Let me take you back 10 years. Thy Art Is Murder released their album “Hate” to the masses and captivated audiences worldwide. I’ve seen them many times throughout the years, so to hear them finally play this album in its entirety was an experience to say the least. To celebrate the album turning 10 years old, the band set out on a world tour. The North American lineup brought a mixture of hardcore punk, death metal, and of course, deathcore. Kublai Khan TX, Undeath, I Am, and Justice For The Damned came out to SLAY! This show was a banger from start to finish!
First up was first to the stage from Sydney, Australia. This was their debut tour hitting North America and they absolutely set things off strongly. They are that perfect blend between hardcore and deathcore, which is the perfect blend. This quintet consists of vocalist Bobak Raffiee, guitarists Kieran Molloy and Nic Adams, bassist Ben Mirfin, and drummer Chas Levi. The band played a 7-song set, most of which came from their 2020 album “Pain Is Power” which was released via Greyscale Records. The band absolutely set this show off CORRECTLY with high energy and headbangs.
SETLIST
Final Cataclysm
Dragged Through The Dirt
The House You Built Is Burning
Blister of the Plague
Deep Rotting Fear
Pain Is Power
Guidance From The Pain
Up next was I Am from Dallas, TX. This was my third time seeing these guys and they absolutely get better and better each time I see them. With a blend of deathcore, hardcore, and death metal, I Am truly brings it. The lineup consists of vocalist Andrew Hileman, guitarists Chris Burgess and Tom Reyes, drummer Brandon Busa, and touring bassist Jayden Baker. The band played an 8-song set, 3 of which came from their newest album “Eternal Steel” which was released in 2022 via MNRK Records. It has been amazing to see the trajectory of this band since I first saw them back in 2017 and I seriously cannot wait to see and photograph them again the next time they hit the West Coast.
SETLIST
Texas Death
Surrender to the Blade
Peel Back The Skin
Sacred Cries
Eternal Steel
Vicious Instinct
Paid In Sin
Burn Slow
Next to the stage was Undeath from Rochester, NY. This was my second time seeing and photographing Undeath with the last being in September of 2021 and boy did they once again exceed my expectations. These guys are straight up brutal death metal meets hardcore, which is such a unique combo but works out so well. The band’s lineup consists of vocalist Alexander Jones, guitarists Jared Welch and Kyle Beam, drummer Matt Browning, and bassist Tommy Wall. The band played a 7-song set with songs spanning most of their discography up until this point. I am always thoroughly impressed with these guys and highly recommend checking them out!
SETLIST
Lord of the Grave
Necrobionics
Rise From The Grave
Grave Osmosis
Brandish The Blade
Chained to a Reeking Rotted Body
Lesions of a Different Kind
Kublai Khan TX from Sherman, TX hit the stage next. This was my first time seeing the band in almost 4 years and boy did they come to DESTROY the stage. Opening with the song “The Hammer”, the band truly came out swinging. The band played a whopping 13-song set, spanning a majority of their discography including the entirety of their newest EP “Lowest Form Of Animal” which the band released in 2022 via Rise Records. The band’s lineup consists of vocalist Matt Honeycutt, bassist Eric English, drummer Isaac Lamb, and touring guitarist Nic Adams who was filling in for guitarist Nolan Ashley. I have seen this band many times, but after going so long without seeing them, it felt like that spark the band has is brighter than ever. They truly bring that metalcore and hardcore punk style to the nth degree. I highly recommend going to check them out live because the energy exuding from this band is indescribable.
SETLIST
The Hammer
Eyes Up
True Fear
Us & Them
Dynasty
Swan Song
Taipan
Resentment
The Truest Love
Loyal To None
Boomslang
Self-Destruct
Antpile
Thy Art Is Murder from Blacktown, Sydney, Australia finally hit the stage next. Opening with “Reign of Darkness”, Thy Art Is Murder showed just how hard they went on this tour. With syncopated lighting and props, the band truly set themselves up for success. The band’s lineup consists of vocalist CJ McMahon, guitarists Sean Delander and Andy Marsh, bassist Kevin Butler, and drummer Jesse Beahler. Along with playing 10-songs from “Hate”, the band also played a song from each of their other albums released on Nuclear Blast, totaling out to a 13-song set. I am truly always blown away from the sheer presence from this band live and I truly cannot wait to see and photograph them again soon! This show was so much fun and I am truly glad it was my first for the year for The Camera Affect!
The Black Dahlia Murder Returns To California With A Bang Selling Out The Belasco
Date: September 18th, 2021
Venue: The Belasco in Los Angeles, CA
The Black Dahlia Murder is a band I constantly see live whenever they come through Southern California. As one of the staples of the melodic death metal genre, they are continually one-upping themselves with each record, staying true to who they are musically but constantly grinding like the madmen they are. Due to the ongoing COVID-19 situation, a lot of their touring surrounding their newest album, “Verminous,” was put on hold, and in such, this is their first tour back after all of the chaos. Unsurprisingly, the tour sold out like crazy, with over two-thirds of the dates being completely sold out, with the others close to selling out as well. Not only did The Black Dahlia Murder play quite a stacked setlist, but they brought along a beastly lineup of bands. The supporting lineup consisted of After The Burial, Carnifex, Rivers of Nihil, and Undeath. With a lineup this stacked, it was no wonder why the Los Angeles date was the first on the tour to sell out.
Undeath from Rochester, New York, was the first up to the stage. Coining themselves as “skull-crushing death metal,” it is no wonder why this is the perfect term to describe these guys. Their music is HEAVY. I had to bold that word because it needed emphasis. With a gritty barebones sound similar to staple bands of the death metal genre like Dying Fetus, Nile, Cannibal Corpse, and more, this brutal death metal style set them apart from the rest of the bands on this lineup. Their vocalist Alexander Jones did a great job of crowd management. He owned that whole stage with his’ distinct vocals that you can tell have a slight black metal influence. Bassist Tommy Wall spanked that bass to give it those deep thick tones pumping through and prominent throughout Undeath’s sound. Guitarists Jared Welch and Kyle Beam add the riffage, really adding that gritty sound that pays homage to the death metal greats that came before them. The final member that closes out the band’s lineup is their drummer Matt Browning, who plays those stank beats with precision. When listening to the band’s album and witnessing their live set, I also feel a slight thrash vibe in their music, prominent throughout the brutal death metal genre. That gritty edge was showcased on their debut album “Lesions of a Different Kind,” released in 2020 via Prosthetic Records. They played 3 songs from this release, 1 song from their 2019 independent EP “Sentient Autolysis,” and one unreleased song that I, unfortunately, do not know the name of. Overall, these guys were a great way to start out the show and really set the stage for those to come with their high energy and brutal riffs.
