from the band’s debut with the same title as that last track. The band brought so much energy all throughout their set, were so much fun to watch, and I think they put on a great opening set.

Twenty One Pilots finally took the stage in the arena they headlined almost a year ago, and these two really know how to put on a show and captivate the audience. Their set opened with “Jumpsuit,” (same as on the last tour), followed by “Levitate,” both of which are from their latest album “Trench.” Towards the end of that second song, frontman Tyler Joseph grabbed a tambourine from his jacket to use during their third song, “Heavydirtysoul” from 2015’s “Blurryface.” The band involves their fans quite a lot throughout their shows, and one way they did so on this tour was by recording clips of the fans who camped outside throughout the day singing the beginning of their fourth song, “The Hype,” and using that as the intro for the song when they performed it by playing these clips on the giant screens in the arena. A ukelele was incorporated into the performance during “Lane Boy,” and the due added their hits “Stressed Out” and “Heathens” into the set before they walked over to the B-stage towards the end of “Nico & The Niners.” In this area of the venue, they played “Smithereens,” “Tear In My Heart,” “Bandito,” a partial version of “Migraine,” and some of “Pet Cheetah” before walking back to main stage and finishing the song there.

Two more fan interactions happened around this point in the set, as the crowd held up Tyler for a portion of “Holding On To You,” and drummer Josh Dun did the same for a drum solo at the end of “Morph,” and another highlight around this point in the set was when MisterWives joined the duo to perform “Cut My Lip” together. After “Holding On To You” finished, musician Dr. Blum played the trumpet during “Fall Away,” followed by the band playing three of their biggest songs: “Ride,” “My Blood,” and “Car Radio.” The encore began with a karaoke version of “Truce” playing with the lyrics displayed on the screen in the arena, as tens of thousands of fans sang along to every meaningful lyric. One final song off of “Trench” was played (“Chlorine”) before the set concluded with “Trees,” the song that the band have finished their live sets out with for many years, and it’s such a fun song to hear live.

Both of the bands on this tour put on phenomenal performances and this show of the Bandito tour might have been one of the most fun shows I’ve attended this year.

10/27/19 @ Pepsi Center, Denver, CO

Review by : Megan Langley | Instagram

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Wage War w/ Like Moths To Flames, Polaris, and Dayseeker | Pressure North American Tour | Photos + Review

Venue, Date, & City: Marquis Theater in Denver, CO on 10/18/2019

Florida based metalcore band Wage War are a band that have been on my radar for awhile, ever since I heard their single “Youngblood,” from their 2015 debut LP, “Deadweight.” Fast forward a few years later, and the band have now released their third album, “Pressure,” and I attended the Denver date of the North American headlining tour that they did in support of the record.

Southern California based post-hardcore band Dayseeker opened up the night. They played a mix of songs from 2017’s “Dreaming Is Sinking /// Waking Is Rising” (“Vultures” & “Sleep In The Sea Pt. II”) and their newly released album “Sleeptalk” (“Drunk,” “Crooked Soul,” “Burial Plot,” and “Sleeptalk”). The extremely catchy hooks and the overall energy the band puts into their live performance had so many people in the crowd singing and dancing along (myself included) and made the set a really fun one to watch.

Polaris was up next, and while I wasn’t extremely familiar with their music and hadn’t seen them live before, I was really impressed by their set. Their setlist was entirely made of songs off of their latest release, their 2018 debut LP “The Mortal Coil,” and included “The Remedy,” “Casualty,” “Crooked Path,” “Relapse,” “Consume,” and “Lucid.” They put a lot of energy and emotion into their performance, and the crowd was the same way, shouting the words and moshing throughout the set.

The Columbus, Ohio based Like Moths To Flames were second to last. The band played a surprisingly large amount of older material during their set, spanning from all throughout their discography, playing a few songs from “When We Don’t Exist” and “An Eye For An Eye,” as well as playing more recent material, such as “Bury Your Pain” from the double single “The Dream Is Dead,” “Nowhere Left To Sink” from their last LP “Dark Divine,” and “All That You Lost,” one of the three most recent singles the band had released since signing to UNFD.

Wage War closed out the night and put on a pretty long headlining set, also filled with songs from throughout their discography. They played a handful of songs off of “Pressure” (“Who I Am,” “Prison,” “Grave,” “Ghost,” “Hurt,” “Me Against Myself” and “Low”), as well as mixing some older fan favorites from their first two albums into their set – “Alive,” “Twenty One” and “The River” from their debut “Blueprints,” and “Johnny Cash,” “Don’t Let Me Fade Away,” “Gravity” and “Stitch” from their sophomore album, “Deadweight.” Each song of the band’s set had the sold out crowd engaged the whole time and I thought they put on a great performance.