SETLIST
Enhancing the Dead
(Unknown)
Acidic Twilight Visions
Chained to a Reeking Rotted Body
Lesions of a Different Kind
The next band up was the ever so talented Rivers of Nihil from Reading, Pennsylvania. I first saw Rivers of Nihil back in 2018 when they opened for Thy Art Is Murder and Dying Fetus, and I already thought they were great then. But boy have they risen in my ranks since then. Initially, the band’s style was very much in line with the rest of those in the technical death metal genre: fast-paced, heavy, and riffy. However, as the band found their groove and started experimenting, they started moving more into the realm of progressive metal, mixing in clean vocals, and creating a cinematic style within their music. With their new record, The Work, just weeks away from debuting to the world, we as the audience were lucky to hear two of the new songs live, those being “Clean” and “Focus.” Within the new songs, you can really hear the power of vocalist Jake Dieffenbach and bassist/clean vocalist Adam Biggs’ voices. The new songs, along with the songs from their 2018 release “Where The Owls Know My Name,” have a lot of dynamics. But it seems that Jake and Adam have a good number of trade-offs in terms of vocals with The Work. They were the only band at the show to have clean vocals, and the change really felt needed as their set was well-rounded, and I couldn’t hold back a smile underneath my mask. Drummer Jared Klein is an absolute beast behind the kit, and my eyes always go to him because some of the technical parts he plays blow me away. Guitarists Brody Uttley and Jon Topore help create the atmosphere with their melodic instrumentals, paired with Uttley’s lead guitar solos and hooks. Honestly, Rivers of Nihil continue to get better and better every time I see them, and they constantly blow away any expectations I had prior. I cannot wait to see where this band goes with the release of “The Work,” which came out in 2021 via Metal Blade Records. You MUST all check out this band and see live if you have not yet done so.
SETLIST
The Silent Life
Focus
Clean
Sand Baptism
Where The Owls Know My Name
The third band up to the stage was Carnifex from San Diego, CA. Carnifex has been one of the leading deathcore bands for quite some time, being one of the genre’s founders. Coming hot off the release of their newest album, “Graveside Confessions,” out now via Nuclear Blast Records, I was stoked to hear how the new songs would sound live. The lead singles from the record “Pray For Peace” and the title track “Graveyard Confessions” sounded epic and translated very well live. The band started their set with the title track from their 2019 record, “World War X,” and also played some of the band’s most famous songs, “Slit Wrist Savior” and “Lie To My Face,” which the band re-recorded for the new album “Graveside Confessions.” The band closed out the set with the title track from their 2010 album “Hell Chose Me,” which got the crowd wild. From the start of the set to the end, I was stoked.
As usual, the band had their large lit-up pentagrams, but they also had a bright lighting setup on stage with many strobing lights that were very well lit and timed. Vocalist Scott Ian Lewis is an absolute beast on stage, genuinely taking every inch in and captivating the crowd. Carnifex was one of the first death metal bands I got into, which came with their 2016 album “Slow Death.” What drew me straight in was the symphonic backing, along with Scott’s vocals. Something evident in Carnifex’s music is just how intricate and technical their drumming parts are, and that is all courtesy of the ever so talented Shawn Cameron on drums. This dude is an absolute beast and truly has me in awe when I hear how fast some of his parts are. A significant change from the last time I saw Carnifex to now is the band going from having two guitarists down to one. Still, guitarist Cory Arford did not disappoint in the slightest. He absolutely killed it on those leads and shredded it on that stage. Closing out the band’s lineup is Fred Calderon, who provides the headbangs and the deep tones from his bass. Bass, in my opinion, is the most underrated instrument when it comes to bands. To me, the bass is one of the most essential, as it adds some of the deeper undertones that can really bring the music to the next level, and Fred does that very well. All in all, Carnifex is an absolutely insane band to see live and is very consistent when it comes to theatrics and musicianship.
SETLIST
World War X
Pray For Peace
Slit Wrist Savior
Graveside Confessions
Lie To My Face
Hell Chose Me
Up next as direct support was the ever so talented band After The Burial from Minneapolis, Minnesota. Unfortunately, vocalist Anthony Notarmaso became sick on tour and lost his voice. The band continued on and played instrumentally, which the crowd went WILD for. After the Burial is a very technical band instrumentally. Thanks to their odd time signatures, guitar tones, and fast pacing, the band is well known in the progressive metal genre, constantly teetering between metalcore and deathcore territory. Having the instrumentals showcased in the forefront was an absolutely incredible sight and audible experience. Guitarist Trent Hafdahl was on full display. His leads and backing vocal parts were at the forefront of the band’s performance. They had beautifully timed and strobed lighting that added to the overall experience and performance. The crowd went wild when the band started the set with the fan-favorite song “Lost In The Static.” During the next song, “In Flux,” I couldn’t help but really tune in to bass player Adrian Oropeza. Adrian is really vibing on stage, with his headbanging and downtuned bass tones really adding the grit and djenty sound that the band is known for. Dan Carle closes out the band’s rhythm section, and he is by far one of the most on-point and technical drummers in the progressive metal scene, not missing a beat. I especially noticed it during the third song in the set, “Collapse.” After I left the photo pit, I got to see just how nuts the crowd was going. With a moshpit about twice the size as it was prior, they were absolutely mesmerized by the technicality and prowess the band showcased. During the lead single “Behold The Crown,” from the band’s 2019 album “Evergreen,” released via Sumerian Records, I especially saw this energy from the crowd with one of the fastest and most violent circle pits of the night. The band played two more songs before closing out their incredible set, those songs being “Exist, Exist,” and “A Wolf Among Ravens.” I am incredibly proud of these guys for trooping on through their vocalist being sick. Them playing instrumentally was incredible and wowed the whole audience in attendance.
SETLIST
Lost In The Static
In Flux
Collapse
Behold The Crown
Exist, Exist
A Wolf Among Ravens
The Black Dahlia Murder hailing from Waterford, Michigan, finally hit the stage next. To say they obliterated the stage with their talent would be an understatement. Being a band with 20 years and nine albums under their belt, they had a lot of songs to choose from for their set. I think they created a setlist that was both dynamic and crowd-pleasing. The band opened up the show with “I Will Return” from the 2009 album “Deflorate,” released via Metal Blade Records, which is the record label the band has been with thus far throughout their career. This is typically the band’s closing track when they headline, so it was cool to hear it at the beginning of the set. One thing that cannot be ignored when seeing The Black Dahlia Murder live is vocalist Trevor Strnad’s vocal prowess and control over the crowd. His vocal tone and stage presence combined have made him a figurehead within the death metal community. With crowd surfers galore and tons of moshing in the pit, the band quickly moved on to the title track “Verminous” from their newest album from 2020 that reached number 99 on the billboard 200. Strnad stated himself that the addition of guitarist Brandon Ellis was really showcased on this record. While Ellis was also a part of their 2017 record “Nightbringers,” his style and musicianship really took the helm for the new record. Bassist Max Lavelle provided lots of headbanging, windmills, and deep grooving bass tones that really mesh beautifully with the band’s sound. The band then went into their third song, “Nightbringers,” and I really noticed just how on-point drummer Alan Cassidy was during this song and throughout the whole set. The Black Dahlia Murder songs are incredibly technical, fast, and complex, and Cassidy did not miss a single beat. Guitarist and founding member Brian Eschbach absolutely shreds those rhythm guitar parts with ease. As I’ve stated, the band’s songs are challenging. But someone like Eschbach has been performing them with ease for over two decades at this point, and you can tell he is genuinely enjoying himself on stage with him smiling and exuding lots of positive energy. The band went on to play a career-spanning set, with songs from seven of their nine records. I always get excited when they play “What A Horrible Night To Have A Curse” from their 2007 album “Nocturnal,” as it reminds me of when I first discovered the band myself when I found that song on Rock Band. Fun fact, that song is still the most challenging song on Rock Band for drums. The Black Dahlia Murder once again blew me away, with their colorful green and red lighting to their technical musicianship that got the rest of the crowd and me going wild. They are always on point and are a band that must be witnessed to fully appreciate how great of a band they truly are.
SETLIST
I Will Return
Verminous
Nightbringers
Unhallowed
Funeral Thirst
Sunless Empire
Nocturnal
Statutory Ape
Removal of the Oaken Stake
Contagion
Everything Went Black
On Stirring Seas of Salted Blood
Child of Night
Kings of the Nightworld
What A Horrible Night To Have A Curse
Warborn
As Good As Dead
Deathmask Divine
Miasma
This tour was beyond incredible. After a year and a half away from shows, to have this monster of a tour with these fantastic bands be one of my first shows back; was beyond incredible. Thank you to all of the amazing bands, crew, and venue staff for making sure this show and tour ran so smoothly. This will probably go down as one of the best tours of 2021.
Atreyu Closes Out Their 20th Anniversary Celebration In Ventura
Venue: The Majestic Ventura Theater in Ventura, CA on 11/20/19
When a band hits a milestone in their career, it’s a big deal. From hitting 1 year as a band, to selling out a show, each of these milestones for bands has sentimental value in their growth. Atreyu hit twenty years of being a band, which is huge considering the many bands in their cohort of metal that have come and gone since they started. While it seemed the band would be done after 2010, the band came back in 2014 stronger than ever, continuing with the momentum they had before and then some! With seven albums under their belt, the band let the fans vote on their setlist, which showcased songs from each record. Atreyu brought along with them an interesting mix of bands. With Whitechapel as direct support bringing the deathcore, He Is Legend bringing their southern influenced Mathcore, Tempting Fate bringing the post hardcore, and Santa Cruz throwing it back with some glam rock to the table, this tour was a blend of bands that were different from one another and kept the show truly interesting. Those of us in attendance at this final date of the tour has a wonderful time!
First up was Santa Cruz from Helsinki, Finland. Opening the show up, the band brought out a flare completely different than any other band on the lineup. Their sound is a mixture of glam metal, heavy metal, hard rock, and has some elements of post hardcore mixed in. As the oddballs on the tour, they really hyped the crowd up with energy, especially frontman and founding member Archie Cruz, who shredded to his’ hearts content center stage and captivated the audience with his vocal abilities reminiscent of hair metal from the 80s. The band’s touring guitarist Joe Perez was on point, shredding both the rhythm and lead parts when he and Archie switched off, with incredible stage presence and lots of hairflipping action. On stage left, you’ll find the band’s bassist Eemi Lamberg, who played his basslines with precision and class, while also giving lots of windmills and high energy. Closing out the band’s lineup is drummer Tuomas Lehtonen, who did backup vocals along with his fast and intense drum playing. Throughout the band’s six-song set, you could feel the energy thriving on the stage. I wasn’t able to meet the band, as they took their merch away shortly after they played, but they slayed their set and executed their performance brilliantly. It was a great way to start out the show!
SETLIST
Changing Of Seasons
Bang Bang (My Worst Enemy)
True Believer
We Are The Ones To Fall
Wasted & Wounded
Aiming High
Up next was Tempting Fate from Los Angeles, CA. This band sits on the borderline of post-hardcore and metalcore, while also blending in some nu metal influences, shown especially in their song “Sik”. As an independent band, they have released two EPs and one full length record, which they incorporated songs from each release into their eight-song set. The band has an interesting dynamic, with brothers Cory Beecher on vocals and Shane Beecher on guitar. Drummer Alex Rivas played the heavy blast beat sections with ease and had a lot of energy behind the kit. Eemi Lamberg from Santa Cruz filled in on bass, providing a lot of energy and bass lines to the band’s set. It was cool for me to see the variety in the band’s sound, with songs like “Filthy” showing their heavier side, and other songs like “A Place Called Home” showing off the band’s hard rock side. I was thoroughly impressed by their set. Tempting Fate is definitely a band to keep your eyes on!
SETLIST
Filthy
Questions
Eminence
99
Falling To Pieces
I’d Rather Burn
A Place Called Home
Sik
Next to the stage was the all mighty He Is Legend from Wilmington, North Carolina. Starting out as a metalcore band, the band’s sound has progressed throughout the years, becoming more of a fusion between a plethora of sub-genres, most notably being a mixture of hard rock, alternative metal, stoner rock, psychedelic rock, sludge metal, and southern rock. Watching their set and listening to their music takes listeners on a journey, as songs can sometimes mix several of these influences together, creating an album where each song is dynamic and impressive. Vocalist Schuylar Croom is an entertaining person to watch on stage, grooving along with the music as if he is entranced in it. Lead guitarist Adam Tanbouz and rhythm guitarist Andrew Gaultier played their parts with ease and headbanging to their hearts content. Bassist Matty Williams strummed in those deep basslines that hit the spot in the band’s music, while providing tons of hairflips and energy. Jesse Shelley on drums is the final piece to the band’s lineup, holding down the fort and keeping the band on track while playing the drums with precision, even through the many random tempo changes. The band has a total of six albums, four of which they played songs from in their seven-song setlist. Overall, I was blown away by their set and cannot wait to see He Is Legend again in the future.