This was my first time seeing all of these bands live, and their performances left a great first impression and made this tour one I really enjoyed.

Wage War | Like Moths To Flames | Polaris | Dayseeker

Photos + Review courtesy of Megan Langley | Instagram

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Dayseeker “Sleeptalk” Album Review

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Dayseeker are a band in the post-hardcore scene that I’ve been a fan of for quite awhile. Their last album, “Dreaming Is Sinking /// Waking Is Rising” landed a spot in my top twenty five albums of 2017, so it’s safe to say that I was highly anticipating their newly released album, “Sleeptalk.” 

The band kept some of their post-hardcore and overall heavier roots and showed those aspects in a few of the songs on here. “Crooked Soul” is easily the heaviest of the singles that released, with the more aggressive instrumentation in the intro and the louder drums and vocals building the pre-chorus up to the chorus, which lets the instrumentals and cleaner vocals shine through some very passionate performances. “The Color Black” brings a performance just like that in its intro, one that really blew me away on first listen, but the heavier aspects of the song are shown through the screamed vocals and much harsher instrumentals during the breakdown that follows the equally as captivating bridge. Heavier vocals and instrumentals are delivered right off the bat in “Gates Of Ivory” and the breakdown and bridge found on this track lean more towards the hardcore side of the post-hardcore genre, and really embrace those influences.

On the other hand, a lot of tracks on here lean way more towards the melodic side as far as the vocals go, and show the new direction Dayseeker is going in with their sound. Opener “Drunk” kicks off the album very well, beginning with softer vocals and instrumentals in the verse, with additional vocals and harmonies bringing extra emphasis to the performance, and leading the song up to its huge chorus where the instrumentals really kick in and the vocals really stand out. Single “Burial Plot” is similar, also having a much softer start, but harder hitting drums eventually come in during the pre-chorus, which lets the vocals show even more, leading up to a very memorable chorus, where the vocal performance brings just as much emotion as the lyrics. “The Embers Glow” is an interlude that’s very laid back, but still brings the darker composition found on this album and in the band’s sound in general, and “Already Numb” is a memorable ballad primarily led by piano and acoustic guitar, which really allows the vocals to shine once again. Despite the much bigger choruses where the instrumentals kick in, “Starving To Be Empty” is another one of the most melodic tracks on this album, and the vocals of the guest vocalist featured on the track fit perfectly with the overall more laid back vibe of it.

The two remaining tracks land more in the middle, combining elements of both of these different sides of the album and the overall sound on it. “Sleeptalk” has much softer verses, but its massive chorus and bridge both bring very powerful vocal performances to the table, and while the closing track “Crash And Burn” begins on a softer and more melodic note, the melodies still have that darker composition found on this record, and there’s a much heavier bridge and breakdown later on that, while I certainly didn’t expect to hear them on the track, fit pretty well and prove how well this song fits as a closing track.

Dayseeker’s latest release contains elements that show the continuous evolution of their post-hardcore sound, while also still incorporating parts of the band’s older material. From that balance to the powerful performances found all throughout the record, “Sleeptalk” is another very solid record from Dayseeker.

Spotify link:

https://open.spotify.com/album/2oLk2Z8wtuGX1xC9evzvC9?si=2bN99ufyTKK4–34h59fgg

Dayseeker

Review courtesy of Megan Langley | Instagram

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Blue Ridge Rock Fest Day 1 w/ A Day To Remember, The Convalescence, Beartooth, Of Mice & Men, Hinder, 10 Years,Cold, Soil, Flaw, A Feasting Beast, and Two Sides of Me

Blue Ridge Rock Festival Day 2

Two Sides of Me

A Feasting Beast

Flaw

Soil

Cold

10 Years

Hinder

Of Mice & Men

Beartooth

The Convalescence

A Day To Remember

A Day To Remember | The Convalescence | Beartooth | Of Mice & Men | Hinder | 10 Years | Cold | Soil | Flaw | A Feasting Beast | Two Sides of Me

Photos courtesy of Chyenne Conner| Instagram

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Blue Ridge Rock Fest Day 1 w/ Godsmack, DMX, In This Moment, I Prevail, Yelawolf, Another Day’s Armor, Memphis May Fire, RED, Kore Rozzik, New Years Day, and Burdens Within | Photos

Blue Ridge Rock Fest Day 1

Burdens Within

New Years Day

Kore Rozzik

RED

Memphis May Fire

Another Day’s Armor

Yelawolf

I Prevail

In This Moment

DMX

Godsmack

Godsmack | DMX | In This Moment | I Prevail | Yelawolf | Another Day’s Armor | Memphis May Fire | RED | Kore Rozzik | New Years Day | Burdens Within

Photos courtesy of Chyenne Conner

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