SETLIST
White Bat
Burn All Your Rock Records
The Seduction
The Widow of Magnolia
Attack of the Dungeon Witch
Everyone I Know Has Fangs
Boogiewoman
Whitechapel from Knoxville, Tennessee was up next as direct support. Whenever I prepare for a Whitechapel set, I know what to expect: lots of energy, lots of strobing lighting, and those groovy heavy tones that match perfectly with vocalist Phil Bozeman’s deep guttural vocals. Since they released their album “The Valley” earlier in the year, which was released via Metal Blade Records, the band played six-songs from the album, along with three other fan favorite songs, adding up to a nine-song set. Whitechapel has interesting dynamics in their band, with three guitarists: Ben Savage, Alex Wade, and Zach Householder. While Ben technically does a majority of the leads, each guitarist shines during the set, truly adding to the band’s groove metal infused deathcore. Vocalist Phil Boseman really stepped out of the box on the new record, showing off more of his’ vocal abilities in terms of clean vocals, shown in songs “When A Demon Defiles A Witch” and “Hickory Creek”, both of which they played on this tour. I’m also very amused whenever I see Gabe Crisp on stage, as the dude has a really intense presence on that stage, truly jamming out and grooving along while playing those piercing bass tones. The band’s live drummer Alex Rüdinger closes out the current Whitechapel lineup, and he does not disappoint, nailing all of the bands intricate drum patterns. One funny part of the set that stuck out to me was when Phil Boseman said, “We just wrote this next song this morning, so I hope you enjoy it”, and then going on to play the band’s most recognizable song “This Is Exile”. I always love seeing Whitechapel live because they truly have an amazing arsenal of music and it’s cool to see what songs they’re going to pull out of the vault for their sets. Whitechapel never disappoints in concert, and I am looking forward to seeing them again when they come out to Southern California next!
SETLIST
Forgiveness Is Weakness
Brimstone
Black Bear
Third Depth
When A Demon Defiles A Witch
This Is Exile
Hickory Creek
Our Endless War
The Saw Is The Law
Atreyu from Yorba Linda, California was up next to celebrate being together as a band for 20 years. The band’s setlist was voted on by the fans, adding up to a setlist with 20-songs spanning their entire discography, except songs from 2015’s “Long Live”. For the anniversary tour, the band brought an elaborate light show that lit up the whole venue, which made the 1200 capacity venue feel like a stadium show. The band’s lead vocalist Alex Varkatzas was filled with energy, truly utilizing every inch of that stage and engaging fans from every part of the crowd. One thing Atreyu never strays from is their guitar solos, and co-lead guitarists Dan Jacobs and Travis Miguel truly showcased their abilities throughout the set. Brandon Staller is the member that truly sets Atreyu apart from many other bands, as he plays the technical drum parts while providing the clean vocals for the band. Bassist Marc McKnight is truly a hype man on stage, playing his bass lines while engaging the audience members and headbanging with his epic beard waving around. Since the fans voted on the setlist, it consisted of mainly songs from the band’s earlier albums “The Curse” and “A Death-Grip On Yesterday”, but I was glad to see that fans at least voted on some songs from the band’s later albums. I am truly lucky and happy that I was able to see Atreyu two times in a span of five months. They’re a very entertaining band to see and photograph. I cannot wait to see them again when they come back out here!
SETLIST
The Time Is Now
Right Side of the Bed
Ain’t Love Grand
Doomsday
My Fork in the Road (Your Knife in My Back)
Ex’s and Oh’s
Our Sick Story (Thus Far)
The Theft
Bleeding Mascara
Demonology and Heartache
The Crimson
Her Portrait in Black
Bleeding Is a Luxury
House of Gold
Becoming the Bull
Falling Down
Blow
Five Vicodin Chased With a Shot of Clarity
Untitled Finale
Lip Gloss and Black
Atreyu has been dominating the rock and metal scenes for two decades and truly went all in on their anniversary tour. Whitechapel, He Is Legend, Tempting Fate, and Santa Cruz all brought it and meshed with Atreyu beautifully to create a wonderful night of music and a beautiful end to this tour! Make sure to check out all of these bands and see them on tour at a city near you!
When it comes to sound progression in a band’s discography, Issues almost instantly comes to my mind. While they started out sounding a lot like vocalist Tyler Carter’s previous band “Woe, Is Me”, the band started to slowly but surely incorporate influences from genres such as R&B, Funk, Jazz, and EDM. Their newest record “Beautiful Oblivion” saw the band taking a giant leap in terms of their sound. With the departure of long-time vocalist Michael Bahn, the band distanced themselves a bit from the metalcore sound, incorporating more of those influences than ever before. To celebrate the album, the band set out on their world tour, with the first stop being North America with support from Polyphia and Sleep Token: a mixed bag of talent that worked well for the tour!
First up was Sleep Token from London, England. Sleep Token is a fully conceptual band, with each member sporting masks and black body paint. They’ve created this story of being united in worshipping their god known as “Sleep”. The lineup still remains completely anonymous, which adds to the appeal. Sleep Token has taken the scene by storm, garnering a cult-like following with their diversified sound that blends together alternative rock, progressive rock, progressive metalcore, ambient, and EDM. It was surreal to see them on stage, as they looked very ominous on stage with their masks and look. But their music is very melodic and can completely change genres mid-song, which continuously keeps the listeners on their toes. I was personally thrilled to hear the band play songs from their debut album “Sundowning”, which was released in 2019 via Spinefarm Records. The band played a total of six songs, five of which came from that new album. The band played a flawless set with a lot of energy, and I cannot wait for the band to return to the U.S. in the future!
SETLIST
The Night Does Not Belong To God
The Offering
Dark Signs
Higher
Sugar
Jaws
Up next was Polyphia from Dallas, Texas as the direct support for the tour. Polyphia is a very dynamic band. And while they are fully instrumental, they got the crowd going wild like no other, blending together progressive metal, progressive rock, math rock, funk rock, and even some elements of electronic music. Both guitarists Scott LePage and Clay Aeschliman played some insane riffs, with odd time signatures that fit perfectly into the songs. Bassist Clay Glover acts as the band’s front man, hyping up the crowd between the songs and grooving along with his’ deep hitting basslines. With three full length records and two EPs under their belt, the band has garnered a very passionate following, selling out shows country wide on their headlining tours. As direct support, the band prepared a ten-song set, which showcased songs from each of their releases, the newest of which being their 2018 album “New Levels New Devils”, which was released via Equal Vision Records. Polyphia was truly amazing and blew my expectations out of the water!
SETLIST
O.A.T.
D.
Saucy
Goose
40oz
Champagne
Icronic
Look But Don’t Touch
Finale
Euphoria
Issues from Atlanta, Georgia finally hit the stage next for their headlining set. To celebrate the new album’s release, the band played the album “Beautiful Oblivion” in its entirety, along with songs from their previous releases, adding up to a whopping 20-song set. “Beautiful Oblivion” was released in 2019 via Rise Records and shows a more adventurous side to Issues’ sound. Each song brings its own flavor, bringing in different levels of influences and styles. Many fans were surprised by the change in style, compared to their metalcore foundations on previous albums. New songs like “Drink About It”, “Tapping Out”, “Downfall”, “Rain”, and “Here’s To You” still retain some of the heavy instrumentals, but rarely include the screaming vocals or as heavy of instrumentals as the band had on their first several releases, 2012’s “Black Diamonds EP”, 2014’s “Issues” and 2016’s “Headspace”. It personally took me a couple of listens through the record to truly fall in love with it, but I eventually became obsessed. Tyler Carter writes some truly catchy lyrics that get stuck in my head on a daily basis. The groovy guitar and bass lines courtesy of AJ Rebollo and Skyler Acord. The intricate drum patterns come from the one and only Josh Manuel, who is very fun to see in concert with his energy in the back. Issues brought out some older songs on this tour, with “Never Lose Your Flames” and “Mad At Myself” being fan favorite songs from their self-titled album. I was thoroughly impressed by their performance and cannot wait to see them in the fall when they tour North America as support for Dance Gavin Dance, Animals As Leaders, Veil of Maya, and Wolf & Bear!
SETLIST
Here’s to You
Drink About It
Never Lose Your Flames
Hero
Find Forever
Tapping Out
Stingray Affliction
Without You
Rain
Your Sake
COMA
Downfall
Second Best
Get It Right
King of Amarillo
Flexin
No Problem (Keep It Alive)
Slow Me Down
Beautiful Oblivion
ENCORE
20. Mad at Myself
Issues’ Beautiful Oblivion North American Tour brought together an excellent tour, with a mixture of music that was entertaining from the moment Sleep Token opened the show, to Polyphia slaying their set with crowdsurfers galore, and finally to Issues playing a monstrous twenty song set! Don’t forget to get your tickets to see Issues open for Dance Gavin Dance in August!
Ice Nine Kills Play Homage To Horror Classics At Their Sold-Out Los Angeles Show
Venue: The Belasco on 11/9/19
Ice Nine Kills has been a consistent band I’ve listened to since I got into them when I first saw them on Warped Tour in 2014. Their blend of symphonics with metalcore has always been intriguing to me. For the second edition of the SiriusXM Octane Accelerator Tour, Ice Nine Kills was announced to headline, with support from Fit For A King, Light The Torch, and Awake At Last. Make Them Suffer was also slotted to open on the tour, but due to VISA issues, they were unable to perform on the tour. This would be Ice Nine Kills’ biggest headlining tour to date in the United States, and they really went all out to make this an amazing tour.
First up was Awake At Last from Dover, Delaware. The band describes themselves as a mixture between pop, hard rock, and post-hardcore, which I agree with. Continuing their touring schedule in support of their newest release “The Change”, which was released in 2019 via Outerloop Records, the band opened the show with high energy that got the crowd going. Similarly to Ice Nine Kills, the band uses symphonic backing in their songs, with adds a great level of depth to their songs. Opening their set with the song “Purgatorium” from their independently released 2017 EP titled “Life/Death/Rebirth” showcases this depth to a T. Vocalist Vincent Torres has great stage presence, really engaging the crowd and moving about. Guitarists Imran Xhelili and Eric Blackway really held their own on stage, engaging their respective sides of the crowd and really adding to the energy coming from the band. Drew Hansen headbanged and slammed those notes with the bass with ease. Closing out the band’s live lineup is Jeff Dorber on drums, who was very energetic and engaging. Overall, I thoroughly enjoyed the band’s seven-song set, and thought they really got the energy going for the bands to come!
SETLIST
Purgatorium
More Than Animals
Unobtainable
Paralyzed
Fallen Stars
Dead Generation
The Change
Up next was the all mighty Light The Torch from Los Angeles, CA. Previously called “Devil You Know”, the band has been around since 2012 and have released three studio albums together. I was very much excited to see them, as I have been a fan of each member’s respective bands. Vocalist Howard Jones was previously in Killswitch Engage, guitarist Francesco Artusato is also in All Shall Perish, who are on an indefinite hiatus, bassist Ryan Wombacher is also the bassist of Bleeding Through, who I had the pleasure of seeing and photographing in June of 2018, and drummer Kyle Baltus is the drummer of 38 Crazyfists. So as a super group, the band embarked on this tour and prepared an 8-song set, most of which came from their 2018 record “Revival”, which was released via Nuclear Blast Records. As the perfect blend between metalcore and alternative metal, the band was energetic and slayed that stage with ease. I was just in awe to finally see Howard Jones on stage, and to be able to photograph them was a dream come true. The band will be going on a North American tour in support of Killswitch Engage and August Burns Red in March – April, so definitely go check them out when they hit a city near you!
SETLIST
The Bitter End
Calm Before The Storm
Lost In The Fire
Virus
Consume The Damned
The Safety of Disbelief
The Sound of Violence
Die Alone
As direct support, Fit For A King from Dallas, Texas was up next. I have seen and photographed these guys four times now over the last two years and this is by far my favorite set they’ve performed. The band plays some damn good metalcore, and with five albums under their belt, they have created a solid career for themselves. For their direct support slot on this tour, the band prepared a ten-song set, with songs from their two newest releases “Dark Skies” from 2018 and “Deathgrip” from 2016, both of which were released via Solid State Records. Something long time fans will know is that vocalist Ryan Kirby has taken on more as a vocalist, doing both screaming and singing on these releases. His stage presence is incredible. Ryan “Tuck” O’Leary is the hypeman of the band, jumping, spinning, kicking, screaming, and singing to his’ heart’s content while playing those bass notes. Drummer and founding member Jared Easterling is always on point, playing intricate and dynamic drum parts, while exuding such joy and happiness while playing on stage. Guitarist Daniel Gailey closes out the band’s lineup, and despite some technical difficulties at the beginning of the set, came out and delivered a stellar performance. I love Fit For A King. If you love some good metalcore, they’ll be going on a world tour in support of “Dark Skies” that will be hitting North America, Europe, and more in the coming months!
SETLIST
Engraved
Backbreaker
When Everything Means Nothing
Shattered Glass
Cold Room
Dead Memory
Deathgrip
The Price of Agony
Oblivion
Tower of Pain
Ice Nine Kills from Boston, Massachusetts came out next to headline the night. With a dramatic curtain drop, the band started out their set with the infamous song and the third single “Thank God It’s Friday” from “The Silver Scream”, which was released in 2018 via Fearless Records. What the curtain drop revealed was an elaborate set of lighting and costuming. Each member was dressed up as a different horror icon: drummer Patrick Galante was dressed up was Billy The Puppet from SAW, guitarist and backup vocalist Ricky Armellino was dressed up as Georgie from IT, guitarist Dan Sugarman was dressed up as Jack Torrance from The Shining, and bassist Joe Occhiuti was dressed up as Edward Scissorhands. Spencer Charnas, the lead vocalist and founding member, changed costumes and props each song. When “Thank God It’s Friday” played, he was dressed up as Jason Vorhees from Friday The 13th, with the machete in hand. The second song in the set “The Jig Is Up”, spencer switched into his usual outfit for the show: a ripped green and red striped cut of shirt, black jeans, and shoes. But, to fit the song being about the SAW franchise, he sported an old man mask to act like John Kramer. For our third and final song in the photo pit, Spencer brought out a chainsaw and played with it for the duration of the song “Savages”. The rest of the set was filled with other costume changes, notably his’ complete costume change to be dressed up as Ghostface from the Scream franchise for the song “Your Number’s Up” from their 2019 deluxe edition release of the album. The whole band held their own. The most hyped part of the set would have to be during the encore when Spencer came on stage dressed up as Pennywise from IT and brought up someone in a Mickey Mouse costume. It was a creative way to mock Disney for banning the band. This set was filled with theatrics, amazing music, and amazing costumes. The band prepared a whopping 19-song set for their larger than life headliner, and it’s truly amazing to see how far they’ve come as a band since I first saw them. Ice Nine Kills is currently on a European tour in support of Hollywood Undead and Papa Roach, and then will be touring the US once again as support for Five Finger Death Punch, Papa Roach, and I Prevail from 4/8 – 5/20, so definitely go see them on a date near you! I can’t wait to see one of my favorite bands again when they come out here!
SETLIST
Thank God It’s Friday
The Jig Is Up
SAVAGES
The Nature of the Beast
The World In My Hands
Communion of the Cursed
A Grave Mistake
Your Number’s Up
Rocking The Boat
Merry Axe-Mas
Thriller (Michael Jackson cover)
Hell In The Hallways
Stabbing In The Dark
The Fastest Way To A Girl’s Heart Is Through Her Ribcage
Love Bites
Tess-Timony
Me, Myself, & Hyde
The American Nightmare
ENCORE
19. IT Is The End
The SiriusXM Octane Accelerator Tour was absolutely incredible from start to finish. Ice Nine Kills truly put on a one of a kind set that truly made me speechless walking out of the venue. Fit For A King delivered an incredible set as direct support and blew me away yet again. Light The Torch tore the stage up and made me an even bigger fan of them. And Awake At Last delivered a flawless set with ease as the opening act. I am truly grateful that I was able to attend this show and capture all of these amazing moments.
Seattle-based rock band The Classic Crime have been around for quite some time, releasing a handful of albums over the past fifteen years. The band have recently dropped a couple of singles, leading up to their upcoming full-length album “Patterns In The Static” (due to be released on February 28th) and embarked on a tour of the West Coast (their first tour since 2018) in support of the new material.
Opening up the night was Seattle based acoustic musician David Lunsford. He began the set with his most recent single, “God Damn Soul,” and played “Without Your Armor” and “On My Mind” from his 2018 debut LP, “To All My Friends And Family.” In addition, he also played two unreleased songs, one titled “Evergreen” and a self-titled song that he concluded his set with. What stood out to me about David’s set was the emotion he put into each of the songs he performed, and that was evident from the moment he started the set.
Up next was Your Bourgeois, a local rock band from Golden, Colorado. They had a pretty good mix of slower and more upbeat songs in their set, and seemed to show influences of various styles of rock, which made their set even more interesting. One of the main things that stood out to me about this band’s set and the music they played was the very impressive lead guitar solos in a couple of the songs.
Second to last was Assuming We Survive. I saw them headline in LA a couple of years ago and since then, they have quickly become one of my favorite bands to see live and one of my favorite bands overall. One thing I like a lot about their live shows is the energy they constantly bring throughout so much of their sets, and the large majority of their setlist consisted of some of the most upbeat tracks from recent releases (“Tear Me,” “Make It Out Alive,” “Smile Sometime,” “Too Close”). The band played their two latest EPs, “Chapters” and “The Enemy Within,” from beginning to end (with the exception of “California Stoned,” the final track on “Chapters”), and amidst all of the more upbeat songs they played, they slowed things down a bit as well when playing “Lost” and “Let You Down,” which had everyone waving their cellphone lights in the air.
The Classic Crime took the stage not long after Assuming We Survive was done, and they
instantly had the crowd singing along and rocking out to their music. Their setlist spanned from throughout their discography as they played songs such as “The Fight” from their 2006 debut LP “Albatross,” “Abracadavers” and “Gravedigging” from 2008’s “The Silver Cord,” “Beautiful Darkside” and “The Precipice” from 2012’s “Phoenix,” “Driftwood” and “Holy Water” from 2017’s “How To Be Human,” . In addition, they played their two latest singles, “Take The Moment” and “Miles And Miles,” which are both from their upcoming album “Patterns In The Static.” This was my first time seeing The Classic Crime, and immediately I thought that they put on a really fun live performance.
Each act that performed at this show was something a little bit different, but one commonality that all of them shared was putting on an interesting and captivating performance, and the show overall was a very fun one to watch.
In Flames Set The Observatory On Fire On Their Winter North American Tour
Venue: The Observatory Orange Country on 11/6/19
In Flames has been a band on my radar for quite some time. I got into them later than most when their 2016 album “Battles” hit the shelves. I was stoked when their North American Tour was announced, as I had still never seen them live. Along with the band came support from Red and Arrival of Autumn, giving the evening a mixture of metalcore, post-hardcore, hard rock, and melodic death metal. This night was truly amazing.
First up was Arrival Of Autumn from Grande Prairie, Alberta, Canada. This was my second time seeing and photographing these guys, the last time being a little over a month prior on the last date of their tour with Soulfly, Incite, and Prison. The band is the perfect mixture of metalcore and melodic death metal. Unfortunately, due to traffic, I was only able to photograph and catch the last song and a half of their set at The Observatory, but something that is evident about Arrival of Autumn is just how strong and together they are as a band. From their riff heavy instrumentals, courtesy of Ryan Sorensen and Brendan Anderson, to their thick basslines, thanks to Kevin Student, technical drumming from Ty Fox, and the mixture of a wide array of singing and screaming from vocalist Jamison Friesen, the band has a very strong sound that have blown me away both times I’ve seen them. The band played a 7-song set, most of which came from their debut 2019 release “Harbinger”, which was released via Nuclear Blast. Arrival Of Autumn is truly an amazing band and I cannot wait to catch their set again next time they’re in Southern California!
SETLIST
Hurricane on the Horizon
Witness
Better Off Without
The Endless
Apocalyptic
Old Bones / New Blood
The Horror
Up next was Red from Nashville, Tennessee. This was my second time seeing these guys, with my last time being in March of 2018 when they co-headlined The Regent with Lacey Strum. I didn’t know much about them the first time I saw them but became a big fan after seeing them the first time. I now own every one of their six albums on physical copy and was happy with the songs they chose for their 9-song set. They mixed songs from their albums, along with songs from their 2019 EP “The Evening Hate”, which they released via The Fuel. I would best describe their sound as a mixture of Nu Metal, Alternative Rock, Alternative Metal, and Hard Rock. Their sound is dynamic, blending each of these songs into their diversified discography to perfection. When you go see Red live, the first thing you will realize is just how energetic vocalist Michael Barnes is, truly engaging with the crowd and owning every inch of the stage. Guitarist Anthony Armstrong, and twin brother and bassist Randy Armstrong own their sides of the stage with ease, slaying those guitars with ease. In the back of the stage, you’ll find drummer Dan Johnson drumming with force with his double bass drums on point. The band was a joy to see, and I especially liked them more now that I actually know the music they were playing. I cannot wait to see Red again in the future.
SETLIST
Fight Inside
Death of Me
Confession (What’s Inside My Head)
Let Go
From The Ashes
Already Over
Feed The Machine
The Evening Hate
Breathe Into Me
In Flames from Gothenburg, Sweden finally hit the stage last. The band really went all out in terms of choosing their setlist, putting together 21-songs that showcased songs from ten of their thirteen albums. What blew me away was hearing the band’s change in sound over the span of their 30-year career as a band. Their musical style mixes together melodic death metal, metalcore, alternative metal, and heavy metal. The band played the perfect mix of the heavy, with some of their more melodic songs, to make both old school fans and newer fans alike very happy. Of the 21 songs they played, 6 of those songs came from their newest album “I, The Mask”, which was released in 2019 via Eleven Seven Records in North America, and via Nuclear Blast throughout the rest of the world. One element to the band’s sound that is iconic when many think of melodic death metal is their heavy use of guitar solos and dueling guitar parts, courtesy of Björn Gelotte and Chris Broderick. Both Gelotte and Broderick had great stage presence and interacted a lot with the crowd. The band’s older sound was strictly melodic death metal, but as time went on, vocalist Anders Fridén started incorporating more clean vocals, which truly helped bring the band in a different direction. Fridén told jokes between the band’s songs and was very active on stage. Bassist Bryce Paul headbanged like crazy and was also very big on crowd participation while he slammed out those bass notes. Drummer Tanner Wayne closes out the band’s lineup, playing an intricate drum patterns with ease. Wayne was previously in post-hardcore bands Chiodos and Scary Kids Scaring Kids but has since joined the metal greats of In Flames and helped them create “I, The Mask”, which has truly become my favorite record from the band to date. Just like their live set, the new record mixes together elements from melodic death metal with elements from metalcore, alternative metal, and heavy metal. They played a truly amazing set that left a lasting impression on me. I cannot wait to see them next time they come out to Southern California!
SETLIST
Cloud Connected
Only for the Weak
Take This Life
Clay Man
Where the Dead Ships Dwell
Call My Name
Behind Space
Follow Me
Monsters in the Ballroom
All for Me
(This Is Our) House
The Hive
Wallflower
Here Until Forever
Burn
Voices
Everything’s Gone
Colony
The Truth
I Am Above
The End
The Winter North American Tour was an amazing spectacle to attend. I was finally able to see In Flames, who completely obliterated my expectations out of the water. It was great to see Red again, who were insane at this show and tore that stage up. And it was great to see my new friends in Arrival Of Autumn tear up that stage again, even though I was only able to catch a couple of songs. Truly an amazing night!
When it comes to death metal bands, Cannibal Corpse is one of the ultimate greats. I got into them a little later than most, when I came across “Hammer Smashed Face” on Rock Band back in 2013. They’ve been on my bucket list of bands I’ve wanted to see since then, and with them performing what would be a sold out show so close to home, this was the perfect opportunity to finally see them. And with another one of my favorite bands, Thy Art Is Murder, performing as well as direct support, this was bound to be a truly stellar show!
First up was Thy Art Is Murder from Sydney, Australia. This was my third time seeing these guys, and this was the longest set I’ve seen them play. They played a lot of songs from the new record “Human Target”, while mixing in songs from each of their other Nuclear Blast releases “Hate”, “Holy War” and “Dear Desolation”, totaling out to an 11-song set. Thy Art Is Murder is described as deathcore, but take in influences from death metal, blackened death metal, and even metalcore. It’s because of this blended sound that the band can fit with a plethora of metal lineups. I previously saw them in March of 2018 co-headlining with Dying Fetus on a North American Tour, then saw them in April of 2019 when they acted as direct support for Architects (UK) on their North American Tour. Once again, Thy Art Is Murder acted as direct support on this tour for none other than Cannibal Corpse, so Thy Art was able to bring out some of the heavier tracks on this run. I personally was extremely stoked to hear them play “New Gods” and “Make America Hate Again” from the new record. When you see the band live, there are a few notable things to look out for. Holding down the fort in the back is Jesse Beahler on drums, who truly creates an interesting dynamic with intense and difficult drum parts played to perfection. On stage left is rhythm guitarist Sean Leander and bassist Kevin Butler, who each groove along in each song with high energy and a plethora of facial expressions. Lead guitarist Andy Marsh stands on stage right and can be usually seen looking intensely into the crowd as he shreds to his’ hearts content. Front and center is vocalist CJ McMahon, who is spotted in the first 2 songs sporting a hooded cloak and looking tall and ominous into the crowd, while screaming and growling with a wide range of tones and pitches. The band is also known for their bright and strobing lighting, not using any of the frontal house lighting and bringing forth an haunting presence, which goes right along with their serious politically driven lyrical content that focuses on anti-religion, anti-extremism, animal rights, greed, war, and much more. I was thrilled to see Thy Art Is Murder once again and I believe they truly put on their best set to date!
SETLIST
Death Squad Anthem
Make America Hate Again
Fur and Claw
Slaves Beyond Death
Holy War
No Absolution
Human Target
The Son of Misery
New Gods
Reign of Darkness
Puppet Master
Next up was the all mighty Cannibal Corpse from Buffalo, New York. After many years of listening to them and playing their songs on Rock Band, it finally became time to see them. The band is good ole fashioned death metal that borders the line of brutal death metal. Their lyrical content draws from horror fiction novels and horror films, with highly graphic and controversial imagery on their album covers to go along with the musical content. As a big horror fan myself, I was almost immediately drawn to that aspect of Cannibal Corpse when I found out about them. The band has been going strong since 1988, despite a couple lineup changes near the beginning of their career. What I was pleasantly surprised when watching them was how humble they were. They didn’t do a walk on intro like a lot of other bands, they didn’t bring additional lighting, they just played good fucking music and got the crowd hyped. Vocalist George “Corpsegrinder” Fisher blew me away with his ability to own the stage by doing a single stance. The band isn’t known for being insanely energetic, but the power each member gives off just from their stage presence and musical technicality is mind blowing. With fourteen albums in their discography, I was pleasantly surprised how well the band was able to cover, playing songs from twelve of those fourteen albums. The crowd went nuts, with one of the most violent mosh pits I’ve seen. This was a perfect setlist, as the band played a whopping 18-songs, with George adding in some comedic moments while the rest of the members would tune their instruments. I was thrilled to hear songs like “I Cum Blood”, “Hammer Smashed Face”, “Red Before Black”, and “Kill or Become”, which were all highlights from the set for me. Bassist and founding member Alex Webster was also very fun to watch for me, as his bass stance was very powerful and was very fun to capture. The band had Erik Rutan, guitarist of Hate Eternal, filling in on this tour. His stage presence and ability to own those dueling guitar solos blew me away. Drummer Paul Mazurkiewicz truly impressed me with his extremely technical drum parts that were played to perfection, along with his stage presence behind the kit. The dude is insanely fun to watch. Closing out the band’s lineup is guitarist Rob Barrett, who truly slayed it with his’ rhythmic patterns and technicality on the rhythm guitar. But the stand out was definitely George Fisher, who’s headbanging and vocal abilities drove the set to a whole other level. Cannibal Corpse’s performance was one for the books and I will definitely be seeing them again in the near future!
SETLIST
Code of the Slashers
Only One Will Die
Red Before Black
Scourge of Iron
Staring Through the Eyes of the Dead
The Wretched Spawn
Devoured by Vermin
Unleashing the Bloodthirsty
Gutted
Kill or Become
A Skull Full of Maggots
Evisceration Plague
Firestorm Vengeance
Death Walking Terror
I Cum Blood
Make Them Suffer
Stripped, Raped, and Strangled
Hammer Smashed Face
Cannibal Corpse’s Fall North American Tour was an amazing night with two bands who absolutely crushed it, performing incredible music that blew me away. Both Thy Art Is Murder and Cannibal Corpse are at the top of their game and I cannot wait to see both bands in the new year when they come out to California again!
Venue, Date, & City: Marquis Theater in Denver, CO on 10/18/2019
Florida based metalcore band Wage War are a band that have been on my radar for awhile, ever since I heard their single “Youngblood,” from their 2015 debut LP, “Deadweight.” Fast forward a few years later, and the band have now released their third album, “Pressure,” and I attended the Denver date of the North American headlining tour that they did in support of the record.
Southern California based post-hardcore band Dayseeker opened up the night. They played a mix of songs from 2017’s “Dreaming Is Sinking /// Waking Is Rising” (“Vultures” & “Sleep In The Sea Pt. II”) and their newly released album “Sleeptalk” (“Drunk,” “Crooked Soul,” “Burial Plot,” and “Sleeptalk”). The extremely catchy hooks and the overall energy the band puts into their live performance had so many people in the crowd singing and dancing along (myself included) and made the set a really fun one to watch.
Polaris was up next, and while I wasn’t extremely familiar with their music and hadn’t seen them live before, I was really impressed by their set. Their setlist was entirely made of songs off of their latest release, their 2018 debut LP “The Mortal Coil,” and included “The Remedy,” “Casualty,” “Crooked Path,” “Relapse,” “Consume,” and “Lucid.” They put a lot of energy and emotion into their performance, and the crowd was the same way, shouting the words and moshing throughout the set.
The Columbus, Ohio based Like Moths To Flames were second to last. The band played a surprisingly large amount of older material during their set, spanning from all throughout their discography, playing a few songs from “When We Don’t Exist” and “An Eye For An Eye,” as well as playing more recent material, such as “Bury Your Pain” from the double single “The Dream Is Dead,” “Nowhere Left To Sink” from their last LP “Dark Divine,” and “All That You Lost,” one of the three most recent singles the band had released since signing to UNFD.
Wage War closed out the night and put on a pretty long headlining set, also filled with songs from throughout their discography. They played a handful of songs off of “Pressure” (“Who I Am,” “Prison,” “Grave,” “Ghost,” “Hurt,” “Me Against Myself” and “Low”), as well as mixing some older fan favorites from their first two albums into their set – “Alive,” “Twenty One” and “The River” from their debut “Blueprints,” and “Johnny Cash,” “Don’t Let Me Fade Away,” “Gravity” and “Stitch” from their sophomore album, “Deadweight.” Each song of the band’s set had the sold out crowd engaged the whole time and I thought they put on a great performance.
This was my first time seeing all of these bands live, and their performances left a great first impression and made this tour one I really enjoyed.
The Camera Affect 